Issues

Issues

Featured image for ““Three Questions,” “Exposed!” and “Flowers & Rebozos””
Cindy Rinne

“Three Questions,” “Exposed!” and “Flowers & Rebozos”

The baby boy comet will need a new kidney one day.
Robot cat understands found objects become body parts.
Eyes as stars watch this womb of bountiful fruit.

His birth among biospheres—containers of blue, green,
and orange leaves falling like tears. Later, waves of salad
and feathers toss the young child. He recovers and stands

September 2019
Featured image for ““Helter Skelter” and “Lost””
Penny Jackson

“Helter Skelter” and “Lost”

My camp counselor spoke of Charlie
as if he was sitting there
next to us at the bonfire,
the orange flames flickering across her face.
and transforming
a teenage girl,
into a gruesome jack-o-lantern.

September 2019
Featured image for ““Did You Know,” “Peace” and “Apollo 17””
Tegan Blackwood

“Did You Know,” “Peace” and “Apollo 17”

Did you know? Nature
sprang fully formed from the furrowed brow
of Man at the moment he wiped
the smog from the glass and saw
mirrored the long tilt-angled slide
follow, ineluctable, the set-piece denouement
of wild ranges on his barren scalp;

September 2019
Featured image for ““The Chola and Llorona,” “Dope” and “Scooby Doo Backpack””
Christopher Rubio-Goldsmith

“The Chola and Llorona,” “Dope” and “Scooby Doo Backpack”

Doesn’t myth belong to everyone? I have two tios and they
are barely older than me and mi hermano. One is four years older,
the other six and when we lived together in my grandparents’ house
in Douglas Arizona they would take us for long walks, sometimes at
night and tell mi hermano and yo about la Llorona.

September 2019
Featured image for ““Named,” “Luz” and “Body Memory””
Gary Boelhower

“Named,” “Luz” and “Body Memory”

Ten minutes out of the harbor and already
Someone sights the singular spray that means
We are in their presence. We line the railing
Ready to take communion.

Two young fin whales swimming shallow
Like some cosmic dance, arch breathe dive
Spray spume shine all grace
And the gladness rises in me

September 2019
Featured image for ““What the Buddha Teaches,” “Marking Time” and “Researching a New Text””
Rick Christman

“What the Buddha Teaches,” “Marking Time” and “Researching a New Text”

The Buddha teaches
Cessation of desires as
The key to Nirvana.
Life is like a wheel
Spinning on many levels,
Toward Nirvana,
Or like an old, but
Fast moving merry-go-round.
Spinning, spinning.

September 2019
Featured image for ““Leaving,” “Belief Beyond Seeing” and “Chipping Away””
Kay Cook

“Leaving,” “Belief Beyond Seeing” and “Chipping Away”

The sun is not shining at 3am when the phone rings
and I hear the doctor cut your cord to my dreams,
offering no suture, no receiving blanket.
The sun is working somewhere
dictating time with truth or dare while you are falling;
even the moon is hiding.

September 2019
Featured image for “Down by the Bay”
Rebecca Amiss

Down by the Bay

July 15, 1954. Duckett, Louisiana.
The waves crashed against the dock of Hangman’s Bay, sloshing water on its rickety edge. The sun had long gone down and now all that lit the way was a small star off in the horizon. Luellen Temperance and Tessie Sinclair screeched in freed delight as they ran faster than their ten-year-old legs could carry them.

August 2019
Featured image for “This Is How We Walk on the Moon”
Jared Green

This Is How We Walk on the Moon

It wasn’t until the fourth or fifth time she played Iris’ voicemail that it dawned on Satya just how long she had gone without leaving her narrow slice of South Ealing Road. It took several more times before the full meaning of it sank in.
Satya…I know you probably don’t want to talk, but this is not just your daily motivational, so please listen to me: I just got out of Waterloo Station. Simon isn’t there anymore. They’ve replaced him with someone new. I’m sorry, but I thought you should know.

August 2019
Featured image for “The Fourteenth Child”
Sylvia Schwartz

The Fourteenth Child

My eyes, now watered by regret, find little pleasure sketching. The last time I tried, my fountain pen punctured my drawing sending tears of black ink streaming down the page. I must tell this story without the forgiveness of an artist’s eye that sees only what it wants.

August 2019
Featured image for “Of All the Wonders We Have Seen”
Jamey Gallagher

Of All the Wonders We Have Seen

The young man working the two-pump gas station at the corner of Main and 443 stopped a black minivan with an upraised hand so he could fill Annie’s gas can. His narrow face and weak chin gave him away as a Scanlan, but she had no idea which one. Mickey? Eddie? Tommy? Or was he old enough to be Mick, Ed or Tom? He lifted weights and was cock-proud of his broad chest and thick biceps, one of which was tagged with an eagle tattoo, a screaming patriotic bird of prey, talons extended. He looked at her sideways as he eased the nozzle into the can.

August 2019
Featured image for ““Angels are out tonight,” “Brick wall scripture” and “City hymn””
Patrick T. Reardon

“Angels are out tonight,” “Brick wall scripture” and “City hymn”

Tonight, the typewriter keys slam rhythm
to ease coarse electricity under the skin.
The Sister of the Sacred Heart pleads alms
and sweats under her habit
as angels stride thickly east and west on her sidewalk.
Angels fly complex patterns
over the drunk anesthesiologist and the beautiful child.

August 2019
Featured image for ““For the Ophelias,” “The Greek Dance” and “A Birth of Blackbirds at Twilight””
LaDonna Friesen

“For the Ophelias,” “The Greek Dance” and “A Birth of Blackbirds at Twilight”

Are you one who beats her heart
With fists of rosemarys plucked
from your battered chest now
crushed in fragrant shards by
the throbbing, moaning,
ruing refrain

August 2019
Featured image for ““Ruby’s last dress,” “Dialectics After Dark” and “Morningside at the Desert Casino””
Dawn Terpstra

“Ruby’s last dress,” “Dialectics After Dark” and “Morningside at the Desert Casino”

Ruby’s last dress
is the color of desert flowers
after a late spring monsoon,
purple pops on barrel cactus, pink of prickly pears,
pleated across a canvas of rock-damp sand.

August 2019
Featured image for ““A Matter of Tea” and “Blackbird””
M. Betsy Smith

“A Matter of Tea” and “Blackbird”

1. A Formal Affair
In Cambridge, English bone china.
A floral pot of black tea.
Delicate cups with saucers.
A bit of milk.
Fine linen.
Lace napkins.

August 2019
Featured image for ““At the Drive-Thru,” “Vacations” and “Help Wanted””
Teresa McLamb Blackmon

“At the Drive-Thru,” “Vacations” and “Help Wanted”

I’ve watched a squirrel three days in a row,
Squirting around the empty trees as quick as
Water from a hose, jumping, climbing,
Searching for the spot that bears
His meal.

August 2019
Featured image for ““Just Do It,” “Warning” and “Life Dunes””
Russell Willis

“Just Do It,” “Warning” and “Life Dunes”

No matter what the it
it often starts small, unannounced
undetected or unappreciated
It starts to grow or change in
some way, pushed or pulled by us
or self-induced

August 2019
Featured image for “The Black Phone”
Alexandra Loeb

The Black Phone

Carolyn drew a deep breath and tried to ready herself for her mother’s invasion. It was a damp spring Saturday morning and as she stood on the top of the brick steps of her front porch, drinking tea from her favorite handle-less mug, she looked at the wet cherry tree blossoms on the stairs and wished she had felt well enough to sweep them off yesterday.

August 2019
Featured image for “Someday”
Alexa Dodd

Someday

She is still in love with Brandt the night she bumps into Adam at a bar in uptown. She still likes the way Brandt styles his hair with pomade and a fine-toothed comb, like an old-fashioned gentleman, the boy-next-door from the 1950s.

August 2019
Featured image for “Fugue”
Alexander Fredman

Fugue

I had already moved away when disaster struck. I saw the images on the TV news. The water moved slow, and the buildings crumbled slow, and animals perched still on the ruins. The people were gone, mostly. It was the next afternoon, I think, that the Mayor announced that there had been no fatalities.

August 2019
Featured image for “Vodka and Ice”
Nika Cavat

Vodka and Ice

I am a Russian writer, a descendant of the great Tolstoy. I became well-known, both to the KGB and my devoted readership for subversive works, as the Soviet news wrote. My wife, Irena, would tell you I was best known in the bars and after-hours clubs, but she was a bitter woman, with faith in a marriage I saw more as a domestic necessity.

August 2019
Featured image for “Gargantuan Sky”
Andreas Hasselbom

Gargantuan Sky

The unofficial center of my town was the house of the Moson family, the only one to have any believable claim to blood nobility. Among the better caste of families, a close maze of interconnected family trees, theirs was the only one envied. The reasons were never clear to be anything beyond simple human petulance. Any open animosity was absent, but the roots never died.

August 2019
Featured image for “I’ll Let You Know When I’m Dead”
Phyliss Merion Shanken

I’ll Let You Know When I’m Dead

Henry caught a hint of heavy breathing somewhere in the bedroom, but these days he couldn’t quite trust any noise that entered his large, pear-shaped ears. On too many embarrassing occasions, the old man’s fuzzy hearing had betrayed him.

August 2019
Featured image for “A Bridge Outside Limerick”
Paul Benkendorfer

A Bridge Outside Limerick

A lingering chill filled the fresh morning air as the crown of the sun broke over the mountains and hills. Spring had come, but the final fragments of 1915’s winter had not yet dissipated. A plume of breath bleached with every breath he took. He sat, crouched behind a large boulder atop a small hill overlooking the road that meandered through the pass below.

August 2019