Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for ““Ephemera,” “Provence,” and “Fortis & Fugues””
Denise England

“Ephemera,” “Provence,” and “Fortis & Fugues”

Spearing the oil-sheen shell,
the feathered and gossamer wing,
the snail-curved scales,
Marley pins their still life
now dead, arrays in prismatic
patterns like Fibonacci,
recaptures their stained-glass flight.

September 2025
Featured image for “Sharks and Sirens”
Carrie O’Brien

Sharks and Sirens

Marilyn’s sharpest memories were shaped like five in the morning, dark silhouettes moving across a cold house with curved, sleep-deprived back and cyclical possibilities. Her mother in this same house, padding through the kitchen in her thick socks as she packed. Coffee in the thermos, breakfast in the pail. She kept her boots outside the door, and Marilyn watched her from the loft in their little A-frame house, her body wedged between two of her brothers in the bed they all shared.

September 2025
Featured image for “Black Lives on the Titanic”
Douglas Walters

Black Lives on the Titanic

The passengers of the Titanic were an ethnic mosaic of humanity. In the years following the sinking, the demographics of the great ship began to be studied and scrutinized. A documentary entitled The Six, about the Chinese passengers on board the ship, was released in 2020. James Cameron’s 1997 film also gave notice to the many languages and nationalities that had boarded. One question, however, kept coming up among historians, sociologists, and general Titanic enthusiasts such as myself: were there any Black people on the Titanic?

September 2025
Featured image for “Confluence at Café Zurich”
Ken Janjigian

Confluence at Café Zurich

I had been plotting my escape from Valeria for many months before I actually did it. Maybe she was plotting as well, each of us secretly planning our way out. We were both exhausted from our near daily drama, like a marathoner in mile 25, but with no finish line. The fights had lost any real meaning. We were fighting because that’s what we did. Their only purpose was to provide the toxic nourishment that fuels dysfunctional relationships.

September 2025
Featured image for ““Elegy to Jack Kerouac,” “Elegy for Amelia Earhart,” and “Among the Ruins””
Edward Baranosky

“Elegy to Jack Kerouac,” “Elegy for Amelia Earhart,” and “Among the Ruins”

It seems as if you still stroll across a fallow field,
Walking forever past all the things Nirvana offers,

And you stumble onto the right words that take
Their place around the Great Mandala,

And the air that rises on the road you left behind,
And everything that cannot speak after you—Now

September 2025
Featured image for “The Crook And The Conspirator And The Wild Card”
Joe Kilgore

The Crook And The Conspirator And The Wild Card

Color, like life, can be enigmatic. It often attracts, frequently lulls, and sometimes tricks one into assuming one thing while the opposite is actually in play. Take the lush carpet that covers so much of the jungle floor throughout Cambodia. Its mesmerizing greens of sugar palms and high grass seemingly mingle innocently with purple cockscombs, yellow rumduol, and red hibiscus. One would surely think such beauty is indicative of the peace and serenity that resides there.

September 2025
Featured image for “Father Paul”
Toni Palombi

Father Paul

Amid the restrictions of COVID-19, Paul and I meet over Zoom. A priest, professor of law, husband and father, Paul greets me warmly, revealing his Canadian accent. Paul, who teaches law at the University of Adelaide, has recently been named the holder of the Bonython Chair in Law – the ninth Chair since the Law School’s establishment in 1883.

September 2025
Featured image for “Puer Oblatus”
Aaron Buchanan

Puer Oblatus

The only person I ever punched in the face is dead. His name was Seneca, like the old Roman philosopher. About the time I read his obituary, I died too.
I was working night watch at a GM plant outside of Detroit and, thermos full of hot water and backpack full of teabags and textbooks, I attended university in the mornings. Nine a.m., Ancient Greek. Latin right after. Then some history classes. On a welcome spring break my senior year, I arranged to have my wisdom teeth removed.

September 2025
Featured image for ““Mythos,” “Echidna, as depression,” and “Hereditary””
Ashling Meehan-Fanning

“Mythos,” “Echidna, as depression,” and “Hereditary”

Red ribbon around the bark of an old oak tree,
a present to the woods, a marker to a walker
down its dirt paths. This afternoon I am the walker.
I pause at the tree and wonder at the sight
of a violent color tied up amongst mineral green and dirt.

September 2025
Featured image for “The Pendulum”
Parul Kaushik

The Pendulum

Boisterous cab drivers, chewing betel, buzzed around the queue at the pre-paid taxi counter of Agra Cantonment Railway Station, detailing the attractions of Agra to tourists. Shipra strutted across the station facade, halting the crawling taxis with her outstretched hand, before joining her father in the queue. Her poise and ease generated the impression of a native used to honking scooters and howling taxi drivers.

September 2025
Featured image for “Riley”
Clay Halton

Riley

Seventh grade was the year when the kids from the two elementary schools in our district all got piled into the Junior High building to begin middle school. It was a transition period for us children into young adulthood. Lockers, school bells, switching classes, and the dreaded “changing out” in gym class all awaited us.
Along with my fear of changing my clothes around my male peers in the locker room, I also began to fear most male interaction. I knew I couldn’t blend in with them, even if I didn’t know I was gay.

September 2025
Featured image for ““Reckoning,” “Crowned by the Crowd,” and “The Turning””
Lauren Lindsay

“Reckoning,” “Crowned by the Crowd,” and “The Turning”

Peace through strength—
our strongman’s favorite slogan.
When will they learn?
You cannot gain peace through bombing.

Divinely guided, cross hung around the neck, Bible in
hand, quoting scripture as we bomb foreign land—
Sanctified greed, embodied in tailored suits.

September 2025
Featured image for “Midnight Strings”
Jeffery Thompson

Midnight Strings

I sat up from my coffin as the church bells began to ring. My tiny mausoleum remained much the same as the night before: the stone slab of my coffin sat turned at an angle, allowing me to sit up and take my evening walkabouts. Dead leaves and detritus littered the floor, mingling with mouse droppings, spiders, and the refuse of nature that wind blows into such spaces.

September 2025
Featured image for “Undertone”
M.C. Blandford

Undertone

Beck watched fat freckles and swelling blisters burgeon across her girlfriend’s face and shoulders on their seventh day stranded in their emergency dinghy. A speck lost somewhere on the Pacific Ocean.
On the first night, as the adrenaline from the crash ebbed, Beck watched Bea’s eyes grow heavy before slumping against the stiff, inflated side of the dinghy. Beck tried to rid her girlfriend of the shivers coursing through her body as the temperature plummeted, but it was no use.

September 2025
Featured image for ““the bears bound this way,” “upstate,” and “the burn pit””
James Shapiro

“the bears bound this way,” “upstate,” and “the burn pit”

all night the bear is coming down the mountain
bound for the strong river
running down to the distant city
but still she comes,
swimming, dripping, shaking her fur in the Tivoli
mud banks,
loping through pussy willow, rose brier,
inhaling honey suckle

September 2025
Featured image for ““Effortless,” “Hypothetically,” and “Uncelebrated””
Nick Boyer

“Effortless,” “Hypothetically,” and “Uncelebrated”

A song by The Beach Boys
washes through satellite dead spots.
Riding in a used Corvette
the kind with the hammerhead headlights
that flip up and down.
Papa’s hands wave and point above the gear stick
like he’s discussing spots on a family burial plot.

September 2025
Featured image for “Pancho & Franz”
E.P. Lande

Pancho & Franz

Pancho grew up in Texas, which accounts for the name he assumed. Franz was born and raised in Baltimore, which doesn’t. They met at college somewhere in the Midwest, where Pancho majored in narcissism, and Franz, in egocentricity.
Pancho and Franz had one strong trait in common, a characteristic that drew them to one another, bonded them such that they became inseparable — and that was self-love.

September 2025
Featured image for ““Truth,” “Travel,” and “Death””
J. Chester Johnson

“Truth,” “Travel,” and “Death”

I tried guile at times
And haste often, but far worse
Was the unknowing. . .

I said it slowly
But did not forgive myself
For being truthful. . .

September 2025
Featured image for “She Doesn’t Remember”
Alnaaze Nathoo

She Doesn’t Remember

Her phone buzzed: Lia pulled it out of her pocket to check the incoming message, expecting a meme, or a friend sending pictures from her latest walk. It was not. “I was there this morning: she’s refusing to take her meds, and she’s yelling at the nurses again. Called the doctor a benchod.” It was a message in the family group chat.

September 2025
Featured image for “Mr. Divika’s Cat”
Martha Brenckle

Mr. Divika’s Cat

Since getting out of the hospital, I had been waking up before the sun. For half an hour or so, I would sit outside in the near dark, still and peaceful, and watch the sky change. As I sipped my first cup of coffee, the sun slipped into the day as black became royal. Then a hint of gold and orange would appear right before the sky turned a brilliant light blue and filled with the huge cloud shapes that only a flat landscape and a humid climate can create. The breeze stirred the plants around the pool, and I would hear the muffled sounds of Alice making breakfast, little clinks of spoons and the soft whoosh of the refrigerator opening. This scene is supposed to help me relax and be introspective.

August 2025
Featured image for ““The Problem with Language Today,” “The Last Altar Boy,” and “My Rolling Sea””
Rory Doherty

“The Problem with Language Today,” “The Last Altar Boy,” and “My Rolling Sea”

Undone diction
etherized upon a table.
Is or isn’t. In or out. For or against.
Ones, zeroes, x’s, o’s.
Klaxoned opinions clamoring.
A crisis indeed.

August 2025
Featured image for “The Peach Orchard”
Marie Chen

The Peach Orchard

The sun blazes overhead. Jenny, like a Butoh dancer in meditative motion, turns the wheel with slow, deliberate grace. The car glides silently along the winding road. Inside, the AI-controlled A/C keeps her cool and comfortable. She no longer resists the heat. Her mind is vacant now.
Suddenly, she grips the wheel and swerves right. Her car merges onto a narrow road canopied by towering oaks.

August 2025
Featured image for “Dormancy”
Garvin Livingston

Dormancy

My father must have heard me walking past his bedroom that late afternoon. He often went to his room before dinner. I assumed he was awake probably watching TV or reading the newspaper, something hardly anyone did anymore, but he did.
He said through the closed door, “I’m still breathing.”
“I’m going out for a bit. I’m walking down to the lake,” I said. I stood listening for a reply. There was none. I stayed a few more minutes not making a sound. Then I heard him mumble something to himself in a quiet, monotone voice. All I could hear was “thank you” said twice, but I didn’t think he was talking to me.

August 2025
Featured image for “Mismeasured*”
Linda Kotis

Mismeasured*

My underarms were moist, the back of my neck clammy. The shower I took in my sister’s dorm was for naught, failing to prevent the pervasive body odor that betrayed me. It was an early March morning in Bloomington, the humidity transforming my shoulder-length hair into a mop of brown frizz, the surface of my face red-lumped and shining like a vinyl rain slicker. I meandered across the quad.

August 2025