Issue 21, January 2019

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 21, January 2019

Featured image for “Velodrome”
John Bersin

Velodrome

I want a cigarette. More than anything else in the indifferent universe, I want a cigarette. But of course, it is not possible. Even though it is possible, of course. Instead I lay awake every morning wishing I had a cigarette, waiting for the alarm to ring. I get out of the bed in the morning at five a.m. I shower and shave, or don’t, it doesn’t matter, and after I purge myself, I drink a viscous, green, fruit-and-vegetable smoothie, an execrable American contribution to sports science.

January 2019
Featured image for “Pangs of Eternity”
Jeremy Bender

Pangs of Eternity

To grow tired of someone is a temporary condition, whereas love is forever. Everyone has heard the platitude “absence makes the heart grow stronger.” Yet now the masses confront a predicament unheard of – the ability to be too much in touch with the one they love from a distance. It is easy for one to think that they grow tired of their lover: pictures of yet completed meals, micro insights, and constant anecdotes flood our consciousness.

January 2019
Featured image for “Water of the Heart”
D. E. Lee

Water of the Heart

The fish scales had been designed to protect fish from predators but to Valerie they were constant reminders that beasts of prey were ubiquitous. Thin and curved in clear plastic boxes, they lined the walls, topped the tables, and stuffed the closets. Their presence made her aware of her powerlessness against the good intentions of Pru Damphouse. Even at night, lying on her side on the floor, when sleep should have brought comfort, the fish scales violated her from the containers at her head, while the glow of the nightlight sank the room into a kind of vague stillness…

January 2019
Featured image for “Adrift and at Risk: Guide”
Yusuf DeLorenzo

Adrift and at Risk: Guide

What did I, Ettore, know of Algiers when I was swept to sea in the year 1788? What could I know? I was barely more than a boy living in a hammock strung nightly from hooks in a kitchen at a seaside bordello. My mother died giving birth to me at that bordello, the House of Beautiful Swallows, so she never told me the stories of the ruthless Barbary pirates, the brothers Barbarossa, Dragut, Mezzo Morto, and all the others. But Josephina did, the kindly old lady at the House whose promise to my mother on her deathbed was to raise me as her own. I loved her, I loved the stories she told me, and I loved the pirates.

January 2019
Featured image for “Brigida: Chapter One”
Kate Spitzmiller

Brigida: Chapter One

Marcus did not come home. None of them did. Five thousand men. The entire Ninth Legion. Gone. There were rumors. Rumors that the tribes of Caledonia had annihilated them; devoured their lines like the ancient giant Cacus, who consumed live human flesh and displayed human heads on nails outside his cave on the Palatine Hill. I did not believe in monsters, only in gods and men. And I knew that the Romans had displeased the gods of Britannia, had spilt the blood of the tribes upon her dark, rich soil for generations. The Selgovae, the Parisi, the Carvetii. And the Brigante.

January 2019
Featured image for “Unfollowers: Chapter One”
Leigh Ann Ruggiero

Unfollowers: Chapter One

Barb Eklund didn’t choose where she was born. She knew no one could. But her birthplace, instead of being something she was passingly grateful for, became a regret lodged between her ribs like the pain of a torn intercostal. Her parents brought her from Maryland to rural Ethiopia when she was four. Barb didn’t understand what she was leaving behind when she boarded the plane: her stuffed cat Oscar, the season of winter, or the red bike with training wheels she rode when winter was in abeyance.

January 2019
Featured image for “His Demonstrative Gallantry”
David Kennedy

His Demonstrative Gallantry

The distinguished members of the Senate were by now regretting their heartfelt devotion to the business of the people. The session had extended itself well into May, long past the days when the cherry blossoms that so adorn our national capital had bloomed and fallen, and as June wore on the heat became oppressive, then nearly unbearable. Yet the Democratic Party, having assumed the majority in the congressional elections the prior November, had proven incapable of effectively conducting the people’s business.

January 2019
Featured image for “The Makings of Willa Mae:  Chapter Four”
Jordan Clark

The Makings of Willa Mae: Chapter Four

It had been a typical day for Willa Mae. She kept herself underneath the black walnut trees, out of the beaming summer sun, picking at the bugs as they crawled past her. She bent down and watch as they scrambled over one another in haste. Every once and awhile, she’d stick her thumb down and squash the ones causing trouble to the others. Her teeth would grind as she did it, her finger digging into the dirt to sink those bugs deeper and deeper. “Go on,” Willa Mae would say to the rest of the herd. “They ain’t gon’ bother anyone now.”

January 2019
Featured image for “Goodwill Romance”
Claire Coenen

Goodwill Romance

As I walk out of the store into the parking lot, I feel smug about finding a $5 sundress. The dress is just right for summer, made of light material, bright blue. It makes my eyes pop. Snagging quality clothes at consignment stores gives me a sense of satisfaction, and I almost always find at least one treasure when I shop at Goodwill. About fifteen feet from my car in the Goodwill parking lot, I notice a shiny, black truck slow down as it approaches me. The man driving it stops the vehicle beside me. He pokes his head out the window.

January 2019
Featured image for “FTO Star”
Debra Groves Harman

FTO Star

When I was a child, I lay in bed at night and fantasized about using a razor-sharp knife to carve fat off my body. First, it would be my stomach, and then my arms. My double chin bothered me too. I had started the habit of keeping my chin lifted up, so the beagle-like droop of my double chin wasn’t so obvious. It didn’t occur to me how horrible it was to think about slicing flesh off my own body. I just knew I hated being fat.

December 2018
Featured image for “Split”
Andrew Jason Jacono

Split

When I was a kid, I’d see severed heads floating in the dark. Every night my mother would scratch my back, kiss my forehead, say I love you, then shut off the lights. It would usually take a long time to fall asleep, and sometimes the dreams were good, but once or twice a week, the heads would squeeze through the cracks in the walls or descend from the ceiling. They’d surround me, wan and stiff and misshapen. They liked to watch my skin change color, from calm olive to tousled red to chilly white, and the way my lungs would seize up when they drummed their stumpy necks on my chest. They liked even more that I’d weep, silent and catatonic, hapless in the fog of my unconsciousness.

December 2018
Featured image for “The Woodlands”
Mandy Fishburn

The Woodlands

At the end of my sixth-grade year, my mother sat my brother, my sister and me down on the couch to have a “talk.” The last time we’d had a family talk like this was six years before when she’d told us that she and our father were getting a divorce.
This couldn’t be good.
“I’m an alcoholic,” she announced.
What’s an alcoholic?
“I know I’m sick, and I need to get help.”
Oh — maybe that’s why she sleeps a lot.
“I’m going away to a hospital for a few months.”
Uh-oh.

December 2018
Featured image for “Parking Lot”
Timothy Ryan

Parking Lot

Pulling into the long-term parking lot at Dulles, Cindy trolls past metal wheeled containers lined up like colorful storage facilities in the hold of a military transport, finding a spot in the Blue Lot, Row H, Number 58. She estimates forty meters to the bus shelter. Gazing up through the windshield. Jet contrails across the blue overhead as sharp as scars. Meandering, fading, they bleed into the sky like an accelerated version of the human body healing and forgetting.

December 2018
Featured image for “How to Win at Losing”
Marrie Stone

How to Win at Losing

Take a selfie. Consider the pros and cons of removing your shirt. Remind yourself that it’s a rare man who, at forty-eight and no stranger to Big Gulps and barbeque ribs, should ever remove his shirt. Instead, stand in front of your canary yellow Corvette and raise your cell phone camera high on its stick. Higher. Lean on the hood. Button your shirt. Higher. Make a mental note to buy a bigger shirt.

December 2018
Featured image for “Hooked and Hanging”
Marina Hatsopoulos

Hooked and Hanging

Even in the dark, I spotted Stefano’s loose stance on the platform as my train from Rome pulled into the station. The guys I was used to spending my days with—engineers, lawyers, investors and other entrepreneurs—had more skills than him, for sure, but they didn’t look like that. I’d never mentioned it to John, but then again, why would I? I jumped off the train and stood on tiptoes to reach around Stefano’s neck. He brushed my curls away from my face and looked at me, as if at a painting, up and down.

December 2018
Featured image for “Names of the Dead”
David Bontumasi

Names of the Dead

They gave me a pencil and a single sheet of paper and they told me to write slowly and clearly, so that I wouldn’t miss a thing. I looked first at the angular man with the protruding chin standing above me and then the round dark-haired woman who stood slightly behind him. I thought it odd that they were the same height and their skin the same color: a lifeless, milky pink. Their faces blended together to make one misshapen head. One of them smelled like potatoes, though it may have been both of them. It made my temples throb.

December 2018
Featured image for “Daffodil Road”
AS Renard

Daffodil Road

A SHIVER pricks his spine. It is a soft tingle, just enough to rouse him from the depths. Face down in a pool of drivel, the young lothario is unsure of his place in the world. This reluctance is palpable as he drinks in the blackness like a homemade amer, slowly swishing the gloom this way and that across his tongue to best capture its flavor. The acrid tone confirms his suspicions — here is a realm detached from the sovereignty of his dreams. Not Eden, but Gethsemane, where dangers are many and miracles few.

December 2018
Featured image for ““Rhetorical Questions,” “When I look at the world,” and “A lone Cry””
G.T.

“Rhetorical Questions,” “When I look at the world,” and “A lone Cry”

You answered my rhetorical questions. A search for certainty that Thieved my rhetoric Replaced it with yes and no’s You turned my world binary Made my epiphany quotidian: A tropical disease that Denies the feverish Rush of frenzied surprise.

December 2018
Featured image for ““Études à l’étranger,” “a study of Hungarian locative cases,” and “or else/where””
Inci Atrek

“Études à l’étranger,” “a study of Hungarian locative cases,” and “or else/where”

Cannot dream but if possibility were possible, you’ll find that men exist elsewhere, too, but that’s in the preterite. Impossible to do anything except for what is happening now.

December 2018
Featured image for ““Would that be enough,” “Ancestry.com,”  and “In pursuit of her dream””
Christa Lubatkin

“Would that be enough,” “Ancestry.com,” and “In pursuit of her dream”

When she was a young girl she was beguiled by the trappings, the manners, the elocution of a mighty vocabulary. She would listen for the rich tones delivered by tongues that were born and raised in upper crust high rise apartments ruling over lake Michigan. Knew how to follow the money, how to modulate words, the subtleties between rough wool and smooth as silk cashmere

December 2018
Featured image for ““For Poseidon,” “A Marriage,” and “Sons””
Brittany Mishra

“For Poseidon,” “A Marriage,” and “Sons”

That night in the temple, when he hurt her, the asps found her ravaged, her hair tangled; they buried their tails into her scalp as tree roots sew into earth and soil. They kept her safe from his sea, enthralled her, and pointed with their tongues to her escape. They guided her through meadow and forest to a quiet cave high atop a cliff.

December 2018
Featured image for ““Crickets,” “The Man in the Coffee Shop,” and “Edgewise””
Alex King

“Crickets,” “The Man in the Coffee Shop,” and “Edgewise”

freed from for a moment my sonic mechanics and I started to hear a free fiddling buzz it was that wild clicking din of innumerable tiny tigers -eye bug-leg violins: crickets! cruising from the roofs of blades play vesper serenades for June boys, vim Julies, whose bodies’ limbs are pinwheeling vibrato by their sides in halls of tall wheat grasses…

December 2018
Featured image for ““Long Ago, Friday Night in Texas,” “A Train at Night,”  and “Joy””
Russell Willis

“Long Ago, Friday Night in Texas,” “A Train at Night,” and “Joy”

Light explodes from darkening skies. Not Sun, Yet, light unleashing elemental forces. The fragrance of recently mown grass As would be remembered by a thoroughbred Not so long ago a colt Building muscle and endurance Running like the wind through the grass just because You were meant to run like the wind when you are a colt.

December 2018
Featured image for “Limfill”
Sik Siu Siu

Limfill

About three months ago, if you had had the opportunity to visit Lucy, you would surely have seen me, wrapped in a white plastic bag, sitting on the floor and leaning against the side of a shoe rack against the wall right beside the door to the outside. Certainly, you would have been able to tell, by experience or by instinct, that I was not supposed to be deserted there, indeterminately, in that unsightly condition.

December 2018