Issue 40, August 2020

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 40, August 2020

Featured image for “Subjective Content”
Rebecca Burke

Subjective Content

The decision letter is polite, offering you admission in an MFA program in creative writing with a full stipend, tuition remission, and a teaching position. It briefly mentions some aspects of your fiction the admissions committee liked—your strong voice and tackling of difficult themes—and is signed by the director. It is your first acceptance. Most of the rejections so far have come over email.

July 2020
Featured image for “What It Took to Surrender”
Linda Heller

What It Took to Surrender

My mother is French and her happiest time, far happier than when she met and married my father or gave birth to me, took place during the filming of a Brigitte Bardot movie. She was only eighteen and an extra yet she and Bardot became intimate friends. She’d been hired to play a member of a theater audience and watch while the leads furthered the plot center stage.

July 2020
Featured image for “Politics of Distraction”
Jamila Minnicks

Politics of Distraction

Memories of America before the Great War distract my mind as Annalisa—my chief of staff—slides the after-dinner briefing book over the warm oak desktop before me. The picture of a woman at the border—draped in a red satin sheet holding a sign overhead reading “You’re no Obama”—rests just inside the cover of the materials. She catches my eye and confirms for me why the American experiment had to end. Or, at least, why the theory behind it had to deviate.

July 2020
Featured image for “St. John’s Night”
Nathan Mears

St. John’s Night

On the night of St. John, atop the flattest peak of the tallest mountain, three Witches danced in decomposed unison around a bonfire made of the flesh and bones of followers to a god unknown.
The first was light of skin with hair of fire. Over her sisters she danced in balance and harmony, writhing her arms as the winds overtook both arm and finger within their hook. Poor fool.

July 2020
Featured image for ““Word Perfect,” “and sometimes: a poem about incarceration quarantine” and “Volta””
Will Anderson

“Word Perfect,” “and sometimes: a poem about incarceration quarantine” and “Volta”

i am outside in the oven
chin ups and dips
and laps[e] in the grass

around the poured concrete
and picnic tables bolted down
with music in factory
ear buds playing loud
enough to drown
the chatter of fat, angry men

July 2020
Featured image for “Jumping Off Place”
Lisa Grantham

Jumping Off Place

Since I learned I was pregnant, every drink has been my last. But I haven’t stopped. I can’t. I keep promising myself I’ll give it up tomorrow. But I’m out of tomorrows. My baby either has fetal alcohol syndrome, or he doesn’t. Abstinence is no longer about my son’s well-being. Now it’s about getting a few days sober so I won’t go into withdrawal in the delivery room or give the staff a reason to test my baby for alcohol.

July 2020
Featured image for “From Humans Come The Gods”
Olivia Lee Chen

From Humans Come The Gods

In the beginning, there is only darkness. Then light and water. From those three there are plants. From plants come fish – from fish, mammals, and eventually, humans. The first human awakes and rises and raises its head under the stars, and later, under the sun. Its bare feet wade through water, over rocks, sand, dirt, and then, grass. Its arms balance it upright as its outstretched fingers graze the trees.

July 2020
Featured image for “Dear Young Queer Non-binary Poet”
Carla Schick

Dear Young Queer Non-binary Poet

Dear Young Queer Non-Binary Poets, Thank you for creating new avenues of exploration, and this is what we experienced:
Older than you, I wandered wide, but infinitely narrow, New York, Queens streets in search of my body. Yes, my body. I sat in the drip drip drip of basement pipes with my best girlfriend as we promised to grow up together. This didn’t happen. I grew up. Left. She shattered under the weight of her father’s history of mental depression.

July 2020
Featured image for “All the Noise Is on the Outside”
Michael Peppergrass

All the Noise Is on the Outside

Peter stands in front of the entrance to the Museum of Modern Art in the middle of a terrazzo plaza that is hit full-on by the Californian summer sun. Behind him cars rumble past, taxis honk and construction workers are operating a power drill. It is sweltering hot and he is sweating in direct proportion. He admonishes himself, silently, lips barely moving.

July 2020
Featured image for “Injury Reports”
Kristen Gidel

Injury Reports

September 2016
Folded neatly in the front pocket of my older son’s preschool bag is an injury report form.
And my own heart trips, unable to catch itself from falling.
Not in concern for his scraped hand. Not in surprise that his teachers even filled out and sent a form for an injury that, when I check, is not evident. Not in gratitude that they cared for my son, though I am grateful. Grateful every day that I have complete confidence in his caregivers.

July 2020
Featured image for “I Am Racist”
CJ Acosta

I Am Racist

I started out the day like I always do. I took a shower. I got dressed. I went to my local cafe for some coffee. I generally try to stay away from my phone during this time. This is my time to relax and write and prepare for the day.
I am glad I checked my phone.
When I did, I saw a flood of criticism of the police. Criticism of the police, the government and the “system.” I am not blind to the intolerable acts of our current administration. I am not ignorant to racism.

July 2020
Featured image for “Dream of the Shadows Darkly”
Lysabella Barrett

Dream of the Shadows Darkly

In the nighttime when most things are sleeping, the Fae murk about freely. Masking their true visage with glamour spells, humans often see them as fireflies, glittering and twinkling in shadowy areas at dusk. In the daytime they pretend to be hummingbirds, chipmunks, or dragonflies. It is through this deception they spy and when night falls, they steal away with your most fanciful dreams, your lover’s breath, and sleeping babies. You should never seek them out, call on them, or make any deals with them whatsoever.

July 2020
Featured image for “War Heroes”
Nick Gallup

War Heroes

Mamma owned a small grocery store on the corner of Keller and Howard. Howard was the main street and paved with asphalt. Kellar was just a side street and paved with crushed oyster shells. The smell lasted for about a year, gradually fading away. Or maybe we’d just grown used to it.

Kellar was all white folks until the railroad tracks; then it was all blacks until Division Street. After Division Street, it became white again. Division Street was aptly named.

July 2020
Featured image for “Doors”
Chapin Cimino

Doors

The door was locked. Or rather, Amelia’s key no longer worked. He must have changed the locks on her. It was dark and the porch light, though on, was dim. She could barely see. Yet it was clear that her key—the same one she’d always used—was powerless.
“Charles?” she called, stepping back down the front steps, so she could see up to the second story where dim light was visible in the otherwise dark old house. It was his room. Outside on this March night in Rocky Mountain, Colorado, Amelia was cold and starting to get impatient.

July 2020
Featured image for “Her Own Devices: Chapter 3”
Geoffrey Dutton

Her Own Devices: Chapter 3

That unseasonably warm October day marked the first, but not the last, time Anna leaned on Andreas to mind the boy. She tried to minimize the inconvenience, rewarding him with bottles of wine, home-cooked meals, and Swiss cheek kisses. By the following autumn, she’d stashed a playpen and stroller from a thrift shop in his storage room for his convenience, she told herself. Andreas said he didn’t mind keeping the items and now and found the playpen a handy restraint, but drew the line at strolling.

July 2020
Featured image for “Shades of the Deep Blue Sea: Saya”
Jack Woodville London

Shades of the Deep Blue Sea: Saya

Saya had not decided whether to let Olafson see Ambon. She left him tied up in a water-filled pit that was lined with bamboo spears, not so much as a test but merely to keep him occupied for a few hours. He stared at her, wild-eyed with fear, and she disappeared into the rainforest.
She had not visited the spice plantation for more than two weeks, not since the day she had taken possession of Olafson. The home where she had grown up, what was left of it, was much higher upland than the cannibal hamlets and the hidden kamp where Saya now slept.

July 2020
Featured image for ““reasonable,” “small” and “wrack””
William Aarnes

“reasonable,” “small” and “wrack”

a starter home
with kitchen and bathrooms redone,
six percent down
an unlocked car
an affordable five-bedroom
in a neighborhood
with good schools
a crowded floor
in a stumbled-upon squat

July 2020
Featured image for ““El Tiempo Pasado,” “To the Double Flower of Spring” and “I was a Jesus Impersonator””
Mario Duarte

“El Tiempo Pasado,” “To the Double Flower of Spring” and “I was a Jesus Impersonator”

Leaving Work
The shrubs are flush—branches scarlet
by the red brick dormitory.
Rolling past Hickory Hill park
leaves blaze into miniature suns.
At Home
In our backyard, the swing set is
as empty as a hollow gourd,

July 2020
Featured image for ““An Unforgotten Path,” “From Athens to Tellico, Tennessee ” and “An Assault Rifle Ode””
Mervyn R. Seivwright

“An Unforgotten Path,” “From Athens to Tellico, Tennessee ” and “An Assault Rifle Ode”

31 scorched—one week
before I went home
to London. I was lost.
7 years since I left
my childhood in England.
My father told me
to meet at King’s College,
I arrived at King’s Cross
6 miles away. Accosted
by roses, carnations, lilies,
a meadow of flowers

July 2020
Featured image for ““Beach Walk,” “Flint” and “bouquet from the garden””
Arlene Downing-Yaconelli

“Beach Walk,” “Flint” and “bouquet from the garden”

a conch shell emptysea-gifted
carried back to window sill
trapped voices now extinct still
in shifting sandsbreeze-lifted
sounds of surf on gentle winds
crashing pulselife’s quickened flash
mutes the tracks with ocean slash
silent ciphersexpunged suspend

July 2020
Featured image for ““The Dreamland Sea,” “The Sparrow” and “Night””
Syphertes

“The Dreamland Sea,” “The Sparrow” and “Night”

Sleepy baby, sleepy baby…Drift
away with me. I’ll
take you to a place I know, it’s
called the Dreamland Sea. It
lies beyond the moon and stars, among
the silvery skies. A
splendid dream awaits you there, behind
your tired eyes. Sleepy
baby, come with me…We’ll
sail until sunrise.

July 2020
Featured image for ““Making Silent Stones Speak,” “Cracking the Code” and “When Jeannette MacDonald Reigned in the Kitchen””
Susan Cummins Miller

“Making Silent Stones Speak,” “Cracking the Code” and “When Jeannette MacDonald Reigned in the Kitchen”

Picture Rocks Canyon: Paisley
scarlet bandana caught on gray thornbush
sprouting from naked rock. Lavender-
blooming ironwood, swift
zebra-tailed lizards and always
the cactus wrens for company.

July 2020