Poetry

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““Underwater,” “Locked” and “Don’t Tell the Women””
Stella Hayes

“Underwater,” “Locked” and “Don’t Tell the Women”

The naval admiral’s shallow body
Is smaller than I imagined
Underwater
In the nucleus of a nuclear submarine
Elusive to then Soviet fish spawning
On the sides of a metal ship

October 2020
Featured image for ““Familiar Cycles,” “Cloudless” and “Sand Walking””
Cynthia Megill

“Familiar Cycles,” “Cloudless” and “Sand Walking”

Late August bears canicular days.
Vertical rays beat down.
My head bends forward,
seeking the shade of my own shadow.
Once luminous eyes now fading,
Fight off the unequaled glare of the most radiant star.

October 2020
Featured image for ““Imagining 42 Tiny Scuba Divers,” “Drifting” and “Sandcastle””
Sophia Falco

“Imagining 42 Tiny Scuba Divers,” “Drifting” and “Sandcastle”

Bubble rings like misplaced
angel halos arise within
my teardrop from tiny
scuba divers the size
of pinpricks swimming
about aimlessly with salt
coating their masks,
and high on painkillers.

October 2020
Featured image for ““Aches and Pains,” “Timber Tantrums” and “Chicago Sunset””
Khalil Elayan

“Aches and Pains,” “Timber Tantrums” and “Chicago Sunset”

There is an indigo ripple in my eye,
sending me backwards through time
on cresting waves that roll into themselves
Tightened by their energy,
these droplets form ropes
that flay my memory

October 2020
Featured image for ““My Chair” and “That Hat””
Lawrence Bridges

“My Chair” and “That Hat”

Where I sit is not my chair
but on my bones stacked up my back.
The me is from shoulders down for air,
chin up for sight and speech.
Though toes curl the chair legs
for balance, my feeling is, has always
been, that life is in my hands.

October 2020
Featured image for ““Pa,” “Land mark” and “Dark night””
Patrick T. Reardon

“Pa,” “Land mark” and “Dark night”

Drive Chronicles Avenue straight out
of downtown for three miles to the
railroad bridge, empty as a Roman
ruin, turn right toward the spray-paint
chaos of the Grass Lake rocks, right
again onto Esther Road, to 135, and
there’s tight-wound Pa sitting on the
dusk porch while nervous fireflies,
trespassers, skitter, knowing nothing
else, around the maypole of his chair.

September 2020
Featured image for ““we’re still learning, please bear with us,” “left behind on the fourth of July” and “Warm Bodies””
Jerome Berglund

“we’re still learning, please bear with us,” “left behind on the fourth of July” and “Warm Bodies”

after hearing some
rousing speeches from
several eloquent organizers
off the cuff, exclusively
including a young woman
who was George Floyd’s cousin
shared a heartfelt
and energizing tribute
the small solemn and intimate
gathering of perhaps a hundred
concerned citizens who’d responded
to an online call for marchers

September 2020
Featured image for ““Ode to Baboon,” “Elephant, Room” and “Reaching Out””
Rand Bishop

“Ode to Baboon,” “Elephant, Room” and “Reaching Out”

Were you and your healthy
liver nearby?
Were you an excess mouth to feed
in some municipal zoo?
Or were you carefully culled
from some robust family
roaming the Ruwenzoris
and in a frenzy flown
Bujumbura-Pittsburgh,
held incommunicado
until the propitious moment?

September 2020
Featured image for ““To Maryat, My Aunt,” “Cold Blue” and “River Stones””
Mary Dean Lee

“To Maryat, My Aunt,” “Cold Blue” and “River Stones”

Outrageous, abundant woman,
spirit of fire, spirit of thunder.
You sang fugues to me as a child,
rocked me to sleep with your stories,
made grand entrances and exits
in a black Russian coat,
befriended the egg lady, painted
a black Christ crucifixion for her country church.
Your presents at Christmas were books
or piano music, giftwrapped in old newspaper.

September 2020
Featured image for ““Etchings,” “True and False, East to West” and “The Blue Hour””
Kim Haines-Eitzen

“Etchings,” “True and False, East to West” and “The Blue Hour”

The one-seed juniper defiant
in a sand-drenched wash
grasps against wind and rain.
Earth engraved by crawling roots
broad sap-scented trunk tanned soft
like deer hide now enfolding
barbed wire. Resilience—

September 2020
Featured image for ““Complete Darkness,” “The Light in a Corner Tavern” and “The Deep””
Meara Levezow

“Complete Darkness,” “The Light in a Corner Tavern” and “The Deep”

In the summer of 1998 I was a lantern-
fish, no
I mean waitress,
but all the same
the water was freezing cold
and the pressure was pulverizing.
yet (animals) somehow survive in this most
extreme environment
which was the Mucky Duck Shanty (bar and grill)

September 2020
Featured image for ““reasonable,” “small” and “wrack””
William Aarnes

“reasonable,” “small” and “wrack”

a starter home
with kitchen and bathrooms redone,
six percent down
an unlocked car
an affordable five-bedroom
in a neighborhood
with good schools
a crowded floor
in a stumbled-upon squat

July 2020
Featured image for ““El Tiempo Pasado,” “To the Double Flower of Spring” and “I was a Jesus Impersonator””
Mario Duarte

“El Tiempo Pasado,” “To the Double Flower of Spring” and “I was a Jesus Impersonator”

Leaving Work
The shrubs are flush—branches scarlet
by the red brick dormitory.
Rolling past Hickory Hill park
leaves blaze into miniature suns.
At Home
In our backyard, the swing set is
as empty as a hollow gourd,

July 2020
Featured image for ““An Unforgotten Path,” “From Athens to Tellico, Tennessee ” and “An Assault Rifle Ode””
Mervyn R. Seivwright

“An Unforgotten Path,” “From Athens to Tellico, Tennessee ” and “An Assault Rifle Ode”

31 scorched—one week
before I went home
to London. I was lost.
7 years since I left
my childhood in England.
My father told me
to meet at King’s College,
I arrived at King’s Cross
6 miles away. Accosted
by roses, carnations, lilies,
a meadow of flowers

July 2020
Featured image for ““Beach Walk,” “Flint” and “bouquet from the garden””
Arlene Downing-Yaconelli

“Beach Walk,” “Flint” and “bouquet from the garden”

a conch shell emptysea-gifted
carried back to window sill
trapped voices now extinct still
in shifting sandsbreeze-lifted
sounds of surf on gentle winds
crashing pulselife’s quickened flash
mutes the tracks with ocean slash
silent ciphersexpunged suspend

July 2020
Featured image for ““The Dreamland Sea,” “The Sparrow” and “Night””
Syphertes

“The Dreamland Sea,” “The Sparrow” and “Night”

Sleepy baby, sleepy baby…Drift
away with me. I’ll
take you to a place I know, it’s
called the Dreamland Sea. It
lies beyond the moon and stars, among
the silvery skies. A
splendid dream awaits you there, behind
your tired eyes. Sleepy
baby, come with me…We’ll
sail until sunrise.

July 2020
Featured image for ““Making Silent Stones Speak,” “Cracking the Code” and “When Jeannette MacDonald Reigned in the Kitchen””
Susan Cummins Miller

“Making Silent Stones Speak,” “Cracking the Code” and “When Jeannette MacDonald Reigned in the Kitchen”

Picture Rocks Canyon: Paisley
scarlet bandana caught on gray thornbush
sprouting from naked rock. Lavender-
blooming ironwood, swift
zebra-tailed lizards and always
the cactus wrens for company.

July 2020
Featured image for ““Word Perfect,” “and sometimes: a poem about incarceration quarantine” and “Volta””
Will Anderson

“Word Perfect,” “and sometimes: a poem about incarceration quarantine” and “Volta”

i am outside in the oven
chin ups and dips
and laps[e] in the grass

around the poured concrete
and picnic tables bolted down
with music in factory
ear buds playing loud
enough to drown
the chatter of fat, angry men

July 2020
Featured image for ““02 – determined to rise” and “03 – for the man in the phone booth””
Rachel Elam

“02 – determined to rise” and “03 – for the man in the phone booth”

in the darkest of caves
illuminated by night
i sought answers in your shape
you sought refuge in mine.

it was lust, masked as love
the highs, worth the lows
you were broken
mysterious
destructive
light.

July 2020
Featured image for ““Black Hole Desert,” “The Relativity of Loss” and “Hip Hop””
Mark Hammerschick

“Black Hole Desert,” “The Relativity of Loss” and “Hip Hop”

Weary sun sighs deeply.
Rattlesnakes seek solace.
Tumbleweeds bleed wisdom.
Saguaro reach deep into green pockets
of scattered water loose
in rancid blankets of arid certainty.
Scorpions seethe, swallowing sand,
each and every granule
a microcosm of the infinite.

July 2020
Featured image for ““Nativity,” “The Audition” and “First Light””
Holly Kelso

“Nativity,” “The Audition” and “First Light”

When she delivered him, occipito posterior, the back
of his skull cradled against her sacrum,
when he crowned, face up, chin up,
it was her father’s chin, her father’s
nose, his broad strong Scotish countenance.
My father was there, wearing a hospital mask, ear to ear,
stretched across his face like a sheet spread at birth,
she would say later it was the first time
she’d seen him cry, her husband.

July 2020
Featured image for ““Small Talk,” “Big Score on a Little Porch” and “Falling Outside the Body””
Mickie Kennedy

“Small Talk,” “Big Score on a Little Porch” and “Falling Outside the Body”

We are projections on a sheet in the yard,
suspicious spools of film liberated from metal cans.
When there is nothing left to play, the children retreat
to flashlight tag, and the women refresh their wine.

The men huddle in the darkness.
Someone is talking about the circus,

July 2020
Featured image for ““It came,” “Dropping in” and “Playing with Metaphor””
Christa Lubatkin

“It came,” “Dropping in” and “Playing with Metaphor”

It came rustling through the mangrove forest
howler monkeys with their megaphone voices
heard long before seen swinging through trees
on sweltering Costa Rica mornings

the pacific surf came rolling
sometimes pounding and sometimes
playfully lapping the black volcanic sands

July 2020
Featured image for ““Lucknow,” “The Plymouth Inn” and “North of the Presidentials””
Ron Tobey

“Lucknow,” “The Plymouth Inn” and “North of the Presidentials”

My cousins and I bunk in the impromptu nursery
cribs crowded together with a sewing machine
and drapery fabrics and unfinished curtains
near the sunset bedroom originally Olive Plant’s,
across from the Roosevelt room and the guest bath
white porcelain tile, needle surround shower, fixtures of brass.

May 2020