Issues Archive

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for ““Abduction on the Canyon Rim Trail,” “Hair Stylist,” and “Martin””
Kathy Pon

“Abduction on the Canyon Rim Trail,” “Hair Stylist,” and “Martin”

I don’t expect
a soupy river to steal you away.
White blood cells explode into whitewater,
filaments of breath sweep
downstream.
A confounding disappearance into
the thundering confluence.

November 2022
Featured image for “You Are Your Only Competition”
Swetha Amit

You Are Your Only Competition

During my initial days of running, I’d look at the runners on the road and wonder why I was not as fast as them. Bitten by the competitive bug, I’d try and match up to their speed and experience a temporary high of overtaking them until all the air was sucked out of my lungs. The pain of watching them run past me was nothing compared to the injuries and niggles I faced later.

November 2022
Featured image for ““The Long March,” “Sunday Sunday,” and “Marie””
Jack D. Harvey

“The Long March,” “Sunday Sunday,” and “Marie”

Bound on some skillful retreat,
a long march
north and west;
cut off from the rest
we end up foraging
in some scanty orchard,
the two of us.

November 2022
Featured image for “Don’t Want to Go to Heaven; Just Want to Go Home”
Jamey Gallagher

Don’t Want to Go to Heaven; Just Want to Go Home

Inside the airport, Trina sat in a white rocking chair that had been set up on the side of the ramp, looking out at the tarmac, a coffee in one hand, a Danish with bright red jam and stripes of white icing in the other, her carry-on bag at her feet. Behind her was the hubbub of the terminal, arrivals and departures, announcements calling out flight numbers, transport carts carrying the elderly here and there, a young man wearing a slick blue suit and a pilot’s hat trying to convince passersby to sign up for a special program.

November 2022
Featured image for ““Duncan’s Point Along Highway 1,” “A Poem Without Poetry,” and “Nightfall””
Nick Vasquez

“Duncan’s Point Along Highway 1,” “A Poem Without Poetry,” and “Nightfall”

I.
Purple delosperma frozen on stone cliffs
windswept granite.
Permanent calligraphy on blue canvas
only tides change.

II.
Carved into a driftwood bench
three names now forgotten.

November 2022
Featured image for “Almahdi”
Sonja Srinivasan

Almahdi

The conversion was an unlikely story.
For over two decades, Professor Philippe Halston had been the rock star at Rudyard University’s history department who brought in grants, acclaim, students, and visiting lecturers from afar, an expert on the Enlightenment and pre-Industrial Revolution secular European thinking. He lived an immaculate life with an immaculate house and an immaculate career untainted by failure.

November 2022
Featured image for ““oh physics,” “Messages,” and “Elfie’s Quantum Thoughts””
Malcolm Glass

“oh physics,” “Messages,” and “Elfie’s Quantum Thoughts”

oh physics
of warped gluons in the matrix chromosomes
molding children with necks and knees

disjoint and attenuate physics of the transport
of chlorophyll far more certain
than law or reason

and the stopped blood of embryos

November 2022
Featured image for ““Self Portrait as Poet,” “Work Friends,” and “Now Playing””
Julie Benesh

“Self Portrait as Poet,” “Work Friends,” and “Now Playing”

Poet, you mama’s girl, so bad at volleyball, first dates, job interviews, your albatross of asymmetry flung floorward like an eloquent glove, ironic as that yellow pedestrian yield sign on Chestnut Street, permanently pavement-flattened.

November 2022
Featured image for ““Early Envy (1956)” and “Fantasy Football””
Robert Eugene Rubino

“Early Envy (1956)” and “Fantasy Football”

When he’s eight he envies neighbor/buddy Bobby his airline pilot father
who drives his eye-popping harlequin Ford Thunderbird
with gears-a-poppin’ engine roarin’ to and from Idlewild
before and after taking off into the wild blue yonder.

November 2022
Featured image for “Umbrellas on Water”
Lisa Voorhees

Umbrellas on Water

After her dad died, Aveline swore to herself she wouldn’t let his novel go unfinished. It had taken two weeks for the brain fog to wear off and another two after that before she’d recovered from the shock of losing him to do anything, but even now, six months later, she struggled to get any real work done. Her progress through his notes was slow to the point of agony.

November 2022
Featured image for “Purple Becomes Deirdre”
Stephen Newton

Purple Becomes Deirdre

The year she turned fifty, there were two men in Deirdre’s life: Tom and Diego. Tom was an organic farmer she met at the Open-Air Market, where he sold honey, eggs and produce on Saturday mornings. In the photograph on her refrigerator door, Tom beams at Deirdre over a mound of sweet corn. He is ruggedly handsome with a shy farm boy smile that never failed to make her feel weak.

November 2022
Featured image for “Missing Pieces”
Stephen Coates

Missing Pieces

My uncle was there. He was angry.
“Look at yourself,” he said, punctuating his words with his finger. “Pathetic. Grown man, fooling around with kids’ stuff. House looks like a bomb site. You’ll never get a woman in a dump like this, boy.”
I sat squarely in the straight-backed chair, feet planted, shoulders pressed against the wooden slats. Chin up, eyes front, not moving a muscle.

November 2022
Featured image for “The Scoutmaster’s Ultimatum”
Cameron Vanderwerf

The Scoutmaster’s Ultimatum

Mom and Dad brought me to Camp Bramble because they said I was too sad. They said I could come home when I stopped being sad. That was when I knew that I might never see them or home again.
I was eleven years old and couldn’t remember not being sad. Although I couldn’t have given you an explanation as to why. Maybe I just wasn’t satisfied with any answers that people had given me over the last decade.

November 2022
Featured image for “Where The Errand Leads”
Thomas Weedman

Where The Errand Leads

Lost in the rhythm of slow hoe strokes and Hail Marys, the boy works and prays in the barren apple field alone at dusk. He’s humming the chaplet, sacred as a church hymn, even a motet. It’s cooling some, a welcome change after feeling he’d die from the throbbing mountain heat. And other maladies suffered in a motel and other places. Still, blunt wind sways adust pines on the horizon veiling the last light.

October 2022
Featured image for “Two Sides of a Card”
Elizabeth Liang

Two Sides of a Card

A black, speeding phaeton overtook them. Four black stallions raced down the Ringstrasse, their black plumes billowing like smoke. The driver held his hat as he passed the promenade where whispers filled the space in his aftermath. “Cousin, who is that?” “Why Mary, that is the Crown Prince himself.” “He drives his own carriage?” “Always,” said Frederic, peering down at the laced hand of Mary.

October 2022
Featured image for “The Visit”
Lisa Voorhees

The Visit

Nita Walsh’s parents had promised her a weekend trip to the Pocono Mountains for her seventeenth birthday. Her parents were normally super thrifty, but just this once, she’d been able to convince them to splurge. Less than two hours after they’d left home in Piscataway, New Jersey, and headed west, a storm battered the roof of their dilapidated station wagon. The wipers beat a furious rhythm against the pelting rain as it poured down the windows in transparent sheets.

October 2022
Featured image for “Redemption”
Emil Rem

Redemption

It was almost six in the evening as he stared out of the large bay window of his sons’ 34th-floor suite in Essex House. Central Park sprawled beneath him.

As the sun set on the park, it too was setting on the penultimate day of their Christmas sojourn in Manhattan. The trees turned copper under the fading sun.

October 2022
Featured image for “A Week and A Day”
Cathy Robertson

A Week and A Day

Charlie was scared, all right. More frightened than they could ever remember being. The razor-shaved hairs on the back of Charlie’s neck stood straight out as the deafening scream of terror rent through the darkness once again. What the hell could make this horrendous noise that tore at their flesh and flipped the heart into a mass of quivering gel? This, they decided, had to be stopped. “Aiyeeeeeeeeeee!!!!!” Charlie’s eardrums reverberated in their head. Their blood ran cold, and Charlie wanted to scream back in response.

October 2022
Featured image for “Life in the Liminal”
Clint Martin

Life in the Liminal

I’m on my back. Lazing between sleep and awake, dream and reality. It’s morning’s blurry edge, so comforter reaches cheeks, just below closed eyes. Right leg stretches uncovered, cool in our hotel room’s conditioned air. Left side warmed by wife’s breathing body. Florida’s proud light spills into the room, so behind shut lids, it’s not dark. It’s red.

October 2022
Featured image for “Dinah”
Meital Sharon

Dinah

“Good morning, Dinah, It’s Wednesday”, I greet myself aloud daily. Gad has greeted me every morning since we got married and moved in together fifty-two years ago. The alarm clock would go off at six forty, and Gad would snooze it, and still asleep, would say: Good morning, Dinahdin. Then he would rearrange his pillows, put a hand on my hip and go back to sleep. Since he passed away, I started saying this to myself.

October 2022
Featured image for “My Supposed Amish Life”
Marianne Dalton

My Supposed Amish Life

I stood like a marble statue, reverential and composed when that Amish horse and buggy came within inches of me. The driver, passengers, and even the horse glided past me unfazed, as if floating on air. Now, moments later, and alone on this rural road, there’s an even greater serenity in me. My mood mirrors the tranquil violet-blue sky darkening overhead.

October 2022
Featured image for “The Language of Birds”
Catherine Puckett

The Language of Birds

Renata stares at the electric knifefish and eel exhibit at the New Orleans Aquarium. She thinks that if she knew there would be passion in heaven and that heaven existed, the whole thing would be easier to bear. Marital dissatisfaction, she suspects, is one of the great underlying reasons for belief in an afterlife. She grips four-year-old Noah’s hand so he can’t wander away again. Noah is quick and curious, like she was as a child, and because he is like her, she already hurts for him.

October 2022
Featured image for ““Windsong: Solo Flute,” “The Dig,” and “Sudden Gasp””
Russell Willis

“Windsong: Solo Flute,” “The Dig,” and “Sudden Gasp”

The flutes of those
who live
with,
not just in,
nature,
mimic windsong.

Even accidental noise
blown by untrained lips
echoes the haunting, ethereal
whistle of wind
through limbs and grass, crops and structures.

October 2022
Featured image for ““By Saturday,” “Aqualung,” and “Tumble and Fall””
Melody Wilson

“By Saturday,” “Aqualung,” and “Tumble and Fall”

something settles. Next week’s
oatmeal eases into simmer,
the wide slow mouths of the first
few bubbles no longer startle
and pop as the surface smooths,
heaves with the humility

of normal mornings. It’s a chore—
the boil, filtering through
what I know, what is new.

October 2022