Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “Severed”
Brian Mosher

Severed

My friend Alex was twelve years old when it happened. Years later, he told me it was like time had stopped the instant his father parked the car on top of the railroad tracks on Spring Street, pulled the keys from the ignition and tossed them out the window. I’ve always imagined Alex, his mother, and his younger sister looking at each other in stunned silence as the father closed his eyes and calmly surrendered to the universe, which he believed had defeated him at every turn.

July 2025
Featured image for “They Shall Be Drowned”
Sterling M.Z.

They Shall Be Drowned

The wind blows fierce on the Isle of Rankor. It pushes in the waves, fast and rhythmic, until they wash upon the sands. Together, the forces carry ships into the harbor, which spans the coastline as intricate as a maze. At any given time, a hundred ships unload their imports and load exports with ease. This is the Isle’s tradition: wind and waves and trade, the tradition Caroline and Marina have grown up with all their lives.

July 2025
Featured image for ““A Robin’s Agenda,” “Never mistake what is for what it looks like,” and “Narcissus pseudonarcissus””
Simon Maddrell

“A Robin’s Agenda,” “Never mistake what is for what it looks like,” and “Narcissus pseudonarcissus”

You can’t handle the truth of X
and Y complexities in your own
species, so it’s obvious you think
you can tell our gender by the
colour of our breasts or know
that we are born all-brown.

July 2025
Featured image for “Pulling Taffy”
Linda Briskin

Pulling Taffy

As I age and tire of life, my child-self is insistently present. She has not faded with the passing of time; instead, I have a growing sense of quiet urgency—to know her more deeply and to comfort her.
That long-ago child was the middle of three daughters: her older sister, the favored child, too old to be a companion, and the younger too young. She was ignored by her parents. In a matter-of-fact way, she expected indifference and accommodated neglect. Paradoxically she also faced the brunt of their rage, prompted, they said, by her audacity and impertinence. She dreamed about leaving home.

July 2025
Featured image for “Against Protagonism: Why We Need More Ensemble Films”
Nancy Graham

Against Protagonism: Why We Need More Ensemble Films

As the fourth-born kid of five, like anyone from a big family, I grew up in an ensemble. We were spread enough in years that school kept us segregated by age, so we had two main gathering sites. The first was the dinner table, where the social task was to make a worthy offering to the highly opinionated conversation. Maybe there was no offering within reach, other family members being older and more experienced. Maybe you stood to underscore a point or fetched a dictionary to prove that “flaccid” is pronounced with a “k” in the middle or happened on a witty remark and sparked a few laughs or tried to vanish into the wallpaper to avoid negative attention.

July 2025
Featured image for “A Life Well Spent”
Jan Jolly

A Life Well Spent

The riot gate clangs behind me as I stride down the wide concrete hallway, nodding to passing officers and inmates. At a little over six feet tall and still carrying my fighting weight of 230 pounds, I know the inmates and even some of the newer officers find my size and demeanor intimidating. I try to soften my serious demeanor—bolstered by my icy-blue eyes and square jaw—by wearing my Yogi Bear tie with my usual black slacks and white dress shirt. My “uniform,” as my wife, Trula, calls it.

July 2025
Featured image for “When We Were Wild”
Shelagh Powers Johnson

When We Were Wild

It was not the sort of story that could stay hidden in a small town. People in Florence paid attention to everyone else’s details: a car missing from a driveway in the early morning hours, a skipped shift at work, one less body tucked into the pew on Sunday morning. This was how the people of Florence governed themselves: with the understanding that there was no such thing as a secret.

July 2025
Featured image for ““gentrification,” “toward home,” and “the finery of flowers””
Olga Dugan

“gentrification,” “toward home,” and “the finery of flowers”

the better-off displace old families
leaving just a remnant behind
neighborhood changes fast
innovative foliage, bolstered lawns
porch, deck, people repaired and not
show it all happening at once

July 2025
Featured image for “Season of Healing”
Maria Angeline Pennacchi

Season of Healing

In the quiet darkness of her backyard, Annemarie sat in wonder, gazing at the brilliance of a full moon. A “super moon” technically, though she couldn’t remember at the moment what its special name was tonight… Harvest moon? Hunters moon? It didn’t matter. The beauty was positively hypnotizing as the moon dazzled like a jewel, with twinkling stars sprinkled all around it in the perfect, clear night sky. Its glow illuminated the woods with gentle moonbeams filtering down between the trees.

July 2025
Featured image for “An Adirondack Story”
Marianne Dalton

An Adirondack Story

The police separated us into two cop cars. One car contains Stephen and Hugh; my boyfriend Matthew and I ride in a separate car. They didn’t handcuff us, but they certainly looked me up and down with disdain. I’m feeling overwhelmed and lightheaded because just before the police came, Hugh shoved his marijuana on me. He told me to hide it in my underwear because “they won’t search a girl.” I complied but questioned my judgement. And now I’m on my way to the police station feeling like a captured bird.

July 2025
Featured image for “Musings From A Misprint”
Vish Watkins

Musings From A Misprint

In 2022, I wrote an essay for Soundboard: The Journal of the Guitar Foundation of America, but my name was misprinted in the print edition as Vish S. Watson. No great tragedy, these things happen.
In 1907, Israel Baline, a singing waiter in the Bowery, penned “Marie, From Sunny Italy,” but when the handbills accidentally attributed it to I. Berlin, Baline liked the name, thought it had a classy ring, and promptly adopted it, upgrading the “I” to Irving.
I myself have no aspirations for fame or fortune and no thoughts of upgrading my name.

July 2025
Featured image for “Mountain People”
Yehezkiel Faoma

Mountain People

With every passing Christmas, my sons and their families spend less and less time in the house before hurrying back to their own homes. I will not see them again until the next Christmas, when they will reluctantly come again to honor the childhood promise that they made on their mother’s deathbed: to always keep in touch. Only then will the house see some life, this big empty house that they’ve given me so they don’t have to live with me.

July 2025
Featured image for ““The Perspective of Venice” and “The Dogmeat General””
Jack D. Harvey

“The Perspective of Venice” and “The Dogmeat General”

And in Venice, spring!
priest manqué
Baron Corvo’s pimping presence
passes by,
on the lookout for the right boys.
Oh che bel divertimento!

July 2025
Featured image for “Doubt. Love”
Toni Palombi

Doubt. Love

In 1970, the year the world learnt that the Beatles would split, Sister Carole decided to join the Daughters of Charity. It was like a love affair, she tells me as we meet over Zoom, a day after a statewide COVID-19 lockdown had been announced. Carole’s love affair was less dramatic compared to one of the most famous love affairs at the time — the romance between John Lennon and Yoko Ono (who married the year before) — but for Carole, it would be her lifelong love.

July 2025
Featured image for “The Saga Of The Old Umbrella”
Mario Duarte

The Saga Of The Old Umbrella

The old woman, Ramona, like her umbrella, was from another time, a slower, quieter time, a time she missed. Despite a tight grip, the umbrella inflated above her hoary head, twisting in howling gusts. Cold raindrops plentiful as her days pin-pricked her eyes. Her feet shifted to avoid puddles but not fast enough, and her socks were soaked, and her feet soggy and cold.
I am only halfway to the grocery store. What a day, what clima!

July 2025
Featured image for ““A Turn Around Town,” “What the  Body Remembers,” and “Fine Art””
Steven Deutsch

“A Turn Around Town,” “What the Body Remembers,” and “Fine Art”

I take the cobbled path through town
that I have walked for years.
The streets are for the wary—
ice strewn here and there
as if they had tired
of the nagging shovels.
The air still
with the silence of February.

July 2025
Featured image for “Tea with the Prophet”
Karen Siem

Tea with the Prophet

I am the only passenger leaving the train at Oxford station. The platform is deserted and there’s a sharp chill in the air. The sky’s a dull white sheet. I sit on my roller bag, button up my cardigan and look around for Chrissy Sondheim. She said she’d be on the platform holding a card with my name on it. The silence is almost deafening. I think about the many times I came to Oxford when Alba was a student and how close we were. It had been the two of us against the world from the moment I gave birth to her.

July 2025
Featured image for ““…As Old as Time,” “what do you call a friend who’s still alive but died,” and “not about birds, clearly””
Deztiny Musa

“…As Old as Time,” “what do you call a friend who’s still alive but died,” and “not about birds, clearly”

Goddesses of Rage and Despair
objects of desire
and hate
Did they drown in their own beauty?
curse their amber eyes and
silk thighs
gasping for air

July 2025
Featured image for ““Clouds””
Michael McQuillan

“Clouds”

As this afternoon the cotton candy clouds share space with azure sky, I surmise that God above does not abide the lie that Hamas’ savage strike justifies the Israeli government’s genocide.

Widows, orphans, strangers bear the brunt of extreme and arbitrary force. Displaced tented families eke out day by day survival, searching bomb-razed hospitals and schools for children’s charred remains.

July 2025
Featured image for “My Black Dog Darkness”
Raymond Fortunato

My Black Dog Darkness

It’s 7:30 A.M. Xavier walks up to his office building and stops. Later that morning he must give a sales presentation to a prospective client. As he goes through the revolving door, he tries on a wary smile. His personal black dog is back. My Black Dog. That’s what Churchill had called his depression. The truth is that Xavier’s Black Dog rarely leaves him. When his dog isn’t biting, she is sitting on his heart like a forty-pound dumbbell balanced precariously. Could a heart that weighs maybe a pound support a forty-pound dumbbell? No! Of course not! It would be crushed.

July 2025
Featured image for ““Found,” “Where Are All the Small, Wild Things,” and “I have folded all my sorrows””
Mary Dean Lee

“Found,” “Where Are All the Small, Wild Things,” and “I have folded all my sorrows”

He arrives on horseback middle of a blizzard
in the Rockies, boots on, to collect me. There
is a valley of snow between us. He says nothing
about seeing the parole officer. I’m inside a lodge
with a roaring fire, legion of kin, we’re playing
Texas no hold’em and Scrabble with occasional…

July 2025
Featured image for ““Necessary Evil,” “This Fooling with Words,” and “Gratitude””
Russell Willis

“Necessary Evil,” “This Fooling with Words,” and “Gratitude”

The idea of “necessary evil”
Is only plausible if you
Mistakenly equate evil with pain.
Reject the premise, then
Evil is never necessary.

Pain, on the other hand, is a different story
For human life to even exist
There is the matter of the
Pain of childbirth

July 2025
Featured image for ““Snapping Turtle,” “Terrestrial Stage of the Red-Spotted Newt,” and “Our Anniversary Before Surgery””
Beth Cash

“Snapping Turtle,” “Terrestrial Stage of the Red-Spotted Newt,” and “Our Anniversary Before Surgery”

I float in the pond
on my blue mat,
splash away deer flies,
close my eyes in the baking sun.
The mat deflates, I am
half in the water, legs and head
cradled on the remaining air.

July 2025
Featured image for ““Persephone’s Dream of Spring,” “Flotilla,” and “Forgive Us””
Kathleen Holliday

“Persephone’s Dream of Spring,” “Flotilla,” and “Forgive Us”

While it was dark,
(and hellishly cold!)
the earth a frozen stone,
I dreamt of loam
and pomegranates,
and a warm, green shore,
and a boat to ferry me home.

July 2025