In high school, my friends played trumpets, French horns, trombones, and Risk—conquering make-believe continents while desiring real girls. We spoke on speech teams, competed on chess teams, sang in glee clubs and choirs. Popular boys played football and shot hoops. My friends and I studied Latin.
One day I made the mistake of telling fellow trumpeter, Nolan Niemeyer, why I couldn’t practice with him on Saturday morning.
Long-Post-Short-Good. It doesn’t take long to become immersed in the ebbs and flows of the call schedule. On Long Days, the medical team admits patients from noon through the evening — each one requiring detailed history, a thorough physical exam, a working diagnosis, and orders for the appropriate nursing care, diagnostic testing, and medications. On Good Days, there are no new patients.
At ten o’clock on a Sunday morning in late January, the clock on the mantel chimes. I glance up from my record-keeping to stare out the paned window at the falling rain. The skies are a leaden gray, the tops of the trees swaying in the wind.
Nasty weather to be out in.
Grateful for a crackling fire in the hearth and my wool vest, I dip a pen in the inkwell and continue crafting a detailed summary of my last patient’s condition.
A tree fell across the road that leads down to the lake. There was no wind, just days and days of rain. The soil loosened its grip. The tree’s roots stretched to the sky behind yellow caution tape and a Seattle Parks Department truck with flashing lights.
We are, at the moment the tree gave up, 22.5 months into a pandemic, significantly too far into a climate crisis and leaning over the precipice of our democracy.
It was just before 9:00 a.m. Ryan had been sitting in his car at the curb for ten minutes after pulling up in front of the house he’d been looking for. His shoulders were still slumped. The place was about what he’d expected, a ramshackle little bungalow surrounded by a dried-out lawn and a low fence badly in need of paint that was missing pickets on each side. An empty bird bath perched in a bed of dying roses in one corner, a few late blooms wilting through their tarnished foliage. Where the front walk met the sidewalk, a crooked mailbox dangled partway open like a stifled yawn.
I discovered the babysitter looking through a taboo photo collection with my five-year-old daughter as I stepped through my front door. My quickening heart beat faster and faster and, fearing it could explode out of my chest, I focused my sights on control. Gliding into the living room, I channeled my perfect Stepford-wife-voice, and asked, hey, how was your night?
The first time I took someone’s life I did so with a whisper.
I was just a child back then. Mamma owned a small pocket-size revolver that she had bought at a discount from a gypsy who was passing through one rainy afternoon, but I wasn’t allowed anywhere near it; therefore, all I had at my disposal to rid the world from the man who had tormented me to the very core of my bones…
At the aptly named Jackson Theater
when you were twelve
you saw John Wayne’s visually ambitious
gloriously fictitious
version of The Alamo
— yet another story already told to you through TV
— and so of course yet another lie.
Nadia Kowalski snuggles closer to her husband, Josef, wrapping the wool blanket tight around them as her breath fogs the cold air. Traveling with all their possessions piled high on their cart has gotten harder as fall moves to winter, but now that a few months have passed with no pursuit from the authorities, they can use the better roads. Nadia watches the mules pull them through the puddles left by the rain. The slow movement and rhythmic clanking of the pots and pans lulls her to sleep.
In my early, disruptive thirties,
I wondered through
An aimless, broken land,
With a slew of past sins as my guide.
Along my travels,
I found a temple made of marble stone
Standing in the middle of nowhere.
Sleepless cities hate shutting down, but also,
Distancing protocols dismantle congregations in dozy towns.
Trauma afflicts the already jobless.
New York nights avoid turning dark & idle,
Yet theatres close-down & spotlights shut-off,
Covid has proven that seductive consumptions are not worth the cough.
Flying home from Seattle,
A man behind me mentions
The 2011 Christchurch earthquake.
I turn to see if it is you. A crazy thought.
Why would you be here?
Fifteen years since I heard your voice.
Still, I recall its timbre.
When you talked it sounded as if
You had a mouthful of stones.
I walk back from intensive care,
automatically shuffle for solitaire
and report the numbers to siblings
as I try to deal:
pressure urine cc’s and temp,
peeling off the first three cards
and nothing changing.
I’ve read that visual memories
are easier to recall than words,
so when I can’t remember the name
of the tree by the garden hedge
white blossoms in springtime,
I think of our dog, Finn, basking
beneath it, long ears stroking the earth,
know it is a dogwood tree.
Waking at 6:00 am, she would sit all day on a wooden stool,
listening to country music on a radio.
Coffee gave her the neuralgia along her nose, so she gave it up years ago,
drank hot water from McDonald’s Styrofoam cups.
Only bone and sinew, papery, thin skin,
her gnarled hands could crush
plants or animals or a small child.
It was a balmy 97 degrees when he stepped out of his truck into the parking lot outside Sunny Acres Nursing and Rehab Center. He looked forward to the sliding doors welcoming him into the air-conditioned lobby. It was Monday, and just like every Monday at 3 p.m. with a book tucked under one arm and a bag of peppermints clipped between the thumb and index finger of the ipsilateral hand…
I’ve finally figured it out, I mean, about the weather and all: how important it is to me, to you, to everyone, to our well-being. For a long time, I thought it was Charlie who figured it out first.
But before that—Charlie and I—we were in the same boat. Neither of us knew of our complete and utter ignorance.
No, neither of us had any respect at all for the weather that last semester of senior year when we first met searching—in what can only be understood as a mockery of our ultimate
fate—for a meteorology class.
Is it at the wake of dawn,
On the front porch of a chipped Victorian,
Naïve eyes wandering above the oaks’ thinning
Hairline in the East; is it in the shadow
Of a lamp, reflecting on stars’ sacred tease,
Window shades offering the seasons?
Mom lay on a cloud, wings spread, eating a piece of coconut cream pie with her bare hands. She was clad in a thin white robe, head adorned not with a halo but a tall, platinum blonde wig, her spectral body puny as a twig.
“How’s the weather up there, Ma?”
“Sweet as this pie,” she said, smiling, a dollop of whipped topping on her chin.
“I miss you,” I said.
“Stupid is as stupid does,” said Forest Gump. So true.
Like the time nine-year-old me, batting eighth,
squared around to bunt and took a Larry Broerman
fastball in the groin that dropped me to the ground,
where the coaches and umps huddled around
and unbuttoned my pants so I could breathe.
Coyotes dangled like Christmas ornaments from the tree. Coup D. Gracen closed the gate and stopped beside his pickup to admire his work. He didn’t take credit for inventing this trap—someone else somewhere must have tried it too—but he had perfected it: 150-pound test fishing line and 14 ought treble hooks triple-knotted and baited with pig liver. The limb would break before Coup’s tackle gave way.
Invisible in the everyday view of my myopic mind,
The breezes blow palm fronds into
Paintbrush-stiff attention on the edges of I-95.
So rarely now do I look up
And see the lemon twist of sunlight in the trees
That I’m shocked my eyes still recognize color.
Jeremy Wilkins died the summer I was fourteen. Accident was noted as the official cause of death. That was more a testament of his father’s ability to control the situation, by keeping the word suicide off the death certificate. I spent a lot of time with Jeremy that last summer and was overwhelmed with the enormity of what he’d done. Mostly, I was surprised by people’s reactions to it.
it split my lip // I will always be a little bit in love with you… too
just a little bit // more and we would witness the shadows of
some sort of situation alienated // a surplus fairytale of a couple of normative years