Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for “The Miraculous Infant of Prague”
Sandro F. Piedrahita

The Miraculous Infant of Prague

The worst thing about my condition was the insomnia, the inability to get a good night’s sleep. I would go to bed early in the evening, exhausted by the torments of the day, and would promptly fall asleep, but by three o’clock in the morning I was fully awake again.

December 2025
Featured image for “Toddler”
Patrick Hueller

Toddler

Unlike the others, Greg hadn’t been able to wait until the first game was over to crack open a beer. After two months of sitting in those bleachers, watching through the backstop as his girlfriend Kim’s team played weekly double headers, he needed the beer just to get through the next inning, the next batter, the next pitch. Lately, he’d begun to experience this desperation as anger, even fury, and he couldn’t account for the sheer quantity of it.

December 2025
Featured image for “Sanctuary of A Writer”
Juan Scheuren

Sanctuary of A Writer

The word “Books” has a few meanings in my view. Books could mean the following: a rectangular cover folded in the middle with sewn pages inside it, an item with a story, collection of text in an orderly composition that has a beginning, middle, and end. Reading books, in my opinion, is an escape from reality.

December 2025
Featured image for ““Chartreuse”, “Nature Boy,” and “Dandelion Heads””
Stephanie Vannello

“Chartreuse”, “Nature Boy,” and “Dandelion Heads”

I can’t wipe chartreuse
from my brain, ever since
you used it in a game of Uno
twenty years or so ago
and it’s such a bold shade

December 2025
Featured image for “The Wake”
Madeleine Belden

The Wake

I refused to greet silver-haired mourners or point teary-eyed people toward the casket or absorb touching stories about Mona. Instead, I stayed glued to a metal folding chair at the front of the room, twirling my hair, staring at my mother’s waxy, shriveled body.

December 2025
Featured image for “St. George the Dragon Slayer”
Molly Seale

St. George the Dragon Slayer

My son’s twenty-eighth birthday was the toughest of his birthdays. Birthdays, anniversaries are difficult for me. They remind me not only of the movement of time, but of all the beloveds I have lost.
Too often, I believed I had lost him.

December 2025
Featured image for ““Reclaim the Abandoned Room,” “Going On,” and “The Poem””
Marie Chen

“Reclaim the Abandoned Room,” “Going On,” and “The Poem”

Dark mummified roses standing in the vase,
gray spider webs hanging over every corner.
A broom wipes out the traces of ignorance,
reclaiming the territory once more.

December 2025
Featured image for “A Girl of the High Country”
Richard Bertram Peterson

A Girl of the High Country

Delwyn nodded to the woman as he walked from his allocated parking space. She was leaning against a directional sign, her legs crossed at the ankles in a pose of inappropriate insouciance, a cigarette paused between her fingers, her face wreathed in a fine gray ash. He thought it unseemly for women to smoke and certainly not a good look for the hospital.

December 2025
Featured image for “Little Boy at Home”
David Meischen

Little Boy at Home

On our way to the family reunion west of Yorktown, Texas, we stop at Uncle Anton and Aunt Frieda’s house. Inside, my sister and I wander among the tumbled syllables of German. It is a language we can no more comprehend than the calls of cows and sheep and chickens.

December 2025
Featured image for ““One More Time,” “Hurly Burly California-Fall, 2020,” and “Coming to Terms””
Joanne Jagoda

“One More Time,” “Hurly Burly California-Fall, 2020,” and “Coming to Terms”

Hold me in your arms just one more time.
Let me feel you surround me.
Let me feel your embrace.
Your solidness, your security, ever my touchstone.

December 2025
Featured image for “Beyond All Reason”
Ken Leland

Beyond All Reason

Robbie Crossman was five when his mother, Sally May, told him Bible stories, but her stories were different than those he heard in Sunday School. Instead of Jesus, Mary and Joseph, her stories were about Robbie himself and his parents. Even at a young age, he knew the place they lived wasn’t Judea; it was Indiana, and Indiana was in America.

December 2025
Featured image for ““Heady,” “Pretty,” and “Gun Show””
Lumina Miller

“Heady,” “Pretty,” and “Gun Show”

Rumbling rain makes stable
rhythms that soothe
rinse clean thoughts that pry—scratch
between
the hemispheres at duel.

December 2025
Featured image for “Crashing the Club”
C.W. Bigelow

Crashing the Club

I had a reputation for having a surly temperament. The surliness was a defense to the constant beratement from my father and his group at the club. I kept being told I was wrong, but I knew better. They were wrong. They lived in a wealthy bubble, protected from the real world where problems wandered the streets and seeped into the homes and apartments…

December 2025
Featured image for ““author’s note,” “growing through,” and “The End (of the Spool)””
rinin conner

“author’s note,” “growing through,” and “The End (of the Spool)”

life is not a test you pass or fail.
there is no A+ to earn
no standard to surpass
no reward for finishing first.
life is a book.

December 2025
Featured image for ““Twelve Moons” and “PBR””
Kristen Allen

“Twelve Moons” and “PBR”

January is alight in possibilities.
It’s feeling the cold air as you breathe it in, seeing it exhale out.
It’s the smoke the fire sends up the chimney to greet you from the outside.
It’s your back tingling as you warm near its flames.

December 2025
Featured image for ““Sometimes” and “Stuck””
Christine Bevilacqua

“Sometimes” and “Stuck”

Sometime things
don’t go as we planned
No forever marriages
loving children at hand

Sometimes we watch
the news with dread

December 2025
Featured image for “Body snatcher, soul catcher, doppelganger”
H.C. Gildfind

Body snatcher, soul catcher, doppelganger

You keep writing in the second person. Why do you keep doing this? I keep writing in the second person. Why do I keep doing this? Interesting, how a shifting pronoun can turn a question into an accusation—transform a benign enquiry into a bludgeon.

November 2025
Featured image for ““Just beyond the Road’s Edge,” “Listen to the Desert,”and “Echoes of Falling Water””
Susan Cummins Miller

“Just beyond the Road’s Edge,” “Listen to the Desert,”and “Echoes of Falling Water”

Just beyond the road’s edge
in the country of black-eyed Susans
and Russian thistle—

just beyond the crumbling line
where asphalt stops and washboard
gravel begins—just beyond the turnoff

November 2025
Featured image for “Saṃsāra”
Vitul Agarwal

Saṃsāra

Levi woke up to the insistent sound of his alarm. It had the same rhyming beat as always, but for some reason, it sounded louder this morning, as though he had woken up for the first time in his life.

He sat up, stretching his back until he felt a satisfying pull in his shoulders. At thirty-five years old, his body ached in places that were vaguely familiar. By the time he’d made coffee, his thoughts drifted to his day ahead.

November 2025
Featured image for “Father Tom”
Toni Palombi

Father Tom

Father Tom’s spiritual awakening struck in the desert. It was the 1960s and Tom was working in Woomera – an area of the South Australian outback harbouring military secrets. “It was a wild time, the 60s. I spent a lot of time partying, playing football, and pursuing women,” Tom tells me as we sit in his living room cluttered with books.

November 2025
Featured image for ““Revelation,” “Consequences be like…,” and “1838””
Steve Biersdorf

“Revelation,” “Consequences be like…,” and “1838”

Where fall hangs on into late December are

scattered bay leaves, almond-shaped to the
petiole, petiole as boat draft, wake, tiny

battleships and destroyers from the

admiral’s sky vantage, arranged in naval
maneuvers on the asphalt expanse of Hastings

November 2025
Featured image for “Big Bertha”
Katherine Moore

Big Bertha

I divide my life into two parts: before Hiland Mountain and after. The time between I don’t dwell on much. Why should I? It was as bleak as Eagle River’s sky in November, a granite dome strung with nimbus clouds that blocked all light and yielded only biting rain and hail. Through the steel bars, the land around the facility was covered with a thin layer of frost and ice, where off in a distant and unattainable horizon a few dots hinted at Anchorage city life.

November 2025
Featured image for “The Exorcism”
Riam Griswold

The Exorcism

A boy floated face down in the clear and silent lake. No wind stirred the surface, though scattered webs of ripples caught the slanting morning sun. The boy wore nothing but his briefs. Minnows darted curiously between his dangling fingers.

He laughed. The sound slipped from his mouth and nose in bubbles, which tickled his face as they sought the open air. Squirming, he flipped over to draw a breath and blink at the pale-blue sky through the drops of water clinging to his lashes. A crow coughed its rough call in the rustling quiet.

It was Wednesday morning, which meant chores and schoolwork were waiting. But they could wait a little longer. Ever since Mama had decided public school was a bad influence and her children ought to be homeschooled, his days had been largely his own.

November 2025
Featured image for “Confessions of an Irish Jew: My Faith Journey”
Michael McQuillan

Confessions of an Irish Jew: My Faith Journey

My father told anyone who would listen that he was an atheist, a foil to his mother’s church immersion. Chanting “Jesus, Mary and Joseph,” clutching her rosary as Dad rushed our rented Ford Mustang through a Miami Beach thunderstorm, she frightened me with her fear.

November 2025