Short Story

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Short Story

Featured image for “Bus Stop”
Rebecca Godwin

Bus Stop

At 6:10 on a March afternoon in Montgomery, Alabama, Ginnie Lackland sat on the steps of Miss Lily’s acrobatics studio, watching her classmates get picked up by their mothers. Ginnie was a big girl, almost seven, who could do front splits and a perfect backbend and was learning to flip herself completely around without touching the floor—what flying must feel like, she imagined. Miss Lily told her to think of a perfect circle.

May 2022
Featured image for “Life Is But a Dream”
Diana Raab

Life Is But a Dream

Early Christmas morning last year, which happened to be my father’s sixtieth birthday, I was studying for my medical boards in Montreal when my mother called. I found the phone hidden under my placemat on the kitchen table. “Hi, Mom,” I said when I heard her voice. “Joelene, your father died yesterday,” my mother said.

May 2022
Featured image for “A Place to Call Home”
Cory Essey

A Place to Call Home

She hates waiting. She sits on the third step in this old house and links her fingers together, sure there is nothing she detests more. This lack of control was torture, her stomach twisting, her palms clammy as she pressed them together. It felt as though she were vibrating with the nerves of it all, and yet, here she sat. Waiting.

May 2022
Featured image for “The Colossal Risk”
Susan Taylor

The Colossal Risk

She walks briskly through the vast hallways of the Colossal Risk. Windows upon windows line the exterior of the ship—an enormous ship that cradles hundreds of delicate souls—but she pays no attention to the scenery. On the interior walls, unmarked doorways to unknown rooms—the greenish lights that remind her of sickness—line the seemingly endless miles of corridors.

May 2022
Featured image for “Ixmoja”
Mark Williams

Ixmoja

In high school, my friends played trumpets, French horns, trombones, and Risk—conquering make-believe continents while desiring real girls. We spoke on speech teams, competed on chess teams, sang in glee clubs and choirs. Popular boys played football and shot hoops. My friends and I studied Latin. One day I made the mistake of telling fellow trumpeter, Nolan Niemeyer, why I couldn’t practice with him on Saturday morning.

May 2022
Featured image for “Love Among the Fever Bags”
Michael Fontana

Love Among the Fever Bags

Mom lay on a cloud, wings spread, eating a piece of coconut cream pie with her bare hands. She was clad in a thin white robe, head adorned not with a halo but a tall, platinum blonde wig, her spectral body puny as a twig.
“How’s the weather up there, Ma?”
“Sweet as this pie,” she said, smiling, a dollop of whipped topping on her chin.
“I miss you,” I said.

April 2022
Featured image for “Traps”
Randy Mackin

Traps

Coyotes dangled like Christmas ornaments from the tree. Coup D. Gracen closed the gate and stopped beside his pickup to admire his work. He didn’t take credit for inventing this trap—someone else somewhere must have tried it too—but he had perfected it: 150-pound test fishing line and 14 ought treble hooks triple-knotted and baited with pig liver. The limb would break before Coup’s tackle gave way.

April 2022
Featured image for “The Cold Place”
Connor Fineran

The Cold Place

When my parents disappeared, I didn’t understand at first. I always expected difficult things in my life to come later when I was prepared. But nothing could prepare me for what happened the day I found the hole under the couch.
It was September. I’d just started seventh grade. My parents were out running errands, so I did what anyone would do: I wandered around the house, bouncing a ball up and around everywhere that it could be bounced.

April 2022
Featured image for “Canción de Fermín”
Marcia Calhoun Forecki

Canción de Fermín

Fermín Calderón accepted that his actions caused his brother-in-law Tavito to die. Accepting responsibility was the first step toward being forgiven. As a child in a village outside of Acapulco, Fermín heard the priest explain repentance and forgiveness. “First you must admit what you have done. Confess your sins. Only then may you ask to be forgiven.” He buried the words in his heart.

April 2022
Featured image for “The Fairy Statue”
Lisa Voorhees

The Fairy Statue

The face of the fairy statue that sits in the middle of my overgrown garden is covered with moss. Her exquisite features appear altered. The fairy used to be joyful, her stone eyes etched full of delight, tilted up at the corners. They reflected the smile of her pretty, carved mouth. Now her eyes are downcast, that mouth pulled into a frown. She’s been laid to waste by the ravages of time, incessant dampness, and years of neglect.

April 2022
Featured image for “The Narrow Path to Heaven”
Amy Monaghan

The Narrow Path to Heaven

In the church-like silence of the Pennsylvania night, a clothesline of white nightdresses billowed like captured ghosts above the grass. Dark fields drenched in dew stretched out in all directions, the careful rows of tobacco plants and corn waiting for their time to come. At the edge of the farmland, on a small hill above the house, stood an imposing oak tree. It looked down at the property like a sentinel.

April 2022
Featured image for “Leopard Road”
Ethan Steers

Leopard Road

There is a road that follows three miles along the banks of the Ganges, leading through the village of Chatwapipal and on to Tibet. From 1918 to 1920, a man-eater dubbed the Man-Eater of Garhwal devoured thirty-seven people on that road, plucked from their carts and pilgrimages like coconuts from a tree. The leopard ruled with an iron fist until being killed by the Anglo-Indian hunter Rao Whittaker with the help of his friend Sayyad.

March 2022
Featured image for “The Kid”
Michelle Spencer

The Kid

The kid’s face is good and smashed up, his nose most certainly broken. Eddy has transferred enough prisoners to know these things. On the grand scale, these injuries don’t look too bad and the easy banter between the paramedics speaks to the lack of urgency.
“Nearly there, warden,” the medic closest to Eddy says. “We should get through quick. Mondays are usually quiet. You’ll be back in no time.”

March 2022
Featured image for “The Dead Too Shall Rise”
Belle Kane

The Dead Too Shall Rise

When Victoria summoned the dead, it was an accident. The power flickered out just as Victoria locked the front door and flipped over the “We’re Open” sign. She heard the AC’s guttural last attempts at blowing cold air as it died out. She sighed, looking up at the ceiling regretfully. She would have to make do with what she had at the store.

March 2022
Featured image for “God’s Work”
Stephen Elmer

God’s Work

With a whistle, and a little too much excitement, Randolph swiveled in his tall leather chair in the control room of the LifeSupply Spruce Grove store. He just turned thirty and was making good money, enough to afford a small house next year. Randolph wanted to move up, save, invest, have a kid, and retire with money—all while taking care of his mom who he had transferred to Spruce Grove to care for.

March 2022
Featured image for “State of Affairs”
Thomas Weedman

State of Affairs

I wake for work at three, dizzy drunk sidestep in the dark to the kitchen. Thank God for stippled walls, good as cool soothing braille. My head spins, trying to recall what led to this state of affairs. Nothing yet ghosts my foggy mind. And nothing makes a sound or moves in the usually creaky Victorian apartment. Not a window rattle or even a mousy stir.

March 2022
Featured image for “Heading Home Again”
Cory Essey

Heading Home Again

Ethan’s head was humming. A nest of bees could have taken up residence inside his brain, and he doubted that it would feel less uncomfortable. The constant buzzing, the absence of a peaceful mind, was the hardest part of his job – he had decided that long ago. It wasn’t the ungodly hours or the constant stress of working under strict time limits that could mean life or death.

March 2022
Featured image for “Hourglass Hostel”
Alana Hollenbaugh

Hourglass Hostel

In the few seconds it took for my eyes to adjust to the darkness of the unfamiliar room, the cloud of spiced-chai scent around me had already faded. I slowly turned, taking in the lobby where I had landed. A bar filled half of the room, with worn, dark wood chairs stacked on clean tables, and the only movement was the dust spiraling through a bit of sunlight that slanted across the room.

February 2022
Featured image for “In the Pines”
Stephen Coates

In the Pines

“Some said she was surrounded by a glow like pale fire. Some said she was wearing a tattered wedding gown, hair wild and bedraggled. Some—teenage boys, mostly—said that she was naked. But none of that was true. She was just ordinary.” “You saw her?”

February 2022
Featured image for “Uphill”
Pernille AEgidius Dake

Uphill

You have to live somewhere. But the Woodhills Preservation Tract, a private homeowners association on the outskirt of Hopscotch Mills, N.Y., where every street ends in -wood: Beechwood, Pinewood, Ashwood, Alderwood, Oakwood, Wedgewood, Westwood, Sycamorewood, Hollywood, Gingkowood, and Cedarwood, is a far cry from where Eliza Volk used to live in Manhattan.

February 2022
Featured image for “Brighton Beach”
William Mager

Brighton Beach

Chrissie’s just leaving the office when she sees him standing at the 23rd St subway entrance, looking up at the sky. When his eyes drift down to meet hers, the jolt of sudden intimacy sends her walking in the opposite direction. She never took the New York City Subway.

February 2022
Featured image for “Spine of Empire”
Nicholas Maistros

Spine of Empire

Three days after the avalanche, Onderdonk arrived in his private car. “There she is,” Roscoe said, having let go his end of a plank, smiling a dirty, squinted smile. “Miss Eva, and ain’t she a bee-yute.”
Emil dropped his end and a flurry of snow clouded up. When the snow cleared, he saw the car. It looked more like an oversized trolley from his Barbary Coast days than a railcar. . .

January 2022
Featured image for “Clouds”
Jan Jolly

Clouds

McPherson Women’s Prison 2018: age 80
The clouds look higher than usual this morning, far above the razor wire and guard tower. The bored officer paces slowly, checking her watch every few seconds, sipping her tepid coffee at the start of the morning shift. My hour in the yard is early, right after shift change, morning haze still thick across the fields.

January 2022
Featured image for “Flanked By These Heroes”
C.W. Bigelow

Flanked By These Heroes

One hundred stitches winding like a leafy vine across his backside kept Dorrey on his stomach and abruptly delayed his induction into the army. The weapon that wielded the damage had been the sharp edge of a tin can top, just an innocent bystander minding its own business. The blame lay somewhere between Dorrey, a fifth of Jack and a group of our friends gathered at a going-away party.

January 2022