Issues

Issues

Featured image for “Good Girl Hood”
Karen Travis

Good Girl Hood

Good girls can’t lie, but they can’t always tell the truth, either. We must be well behaved but not prudish. Smart, but not boastful. Attuned to others’ without being needy. Strong, but silent. It’s a club I began subscribing to after my parents’ divorce. I joined without anyone telling me I had to, embracing the unwritten code without giving it a second thought.

February 2026
Featured image for “Catfish”
Alexandra Grant

Catfish

Here comes another one. Amelia was scrolling through her social media platforms looking for amusement when an instant message pops up on her screen. She clicked the message, saw that a famous actor was messaging her and asking her to friend him.
Amelia was by now well-versed in how this interaction would go.

February 2026
Featured image for ““Initiation to Flight,” “Perennity,” and “The Gauzed Interior””
Emily Bilman

“Initiation to Flight,” “Perennity,” and “The Gauzed Interior”

Standing amid the death-censors
“You cannot succumb to Thanatos
all for all”, I said to them to ward off
their collective suicide. Unheard.

February 2026
Featured image for “The Conquistador”
Ben Chavez

The Conquistador

Old Francisco Gutierrez lay in his bed, his stomach heavy and bloated. A white porcelain soup bowl crusted with the remnants of lunch cluttered his nightstand, joined by numerous orange plastic prescription vials, some tipped on their sides with a few crumbled pills inside, as if defeated by the weight of their responsibilities.

February 2026
Featured image for “Peak Divinity”
Rob Moore

Peak Divinity

Ang Tuin’s temple was large and airy and now painted white, which he hated. All through his second life, there had been wood panelling which had filled the space with a rich scent of beeswax and nutmeg, but the tall men had come to make another one of their changes.

February 2026
Featured image for ““The Moon Watches Us Come and Go,” “How My Dad Thinks the World Will End,” and “Recipe for Cake””
Trapper Markelz

“The Moon Watches Us Come and Go,” “How My Dad Thinks the World Will End,” and “Recipe for Cake”

I’m not one to admire change. I’ve been here
for billions of years and will be for billions more,
and in the time it has taken me to draw a single breath,
you meat puppets went from pissing on the savanna
to whipping past my feldspar plains a dozen times

February 2026
Featured image for ““Firmament,” “Pioneers,” and “Saw-whet””
Rebecca Palermo

“Firmament,” “Pioneers,” and “Saw-whet”

Contemplating the eye of a loved one,
you have noted the white of the sclera,
Its contrast with the pigment of the iris,
the cast pulling your focus. Encircling

February 2026
Featured image for “Emergency”
Gary Duehr

Emergency

I am an emergency. My name is Bernie Smith, my colleagues at HR Block used to call me St. Bernard, like the hospital on the South Side, because I was always trying to save someone a few bucks. I still live a couple blocks from the hospital, near where the Dan Ryan Expressway split the old neighborhood in half, in a post-war cottage. It’s nice, white brick, with a long narrow backyard like a bowling alley.

February 2026
Featured image for “A Eulogy”
Taylor Bianca

A Eulogy

The bright, green grass was covered in early morning dew drops. They slide down its blades and leave wet spots on my pumps. Rocking my weight on to the heel, and then back to my toes, I focus on how each shift digs the shoes further into the soft ground. I wish I could just take them off, stand even, and feel the earth with my toes.

February 2026
Featured image for “Masculine Enough”
Juan Scheuren

Masculine Enough

All it took was one presentation to boost the B to an A plus. If it wasn’t for the awkward pauses, Macson would be enjoying the rest of the day. Students walked along the sidewalk under the awning of the film building. Macson sat on the edge of the sidewalk, staring at the drenched parking lot with rain splashing onto the pavement. His eyes were sunk. He ignored the tight knot that beat inside his throat.

February 2026
Featured image for “Almodóvar’s Cinema in the Age of Trump”
Stephen Akey

Almodóvar’s Cinema in the Age of Trump

Since assuming a second term of office on January 20, 2025, Donald Trump, with the assistance of his zealous lieutenants, has, among other “accomplishments,” pardoned every one of the 1,500 rioters who were charged with participating in the attack on the Capitol in 2021; forced universities to capitulate to ideological demands at the risk of losing their federal funding; deployed the National Guard to traditionally liberal cities, where it is neither needed nor wanted…

January 2026
Featured image for ““102,” “Poem in which I Commit to Being an Indoor Son,” and “Preserves””
Andrew Christoforakis

“102,” “Poem in which I Commit to Being an Indoor Son,” and “Preserves”

everything beautiful hurts
to be touched
your mother’s
cold hand on your forehead

the number on the thermometer
higher than your burning mind
can count
and now you’re the king

January 2026
Featured image for “Appropriate”
Cary Torkelson

Appropriate

The living room was quiet except for the soft hum of the dishwasher and the occasional rustle of pages turning. Mara sat on the couch, half-listening as her youngest, Nora, read aloud from the school library book they’d brought home that week. Upstairs, her older daughter, Talia, was finishing a science project at the desk they’d squeezed into the corner of her room.

January 2026
Featured image for ““Goodbye-Bye Leo Tolstoy,” “The Language of Trees,” and “I Detect Lord Byron””
Christine Andersen

“Goodbye-Bye Leo Tolstoy,” “The Language of Trees,” and “I Detect Lord Byron”

I am finally admitting
that I am never going to read War and Peace.
I started a number of times,
printed out a cheat sheet with the cast of characters,
made many a tasty snack,
read to around page 100,
and each time abandoned the project.

January 2026
Featured image for “Sister Barbara”
Toni Palombi

Sister Barbara

Sister Barbara has always been drawn to the unknown. In 1965, a week before her eighteenth birthday, she travelled some 400km from Mount Gambier to Adelaide to join the Sisters of Mercy. Her entire family piled into the car and for five hours, Barbara and her siblings sat in the backseat watching lonely farmhouses tear past the window. Barbara had no idea that this would be the first of many long journeys…

January 2026
Featured image for “The Boars”
Jennifer Falloon

The Boars

Walter is feeling pleased with himself, barreling along the Autopista del Mediterráneo, or “AP-7,” as they call it, that starts way up by the French border, on his way to pick up Anna at the airport. It is a soft warm evening in September, the kind they take for granted now, the two of them, having lived on the Costa Blanca for fourteen years.

January 2026
Featured image for ““Her Oceans Seven,” Moral Injury,” and “Considering the Survival of a Marine Iguana Called Harry””
Holly Marihugh

“Her Oceans Seven,” Moral Injury,” and “Considering the Survival of a Marine Iguana Called Harry”

The challenge is called Oceans Seven,
and by the time Marcia Cleveland
finished the ginormous feat of swimming
all those channels and straits,
one, two, three, four, five, six, seven,
she indeed earned ownership.
As in, Her Oceans Seven.

January 2026
Featured image for “The Fried Flour Paste, My Earliest Treat in 1962”
Marie Chen

The Fried Flour Paste, My Earliest Treat in 1962

It was 1962 in Taiwan, and I was five years old. The dormitory where my family lived had a single living space, with the bedroom raised three feet above the floor, and partitioned by a Japanese paper sliding door. My parents slept on a wooden double bed placed atop the Japanese tatami. Beside them, five children, ranging in age from seven to one, lay side by side on the tatami, sleeping soundly.

January 2026
Featured image for “Wise Ones”
Joshua Sabatini

Wise Ones

The southeast winds blew gently, caressingly, full of medicinal salts, carried in from the Atlantic Ocean, and fragrances from the vegetation on the shorelands that continued to emit spicy intoxicants ahead of the winter solstice. Bella and Beetle, two lovers on the barrier beach, lay within each other’s arms intertwined like one being, warmed by the burning driftwood they had collected and placed in the fire pit Beetle had dug.

January 2026
Featured image for “Why I Quit Wrestling”
Mark Wagstaff

Why I Quit Wrestling

That next afternoon I was sitting round home, I heard the bell. A slight, active sound, about the garden. I tried watching TV. The noise got nearer and farther; neither resolved nor ebbed away. This jingling got loud, resilient. It brought me outside.
And there, beneath the magnolia, the most delightful cream and apricot kitten practiced his pounce. The bell at his neck jogged with each strike. Curious, I picked him up. Perhaps used to attention, he didn’t claw but gave a juvenile, inquiring look. Beneath the bell hung a tag etched with a number. I got my phone. “You don’t know me. I have your cat.”
The woman took a second with it. An exploratory silence. “I don’t have a cat.”

January 2026
Featured image for ““Night at the Crest,” “grace sprinkled like dew,” and “You Weep””
Russell Willis

“Night at the Crest,” “grace sprinkled like dew,” and “You Weep”

Starscape obscured by
countless swarming pixels with 14-inch wingspans;
but no tangible color or form.
No sound, at least none perceived.
But there was something…
a presence felt. No, not felt. Not exactly;…
a presence known by reputation not senses, as mammal, not bird.

January 2026
Featured image for “Until We Meet Again”
Juliet Sorrentino

Until We Meet Again

I have walked this winding road a thousand times, though I swear it changes its face whenever I return.
Some days it greets me with the quiet of rain-soaked earth, other days with a brittle wind that sounds almost like a voice trying to call me back. I tell myself this is only memory playing tricks but yet memory has always been the wiser of us two.

January 2026
Featured image for ““Flames,” “You, I, Us,” and “Third Eye””
Laura McDermott Matheric

“Flames,” “You, I, Us,” and “Third Eye”

A hot September
morning flames fire to heaven,
Golden Lucifer.

Anticipation
to culmination: a bloom,
its cacophony.

January 2026
Featured image for “Office Memo”
Shengheng Cao

Office Memo

He never liked smoking. He only liked the smoke—coiling, hovering, just above him,
a downpour held in suspension.
He loved that suspension.
She never liked heels. She only liked the sound they made on the floor—tap, tap, tap.
Like the way her heartbeat quickened whenever she passed his desk.
She loved that quickening.
He liked getting to the office early, making himself a cup of coffee. He would lean back against the wall.

January 2026