Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for “A Bright Spot”
Chelsea Cambeis

A Bright Spot

Somewhere along the way, I lost all sense of direction. Life’s become this mundane, necessary task, and I’m growing tired. My brain is fuzzy; I lack enthusiasm. Most would say I’m depressed, but it feels more like I’m running out of steam.

So here I stand, sneakers melting to the cracked sidewalk.

April 2019
Featured image for ““Pleasure,” “The Toys on the Floor” and “Within the Walls””
Erich von Hungen

“Pleasure,” “The Toys on the Floor” and “Within the Walls”

The block finds pleasure,
all that it needs,
as it is slipped into
the place conceived for it,
that spot where it truly fits:
snug, smooth, clean
without jiggle or sway.

April 2019
Featured image for “Beautiful Lies, Wonderful Lies”
Peter Hoppock

Beautiful Lies, Wonderful Lies

Something about the smell of Dr. Schein’s office reminded Larry Dugin of visits to the school nurse when he was a child—white walls, white cabinets, and grey rug; next to where Larry was seated, the syringe disposal box with its tilted lid; the magazines on the table that previous patients had forgotten to return to the waiting room. He lost himself in the history of his own health every time he entered this office. Dr. Schein, standing grim-faced and stiff in front of the lightbox on the opposite wall, was Larry’s oncologist.

April 2019
Featured image for ““Morbid Fascination,” “Food Pantry in Winter: A Visit” and “The Drone””
Andrew Posner

“Morbid Fascination,” “Food Pantry in Winter: A Visit” and “The Drone”

Yesterday morning I read with morbid fascination
That “more than 40% of insect species are declining”
And nature’s ecosystems are at risk
Of a “catastrophic collapse.” [1]

In my $70,000 electric car on the way to work
(charged by solar panels
On my 3,500-square-foot suburban home),
I listened with morbid fascination to the news

April 2019
Featured image for “Afterboom”
Carolyn Silverstein

Afterboom

In my head, there is a Knife. The Knife is silver and serrated and wood-handled. It is the Knife Grandma tells Eden to cut the Challah with on Rosh Hashanah, the Knife she’s used since Livi D.’s would-be Bat Mitzvah. It is well loved, like Eden would say, or worn out, like Grandma would, and knows how to handle itself. It is molded to fit my grip perfectly.

April 2019
Featured image for “Par Avion”
Mary Vensel White

Par Avion

His mother’s condo still smelled like paint. She’d been moved in a little over two months, having finally sold the house in Bellflower where he and his sister had grown up. Pearl, his sister, had picked up a brochure about the place: “Emerald Villas, an affordable independent-living senior community.” For almost a year, their mother had been on the waiting list for a two-bedroom unit; finally, in April, a Villas rep had called with hearty congratulations—as if it were some final destination lottery—and she’d been settled by June.

April 2019
Featured image for “Outside Flagstaff”
Matthew Brown

Outside Flagstaff

There was a sigh on the other end of the phone, a long nasal sigh, the kind you hear only at the precise moment that someone has had as much of someone else’s shit as they can possibly stand. A woman’s voice spoke: “We buried your Goddamn father six months ago.”
“I know.”
“I’m not gonna bury you.”

April 2019
Featured image for “Me and Woody”
Marcia Calhoun Forecki

Me and Woody

Nobody loved Woody more than I did. I adored the silky feel of his curly, copper hair. The rough creases on his hands were wild terrain for my fingers to explore. He loved me to scratch his back when he was tired and massage his shoulders when they were sore. Woody was a lean, solid man and if he didn’t have the biggest brain in the county, it didn’t bother me any. He was a genius with engines with his hands generally, and that was enough for me. I loved him first and best.

April 2019
Featured image for “A Piece of Me”
Cathryn Sherman

A Piece of Me

NETA had a hard time talking about her childhood without saying thank you. Thank you to her Nana and Papaw who finally took them in. To Lottie and Isabell who pampered her, to Henry who kept her warm. She could even thank her father for leaving. The only person she couldn’t thank was her mother.

April 2019
Featured image for “In Flagrante Delicto”
Olivier FitzGerald

In Flagrante Delicto

Police finally pin Silas a year after the fact, catching him daydreaming about a hazy childhood morning when Papa flew them to Buenos Aires without permission. And yet before the men in blue descend, while spelunking the depths of a storage unit in the outskirts of Indianapolis, Silas stumbles upon two old journals. One is red embossed, the other green and unmarked, protective cover stripped of its dog-nosed plastic by force of detrition.

April 2019
Featured image for “Amnesiac”
Kate Slader

Amnesiac

“It’s the only place in the world that has all five species of scallop,” says the grey old man at the table next to us.
I didn’t know there were different species of scallop. I’m eavesdropping.
The man is croaking his words and waving his hands, his fingertips inches away from a thin-stemmed glass filled with a double-pour of the house brand Sauvignon Blanc. I’m dreading the moment he’ll send his wine flying across the room.

April 2019
Featured image for “When You Try to Make Sense of a Breakup Through Racism”
Michelle Renee Hoppe

When You Try to Make Sense of a Breakup Through Racism

My paintings and art therapy hang loosely on his walls. The felt coloring I did in the hospital washes out to white. It sticks to the fridge still facing the sun. He holds my hands, looking at me with more love when I am sick than when I am well. He holds me and tells me it will be all right. It will be all right.

April 2019
Featured image for “Prepare for Departure”
Mark Chesnut

Prepare for Departure

New York City, July 2015

My mother arrived in New York City with a black eye and one arm dangling in a sling.

And by the time the dirty white van finally swerved to a halt after seven hours navigating the highways of New York State, she was clearly not happy.

April 2019
Featured image for “The Dragon in the Garden”
Marianna Marlowe

The Dragon in the Garden

When she is seven, home is a suburban mansion on the outskirts of Manila. It has a deep back garden, aggressively green, encircled by a high stone wall overlain with lush leaves and serpentine vines. Right next door, adjacent to their property, barricaded back by the rough rock, is an empty lot—abandoned after its initial clearing and left to the mercy of tropical flora and fauna.

April 2019
Featured image for “A Map of the World (W.A.F.)”
Edward Weingold

A Map of the World (W.A.F.)

Eindhoven, Netherlands, 3 March 1944
Herman Dijkstra’s pencil point hovers above the entry on the onionskin sheet. Housekeeper—I don’t trust her. I’m afraid for Hetty.

Unwelcome warmth flushes his face. Emma Berghuis—hired after Marthe’s remains were shipped home. Marthe—gone to Rotterdam to help with a cousin’s birth, May 1940. Herman’s throat tightens; he imagines his wife, crushed, burnt in the blitzkrieg.

March 2019
Featured image for ““As if it mattered,” “There Are Others: x-mas at the bar” and “The sound of lonely””
Brandyce Ingram

“As if it mattered,” “There Are Others: x-mas at the bar” and “The sound of lonely”

I’ve been lost before
On the wings of a skeletal butterfly
And carried over the landscape
Of my own mind.
A little bee hive
Plush with synapsed ants
Just getting by
In feigned importance.

March 2019
Featured image for “Fortunes Told”
Diana McQuady

Fortunes Told

You turned up West 41st because Gwyneth wanted you to and because you were so horny you’d have done anything she suggested. Behind you Times Square felt relatively safe despite its seedy hotels and tawdry strip joints that held no romantic charm, regardless what musician had once stayed there. On that night it was all sleaze and filth without a hint of the Disneyfied street it would become a couple of decades later.

March 2019
Featured image for ““The android speaks in free verse,” “Speak now, when there is too much else to hold” and “#52””
Emma Wold

“The android speaks in free verse,” “Speak now, when there is too much else to hold” and “#52”

A theory:
It is actually 2024.
Six years ago,
My job was determined to be automatable,
And I was replaced by a robot
Designed to scour the internet for pictures of women wearing red lipstick

March 2019
Featured image for “Dear James”
M. Betsy Smith

Dear James

When my son Justin first battled alcoholism, he used music to ease his agony. He played guitar and wrote sensitive, deeply personal songs during those difficult years. As a part of his recovery, he recorded a CD he titled Vinegar and Vigilance. It was apt. His songs told of his loneliness, his prayers, and of loves he lost. His deep voice quivered at times, but his lyrics and skillful guitar playing helped to carry him through to sobriety.

March 2019
Featured image for ““Train Prayer,” “Meditation #3” and “Casualties””
Aaron Graham

“Train Prayer,” “Meditation #3” and “Casualties”

Locomotive, set at odds with us, like a dead god.
A god who always been dyin’, dyin’ down the track.
God—oh strange God—not trying to revive husks
of shucked corn—stillborn on cobs in Missouri fields
where buried effigies and pedigrees remind us —
expect a resurrection.

March 2019
Featured image for ““On Returning to the Vineyard,” “After My Mother’s Funeral” and “Lead Us Not into Temptation””
Beth Curran

“On Returning to the Vineyard,” “After My Mother’s Funeral” and “Lead Us Not into Temptation”

The rain is not even similar here—
the particular slant,
its lack of urgency.
The buildings don’t obscure the wind
like my windy city.
I am caught and swept away into a faint picture.

March 2019
Featured image for ““Huevos Rancheros,” “Orange Sharpie” and “Ivory Finger””
Caleb Nelson

“Huevos Rancheros,” “Orange Sharpie” and “Ivory Finger”

sometime i am moved by unspeakable rages
sometime i am choked by a mescaline sadnesses
am i
am i
you r
thy wr once a gift

March 2019
Featured image for ““They All Died in Vietnam,” “Echoes from My Mother’s Closet” and “No””
Virginia Watts

“They All Died in Vietnam,” “Echoes from My Mother’s Closet” and “No”

Three forest cousins, all boys, my summer secrets / We hiked under hawk shadows, spun pancake flat shale / stones touch tipping Loyalsock Creek, arrowheads, / rattlesnake skins longer than my arms, salamander wranglers / The oldest Vernon lingered longest with my grandmother’s stories / He never liked to hunt except for stars and no one cared, not even the army

March 2019
Featured image for “Cookie”
Martha Stallman

Cookie

A boy, teenaged, with the broad shoulders and neck of a man much older and of a much older time (a blacksmith maybe, or maybe a woodsman), with eyes now beginning to sting from the day’s thick wet heat not yet dying, with his backpack strap wrapped around one heavy hand, walked alone up a crooked gravel road bordered by gently animate walls of green that reached their fingers out onto the road, and towards the boy, and towards the sky. A school bus had dropped the boy off at the head of this road and driven away, and when it did no one inside had looked back.

March 2019