Issue 59, March 2022

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 59, March 2022

Featured image for “A Bright Cold Day in April”
Michael McGuire

A Bright Cold Day in April

It was a bright cold day in April of 1984 when I tested positive for the HIV virus. I remember the date and the weather because not only does the devastation of life-altering news make one hyperconscious of his environment and bring the physical world into magnified bold relief, I was that week also reading Orwell’s 1984 for the third time…

March 2022
Featured image for ““Kane Ranch,” “LA” and “With Holly in the West Village””
Ron Tobey

“Kane Ranch,” “LA” and “With Holly in the West Village”

migrants call, no formality of naming, their ox or mule pulled wagons “schooners” little more than buckboards with front plank bench hand-pulled brake no suspension wood wheels wood spokes rusting iron rims sun shield metal-ribbed white canvas hoods ceaseless wind shakes

March 2022
Featured image for “Ignoring Vital Signs”
Hilton Koppe

Ignoring Vital Signs

These days I see my mum less often. But I see her better. Since I moved from the city to work as a country doctor twenty-five years ago, she visits a few times a year. She stays for a week or more. We get to share breakfast, lunch and dinner. Tonight, I am sitting with her in our lounge room. My kids are in bed. My wife is out. We are watching Fiddler on the Roof.

March 2022
Featured image for ““To the Race of Giant Fiberglass People Standing in Front of Illinois Businesses,” “On the Burlington Formation” and “Surprised by Phenology” ”
Steve Fay

“To the Race of Giant Fiberglass People Standing in Front of Illinois Businesses,” “On the Burlington Formation” and “Surprised by Phenology” 

I want you to know I honor each of you, how your shadows fully cross our streets

just after dawn, how you never bend to ridicule, or to rain, how you never lower

your standards, or your arms.

March 2022
Featured image for ““Objects,” “Womanhood” and “3awrah””
Hejaz Jalal

“Objects,” “Womanhood” and “3awrah”

This boy that I loved, my first love, named parts of me Names full of admiration Names that never addressed me Foreign names of white women

Aurora I don’t like those names

March 2022
Featured image for “Leopard Road”
Ethan Steers

Leopard Road

There is a road that follows three miles along the banks of the Ganges, leading through the village of Chatwapipal and on to Tibet. From 1918 to 1920, a man-eater dubbed the Man-Eater of Garhwal devoured thirty-seven people on that road, plucked from their carts and pilgrimages like coconuts from a tree. The leopard ruled with an iron fist until being killed by the Anglo-Indian hunter Rao Whittaker with the help of his friend Sayyad.

March 2022
Featured image for “Riverine”
Kayann Short

Riverine

By the bank of a winding river near the mouth of a mountain canyon lived a woman named Riverine. Which river she lived near, you must imagine for yourself. Any river that comes to mind will do, as long as it flows from a wild place with untamed edges ravining its course. Just picture the river you know best, even if it’s only the river you see when you close your eyes, and there you will find Riverine.
Riverine’s cabin seemed just another element of the rocks, soil, and sand that channeled the water in its banks. Built of logs long ago and surrounded by trees, her home was more of the river than on it. Yet whoever had built the cabin had sited it far enough on the upward slope from the river to protect the house from floods.

March 2022
Featured image for “Sheila On Earth: What Happened”
Dan Yonah Johnson

Sheila On Earth: What Happened

Welsh Cemetery, Radnor Ohio, Thursday, May 7, 1970
It was a bad week in Ohio. First, there was the massacre at Kent State. And then another local boy came home dead from ‘Nam. It was too much. It was now very difficult for fifteen-year-old Sheila Lloyd and Julia Watkins to remember their happier grade-school days…when they would get in trouble together for silly pranks along with their buddy Jake Jones—younger brother of the dead soldier.

March 2022
Featured image for “Papa’s Mysterious Rex”
Etya Krichmar

Papa’s Mysterious Rex

It happened a long time ago in a small town of Kotovsk, located in Eastern Ukraine, which belonged to the Soviet Union. Mama, Papa, and I sat in the back of the menacing-looking, Khrushchev-Era four-story building in front of our ground floor apartment’s window. The three of us enjoyed the last few days of the good weather. It was pleasantly warm for an October evening.

March 2022
Featured image for “The Year Coffee Was Illegal: Bad Brew”
Susan Hudson

The Year Coffee Was Illegal: Bad Brew

June 1992
Scottsdale, Arizona
“So glad you could make it, Bill.” Al Church greeted his old friend, Surgeon General Dr. Bill Johnston.
“Well, under the circumstances, I think it’s better that I come to see you than the other way around. Can’t be too careful in D.C.”
“True. We both have enemies there.”

March 2022
Featured image for ““The World Is a Savage Place,” “Moon Prayer” and “Soft Body””
Christen Lee

“The World Is a Savage Place,” “Moon Prayer” and “Soft Body”

The world is a savage place. Have you read the news today? Surveyed rural highways, An elegy to wildlife speared by cars like arrows from the crossbow? Felt life fade from the one clutched in your arms? Seen a man sink to his knees as you whisper “She’s gone”?

March 2022
Featured image for “State of Affairs”
Thomas Weedman

State of Affairs

I wake for work at three, dizzy drunk sidestep in the dark to the kitchen. Thank God for stippled walls, good as cool soothing braille. My head spins, trying to recall what led to this state of affairs. Nothing yet ghosts my foggy mind. And nothing makes a sound or moves in the usually creaky Victorian apartment. Not a window rattle or even a mousy stir.

March 2022
Featured image for “Heading Home Again”
Cory Essey

Heading Home Again

Ethan’s head was humming. A nest of bees could have taken up residence inside his brain, and he doubted that it would feel less uncomfortable. The constant buzzing, the absence of a peaceful mind, was the hardest part of his job – he had decided that long ago. It wasn’t the ungodly hours or the constant stress of working under strict time limits that could mean life or death.

March 2022
Featured image for ““White on Glass,” “Auto-Genesis” and “Foreground and Background””
Jacob Weil

“White on Glass,” “Auto-Genesis” and “Foreground and Background”

I remember being thirteen And the snow falling so completely On the windshield.

It was as if I were alone. So sudden and delicate. A single open window in which the cold light expands.

March 2022
Featured image for ““Cousins,” “Origins” and “Lurking””
Deborah Filanowski

“Cousins,” “Origins” and “Lurking”

Crickets signal the need for sacrifice, a thanks for good harvest, appeasement for the war gods of winter. The frost is overdue. Near the end of October, the mosquitoes hum and bite as I still sit on the front porch.

March 2022
Featured image for “The Kid”
Michelle Spencer

The Kid

The kid’s face is good and smashed up, his nose most certainly broken. Eddy has transferred enough prisoners to know these things. On the grand scale, these injuries don’t look too bad and the easy banter between the paramedics speaks to the lack of urgency.
“Nearly there, warden,” the medic closest to Eddy says. “We should get through quick. Mondays are usually quiet. You’ll be back in no time.”

March 2022
Featured image for “The Dead Too Shall Rise”
Belle Kane

The Dead Too Shall Rise

When Victoria summoned the dead, it was an accident. The power flickered out just as Victoria locked the front door and flipped over the “We’re Open” sign. She heard the AC’s guttural last attempts at blowing cold air as it died out. She sighed, looking up at the ceiling regretfully. She would have to make do with what she had at the store.

March 2022
Featured image for “God’s Work”
Stephen Elmer

God’s Work

With a whistle, and a little too much excitement, Randolph swiveled in his tall leather chair in the control room of the LifeSupply Spruce Grove store. He just turned thirty and was making good money, enough to afford a small house next year. Randolph wanted to move up, save, invest, have a kid, and retire with money—all while taking care of his mom who he had transferred to Spruce Grove to care for.

March 2022
Featured image for “The Dummy”
James Hohenbary

The Dummy

Allen White, mayor of Centralia, stared at the ventriloquist dummy that reclined in the box. He had asked his political party for funding, and along with a check, the package had arrived. It sported an orange face with pink circles around the eyes. Yellow hair swooned at the front of a mostly bald head. The packing peanuts were painted gold. Like a sloppy job with a spray can.
These puppets were nothing new. Other candidates were still using them in other states, even after the last election. Allen shook his head. He personally disliked the idea. He worried that the Vaudeville antics made it harder to lead. “Should a king compete with his fool?” he asked. On the other hand, the polls had their own truth to tell.

March 2022
Featured image for “In Their Ruin: Inquisitor”
Joyce Goldenstern

In Their Ruin: Inquisitor

The first evil thing that Samuel Stone remembered doing in his life happened when he was nine years old. He burned a martyr at the stake.
Of Gladys’s three sons, Samuel was the one who listened most intently to Gladys’s stories and asked the most questions. He was a practical child who carefully counted his allowance coins, but also a child who appreciated metaphors.

March 2022
Featured image for “Her Own Devices: Chapter 9”
Geoffrey Dutton

Her Own Devices: Chapter 9

For fifteen minutes Anna sat on the concrete wall, fingers interlocked, rhythmically rubbing her thumbs, until the curly headed man emerged onto the taverna’s patio. He was as thin as she had remembered, but taller, with that stooped bearing tall men fall into from peering down at the world. After briefly stabbing and stroking his phone, he put it in a back pocket, glanced in her direction, and sauntered down the sidewalk. Sensing he still hadn’t recognized her emboldened Anna to get up and warily trail after him.

March 2022