Issue 62, June 2022

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 62, June 2022

Featured image for “Conscience Calls”
Michael McQuillan

Conscience Calls

Jesus lived and died in vain if he did not teach us all to regulate the whole of life by the eternal law of love, the Mahatma Gandhi said. Solidarity with the poor set both men’s moral conduct beyond mortal norms, but we placed them on pedestals rust-crusted with age.

June 2022
Featured image for “Soil”
Andreea Sepi

Soil

When I sold the first piece of land, I didn’t even tell my old man. I forged his signature on the papers.

My older sister Maria had left the village ages ago, she had a husband and a two-bedroom apartment in town, with hot running water, she wanted for nothing, so I was sure my mother would cover for me. In fact, I was sure I’d have her blessing by default, after all, that lot had been part of her dowry and she was nowhere as obsessed with land as my old man.

June 2022
Featured image for “The Pomegranate”
Anna West

The Pomegranate

I put a pomegranate in his hands. His hands once strong and brown, long fingered, now rested empty of life. Closed. Wrapped like torn paper around the red plumpness of the fruit. I could feel the seeds resting like jewels beneath the thickness of the pomegranate’s rind. Thirteen pink paper hearts cut from what felt like my flesh I put in the pocket of his jacket,…

June 2022
Featured image for “Sir Galahad’s Pasta and Cocktail Lounge”
Roger Logan

Sir Galahad’s Pasta and Cocktail Lounge

Jason had thought about putting New York City as his location in the online dating profile. It would almost be justifiable, since he was always thinking about moving to the city now that he was divorced. There was, Jason felt, something pathetic about a single guy in his thirties living in the suburbs, especially in a town with a ridiculous name like Valhalla and he imagined any interesting woman would probably feel the same way. At least there was a big cemetery in Valhalla, so the name wasn’t completely inappropriate.

June 2022
Featured image for “Church-Sized Tarantulas and Other Realistic Threats”
Chan Brady

Church-Sized Tarantulas and Other Realistic Threats

First time I did it I was three and a half, complete with gold, bouncing curls and freckles from a summer spent in the sun. I went to daycare every day, and that night I went to daycare, too. I didn’t know what to call such a menial moment. Eventually settled on calling it a “blue-skadoo” like my favorite television show. Nobody believed me except my friends at the church.

June 2022
Featured image for “Baba Sasha”
Etya Krichmar

Baba Sasha

A long time ago in Kotovsk, a small town in Ukraine, right before dusk, a little crowd of the neighborhood children gathered around the handmade, rough picnic table. The usually unruly kids sat quietly on the four wooden planks hastily attached to the table’s perimeter and waited for Baba Sasha’s arrival.

June 2022
Featured image for ““For the Win,” “Unobstructed View” and “Asking the Time””
Dave Buckhout

“For the Win,” “Unobstructed View” and “Asking the Time”

There is a photograph of the East Village that hangs on his wall . . .

Taken December 14, 1996, the subject matter: urban, brownstones unadorned, fire escapes to one side, cars parked bumper-to-bumper and of makes, models, styles that carbon-date the instant.

June 2022
Featured image for ““Ophelia,” “Emotional Hangover” and “My Strength Test””
H.B. Wayne

“Ophelia,” “Emotional Hangover” and “My Strength Test”

It saddens me that I am nothing waiting to be something
Never established yet deeply rooted
Hard to remember impossible to forget
Crisp Midwestern autumn
Chilled New England nights
A southern summer whirlwind
that haunts and tugs and teases

June 2022
Featured image for ““moon milk,” “the silence and distortion” and “soft fire””
J. M. Platts-Fanning

“moon milk,” “the silence and distortion” and “soft fire”

that vulnerable space, between thigh and throat
between tongue, and depleted serotonin
of rotten apple clusters seething with life
of elegantly draped
heavily dusted spider webs
looking more like torn rags from the thickness

June 2022
Featured image for ““Interval 101,” “Interval 103” and “Interval 114””
Ray Malone

“Interval 101,” “Interval 103” and “Interval 114”

first step, to take up the pen,
ponder it,
as instrument—

a piece of paper then,
as white and infinite
as the light—

June 2022
Featured image for ““Bangweulu,” “Ing’ombe Ilede (A Sleeping Cow)” and “Farewell Saliya””
Palisa Muchimba

“Bangweulu,” “Ing’ombe Ilede (A Sleeping Cow)” and “Farewell Saliya”

Like a multi-faceted realm
home to the great wetlands & floodplains
Lies a pool of water
that lures you to stay
It’s
Lake Bangweulu
~ where the water meets the sky ~

June 2022
Featured image for ““The Mystic Owl” and “Vines””
David Cazden

“The Mystic Owl” and “Vines”

At dusk, a barn
owl puts on a riding coat
of gray-white feathers
and mounts a horse of air.
Galloping away,
he brings silent death
to mice and voles
in fields beside our home.

June 2022
Featured image for “Ascendance”
Stan Werlin

Ascendance

Thayer drove. Joroff would not take the wheel. He said the sun bothered him on bright days, and his vision at night made him unsteady and fearful. Thayer would do all the driving. He didn’t mind. He liked the feeling of control. It was outside Vermillion on highway 50 when they spotted the first sign, a few feet away from a “Vote Ford/Dole 1976” poster that somehow hadn’t been removed after the election months earlier.

June 2022
Featured image for “The Sea of Onosano”
Lisa Voorhees

The Sea of Onosano

Kira Atsusuke, heir to the royal throne of Onosano, prostrated herself before the raised platform where her mother, Empress Sakura, sat. To Kira’s left, her younger sister the Princess Yuuki, also bowed in supplication. Their faces were pressed against the bamboo covering on the throne room floor, neither of them daring to move until her Imperial Eminence, the Divine Ruler of the five kingdoms of the Sunset Empire, commanded otherwise.

June 2022
Featured image for “Unforgettable”
Richard McPherson

Unforgettable

Today, near Washington, D.C.
Beth’s mind was almost gone but her beauty refused to abandon her. Kindness was unmistakable in her deep brown eyes, and a generous heart illuminated her smile. Her seventy-four years, over half of them married to him, were confused shadows, judging by her rambling. But Michael could easily remember Beth’s fearless intelligence, and he often sat by her bedside and closed his eyes to bask in the velvet voice which still soothed him.

June 2022
Featured image for “Onto the Bus”
Louise Sidley

Onto the Bus

Every Sunday without fail, Matthew Volpatti left his apartment and rode the bus to the lake east of the city. It was a forested natural lake despite being surrounded by the metropolis. Between the parking lot and the lakeshore, stone picnic tables sat on concrete pads in an evenly spaced row along the strip of mowed lawn.

June 2022
Featured image for “Giving up the Ghost”
Ernest Sadashige

Giving up the Ghost

Dani Braker stared, eyes transfixed, pupils focused on the vintage road map atop her bed. The map’s edges, once crisp as the past, were soft and smudged, reflecting the fragility of time preserved on paper; the folds ripping where arthritic cello tape had lost its grip. Dani’s fingers probed the map in the same way she picked loose threads off her school blazer.

June 2022
Featured image for “Listening”
Malcolm Glass

Listening

The car swayed gently through easy curves as the car slid south down the two-lane highway. The engine whispered, even at seventy-five miles an hour. David glanced at the map on the passenger seat, but he knew by heart where he was going. He pressed Play on the CD player sitting on the seat, and the Brahms Third Violin Sonata swam through the still air.

June 2022