Issues

Issues

Featured image for “A recipe for apple pie”
Janette Schafer

A recipe for apple pie

First, gather the apples. After the neighbors move out, in the seclusion of nightfall, crawl with your little sister beneath a gap dug by their brown dog underneath the fence between their yard and yours. Shimmy on your belly like a snake. Once you are safely inside their abandoned homestead, reach up to take a large bowl your mother hands you over the wooden fence posts.

February 2020
Featured image for “Password”
JW Heacock

Password

Edgar thought they’d travel in a chartered jet. He’d never flown on one before, but he knew the Company used them when they needed feet on the ground ASAP. Cantor Fitzgerald was the Company’s biggest client, generating millions in revenue each year, which he figured would make them charter worthy.

February 2020
Featured image for “Memorial in Sand”
Mark Carter

Memorial in Sand

Three statues stand together at the edge of the tree line. Alert, deliberately calm, they look in the same direction, though not precisely at the same place. Boonie-rats. Grunts. They are looking, always will be looking at The Wall: a great gash of black stone slabs in a green civilian lawn. A carefully shaped pile of black sand.

February 2020
Featured image for “Wine and Roses”
Victoria Shannon

Wine and Roses

First, there was Roses. She met him more than 30 years ago, at her second research job. Now, when they saw each other, he always brought her a single rose.
Roses, 6:16 a.m.: “I know this: You and I belong together. We have a beautiful future before us.”
Then, there was Wine. She broke up with him when she was 36. That was 23 years ago.

February 2020
Featured image for “Black, Yellow, Blue”
Rebecca Larivee

Black, Yellow, Blue

Black. Yellow. Blue. The painting in the hall showed a man, a woman, and a big yellow dog Ð falling from the Earth into the atmosphere. The dog looked so helpless as he fell with his legs spread out, away from green earth and blue oceans toward the blackened sky. The thick strokes of paint gave the images an added dimension Ð as if the paint was also falling away from the wooden frame. Even then, at the tender age of nine, I was most concerned about the dog.

February 2020
Featured image for “A Different Man”
Sascha Goluboff

A Different Man

The day he arrived started off as usual as any for Pru. It was late spring. She stood by the stove in the summer kitchen, boiling water to wash Miss Vena’s petticoats and undergarments. Old Janie, who worked at the Moffatts’ neighboring farm, sat at the large wooden table gossiping with Aunt Betty, Pru’s father’s sister, who was Miss Vena’s cook.

February 2020
Featured image for “Clean”
Micah L. Thorp

Clean

I stood in the hallway of the African Hotel in Tunis wearing a bathrobe and sandals unsure which way to turn. Flanked on both sides by large ornate doors encrusted with mosaics of translucent tiles artfully lettering something in Arabic, I had no idea where to go. At front desk, using my mostly forgotten college French, IÕd inquired about the spa (la source mineral) initially uncertain whether I would be directed to a steam room or rock quarry.

February 2020
Featured image for “The Columnist”
Neal Lipschutz

The Columnist

Max Toffer was pretty much everything I wanted to be. A newspaper columnist, an author of fiction and nonfiction, a devoted advocate of the First Amendment. He was from Philadelphia before he moved to New York to become a Greenwich Village institution at The Oracle. I learned all I knew about Toffer from the about-the-author paragraphs at the back of the novel of his I just finished

February 2020
Featured image for “Lizzy Baby”
Sarah Blanchard

Lizzy Baby

Nine-year-old Liz Walters knew the old playscape was off-limits and had been for years. She hadn’t planned to climb the ladder. This was just going to be a reconnaissance mission.
By mid-afternoon on a Friday in late August, she’d crossed Johnson’s cow pasture and was standing behind the closed-up village school, contemplating the sad condition of its abandoned playground.

February 2020
Featured image for “The Socialite”
BJ Fischer

The Socialite

Logan began looking for his friends as he waited to make a left turn at the gate. The corporate headquarters stood behind a gleaming white iron fence that stretched for furlongs. He followed four black Navigators down the long-curved driveway.
The parade of cars stopped at the valet, which gave him time to scan for the one belonging to the people he knew.

February 2020
Featured image for “The Boat, My Father”
Andy Rugg

The Boat, My Father

Janine wants me to write it all down. She still doesn’t believe me, despite everything I’ve been through and everything I’ve put her through. She wants me to write it down so then I’ll realise how crazy it sounds. The boat took me back. Right back to New Guinea in 1943. It wasn’t time travel exactly, but it has to be close.
But I’m getting ahead of myself.

February 2020
Featured image for “The Disappeared”
Brandon Daily

The Disappeared

The classroom is small, and there is a faint staleness in the air, like the scent of days-old burnt pastries in a kitchen. Chairs too small to fit adult bodies are stacked in the far corner beneath the one window of the room, and all the tables have been pushed against the perimeter, circling him and the others like an elevated moat of laminate wood. The walls are covered with crayon drawings from the children who are there during the daytime

February 2020
Featured image for “Only the Moon Remains”
Lawrence F. Farrar

Only the Moon Remains

When he returned to Tokyo in mid-February, Peter entered a capital wrapped in foreboding. Over whiskey sodas at the Palace Hotel bar, Bigelow declared he expected a military uprising within days. Peter dismissed the idea. True, he had noticed soldiers in the streets, but units marching to and from reviews or to board trains had become common sights in recent years. And, so far as Peter could see, the citizens of AsiaÕs most modern metropolis were going about their lives in a perfectly ordinary manner.

February 2020
Featured image for “The Snitch: Mary”
M.D. Semel

The Snitch: Mary

It was dark when the alarm went off. Mary Patterson lifted herself from bed, splashed cold water on her face, brushed her teeth, then dressed in the clothes she had laid out on the chair the night before. She wore a dark blue dress, something that she had worn to church on many occasions, and flat shoes. She listened to the news on the radio as she got ready, and opted for stockings, despite the predicted heat, but she ultimately rejected the idea of a hat.

February 2020
Featured image for ““Late Seventies,” “Ants” and “And Again””
William Ray

“Late Seventies,” “Ants” and “And Again”

It’s strange how often
All these years later
I hear this guy
Sprawled big in that way certain
Italian men can be
Cater-corned across from
My solo table in the Boylston St eatery

January 2020
Featured image for “Loma Prieta”
Helen Beer

Loma Prieta

October 17, 1989. 5:04 P.M. I’d just left the Moscone Convention Center with my colleague, Jacqueline. We were exhibiting at a conference on water pollution and had just settled into our seats on one of the buses shuttling exhibitors and attendees to their hotels for the evening. And then it struck. For fifteen seconds it felt like a carnival whirlybird ride.
The windows in the buildings around us seemed to breathe in and out, until, released from their frames, these great panes exploded, showering fragments of glass, glittering in the traffic’s lights.

January 2020
Featured image for “I Am a Stalwart: Part Two”
David Kennedy

I Am a Stalwart: Part Two

There was shouting along the banks of the East River, but Arthur could not quite make it out.
He stood upon the deck of the Saint John, the steamboat that he and Conkling had caught very early that morning, and peered across the morning fog that now was lifting from the waters of that tributary that shot north from New York Harbor, cleft the island of Manhattan from the cities of Brooklyn and Queens, swept heedlessly through the sharp breaks at Spuyten Duyvil, then rushed into the great Hudson River and ran up to Albany. But the return of Conkling and Platt to Albany had proven less triumphant than anticipated.

January 2020
Featured image for “Hashish and Mother Goose”
Jeanne Wilkinson

Hashish and Mother Goose

Val has received a Christmas gift from the old lady of one of his clients: some hash brownies. Hashish is from the cannabis plant but purified and intensified, with a pungent, soil-like flavor that doesn’t do much for the brownies but chocolate and sugar make the hash itself somewhat palatable. I’ve smoked it before – since it’s not from a test tube, it’s on my okay list. Val gets it in a compressed form and sometimes sprinkles it in a joint. I’m not too excited about eating it, but I’ll do it. I’m on the magic bus; might as well go with the traffic. Within reason, of course. Within my code.

January 2020
Featured image for ““Territory of Ladders,” “Elephant Burial” and “Lost Neighbors””
Cassandra Rockwood Ghanem

“Territory of Ladders,” “Elephant Burial” and “Lost Neighbors”

Who were you before ships
became your shoes? Now you sway

on mesozoic legs wondering why
there’s no stability inside. I heard you pierced

ears with knives and severed free thinking
on every continent before.

January 2020
Featured image for “Going to the CD”
Stan Werlin

Going to the CD

It’s April 1963, the snow is mostly melted, the ice is gone from the sidewalks, and we’re streaking, we’re flying, we’re absolutely airborne on our bikes as we race to the center of town. Flash has a sleek new racer, one of those Schwinns, accented bright blue on the frame and handlebar. He’s hunched over in an aerodynamic crouch, so low you can’t see his eyes. The rest of us – Ziti, Rando, myself – we’re green with envy, so jealous we can’t see straight, but it doesn’t matter, not really; we know sooner or later our parents will give in and we’ll all get one.

January 2020
Featured image for ““Hold Perhaps or Maybe to Land” and “Stage Direction””
Elana Mass

“Hold Perhaps or Maybe to Land” and “Stage Direction”

At the gallery is The Kiss
– you know the one –
Those two marble lovers, oblivious, entwined,
Stealing a moment never meant to be seen.
Did they know what would come, I wonder.
Do you know they had names?

January 2020
Featured image for “Taking Liberties”
Lyzette Wanzer

Taking Liberties

They are such nice clothes.
But how can I wear them, in light of how they’ve come to me?
With an exuberant air, Dulcianne presented me with two large trash bags. She was my aunt, but for as long as I could recall, always only Dulcianne.
“Her family left all of these behind,” she said.
Then: “They took only the jewelry and the furniture.”
And then: “I think they might be ‘bout your size.”
I accepted the bags with splayed fingertips. They’d been sitting in one of the sixth-floor apartment rooms with, I understood, two polished bookshelves and a dead body.

January 2020
Featured image for ““Traveling Through Lightning,” “Night Creatures” and “Wind Chimes””
Caroline Sidney

“Traveling Through Lightning,” “Night Creatures” and “Wind Chimes”

traveling through lightning is
disorienting
I am here
I am not
all this living is more electrifying
when the sky trembles
with light

January 2020
Featured image for “Francisco’s Tower”
Paul Crehan

Francisco’s Tower

Sometime in the pre-dawn hours, outside of a Mexican village called the Three Sisters, a teenage boy had climbed to the top of a 500-foot-high transmission tower.
To us in the new day, our faces skyward, he looked like a tiny hovering angel, his gaze directed over the mountains of the Three Sisters, from which the village drew its name. He was oblivious to the shouts of his people so far below, in whose midst I stood.
Then suddenly as we watched, he dropped from the sky, and nearing earth, he took on flesh, while losing it, too, as the sheer-sided struts sliced through the falling body.

January 2020