Issues

Issues

Featured image for “Saving Grace”
Reyna Marder Gentin

Saving Grace

One day, Grace Stevenson stopped coloring her hair. All those hours and all that money spent trying to keep aging at bay, and John had gone off with a younger woman anyway. What was the point? At seventy, she thought the gray made her look refined, worldly. That’s how she wanted to feel. Like she’d arrived at a certain stage in her life where her choices should be respected.
She knew she wasn’t fooling anyone.

January 2020
Featured image for “The Cave”
Ellis Shuman

The Cave

They say the cave offers a passage to the underworld. In ancient Greek mythology, a musician, poet, and prophet named Orpheus, son of the god Apollo, descended through the cave into the subterranean kingdom of Hades in search of his beloved, Eurydice. There are many versions of this legend and none of them have happy endings.

January 2020
Featured image for “Temilola”
Doley Henderson

Temilola

I see her still. Her beaded plaits, flashing smile, bubbling laugh. Temilola. She has five other names but this is the one she prefers. Lola for short.
Toronto, Canada 2019 Floating downstairs after a therapy session, I hold the invisible balloon around me, a hot golden bubble of healing light from my osteo-physio. Pain free for now, I exhale, re-enter the city.

January 2020
Featured image for “Easy Does It”
Howard Sachs

Easy Does It

Easy Ed’s brain was under siege, assaulted by an unidentified buzzing. His nervousness layered mystery onto its origin. He was too high and too edgy to think clearly. Everything was a vibrating blur. What he contemplated doing would either ruin his life or save it. Easy’s corpulent body seemed to shrink as the droning gathered into a whining bolt of shrillness that pierced his ears. The buzzing morphed into the tip of a drill that bored into his brain.

January 2020
Featured image for “Neither Here Nor There”
Marianna Boncek

Neither Here Nor There

Angie pulled her cell phone out of her pocket to check the time. She was late. Actually, she was over an hour late. She had two missed calls both from Harold. He had warned her not to be late.
“You absolutely cannot be late,” was exactly how Harold had phrased it. “There will be press and photographers there. They do not want to wait around for you. Don’t screw this up.”

January 2020
Featured image for “Loma Prieta”
Helen Beer

Loma Prieta

October 17, 1989. 5:04 P.M. I’d just left the Moscone Convention Center with my colleague, Jacqueline. We were exhibiting at a conference on water pollution and had just settled into our seats on one of the buses shuttling exhibitors and attendees to their hotels for the evening. And then it struck. For fifteen seconds it felt like a carnival whirlybird ride.
The windows in the buildings around us seemed to breathe in and out, until, released from their frames, these great panes exploded, showering fragments of glass, glittering in the traffic’s lights.

January 2020
Featured image for ““I Lost My Faith in God When I Was Nine Years Old” and “Longing””
Amyen Fielding

“I Lost My Faith in God When I Was Nine Years Old” and “Longing”

whispers the woman sitting next to me.
I’ve seen her here before–drinking alone,
her skin heavy with loss.
This close, the taste of her regret is pungent,
and is swallowed with each sip of my vodka-tonic.

November 2019
Featured image for ““Birds of Prey” and “San Pedro, Los Angeles County””
Angela Gaito-Lagnese

“Birds of Prey” and “San Pedro, Los Angeles County”

I was nine. My parents came home hollow from the hospital.
My mother sobbed in wild animal cries, violent splotches
of purple spread from under her skin, her chest
her cheekbones tainted; my father silent
slumped in his easy chair, his neck gray-yellow
half of his face buried in clenched raw knuckles.

November 2019
Featured image for ““Gender Bias” and “The Oak Trees Have Seen Everything””
Tori Grant Welhouse

“Gender Bias” and “The Oak Trees Have Seen Everything”

Teachers pat me like a loaf
especially the chalk-dusted
I learn early who has authority

Behaving is more important
than the Theory of Relativity
The length of my hems a critical topic

November 2019
Featured image for ““I Like Ike””
Robert Eugene Rubino

“I Like Ike”

When I was your age
the subway cost fifteen cents
gas cost thirty-two cents a gallon
television was free
& so was Saturday confession
in preparation for Sunday communion
when I was your age…

November 2019
Featured image for ““Consciousness” and “Creole in St. Barth’s””
Katherine Lutz

“Consciousness” and “Creole in St. Barth’s”

Commuting, standing
in a half-empty
subway car, reading news
on my phone, an article
on two competing
theories of consciousness,
triggers a memory…

November 2019
Featured image for ““She said, ‘Lift.’ ” and “She said, ‘Let go—I’m a memory. I’m not real.’ ””
Dom Fonce

“She said, ‘Lift.’ ” and “She said, ‘Let go—I’m a memory. I’m not real.’ ”

I remember being told to soak
myself in unreason—that words
fall to pieces because the wind

needs her role; not everything
must be a weight to grunt over.

November 2019
Featured image for ““Road” and “Chimney Swifts at Dusk””
Steve Brammell

“Road” and “Chimney Swifts at Dusk”

Once we followed the others on all fours,
contributing trails through grass and brush
to favorite trees and watering holes
before our spines thrust us up on two feet…

November 2019
Featured image for ““Night””
Tahseen Béa

“Night”

I want to meet
night as a friend
who welcomes and comforts
offers solace and replenishment.
I want night to
become a place
I seek
to deliver, to surrender, to belong.

November 2019
Featured image for ““Approaching Middle Age” and “The Climber””
Dorothy Neagle

“Approaching Middle Age” and “The Climber”

Last night the new moon broke open across my shoulders.
Then dawn came through the trees
in pinpoints of varying sizes
like starlight glowing among the leaves.

November 2019
Featured image for ““The Wine-Dark Sea” and “The Weighing of the Heart””
Kathleen Holliday

“The Wine-Dark Sea” and “The Weighing of the Heart”

A sea wife,
my mother didn’t have time
to pace a widow’s walk,
searching for a sail on the horizon.

She was too busy
pinning up sheets to dry,
weeding the garden…

November 2019
Featured image for ““Time Flies” and “Global Climate Strike””
Madison Gill

“Time Flies” and “Global Climate Strike”

Two restless houseflies
buzz around my living room,
stirring the August heat on this
dog day of a summer afternoon

They land for a moment, then
take off again

November 2019
Featured image for ““Eclipse””
Debra Groves Harman

“Eclipse”

My love and I drive south
For seven minutes of darkness.
During solar eclipse, the sun proposes,
A sparkling rim and white-hot stone,
We drive for margaritas, the blue Pacific,
to make love when Orion rises…

November 2019
Featured image for ““The Phantoms””
Vincent Vecchio

“The Phantoms”

Here they come, on they go,
One by one, in a row,
misanthropic phantoms
Drifting by me on the street…
snuffed candelabrums….
No warmth to meet…
Incense del Dia de Muertos

November 2019
Featured image for ““Of Man” and “The Nature of Living””
Marcus Lindsey

“Of Man” and “The Nature of Living”

As children we mocked
The earthworm’s ambitious move
From safety assured

As children we laughed
At their madness
Their vulnerable bodies
Called by the drumming

November 2019
Featured image for ““Sky Too Large to Know,” “Habitability” and “Once More Crouching””
Keith Moul

“Sky Too Large to Know,” “Habitability” and “Once More Crouching”

A hawk rises on a prairie thermal,
its diminishing black shadow below,
its eye wed in magic to a single spot.

I step in to feel promptly like the prey,
wobbly with hypnosis by gazing above
me, a disfavored adversary to a predator.

November 2019
Featured image for ““Gather at Colvos Passage” and “Legacy””
Vina Mogg

“Gather at Colvos Passage” and “Legacy”

In summer months
sun and moon rise from the same spot,
a point northeast of my porch, the place I welcome morning.

November 2019
Featured image for ““An Imaginary Letter to My Friend, Irina, in Moscow” and “Can’t Google This””
Nika Cavat

“An Imaginary Letter to My Friend, Irina, in Moscow” and “Can’t Google This”

I drank Merlot last night from the wine glass you gave me
and thought about how we’d met when our children were
chubby angels, marriage still appeared the answer and the
Twin Towers still raised up above Manhattan like trusted sentinels.

November 2019
Featured image for ““Contro Verse 3” and “Executive Presentation””
Philip Kienholz

“Contro Verse 3” and “Executive Presentation”

moose at the forest edge
cross the meadow in the sun
munching browse little trees
head up sniffing on the breeze
easy easy ecotone easy
filament barnacle billabong
troubadour trouble away…

November 2019