Poetry

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““A Kiss on the Lips,” “The Wolf on the Fold” and “Make Eve the Apple””
Jack D. Harvey

“A Kiss on the Lips,” “The Wolf on the Fold” and “Make Eve the Apple”

A kiss on the lips,
my lover,
is all I wanted,
when the lights
got low and
time got short;

February 2021
Featured image for ““Heron,” “Liberty” and “Odyssey””
Patrick T. Reardon

“Heron,” “Liberty” and “Odyssey”

Great blue heron, white in high green,
folds on self, forward falls toward water,
clear space, wingspan wind-catch, rise in flight.

I am semi-trailer truck in someone else’s tender canoe
— steep banks through suburbs, six crows
from one bank to the other frenzy a hawk

February 2021
Featured image for ““November Cloak,” “Between Being and Doing” and “Toilet Talk””
Karen Carter

“November Cloak,” “Between Being and Doing” and “Toilet Talk”

Auntie Jane’s blanket,
attic stored, air cloved,
with her knitted cable yarn
she hums a morning tune.

December 2020
Featured image for ““A poem should be read all at once,” “The truth” and “A taste of ourselves””
Khaled K.E.M.

“A poem should be read all at once,” “The truth” and “A taste of ourselves”

To enjoy his selected poems
he only reads the first stanza
before going to bed
and keeps the second one

December 2020
Featured image for ““Moonless,” “Ars Poetica” and “My Mother’s Stories””
Ana Pugatch

“Moonless,” “Ars Poetica” and “My Mother’s Stories”

From the window of the faded ranch
I watched a bird floating in the kiddie pool:
a loon, with its reticulated band of stars.
I knew which bird it was from the tilt

December 2020
Featured image for ““Lifeboat in the Apocalypse,” “The News of Your Death” and “The Gift of a Green Scarf””
Kathleen Holliday

“Lifeboat in the Apocalypse,” “The News of Your Death” and “The Gift of a Green Scarf”

I haven’t always wanted to be
in the same boat with them
but when the time comes, I hope
there’ll be room for me in that lifeboat

December 2020
Featured image for ““Break Time,” “When Dying Deer Appear” and “Crawlspace””
Robert Eugene Rubino

“Break Time,” “When Dying Deer Appear” and “Crawlspace”

Maybe you’ve lost
your patience
with your country
with a loved one
with yourself.

December 2020
Featured image for ““Fur Coats,” “Gargoyles” and “Chamomile & Jokes about Good Band Names””
A. Smith

“Fur Coats,” “Gargoyles” and “Chamomile & Jokes about Good Band Names”

Commutes are the distances between
events. Some days I’m stuck with these
Black Mountain hipsters, pissing off
their North End balconies even on
a Tuesday.

December 2020
Featured image for ““Demure,” “My Ode to Lovecraft and Dickinson” and “Tomorrow Isn’t All We’ve Ever Known””
Justin-Paul Starlin

“Demure,” “My Ode to Lovecraft and Dickinson” and “Tomorrow Isn’t All We’ve Ever Known”

The rumors ever forever true
our tombs and fate entwine
the looming absinthe pearl
we’re hardwired nigh plagued
the minds of the masses now jaded
plugging the hole as crevices swirl
one day we’ll displace
likened to lemmings to gorges

November 2020
Featured image for ““Weren’t We Known?,” “My Father’s Shirts” and “Reflections on Hwy 66””
Will Reger

“Weren’t We Known?,” “My Father’s Shirts” and “Reflections on Hwy 66”

Running out of ourselves urgent
anxious we were spirits of some kind
ghoulish forgotten ones

living in half-light we could barely peep in
and never found ourselves in photographs

we found nothing made by our own hands

November 2020
Featured image for ““In the Dentist’s Waiting Room” and “Near the Thunder Hole””
Galina Itskovich

“In the Dentist’s Waiting Room” and “Near the Thunder Hole”

“Talk to me!” it’s the woman in the dentist’s waiting room,
in a pre-silenced state.
“If you like couscous, how d’ you prepare it?
Are you following the Russian news?
Do you personally know anyone who had COVID?
What’s your stand on DNC, BLM?
Speak your mind!”

November 2020
Featured image for ““The Ritual,” “Setae” and “Elegy for Ernest””
Taylor Mallay

“The Ritual,” “Setae” and “Elegy for Ernest”

Classic rock crackles around a half-lit room,
scent of sweat exhaled by thick cotton

work shirts, denim salted with cigarette breath.
The bar’s low lights shiver on the skin

of his black leather coat. I linger
on the small god tapping at his chest.

November 2020
Featured image for ““Salt,” “Like a Foolish Man” and “Skipping Stones””
Richard Stimac

“Salt,” “Like a Foolish Man” and “Skipping Stones”

All the salt in the world comes from the sea.
That’s why we tunnel under the Great Lakes,
To chip away a seabed that now flakes
Beneath hydraulic steel machinery.
That’s why our salty tears eternally
Burn our clenched eyes.

November 2020
Featured image for ““STILL (Upon Awakening),” “New York Times>Wedding Notices” and “Discovering Magenta””
Judith Faye

“STILL (Upon Awakening),” “New York Times>Wedding Notices” and “Discovering Magenta”

Magic will not save us.

Still
when you dream
you’re in Vegas
with your ex
doesn’t that mean
life’s a gamble?

Still

November 2020
Featured image for ““Barred from Every Pub Even the Burrito Place,” “Reverence” and “Heathen. Expat. Hometown Girl.””
Devon Powers

“Barred from Every Pub Even the Burrito Place,” “Reverence” and “Heathen. Expat. Hometown Girl.”

Teddy carries what he deems of importance
In an old trolley cart padded with terry cloth.
He holds congress with Johno and Frank
And two other silent boys in the town circle.
Their guitar looks nice on you
It is a rare occasion—
So you sing for them.

October 2020
Featured image for ““Hello Dear Visitor,” “Puddles Caressing My Skin” and “We’re Just Cordial Friends””
Elizabeth Novotny

“Hello Dear Visitor,” “Puddles Caressing My Skin” and “We’re Just Cordial Friends”

I deserted a place labeled as a home,
with outlets popping out from their cables,
an oven that I needed to light manually,
and a floral couch that creaked no matter the weight put onto it.
I still have that picture of you resting softly,
sinking into the cushions,
with a long tear at the top

October 2020
Featured image for ““Underwater,” “Locked” and “Don’t Tell the Women””
Stella Hayes

“Underwater,” “Locked” and “Don’t Tell the Women”

The naval admiral’s shallow body
Is smaller than I imagined
Underwater
In the nucleus of a nuclear submarine
Elusive to then Soviet fish spawning
On the sides of a metal ship

October 2020
Featured image for ““Familiar Cycles,” “Cloudless” and “Sand Walking””
Cynthia Megill

“Familiar Cycles,” “Cloudless” and “Sand Walking”

Late August bears canicular days.
Vertical rays beat down.
My head bends forward,
seeking the shade of my own shadow.
Once luminous eyes now fading,
Fight off the unequaled glare of the most radiant star.

October 2020
Featured image for ““Imagining 42 Tiny Scuba Divers,” “Drifting” and “Sandcastle””
Sophia Falco

“Imagining 42 Tiny Scuba Divers,” “Drifting” and “Sandcastle”

Bubble rings like misplaced
angel halos arise within
my teardrop from tiny
scuba divers the size
of pinpricks swimming
about aimlessly with salt
coating their masks,
and high on painkillers.

October 2020
Featured image for ““Aches and Pains,” “Timber Tantrums” and “Chicago Sunset””
Khalil Elayan

“Aches and Pains,” “Timber Tantrums” and “Chicago Sunset”

There is an indigo ripple in my eye,
sending me backwards through time
on cresting waves that roll into themselves
Tightened by their energy,
these droplets form ropes
that flay my memory

October 2020
Featured image for ““My Chair” and “That Hat””
Lawrence Bridges

“My Chair” and “That Hat”

Where I sit is not my chair
but on my bones stacked up my back.
The me is from shoulders down for air,
chin up for sight and speech.
Though toes curl the chair legs
for balance, my feeling is, has always
been, that life is in my hands.

October 2020
Featured image for ““Pa,” “Land mark” and “Dark night””
Patrick T. Reardon

“Pa,” “Land mark” and “Dark night”

Drive Chronicles Avenue straight out
of downtown for three miles to the
railroad bridge, empty as a Roman
ruin, turn right toward the spray-paint
chaos of the Grass Lake rocks, right
again onto Esther Road, to 135, and
there’s tight-wound Pa sitting on the
dusk porch while nervous fireflies,
trespassers, skitter, knowing nothing
else, around the maypole of his chair.

September 2020
Featured image for ““we’re still learning, please bear with us,” “left behind on the fourth of July” and “Warm Bodies””
Jerome Berglund

“we’re still learning, please bear with us,” “left behind on the fourth of July” and “Warm Bodies”

after hearing some
rousing speeches from
several eloquent organizers
off the cuff, exclusively
including a young woman
who was George Floyd’s cousin
shared a heartfelt
and energizing tribute
the small solemn and intimate
gathering of perhaps a hundred
concerned citizens who’d responded
to an online call for marchers

September 2020
Featured image for ““Ode to Baboon,” “Elephant, Room” and “Reaching Out””
Rand Bishop

“Ode to Baboon,” “Elephant, Room” and “Reaching Out”

Were you and your healthy
liver nearby?
Were you an excess mouth to feed
in some municipal zoo?
Or were you carefully culled
from some robust family
roaming the Ruwenzoris
and in a frenzy flown
Bujumbura-Pittsburgh,
held incommunicado
until the propitious moment?

September 2020