Issue 26, June 2019

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 26, June 2019

Featured image for “Berliner Pretender”
Charli Spier

Berliner Pretender

Stephanie followed her boyfriend to Berlin in the fall of ‘65. The conversation went a little like this:
Stephanie, I’m moving back to Berlin. Come with me?
Why are you going back all of a sudden?
My grandmother is sick.
I thought you hated her.
Ja, I do. Will you come?
Yes, I will.

May 2019
Featured image for “Portero”
John Bersin

Portero

It could only have happened in a country like ours, where the jungle and the streets are undivided from one another, and the fetid undergrowth of the earth is indistinguishable from the brown-clouded, smog-canopied sky. This nation, knocked together like a lean-to from the detritus of the ancient-extinguished empire by once poor nineteenth-century libertadores who strutted along as victors in high collars and brocade, could only have produced a Rogelio.

May 2019
Featured image for “Sweet Retribution”
Rebecca Jung

Sweet Retribution

They say that good cooks don’t measure anything, that they have an innate ability to know how much of each ingredient to use. They say that good cooks have signature dishes for which they’re renowned. As a seven-year old, my criteria for culinary perfection was the ability to make macaroni and cheese and graham-cracker-white-icing sandwiches with so much icing it squeezed out the edges of the cracker when you bit into it. My mom made good macaroni and cheese and graham-cracker sandwiches. And fudge.

May 2019
Featured image for “Woven Love: How I Found My North”
Anna Hertel

Woven Love: How I Found My North

Head tucked between my outstretched arms, I dolphin-dive my way through the blue shallows of Lake Tahoe, one of the oldest lakes in the world, sitting 6,250 feet above sea level. On this ice-crusted September morning, the sun has not yet cleared the tree line in the Sierra Nevada.

May 2019
Featured image for “The Radio”
Terese Brasen

The Radio

In 1974, my mother and Richard Nixon developed thrombosis. By that time, the old radio was broken, and she relied on a square transistor about the size of a jar. First Nixon resigned. My mother dialled into the news to hear his crackly yet smooth voice: “By taking this action, I hope that I will have hastened the start of the process of healing which is so desperately needed in America.”

May 2019
Featured image for “The Goode Sisters”
Charlene Finn

The Goode Sisters

Summer was Kate’s favorite season. The sun drew moisture from the air and sharpened her senses, so when a thunderstorm approached, she could smell rain before it fell. When the sun dropped below Rattlesnake Ridge across the lower Yakima Valley, their land on the opposite east slope held onto the heat and almost guaranteed that she and Hayden were able to grow bumper crops of fruit. They raised Bing cherries, Red Haven and Alberta peaches, and Tilden apricots and two kinds of apples all sold under Kate’s family name, Goode.

May 2019
Featured image for “The Comeback Kid”
Phyliss Merion Shanken

The Comeback Kid

“Who?”
“A jerk from the past.”
“What? Who is this?”
“I woke up this morning. And out loud, I said your name. It just came out! From nowhere! I haven’t spoken your name for sixty-eight years, so —”
“I’m about to hang up the phone. Take me off your list!”

May 2019
Featured image for “Chess with a Scarecrow”
Robert Evenstell

Chess with a Scarecrow

“How can I help you?”
The librarian behind the reception counter was slightly younger than me, maybe in her mid-twenties.
“Something to read while I’m waiting for my car to get serviced, please.”
“Anything in particular?”

May 2019
Featured image for “The Subtenant”
Allison Lamberth

The Subtenant

Deborah found another bruise on her right leg. She didn’t know where they were coming from. She wasn’t prone to falling and bumping into things and her apartment was fairly sparse. Between her bedroom, the kitchen, and the living area, there was a twin bed, a dresser, a desk, a couch, and a short round kitchen table shoved underneath the bay window.

May 2019
Featured image for “The Artists’ Model”
Ellen Pober Rittberg

The Artists’ Model

Piercing her sticky wad of clay, Margo felt a sense of revulsion at the naked male model straddling the large plywood platform, his legs splayed at what she considered to be an unnatural and almost lewd wide angle. His sloping forehead reminded her of an early man in a diorama she’d seen in the county natural history museum, a primitive subspecies that no longer existed.

May 2019
Featured image for “On Meeting Tony Malhorn”
Rachele Krivichi

On Meeting Tony Malhorn

I wasn’t like anyone else in school, but I did this to myself. I liked to win things and get more praise from superiors than other people, was competitive and over-achieving, and was only kind enough to keep just a few friends by my side, which was the way I preferred it.

May 2019
Featured image for “Starry Night in Albany”
Joanne Kennedy

Starry Night in Albany

We had never planned it that way. My ex-husband and I living together under the same roof for two years after our divorce. Well, at least, children aren’t involved, my family and friends lectured me, as if that would have lightened up the inevitable burden of living together.

May 2019
Featured image for ““Really Ready to Rumble?””
Gerard Sarnat

“Really Ready to Rumble?”

Made my bones playing ledgeball on the block, but during college
no taxi’d drive back into the Southside snatch-‘n-grab boarded up
storefronts below Chicago’s elevated trains. Hertz’d have none of it;

May 2019
Featured image for ““A Grimoire Ajar” and “Moving Day””
Jose Oseguera

“A Grimoire Ajar” and “Moving Day”

A candle is lit,
Pink flesh melting smooth at first,
But as its silk ribbons
Cascade from its frozen bluffs,
It withers as its wick slowly
Bores deep into its heart.

May 2019
Featured image for ““At the Mercy of My Own Forgetting,” “The Rent I Pay” and “By the Dead Purple Lady””
Melissa Mulvihill

“At the Mercy of My Own Forgetting,” “The Rent I Pay” and “By the Dead Purple Lady”

declares the forgetting man
under the florescent lights
his face shadowless
in a shadowed world
that he knows where it is
once and for all

May 2019
Featured image for ““BEYOND” and “Beyond””
Elaine Nadal

“BEYOND” and “Beyond”

I found the answers
when the sky was
layered in pink, lavender,
and celestial blue.
I am a medicine woman
though my breasts have
never produced milk, and
my womb is barren.
I’m not bad seed.

May 2019
Featured image for ““Sipsula solidissima,” “Notice Pending” and “Saturday with Pa””
Joseph Pagano

“Sipsula solidissima,” “Notice Pending” and “Saturday with Pa”

Let me tell you something about the human
heart. It’s there
in the black paper cameo cutout shadow of a girl spinning a barrel hoop against
an almond wall by de Chirico. A nurse turns her back on
an amputated leg
waiting in motley for the orderly
to bring order.

May 2019
Featured image for ““When Looking Out the Back Window,” “After the Quarrel” and “In the Pause””
Jeanne Allison

“When Looking Out the Back Window,” “After the Quarrel” and “In the Pause”

at night I can’t see the owl I hear
but a faint outline
of the sandbox on the porch
a playground for unwanted crickets
who nestle to the bottom
waiting to surprise me one summer day

May 2019