Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “Heat Wave”
Aaron William

Heat Wave

Gooooooooooood morning Woodfield! This is Kap Freeman with your drive time weather update. It’s gonna be HOT again today! [cue: sizzling bacon sfx] Mostly sunny with a High of 92, heat indexes creeping into the triple digits. Continuing into this evening with tonight’s low only getting down to 81. [cue: loud barfing sfx] Then HOT again tomorrow!

March 2020
Featured image for “Breeze”
Alpheus Williams

Breeze

The headland rises before the horizon like a giant lion’s paw, sun bleached and golden. Morning mist lifts above it in a soft mantilla of grey gossamer. You can just hear the breakers over the heavy equipment, the banging of gears and the blades of the bulldozers scarring the earth.

March 2020
Featured image for “Keep Going”
Forrest Brown

Keep Going

It’s October in British Columbia and unseasonably warm. This means it’s also hot in the cabin of the twin-prop Cessna carrying me northwest, so I twist out of my sweatshirt and squirm in my seat to find a comfortable way to sit. No success.
I’m on assignment for Outdoors, going to interview Diana Li at her vacation cabin up north.

March 2020
Featured image for “Onslaught”
Julie Beals

Onslaught

You are moving forward! You are moving forward. You’re cruising down the road in your jeep, on the way to work. The leather seat is cool beneath you; the world that’s passing by is overcast, but the yards and flora surrounding the nearby houses are almost a fluorescent green. There was a thunderstorm the night before.

March 2020
Featured image for “How We Got Here”
Cory Essey

How We Got Here

We danced on my porch on the night I buried my dad. My feet were bare against the weathered wood, smooth under my skin. My dress, black and wrinkled, shifted in the cool night air and I remembered my father holding me up to the sky above his head. My arms outstretched, face toward the sun and flying, flying.

March 2020
Featured image for “Twisting Time  ”
Gary Bolick

Twisting Time  

JENGA, yes, JENGA and rain. Both are safe for all ages, right? At the beach, sheets of rain rather than rays of sunshine coating the beach. JENGA! Throw in a slumber party game, a few choice words, a little alcohol, nothing too severe: Pinot Grigio, and wait. Now add a little, no, a lot more rain, bingo! Problem solved, right?

March 2020
Featured image for ““A Walk on the Edge””
Jill Bronfman

“A Walk on the Edge”

Let’s go to the beach today
It’s closed, I know, the Great Highway, the great expanse
But I know a way in-
I’m a scientist.
I’ll show them my credentials, say you’re my assistant
We’re here to study the shoreline, what’s left of it

March 2020
Featured image for ““Up & Down 
Or  Cutting 
Across Chess 
Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?””
Gerard Sarnat

“Up & Down Or Cutting Across Chess Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?”

Just as Technology
has shifted from
being a vertical —
organizationally
in a stack above or
below other usual
equal silos

March 2020
Featured image for ““Amazon Burning,” “Slow Creep” and “So Long””
Brad Garber

“Amazon Burning,” “Slow Creep” and “So Long”

I will never see your secret spaces
listen to the bold songs of birds
or the screeches of primate tribes
in trees along slow muddy waters.
Nor will I spy the silhouette
of the silent jaguar’s shadow

March 2020
Featured image for ““A Sestina for Turbulent Times””
Ada Jo Mann

“A Sestina for Turbulent Times”

Our kids march in the streets for Climate Change.
They’re chanting we are running out of time
disturbed by watching all the rising seas
from hurricanes, huge fires, torrential rains.
Their fears and tears give me a bit of hope
that our vast world will flourish when I’m gone.

March 2020
Featured image for ““Prisoner Earth,” “Suffocation” and “Melting Wax””
Jennifer Schneider

“Prisoner Earth,” “Suffocation” and “Melting Wax”

I served 20 years 4 months 3 days
for a theft I didn’t commit.
Solitary. Abuse. Neglect.
Suffering. Shame.
Victim of mistaken identity.
Suggestive questioning. Self-interest.
Gross negligence. Prosecutorial misconduct.

March 2020
Featured image for “Something Blue”
Connie Kinsey

Something Blue

Only the bride was still.
The bride, LeighAnna Hope Camden, sat on the floor of the church dressing room in an avalanche of white. She had yet to put on the dress. The slip alone was thirty-eight yards of netting covered with a fine batiste. Batiste, Bastille. LeighAnna wondered if the netting was fomenting rebellion.

February 2020
Featured image for “Esperanza”
O. G. Rose

Esperanza

Once upon a time, there was a girl who believed that if she confessed her love to her best friend, her life would leave her body: she would move on. This would cause her best friend great pain, and to save Artemio from hurting, Esperanza suffered the pain of never telling him how she felt.

February 2020
Featured image for “The Snitch: Kelly”
M.D. Semel

The Snitch: Kelly

Kelly couldn’t remember the last time she drove a car. She didn’t take the driving test until she was in law school and she had nearly failed it. Now, she was on the far eastside of Harlem at a cut-rate car rental place that looked more like a chop shop than a legitimate business. A friend had recommended it. She sat in the driver’s seat of a small, battered car and listened to the attendant explain its basic functions.

February 2020
Featured image for “Able Archer: Distant Early Warning”
Lawrence Lichtenfeld

Able Archer: Distant Early Warning

Major Powell had agreed to take photos of schematic diagrams of the SDI satellite systems. Dubrikov gave him a Minox B camera to shoot the plans. Powell had special plans created by the technical team at Langley that would photograph clearly on the tiny spy camera’s film. The images had to be clear enough for the Soviet technicians to be able to read, but not so clear that it looked like Powell had had time to set up a photo-shoot.

February 2020
Featured image for ““We Take Our Color From The Mines,” “The Sea Was Never A Friend To Us” and “We Are Forced To Face One Another””
Christopher Watkins

“We Take Our Color From The Mines,” “The Sea Was Never A Friend To Us” and “We Are Forced To Face One Another”

We take our color from the mines;
A frost of ash atop our coarse dark hair.

With brimstone flecks in the linarite of our
eyes, We see what lies in darkness—

Black holes to hell.

February 2020
Featured image for ““Binge-Watching a Dream,” “To Tell the Truth” and “The Moment and the Sequence””
Edward Miller

“Binge-Watching a Dream,” “To Tell the Truth” and “The Moment and the Sequence”

When he awakens, the dream tucks itself in.
At bedtime, the dream starts the night shift.
And so
Inside the lazy contraction of slumber is an energetic stretch.

February 2020
Featured image for ““the colonel,” “hunt simulacrum (Iceland 2040)” and “Hastings (1060/2018)””
Melissa Evans

“the colonel,” “hunt simulacrum (Iceland 2040)” and “Hastings (1060/2018)”

was in high dudgeon the colonel yelled

lying flat your pug-rasps in
in petering
juxtaposition of stuttered blasts
out get out

February 2020
Featured image for ““Infinite Affair With Air” “Love Letters” and “Fly Ball””
Buffy Aakaash

“Infinite Affair With Air” “Love Letters” and “Fly Ball”

You are this
which is not
that,
that
which is not
this.
You owe such and such
to whoever and whom,

February 2020
Featured image for ““This Tree,” “Death Dream”  and “Society””
Douglas Nordfors

“This Tree,” “Death Dream” and “Society”

I stop walking,
and contemplate
the way the thin
arm of this tree
once bent upward,
before stretching
out over the river.

February 2020
Featured image for ““Cactus,” “cutlet” and “pumpkin””
Natalie Warther

“Cactus,” “cutlet” and “pumpkin”

I wait for a sign that you need me:

a wilting arm, dry soil,
but you give me nothing

so I trickle water into your mouth.

Just enough to tame my own thirst.

February 2020
Featured image for “The Corpse in the Woods”
Hallee Israel

The Corpse in the Woods

Marli finds a corpse resting at the bank of a river in the middle of the woods after school. She almost doesn’t see it hidden amongst the brush and the moss, but the dingy gray color of its sneakers sticks out underneath the vibrant autumn leaves. After cleaning off her Dana Scully glasses – and squinting for good measure – she’s certain that it is a corpse, and not a fresh one either.

February 2020
Featured image for “They Look Like They Are From A Dream”
Jamaluddin Aram

They Look Like They Are From A Dream

It was raining loudly on the tiled roofs and on the concrete sidewalks and on the trees but quietly on the grass. “This rain doesn’t sound and smell like rain,” I said when I went back inside the garage. My brother made a mark on the wood and put back the short yellow pencil behind his right ear. I looked at the cigarette behind his left ear and waited for him to say something.

February 2020
Featured image for “Alchemy of Gambling”
Catherine O'Neill

Alchemy of Gambling

The whole process threw me for a loop. I spent over forty years of my life in Nigredo living in the darkness of the disease of gambling. Gambling is in my blood; I carry the ancestral glow of an epigenetic behavior which goes down to the bedrock of my DNA. If you didn’t gamble in my family, there was something radically wrong with you.

February 2020