Issues Archive

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “Beyond the Frame”
Timothy Loftus

Beyond the Frame

Sometime around 1912, twenty-two-year-old Great Aunt Annie took a photo of Mayme and Beth, two of her younger sisters, standing on opposite sides of an unnamed friend. They were all eating apples at the same time. Annie framed the scene with her camera then snapped the photo, capturing their impish goofiness on black-and-white film. The smiles hidden by the apples show in their eyes.
Ninety years later, in February 2002, I was hiking with my three daughters,

February 2025
Featured image for “Into the Flooded Field”
Brandon Daily

Into the Flooded Field

The water began to rise from the soil three days after the storm passed. By then, the rest of the valley and the neighboring town had become feverish again with the heat of early summer, and all remnants of rain had completely disappeared. It was a thing of magic, the townspeople said when they finally drove the five miles into the lowlands of the valley to see it with their own eyes. Water seeping from the depths of the earth.

February 2025
Featured image for ““A Purple Orchid,” “Poem for The Pink Petal Dragons,” and “At The Cusp of Autumn: Where Do Geese & Husband Go?””
Jerrice J. Baptiste

“A Purple Orchid,” “Poem for The Pink Petal Dragons,” and “At The Cusp of Autumn: Where Do Geese & Husband Go?”

Evelyn’s caramel colored
fingertips rub center of an orchid.
Soft saturated purple petals

awaken her eyes, like discovering
carving of ancient writings.
The Nile River on cave walls.

February 2025
Featured image for “Why Is It So Hard?”
Marie Chen

Why Is It So Hard?

These few days, the assassination of the CEO of UnitedHealthcare has become the center of attention of the media, and the talking points extend to the injustice of America’s private insurance system introduced to patients. I am staying in Taiwan now since September and have gone through the healthcare treatment many times for my injured knee and chronic problem of Spondylolisthesis. I would like to talk about my own experience enjoying a healthcare system that’s totally different from America’s.

February 2025
Featured image for “Threadbare”
Dharmini Saravanan

Threadbare

Eileen can feel the heat on her neck and smell the group of sweaty teenagers sitting five seats ahead of her on the city bus. They speak in a lingo that mocks her thirty-six accumulated years of practicing proper grammar. One of them stands in the aisle with his legs spread out for balance and talks about escaping the matrix. His friend, wearing a gigantic hoodie, looks around the bus, glances at Eileen and then looks to the side as if to roll his eyes at his friend.

February 2025
Featured image for ““Not Drowning,” “Solstice,” and “Magi-Conomy””
Julie Benesh

“Not Drowning,” “Solstice,” and “Magi-Conomy”

Are you listening? I have access
to all the words, at least

hypothetically. Language, emotion,
cognition commingles in combinations

infinite, experiments replicable,
but only barely, in theory

February 2025
Featured image for “Though Some Have Changed”
Jon Shorr

Though Some Have Changed

The 2024 presidential election’s over: I’m starting to sleep better again; my blood pressure is returning to normal. It didn’t surprise me that Donald Trump won the election; it just appalled me.
It didn’t surprise me that during the campaign, Trump supporters saw those of us that opposed his election to president as the enemy; nor did it surprise me that we saw Trump supporters as stupid, naïve pawns.
It did surprise me, though, to learn that my girlfriend was the enemy.

February 2025
Featured image for “Local Clown”
Kevin Yeoman

Local Clown

The one-way bus ticket eats up a big chunk of his earnings and leaves him with just enough cash for a quick fix when he gets home—something to take the edge off while he figures out what to do about his stolen car. His mind is clouded with these thoughts as he climbs on the idling coach under the cover of the late November afternoon gloom. The driver pays him no mind, but a pair of elderly women near the front make their displeasure known, clucking their tongues in unison as he shuffles past. He gets it.

February 2025
Featured image for ““Like Lost Dogs,” “Solitude at Midnight,” and “Eden’s End””
Alexander Etheridge

“Like Lost Dogs,” “Solitude at Midnight,” and “Eden’s End”

Walking at dusk again,
and stray lines tap
on my mind’s window,
looking for a poem.

February 2025
Featured image for “The Dream Netters”
Emily Larkin

The Dream Netters

I’ve always been afraid of the dark. It’s strange, I know. Mermaongs are supposed to be adventurous. We’re meant to love every part of the ocean—from its glittering surface to the rotting hull of a drowned ship, to the thrill of the Deep Dark, where the blind fish and the shadows with teeth live. There is always some measure of dark: the shadow of fish or sharks, a cloud passing overhead, the shape of something in the distance.

February 2025
Featured image for ““Spring is a Good Season for Reconciliation,” “Where Were You,” and “The Thing That Remains””
Jodi Morton

“Spring is a Good Season for Reconciliation,” “Where Were You,” and “The Thing That Remains”

The moment we turn the corner,
a cold front hits,
a carpet of chilly air
unrolled at our feet.
I pull my cardigan tightly
around my chest, hold it closed.

February 2025
Featured image for “The Poseur”
Michael "Tuna" Coley

The Poseur

A generation of kids wanders into a DIY venue and gets their fill of drugs relevant to their generation and locale. Blues, speed, blow in Denver it’s cheap grass. And the ever-present booze. Piles and piles of discarded PBR, Miller High Life, and Rolling Rock cans with a few of the well-off kids’ craft beers thrown in for good measure. An aluminum salvager’s wet dream.

February 2025
Featured image for ““Summer Music, For my Father,” “Caught,” and “Color as Language””
Stephanie Trenchard

“Summer Music, For my Father,” “Caught,” and “Color as Language”

The setting:
Notes in a measure of motion
with dissonant zinc-white daylight splashing
and dancing upon the path
as the horizon softens to a bluer hue, and vanishes

February 2025
Featured image for ““No X-Men in LA” and “Missing Rehoboth””
Jonathan Fletcher

“No X-Men in LA” and “Missing Rehoboth”

Where are you? the seven-year-old in me
asks as I watch the screen fill
with frenetic red and orange,
billowing gray, curtained black.
Storm, come and still the winds.
Jean Gray, divert the water.

February 2025
Featured image for ““Disappearing Home,” “Shopping With My Mother,” and “A Little Fiction””
Molly Seale

“Disappearing Home,” “Shopping With My Mother,” and “A Little Fiction”

We scooped up the baby,
ramrodded the four year old,
imprisoned the two gray tabbies,
locked them all in the ‘77
white LTD with the green vinyl interior
left to me by my mother upon her death.

January 2025
Featured image for ““Polyglotony,” “Quadrophonic,” and “Photogenia””
Steve Biersdorf

“Polyglotony,” “Quadrophonic,” and “Photogenia”

Disrupting the murmuring stillness,
the nasally whine of a two-stroke motor,
hedge trimmers whipsawing

weeds framing sidewalk, infiltrating

January 2025
Featured image for ““Starting from the Middle,” “Heap of a Human,” and “First Love After””
Naomi Anne Goldner

“Starting from the Middle,” “Heap of a Human,” and “First Love After”

Life came out of me
a gush of red
Moon-pale I waited those eternal
stretched seconds
for my
arms to be filled
with you.

January 2025
Featured image for ““A Quiet Black Wedding,” “The Broken must find the Broken ,” and “So Many Lengths of Time””
Alan Hill

“A Quiet Black Wedding,” “The Broken must find the Broken ,” and “So Many Lengths of Time”

These arguments, the silences, were all a slow release

a practice run to make the death of us
this love we had, a little easier to finish.

We have come apart, the skin of us slide

to be faceless, naked, the bones of us stand free

January 2025
Featured image for “The White Blouse”
Kendall Klym

The White Blouse

Outskirts of a mining town in northern Minnesota
August 1990
A ten-year-old girl named Ursula Dahl chases after a porcupine behind her mother’s trailer, her frizzy red hair sparkling in the late-summer light. The animal escapes through a wild raspberry patch, but the child refuses to give up.

January 2025
Featured image for ““First Man,” “Deal With It,” and “The Socks””
Katherine Orfinger

“First Man,” “Deal With It,” and “The Socks”

Empty as the space
on the back of my neck

where the phantom of your
hand rests just

outside the confines of
my comfortable reach

January 2025
Featured image for “A Life Made of Words”
T. G. Metcalf

A Life Made of Words

To respect the privacy of the person I’m going to tell you about, I’ve given him the alias Dr. Theodore J. Ammon. If I tell his story well, after you’ve read it you will ask yourself whether you have known people whose lives have been affected in a similar way by the experiences of their parents, grandparents, and great-grandparents.

January 2025
Featured image for ““Nocturne,” “Flint Ridge Overlooking the Klamath River,” and “Aubade for Lisa””
Nick Vasquez

“Nocturne,” “Flint Ridge Overlooking the Klamath River,” and “Aubade for Lisa”

The night is a black dress

draped over the arms of a couch, she whispers
stars plucked like cherry blossoms.
A smokey hush fills the room

January 2025
Featured image for “Reckoning”
Suzanne Zipperer

Reckoning

David Harris stood at the front of a group of about fifty protesters gathered in a church parking lot just east of a strip of I-43 designated as Jeannetta Simpson-Robinson Memorial Highway just north of downtown Milwaukee. He was closely listening to the instructions being given by a young woman wearing a black T-shirt with I Can’t Breathe printed in large, white, block letters across the chest.

January 2025
Featured image for “Whispers of the Beloved”
Toni Palombi

Whispers of the Beloved

Nestled in the Adelaide Hills, Father John’s home is warm and inviting. Outside, the trees are dampened by the winter rains. The sky is dark although it is only midday. John sits in a blue armchair by the heater. Green plants surround us in the living room where we sit.

January 2025