Issues

Issues

Featured image for “Going to the CD”
Stan Werlin

Going to the CD

It’s April 1963, the snow is mostly melted, the ice is gone from the sidewalks, and we’re streaking, we’re flying, we’re absolutely airborne on our bikes as we race to the center of town. Flash has a sleek new racer, one of those Schwinns, accented bright blue on the frame and handlebar. He’s hunched over in an aerodynamic crouch, so low you can’t see his eyes. The rest of us – Ziti, Rando, myself – we’re green with envy, so jealous we can’t see straight, but it doesn’t matter, not really; we know sooner or later our parents will give in and we’ll all get one.

January 2020
Featured image for ““Hold Perhaps or Maybe to Land” and “Stage Direction””
Elana Mass

“Hold Perhaps or Maybe to Land” and “Stage Direction”

At the gallery is The Kiss
– you know the one –
Those two marble lovers, oblivious, entwined,
Stealing a moment never meant to be seen.
Did they know what would come, I wonder.
Do you know they had names?

January 2020
Featured image for “Taking Liberties”
Lyzette Wanzer

Taking Liberties

They are such nice clothes.
But how can I wear them, in light of how they’ve come to me?
With an exuberant air, Dulcianne presented me with two large trash bags. She was my aunt, but for as long as I could recall, always only Dulcianne.
“Her family left all of these behind,” she said.
Then: “They took only the jewelry and the furniture.”
And then: “I think they might be ‘bout your size.”
I accepted the bags with splayed fingertips. They’d been sitting in one of the sixth-floor apartment rooms with, I understood, two polished bookshelves and a dead body.

January 2020
Featured image for ““Traveling Through Lightning,” “Night Creatures” and “Wind Chimes””
Caroline Sidney

“Traveling Through Lightning,” “Night Creatures” and “Wind Chimes”

traveling through lightning is
disorienting
I am here
I am not
all this living is more electrifying
when the sky trembles
with light

January 2020
Featured image for “Francisco’s Tower”
Paul Crehan

Francisco’s Tower

Sometime in the pre-dawn hours, outside of a Mexican village called the Three Sisters, a teenage boy had climbed to the top of a 500-foot-high transmission tower.
To us in the new day, our faces skyward, he looked like a tiny hovering angel, his gaze directed over the mountains of the Three Sisters, from which the village drew its name. He was oblivious to the shouts of his people so far below, in whose midst I stood.
Then suddenly as we watched, he dropped from the sky, and nearing earth, he took on flesh, while losing it, too, as the sheer-sided struts sliced through the falling body.

January 2020
Featured image for ““December 4, 2012; Eleven Days Until Christmas,” “February 14, 2018; A Sunny Day” and “We’ve Seen Too Much””
Yazmin Flores

“December 4, 2012; Eleven Days Until Christmas,” “February 14, 2018; A Sunny Day” and “We’ve Seen Too Much”

A picturesque day
in Newtown: scattering
clouds danced joyfully,
making playful shapes,
monkeys and rhinos
followed the children
from car to classroom.
Sun rays shone warmly
above, soon to reveal
the twenty-six halos of
innocent souls.

January 2020
Featured image for ““Checking In,” “Second Nature” and “All you need know””
Steven Deutsch

“Checking In,” “Second Nature” and “All you need know”

There you are Dad
on our cobbled deck
splayed out in my favorite chair,
our nearly feral cat
content to be on your lap.
You hold up the perfect tomato
so round and red-ripe—
I can almost smell it.

January 2020
Featured image for “The President’s Garden”
Jordan Smith

The President’s Garden

“It is with some delicacy,” began the note that May had found that morning in the wastebasket in Theo’s study when she went in search of a scrap of paper, that I phrase this apol…” And there the script sputtered and ended. May knew exactly what had happened.

January 2020
Featured image for “Bald is a Feel, Not a Look”
Jarrett Neal

Bald is a Feel, Not a Look

Byron shook the rain off his driving cap and wool blazer before he hung them on the rack by the entrance. He handed the chubby lady behind the front desk a twenty-dollar bill. She was honey-colored with glossy yellow fingernails and plump black and gold braids coiled atop her head like a nest of vipers. When she passed him his change and gave him a receipt she said, “That’s for them,” gesturing to the phalanx of barber students several feet away.

January 2020
Featured image for “The Tale of Alimona”
Margaret Sullivan

The Tale of Alimona

There lived a woman Alimona who was called so because her evil husbands had forced her to pay them alimony before they would agree to free her from their miserable reigns. Many, many evil husbands, too many to identify, lest you find her thoughtless or promiscuous, tortured Alimona’s good faith, good heart and good intentions.

January 2020
Featured image for “Saving Grace”
Reyna Marder Gentin

Saving Grace

One day, Grace Stevenson stopped coloring her hair. All those hours and all that money spent trying to keep aging at bay, and John had gone off with a younger woman anyway. What was the point? At seventy, she thought the gray made her look refined, worldly. That’s how she wanted to feel. Like she’d arrived at a certain stage in her life where her choices should be respected.
She knew she wasn’t fooling anyone.

January 2020
Featured image for “The Cave”
Ellis Shuman

The Cave

They say the cave offers a passage to the underworld. In ancient Greek mythology, a musician, poet, and prophet named Orpheus, son of the god Apollo, descended through the cave into the subterranean kingdom of Hades in search of his beloved, Eurydice. There are many versions of this legend and none of them have happy endings.

January 2020
Featured image for “Temilola”
Doley Henderson

Temilola

I see her still. Her beaded plaits, flashing smile, bubbling laugh. Temilola. She has five other names but this is the one she prefers. Lola for short.
Toronto, Canada 2019 Floating downstairs after a therapy session, I hold the invisible balloon around me, a hot golden bubble of healing light from my osteo-physio. Pain free for now, I exhale, re-enter the city.

January 2020
Featured image for “Easy Does It”
Howard Sachs

Easy Does It

Easy Ed’s brain was under siege, assaulted by an unidentified buzzing. His nervousness layered mystery onto its origin. He was too high and too edgy to think clearly. Everything was a vibrating blur. What he contemplated doing would either ruin his life or save it. Easy’s corpulent body seemed to shrink as the droning gathered into a whining bolt of shrillness that pierced his ears. The buzzing morphed into the tip of a drill that bored into his brain.

January 2020
Featured image for “Neither Here Nor There”
Marianna Boncek

Neither Here Nor There

Angie pulled her cell phone out of her pocket to check the time. She was late. Actually, she was over an hour late. She had two missed calls both from Harold. He had warned her not to be late.
“You absolutely cannot be late,” was exactly how Harold had phrased it. “There will be press and photographers there. They do not want to wait around for you. Don’t screw this up.”

January 2020
Featured image for ““I Lost My Faith in God When I Was Nine Years Old” and “Longing””
Amyen Fielding

“I Lost My Faith in God When I Was Nine Years Old” and “Longing”

whispers the woman sitting next to me.
I’ve seen her here before–drinking alone,
her skin heavy with loss.
This close, the taste of her regret is pungent,
and is swallowed with each sip of my vodka-tonic.

November 2019
Featured image for ““Birds of Prey” and “San Pedro, Los Angeles County””
Angela Gaito-Lagnese

“Birds of Prey” and “San Pedro, Los Angeles County”

I was nine. My parents came home hollow from the hospital.
My mother sobbed in wild animal cries, violent splotches
of purple spread from under her skin, her chest
her cheekbones tainted; my father silent
slumped in his easy chair, his neck gray-yellow
half of his face buried in clenched raw knuckles.

November 2019
Featured image for ““Gender Bias” and “The Oak Trees Have Seen Everything””
Tori Grant Welhouse

“Gender Bias” and “The Oak Trees Have Seen Everything”

Teachers pat me like a loaf
especially the chalk-dusted
I learn early who has authority

Behaving is more important
than the Theory of Relativity
The length of my hems a critical topic

November 2019
Featured image for ““I Like Ike””
Robert Eugene Rubino

“I Like Ike”

When I was your age
the subway cost fifteen cents
gas cost thirty-two cents a gallon
television was free
& so was Saturday confession
in preparation for Sunday communion
when I was your age…

November 2019
Featured image for ““Consciousness” and “Creole in St. Barth’s””
Katherine Lutz

“Consciousness” and “Creole in St. Barth’s”

Commuting, standing
in a half-empty
subway car, reading news
on my phone, an article
on two competing
theories of consciousness,
triggers a memory…

November 2019
Featured image for ““She said, ‘Lift.’ ” and “She said, ‘Let go—I’m a memory. I’m not real.’ ””
Dom Fonce

“She said, ‘Lift.’ ” and “She said, ‘Let go—I’m a memory. I’m not real.’ ”

I remember being told to soak
myself in unreason—that words
fall to pieces because the wind

needs her role; not everything
must be a weight to grunt over.

November 2019
Featured image for ““Road” and “Chimney Swifts at Dusk””
Steve Brammell

“Road” and “Chimney Swifts at Dusk”

Once we followed the others on all fours,
contributing trails through grass and brush
to favorite trees and watering holes
before our spines thrust us up on two feet…

November 2019
Featured image for ““Night””
Tahseen Béa

“Night”

I want to meet
night as a friend
who welcomes and comforts
offers solace and replenishment.
I want night to
become a place
I seek
to deliver, to surrender, to belong.

November 2019
Featured image for ““Approaching Middle Age” and “The Climber””
Dorothy Neagle

“Approaching Middle Age” and “The Climber”

Last night the new moon broke open across my shoulders.
Then dawn came through the trees
in pinpoints of varying sizes
like starlight glowing among the leaves.

November 2019