Issue 27, July 2019

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 27, July 2019

Featured image for “The DeDramafi”
Jhon Sanchez

The DeDramafi

I grabbed Alberto’s wrist and explained to him the difference between the DeDramafi and a watch: “The orange bar indicates that your body is acting abnormally.” I told him that the DeDramafi helps us deal with the drama queens.
He didn’t believe me, even though his arms looked as if they’d been stung by a jellyfish.

June 2019
Featured image for “La Chica Dura”
Darius Powell

La Chica Dura

It wasn’t until she felt the snap, crackle, and pop in her knee that Melany Reyes knew this part of her life was over. Under normal circumstances she would never tap out but this was different.
Even though the outside world regarded her as an overnight success who had come out of nowhere, Melany knew it was a matter of fact. She knew all along she’d be an awesome MMA fighter and had proven her point.

June 2019
Featured image for “The Good Samaritan”
Jo-Anne Rosen

The Good Samaritan

The five children were waiting for their mother to come out of the Amerikanische Packetfuhrt ticketing office. They sat on a bench in birth order, the two girls first in white pinafores over high-collared navy-blue smocks; the three boys in navy and white sailor suits. Their luggage was stowed under the bench.
Sora had been left in charge of her younger siblings. She leaned forward, gripping the basket on her lap that held their provisions as if it were a life jacket and she, already at sea.

June 2019
Featured image for ““She Swims Like a Fish,” “Penance and Reconciliation” and “On the Fritz””
Marlee Abbott

“She Swims Like a Fish,” “Penance and Reconciliation” and “On the Fritz”

A fish taught me to swim.
He wore a woven crown of kelp upon his head—
he was, he told me, the king of the sea.
He found me standing on the sandy shore
and invited me to join him in the waves.
This really happened.

June 2019
Featured image for ““We Are All Jacks, Yucca Flats, 1962,” “Embracing Sisyphus” and “Snapping selfies on Lake Champlain””
David Phillips

“We Are All Jacks, Yucca Flats, 1962,” “Embracing Sisyphus” and “Snapping selfies on Lake Champlain”

The silence of the dry lake bed is broken by the slow
countdown of a megaphone. Flashes of light ignite the
world white to uncomprehending eyes. As the shock
front cools into visibility, an enormous fireball grows
and grows before flaming out like the head of some
leviathan matchstick.

June 2019
Featured image for ““Absence Under the Eaves,” “Elfride’s Father” and “The Book””
Christa Lubatkin

“Absence Under the Eaves,” “Elfride’s Father” and “The Book”

folks rarely stopped by our flat
high under the eaves
maybe a bill collector
or a nosey child welfare woman
out of breath
bringing with her bound files
and a jiggle of fat under her chin

June 2019
Featured image for ““My Friend Feminism,” “11 Years” and “To Hygeia””
Madison Gill

“My Friend Feminism,” “11 Years” and “To Hygeia”

My friend Feminism and I
enjoy long walks on the beach together
But there is a line in the sand that always approaches
where I must let go of her hand
because I don’t think my friend Feminism
understands how she can’t wear all her faces at once

June 2019
Featured image for ““Horseman Passing By,” “Looking Upon a Photo of Con Colbert” and “On Irish Accents””
Shelby McBane

“Horseman Passing By,” “Looking Upon a Photo of Con Colbert” and “On Irish Accents”

Picture me,
as I am,
propped
on these ancient stones
to watch the gloaming
come lazily in.

June 2019
Featured image for ““Birthday, No Birth Day,” “Games Few Win” and “Paddington Bear””
Simon Maddrell

“Birthday, No Birth Day,” “Games Few Win” and “Paddington Bear”

birthday of a young man
showing him sights
events cold and crude
feelings heated and complex
mustafa’s
a youngster

June 2019
Featured image for “Box of Rain”
Bobby Wilson

Box of Rain

All Tobias could do was thank HaShem over and over again that he had made it to the train station on time and that they were now on the train; the former because of what his wife would have said to him and the latter because now that they were on the train she wouldn’t be able to level criticisms of any kind at him in such close quarters.
He loved Hannah, she was a lovely woman, but the nagging sometimes, it was a bit much. And it didn’t seem to be waning in frequency or potency as the years went by

June 2019
Featured image for “The Woodcutter and the Angel”
Esther Ra

The Woodcutter and the Angel

Last fall, in my first semester of college, I wrote a collection of poetry. It was a series of poems revolving around an ancient Korean fairytale about a woodcutter and his wife. The original story goes like this. When a poor woodcutter saves a fleeing deer from a hunter, the deer tells him a secret in return: there is a magical spring where seonnyeo (the traditional Korean equivalent for angels) come down to bathe. If you steal one of their winged robes, she will be unable to return to the heavens and therefore become your wife.

June 2019
Featured image for “A Friend Until the End”
Sandra Schmidtke

A Friend Until the End

Arthur Millman wears the shadow of his mortality like a shroud, and I know that our time together will be brief but profitable. I give this commitment two months, tops.
Grey wisps of hair do nothing to conceal the marigold tinge of jaundice on Arthur’s scalp. Glee bubbles up in my heart. Pancreatic cancer is a hard-hearted mistress, and she has had her way with this thin, nervous man. While my latest client reviews the contract, I count backward.

June 2019
Featured image for “He Crossed the Line”
William Hubbartt

He Crossed the Line

I packed up the Tacoma, figuring on a five-day round trip down to Georgia. I researched planned stops, and figured that rural Georgia was more likely to have gravel back roads with higher hills and deeper valleys than the flat country blacktop roads that were fairly common in the northern Midwest, my stomping grounds.

June 2019
Featured image for “What I Learned Teaching Literature Inside”
Jennifer Sapio

What I Learned Teaching Literature Inside

It is the opposite of ironic to teach Fyodor Dostoevsky’s Crime and Punishment inside the Travis County Correctional Complex. It is apropos, apt, appropriate. Perhaps too on the nose. TCCC houses pre-trial and county inmates in a 130-acre facility just east of the Austin-Bergstrom Airport. Pay attention during take off and landing next time you fly into town for SXSW or ACL, and you’ll be able to see the barbed wire.

June 2019
Featured image for “Fear of Flying After Erica Jong”
Loren Stephens

Fear of Flying After Erica Jong

I was thirty-one, a mother with a one-year-old son, and a marriage on the rocks. It would take two more years before we filed for divorce, but in the meantime, I was the sole breadwinner, my husband having taken a flyer on producing Broadway theater when the company he worked for downsized and I was six months pregnant. At some point, I told him he should get a job as a taxicab driver to contribute to the household, but he didn’t take too kindly to that suggestion. No surprise, but I was sufficiently exhausted and angry that I had no filter.

June 2019
Featured image for “The Binding of Isaac”
Iulia Calota

The Binding of Isaac

I remember the bottles. And the flacons. And the blister packs. All neatly lined up on the kitchen counter. I remember her taking a handful of her strongest tablets just before bed and, within minutes, her eyes droopy, mouth like rubber, voice distorted, like a slowed-down turnstile. It was during those few moments of seeing my mother changing from a normal person to a toy that had run out of batteries that I recognised something I wished I could forget.

June 2019
Featured image for “The Trickster of Mentor, Part I”
David Kennedy

The Trickster of Mentor, Part I

It was in a mood of intense irritation that Senator Roscoe Conkling arrived in Chicago. Chet Arthur had been sent out in advance, his bulk trundled into a railway carriage like an overstuffed suitcase along with Thomas Platt, but Conkling had little expectation that Arthur would perform any more competently than he had in ’seventy-six…

June 2019
Featured image for “The Green Bike”
Nick Gallup

The Green Bike

Benny had forgotten about signing up for a job to deliver newspapers. It’d been two years, but that was evidently how long a kid had to wait to get a paper route. It was one of the few jobs reserved for kids. The routes didn’t pay much more than $15 a week, which was too low for grown-ups but high enough that every kid on Point Cadet wanted one.

June 2019
Featured image for “To Love”
H. C. Phillips

To Love

Professor Victor Miles, head of the Department of Future Insight at a highly prestigious institution, was to dine with one of his favourite ex-pupils on one particular spring evening.
Carl Werner arrived on the stroke of seven, ever punctual.

June 2019
Featured image for “Mugwah, The Winged Tortoise of Love”
Steve Young

Mugwah, The Winged Tortoise of Love

The last time she saw Tommy Greene was in a laundromat in downtown Essex Junction, where he gave her $180 in cash in a plain white envelope. She drove her car in to meet him through a cold, drenching, late-winter downpour. The grayness and the raw, chill rain had infected the little college town that morning like a virus; the streets and sidewalks were waterlogged, the storm drains overflowing, the stores and cafes, with their pale-yellow beacons of light, lost and abandoned in the torrent.

June 2019
Featured image for “The Exorcism”
Willow Barnosky

The Exorcism

So there was a man named Ed, and I really liked him at first. I thought he had an interesting life story, although I didn’t know all the details. I knew all that I cared to know, all of the essentials, but when I tried to tell other people about Ed, they had the tiresome tendency to ask for more information: “Oh, but how’d he meet his wife?” or “Why doesn’t he have any children?” or, even more exasperatingly, “What kind of car does he drive?”

June 2019
Featured image for “Our Soldier of Fortune”
Kirk Combe

Our Soldier of Fortune

Cleve Clucus was high mountain people before he came to live with us. Not trappers or recluses or nothing odd like that, but high range people in the Sawtooth, over by the Salmon River. Kin. Part of our clan families around Arco. Clucuses, Combes, Barlows, Gordiols. All Swiss that hadn’t wanted to be in the Italians’ war.

June 2019
Featured image for ““Safe” Spaces”
Natasha O'Brien

“Safe” Spaces

‘But Mummy…’ Lukas tugged at my sleeve, protesting. ‘It’s not bedtime, look!’ He pointed out the window at the sunlit peaks topping over the valley. ‘The sun’s still up!’
‘That’s because the sun stays up later in the summer.’ I guided Lukas towards his small bed in the corner of our living room. He usually slept in his own bedroom, but I felt safer if we all stayed together.

June 2019