Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for “Penned Inn”
Damon Piletz

Penned Inn

The house tucked back So you’d never See its entirety unless You were on the towpath Which was exactly where She was trying to drop Those last twenty-five she’d Been feverishly struggling to lose

October 2018
Featured image for “Autumn”
W. A. Schwartz

Autumn

There’s something wrong with my hands. Lately, I’ve taken to squeezing them into fists—grasping at something—at the most peculiar times. When I’m checking out at the grocery store. Facetiming my daughter who is away at college. Making love to my husband. My thumbs ache and I’ve noticed the knuckles on my right swell to the size of cumquats in the morning. When that happens, I hide my hand.

October 2018
Featured image for “Yearling”
Jaclyn Reed

Yearling

Wake up to the cock crowing in the front yard. It isn’t even light out yet. Through your bedroom window on the second story of the farm house you can see the summer sky just starting to turn pink and purple at the edge of the pasture. You see one of the yearlings bucking around the fence waiting for breakfast.

October 2018
Featured image for “On the Way to Work – Relevancy”
Piper Templeton

On the Way to Work – Relevancy

On the way to work, Shirley Lamothe stopped on her porch to pet the new cat. She had ceased naming the felines long ago. The strays tended to congregate around her modest, wood frame rental house because she put out dishes of food and water and allowed them entry into the house if they so desired. They kept her company, as Brian stayed mainly sequestered in his tiny boyhood bedroom,

October 2018
Featured image for “An Unwelcome Guest”
Kit McCoy

An Unwelcome Guest

Paul placed his finger on the pulse of his home in the dark of night to feel the soothing and generous spirit that surrounded him. His children had been dead tired, his wife irritable, and he was aching to be alone so that he could wonder about the melancholy that crept around the edges of his trip

October 2018
Featured image for “July 8, 1927”
Paul Luckhart

July 8, 1927

The wildfires burning in the city’s outlying regions were said to be the worst anyone could remember. A cloud carried through the streets, softening colours and dulling the edges. The features of structures and people were made indistinct, and all that was visible was what was near. I thought of glimpsing something I was not prepared for, like a monster jumping from outside the frame in a horror film,

October 2018
Featured image for “The Hunters”
Anna Kaye-Rogers

The Hunters

Her prey was close; she could feel it. Ochre Number 8 had been sold out in the greater Tri-State area her past two weekend shopping runs, but there had been a restock, she was sure of it. The lanyard-wearing woman behind the counter had told her there was a truck every two weeks. It was time.

October 2018
Featured image for “The Not-Wife”
K. A. Hough

The Not-Wife

I pull the key from the ignition, replace my hands on the steering wheel, sit and stare at the windscreen. Tucked in, safe, away from the damp that arrived with spring. Fog in the city. Fog in the hinterland. Fog in the head.

October 2018
Featured image for “The Woman from the Other Side of the Moon”
Olivia Lee Chen

The Woman from the Other Side of the Moon

She seemed a fairly ordinary woman, The Woman from the Other Side of the Moon. She came into the coffee shop every afternoon around three and ordered one of two things: iced tea with lemon or a small coffee with room.

October 2018
Featured image for “Quantum Solidarity: Making Hajj at Bear Lodge”
Kevin James

Quantum Solidarity: Making Hajj at Bear Lodge

The mind-numbing atrocities at home and abroad dare me to respond. It’s as if world events conspired to belittle me, taunting me to try to make sense of bloodbaths by religious extremists with death machines improvised or designed. Perhaps it’s this very feeling of alienation and impotence that fuels the rage behind the headlines.

October 2018
Featured image for “The March Against Death”
Jeff Richards

The March Against Death

I was standing on the steps of the Lee Mansion looking down on the crowds crossing Memorial Bridge and beyond that Lincoln Memorial. The crowd split and went to either side of the Memorial. It looked like a million people though I’m sure it was much less.

October 2018
Featured image for “The Bonsai Tree”
Sara Wetmore

The Bonsai Tree

A few months ago, I gave up on my office dracaena. I’ll admit, it had been having a rough time. Its leaves had all nearly fallen off, its stems soggy, its color faded. Truthfully, I had been thinking of letting it die for a while. Not just gradually either. I wanted it to suffer,

October 2018
Featured image for ““To Braintree”, “To Bowdoin” and “To Lechmere””
Julia Lattimer

“To Braintree”, “To Bowdoin” and “To Lechmere”

If this train car were mine, I’d hang plants from the / metal bars. I’d stain the windows—blue, yellow, / pink, blue again, green. When I ride above this / Dorchester, the orange sky will pour onto my white / curtain lace, my stacks of books, my blushing skin.

October 2018
Featured image for ““Dear Girl”, “Her Face” and “Yes I Am in High School””
Davis Mathis

“Dear Girl”, “Her Face” and “Yes I Am in High School”

Dear Girl,
You anxious broken queer girl.
You waterfall you crystal ball your future bright and clear, Girl.
Lips painted red, head high and proud, they’ll tremble as you near, Girl.

September 2018
Featured image for ““The Charter Boats”, “Changing Time” and “Peace””
Edward Ahern

“The Charter Boats”, “Changing Time” and “Peace”

The boats string along the seam
of green and blue waters,
white mites on a fish vein,
trailing thin proboscides
that must be bitten to succeed.

September 2018
Featured image for ““The Unliving Louis Jackson and Living Me”, “The Clouds Are Mountains” and “Shackles””
Mallory Rader

“The Unliving Louis Jackson and Living Me”, “The Clouds Are Mountains” and “Shackles”

He lived a long life—a normal span of / 9 to 5 and bright eviction notices on front doors. / He would tell his wife every night before bed, / “I will wake up tomorrow and do better.”

September 2018
Featured image for ““Potpourri”, “Capturing the Moment” and “City Bird Sounds””
Michael DeMaranville

“Potpourri”, “Capturing the Moment” and “City Bird Sounds”

Days like blossoms
Some, green buds
Reluctant to push away
The wooden bed frame
On which they rest

September 2018
Featured image for “Me and the Milkman”
Pam Munter

Me and the Milkman

Each morning at dawn, he would stealthily enter the house through the unlocked back door. In the early 1950s, no one in our neighborhood locked their doors. I was sometimes awakened by the tinkling noises of glass and the opening click of the refrigerator, but seldom by any human voice.

September 2018
Featured image for “Negotiating the Narrows”
Mike Tuohy and Susan Zimmerman

Negotiating the Narrows

Cold steel. I should have worn gloves. What I thought a shotgun blast turned out to be the massive metal hatch slammed shut by the wind. As I rose from the deck, another gust pushed me toward the edge like a hockey puck until I fell to my knees. When it passed, I forced myself to stand upright and join my friends. This was no place for a woman to look weak.

September 2018
Featured image for ““Vow”, “Three Variations” and “November””
Tasha Cotter

“Vow”, “Three Variations” and “November”

The doves find a spot
Of shade under a bench
And sit together, quietly
Speaking about the world
Of people and rain.

September 2018
Featured image for “The Weight of the Words”
Sayword Eller

The Weight of the Words

Three stories up from the rue Vielle-du-Temple is a tomb. It was never intended to be so still, so empty, but life has a way of changing in an instant and so, it seems, do apartments. There is no body interred here. Only memories. Only echoes of laughter and whispers from a life once lived.

September 2018
Featured image for “Angelus”
Paula M. Rodriguez

Angelus

Johnny gets up in the morning and goes straight to the bathroom that he shares with his mom, his two little sisters, an older brother that works at a bakery, and whoever else happens to be around on any given day. There is a stale smell to onions gone cold and greasy hamburger from Danny’s place that he ate last night. The leftovers are probably still somewhere in the room, but it is hard to tell with all the stuff lying around.

September 2018
Featured image for “The Arachne Gene”
Darryl White

The Arachne Gene

He had a pocketful of possibilities scribbled on napkin backs. The perfect recipe was like DNA, it held the answer to who he was and where he was supposed to be. He wasn’t found yet, he was on his way, and he’d get there, wherever there was, if the bus driver didn’t kill them first.

September 2018
Featured image for “Praying to the Porcelain God”
Steven Mayoff

Praying to the Porcelain God

Dani walks alongside M. Francoeur, who pushes his wheelchair, balancing on it as he would a walker. Today is her usual Saturday morning visit, and together they follow the oval footpath that surrounds the Mount Olive Senior’s Home, employing a pace similar to that of a wedding procession marching through molasses.

September 2018