Big Tiny and Polly owned a neighborhood grocery store with two Conoco pumps out front and rarely more than three customers at a time inside. No TV or radio played in the background, no beer or cigarettes sold, and they didn’t bother with a cash register. A narrow counter ran from the front window almost to the back door, two aisles opened perpendicular to the counter, and shelves lined the walls. Other than a well-stocked cold drink box and an old Hotpoint refrigerator filled with dairy products, that was it. I worked as the store’s only employee in the summer of 1963, when I was thirteen and secretly held Cassius Clay as my hero.

One hot summer day twenty years ago, the day after my father died, my brother and I placed a few sheets of four-foot by eight-foot plywood in the center of the attic at my parent’s house, the same house I live in now with my wife Anne and our three boys, the house we are selling. Putting the boards in was hard work that required twisting and bending and lifting, and it strained our muscles. Dust motes and pink asbestos particles clung to our sweaty skin, and splinters pierced our fingers; I enjoyed the work, more from the pleasure of my brother’s company than the job’s inherent value or purpose.

Afternoon. A mist of not-quite-rain. Stacking wood by the side of the shack. River Gum, bought in to mix with the bush wood. Admire its deep desert-red, its dense solidity, its promise that winter has its comforts too: this is the only wood that knows how to burn hot and slow and all the way through to the morning.

I was born in the winter of 1982. A week later, my father transported me and my mother from the town hospital back home on a wooden horse cart. The unrelenting snowflakes oscillated from the dreary sky and soon smothered the blanket under which my mother cuddled her infant daughter. Many years later my mother confided, or complained, that my father grudgingly hauled the cart choosing broken road and stones for the wheels to roll over to declare his vexation at having another girl.

We stayed close to a lone biker, tailgaiting him on the drive into Sturgis. His Harley floated around the long curves of shining blacktop, and up and down the slopes. The rocky pine-covered Black Hills were clear of clouds, the sky breaking open blue after an earlier rain. We were the only SUV in the long, long, procession of rumbling motorcycles, and we did not talk, transfixed by the constant, fast moving parade.

Jia arrives on the arm of Horst and I look away but they’ve noticed me, so I look back and lift my chin. It’s the usual assortment at the Foreign Correspondents’ Club, including a few Chinese like Jia and an overrepresentation of Australians like Bruce Colley next to me at the bar. Colley is in Hong Kong on business for his family, which owns a media empire based in Sydney. He’s higher up now than when I first met him a few years ago.

A refrain from a dance rock song soothes my ears as I regain consciousness. Headache pulses between my temples and all my joints are sore. My left knee hurts. I slide my hand down my leg and touch, through a rip in my jeans, the mushy softness of a wound. My breathing gets faster, as random flashes of myself cycling along an urban roadway blast in my mind like a display of fireworks. No room enough to stretch my limbs. The surface under my body has the roughness of wood.

September 1933
“Ollie, have you seen what their car spits out into the air?” Gertie asked, hands on her hips. “The smoke, Ollie! Every time that damn Model T cranks up it sends columns of smoke up just like Fourth of July fireworks. Every day, Ollie, every day. How can that possibly not be dangerous?”
Ollie sighed and took Gertie’s hands. “It’s not good for us, Gertie, I know it’s not. And you know it’s not. But nobody else sees it.”

Earth’s songs have dimmed over the world, ousted by noises of our own making but she sings here. Now has finished the ‘Knock ‘em down time’ that comes after the monsoon season when the strong winds flatten tall spear grass of the savannah woodlands. Heavy rains have abated, floodwaters drain towards rivers, creeks and billabongs. The woodland savannah begins to dry.

On the night of St. John, atop the flattest peak of the tallest mountain, three Witches danced in decomposed unison around a bonfire made of the flesh and bones of followers to a god unknown.
The first was light of skin with hair of fire. Over her sisters she danced in balance and harmony, writhing her arms as the winds overtook both arm and finger within their hook. Poor fool.

The decision letter is polite, offering you admission in an MFA program in creative writing with a full stipend, tuition remission, and a teaching position. It briefly mentions some aspects of your fiction the admissions committee liked—your strong voice and tackling of difficult themes—and is signed by the director. It is your first acceptance. Most of the rejections so far have come over email.

My mother is French and her happiest time, far happier than when she met and married my father or gave birth to me, took place during the filming of a Brigitte Bardot movie. She was only eighteen and an extra yet she and Bardot became intimate friends. She’d been hired to play a member of a theater audience and watch while the leads furthered the plot center stage.

Memories of America before the Great War distract my mind as Annalisa—my chief of staff—slides the after-dinner briefing book over the warm oak desktop before me. The picture of a woman at the border—draped in a red satin sheet holding a sign overhead reading “You’re no Obama”—rests just inside the cover of the materials. She catches my eye and confirms for me why the American experiment had to end. Or, at least, why the theory behind it had to deviate.

In the beginning, there is only darkness. Then light and water. From those three there are plants. From plants come fish – from fish, mammals, and eventually, humans. The first human awakes and rises and raises its head under the stars, and later, under the sun. Its bare feet wade through water, over rocks, sand, dirt, and then, grass. Its arms balance it upright as its outstretched fingers graze the trees.

Peter stands in front of the entrance to the Museum of Modern Art in the middle of a terrazzo plaza that is hit full-on by the Californian summer sun. Behind him cars rumble past, taxis honk and construction workers are operating a power drill. It is sweltering hot and he is sweating in direct proportion. He admonishes himself, silently, lips barely moving.

The first time I heard crying from the guest room in my new century home was moving day, three months ago. Woke me in the middle of the night. With the windows wide open to catch a breeze, it was hard to tell if it originated from inside or outside the house. Add to that an eight-hour drive, three hours directing movers, and too many pints at the local pub over dinner, and I thought I was hearing things.

He awoke. The sounds of the ocean in his ears, birds outside; dust motes swirled in shafts of sunlight. The scent of salt and resin, pine and decaying things. Another clear morning. He was going to die soon.
The soothsayer was right; she had told him exactly what was going to happen. He had observed the rituals, he’d kept the fires lit. He was wracked with the sheer injustice of it all. Why him?

Portia’s hiking stick tapped the ground. Gravel roiled underfoot; thoughts tumbled. Clouds opened and closed like curtains, blinkered the moon. Wind whipped, settled, blew up again. The woods bashed and ached a lively dance.
Too late to be out walking. What choice did she have? She had to escape Bill and Alda Edgerton, their unbearable conversation, and their daughter.

“This is a bad idea,” I say. “There are at least half a million better ways to spend a Saturday night.” A set of eyes thrown at my husband, inviting him to Netflix and Chill, goes unnoticed as he stands in my reflection. His perfection on full display, the long, lean muscles of his dark, ebony arms and legs meeting at the intersection where the white T-shirt and boxers cover his body. He tucks his T-shirt into his boxers which makes me smile, makes me want to wrap my arms around the elastic waistband and feel the tautness of his stomach against my face. And not let go.

Matt and his dad stand in front of their garage door facing the mud and almond dust caked truck.
“Let’s bring it to a carwash.”
“We’re fine, Matt; everyone’s asleep. No one will hear us. We’ll just wash the truck and then we’re done ’til we have to move the almonds. Just like we planned.”
His dad walks over to the side of the garage to turn on the hose. Matt loses count of the squeaks from the rusty faucet and the curses from his dad. The adrenaline is leaving Matt now, an hour after their theft, and a weariness set in.

Nina and her daughters are waiting for the slowest elevator on the lower campus. Emma is stomping around, pressing the up button and yammering “come, come, come” in her four-year-old fashion, while Carmen, age eighteen months, is sound asleep, stretched out in the stroller, one shoe dangling perilously from her stockinged foot. Nina exhales theatrically as she watches their blurry reflections in the elevator’s chrome doors, wondering whether Oscar will be pleased to see them once they reach his office.

The instructions were simple: Choose an item that piques your interest, put it on and walk down the runway. This would give you an idea of what it was like to be someone else.
David caught wind of it while eavesdropping at a bar in the Lower East Side. It was a former dive that had been renovated to cater to an affluent crowd, the place David had spent most nights since his divorce from June and the funeral that he wasn’t invited to.

Imagine a tree is uprooted. It can be replanted, over, and over again. But each time it is damaged just that little bit more. Each time, it finds it harder to adjust to its new environment. Each time, its memory of that original piece of land where it first saw the sun grows more faint. Imagine that feeling. It’s hard to verbalize it when you don’t know exactly what it is…

The day of the disaster began with the sun gently rousing the living. My bedroom window was east-facing and curtainless, so in the summer months I woke early, because the light was so strong.
That day was a Saturday, and Saturdays were usually the best day of the week.