“This Tree,” “Death Dream” and “Society”
I stop walking,
and contemplate
the way the thin
arm of this tree
once bent upward,
before stretching
out over the river.

I stop walking,
and contemplate
the way the thin
arm of this tree
once bent upward,
before stretching
out over the river.

I wait for a sign that you need me:
a wilting arm, dry soil,
but you give me nothing
so I trickle water into your mouth.
Just enough to tame my own thirst.

Marli finds a corpse resting at the bank of a river in the middle of the woods after school. She almost doesn’t see it hidden amongst the brush and the moss, but the dingy gray color of its sneakers sticks out underneath the vibrant autumn leaves. After cleaning off her Dana Scully glasses – and squinting for good measure – she’s certain that it is a corpse, and not a fresh one either.

It was raining loudly on the tiled roofs and on the concrete sidewalks and on the trees but quietly on the grass. “This rain doesn’t sound and smell like rain,” I said when I went back inside the garage. My brother made a mark on the wood and put back the short yellow pencil behind his right ear. I looked at the cigarette behind his left ear and waited for him to say something.

The whole process threw me for a loop. I spent over forty years of my life in Nigredo living in the darkness of the disease of gambling. Gambling is in my blood; I carry the ancestral glow of an epigenetic behavior which goes down to the bedrock of my DNA. If you didn’t gamble in my family, there was something radically wrong with you.

The nurse standing behind him tucked a strand of dark hair into her lavender hijab before grasping the rail on the back of his gurney. “Gib” Gibson and his surgeon had been discussing the modern hospital building that was under construction while they waited for an operating theatre here in the old one. The stony turrets and false battlements of this showy Victorian relic on the Montréal skyline would soon be put to some new purpose.

Victims of automobile accidents often report that at the moment of impact time seems to move in slow motion. I now understand what they experience. For one protracted fraction of a second time stood still. The din of the spectators faded to a distant thunder in my ears. My gloved hand crept skywards.

She lived alone in the woods.
As far as anyone knew, it was just nature beyond the Clifton Wilderness Park’s Welcome Center. Trees and mosquitos and dirt. What else was there to it? Hikers might enjoy the crisp air and momentary escape from their day-to-day life, which they termed “becoming one with nature.”

Any of the stories about why we left could be true, but I gravitate toward the one about the middle-aged father threatening to drive the Jeep off a cliff. I don’t know whether he imagined his family in the vehicle with him. The little boys wouldn’t have been wearing seatbelts in 1979. The infant would have been crying in her mother’s weak arms.

Carson Rawlings, attorney for the late Miriam McShanahan for over twenty years, waited for Trapp to stop laughing at his mother’s burial request. Trapp sat dwarfing a brown leather chair across from his desk. Carson leaned forward, fingertips pressed together, hands tented, glaring at Trapp. Trapp continued giggling. Carson sighed. “I remember the hilarity of my own mother’s passing,” he said.

I used to see Michael’s father nearly every day. He would be sitting on the steps of a church at the corner of Chestnut and Central, his face turned squarely into the bright sun and his eyes would be closed. He could be getting a suntan except that if you wait long enough you see that he periodically drops his head into his hands and remains like that, head bowed and cradled, his shoulders occasionally shaking. He looks like a statue…

Amaryllis stood in the rain, squinting at the little blue dot on her phone that showed her location. The cracked screen was barely readable, and the rain didn’t help. It was the correct address all right, and nicer than where most auditions were held. The lobby was very warm and very posh, with doormen, a security desk, and turnstiles that allowed entry only when security pressed a button.

Only the bride was still.
The bride, LeighAnna Hope Camden, sat on the floor of the church dressing room in an avalanche of white. She had yet to put on the dress. The slip alone was thirty-eight yards of netting covered with a fine batiste. Batiste, Bastille. LeighAnna wondered if the netting was fomenting rebellion.

In 1979 or so
Soviet-French
interplanetary
cooperation
(which boasted,
inter alia,
French scientific
tackle lugged
to Mars by the
USSR in 1971)
nearly hit
a new high
with an idea;

As a species, humans
live their lives in degrees
of alarm. Mostly, for most
of us, there isn’t much.
The world spins exactly
as we have come to expect it,
and caught wherever
we are,

a wobbling chin and her deserted glance hit the floor
in agony where we stood together while we chanted
misery: “you’re an ordinary man.” her mouth wrenched
an unforgettable sound cataclysmic eruption of scattered
emotions, broken speeches, tired and beaten hope
we were once before and not anymore but why

My mother’s pots of rosemary were tall, manicured
cones, broom swept earthy smelling evergreen,
flecked with lavender drops of blossoms
the shape of small hearts or lips,
she’d send me outside to retrieve a stem each time
she baked a chicken

I was a tourist from honey-milk land,
and Sister heard my question underneath.
She had her own.
“Are you packing?”
That kind of place.
The nun hugged her wizened chest.
She was old then,
dead now, I’m sure, thirty years on.

Every Friday, while co-workers are out for their weekly happy hour, Meg sits in bed, her ticket perched on her keyboard, combing through design ideas on the internet while the local newscaster announces lottery numbers. One at a time, the numbered table-tennis balls appear on the screen.

First, gather the apples. After the neighbors move out, in the seclusion of nightfall, crawl with your little sister beneath a gap dug by their brown dog underneath the fence between their yard and yours. Shimmy on your belly like a snake. Once you are safely inside their abandoned homestead, reach up to take a large bowl your mother hands you over the wooden fence posts.

Edgar thought they’d travel in a chartered jet. He’d never flown on one before, but he knew the Company used them when they needed feet on the ground ASAP. Cantor Fitzgerald was the Company’s biggest client, generating millions in revenue each year, which he figured would make them charter worthy.

Three statues stand together at the edge of the tree line. Alert, deliberately calm, they look in the same direction, though not precisely at the same place. Boonie-rats. Grunts. They are looking, always will be looking at The Wall: a great gash of black stone slabs in a green civilian lawn. A carefully shaped pile of black sand.

First, there was Roses. She met him more than 30 years ago, at her second research job. Now, when they saw each other, he always brought her a single rose.
Roses, 6:16 a.m.: “I know this: You and I belong together. We have a beautiful future before us.”
Then, there was Wine. She broke up with him when she was 36. That was 23 years ago.

Black. Yellow. Blue. The painting in the hall showed a man, a woman, and a big yellow dog Ð falling from the Earth into the atmosphere. The dog looked so helpless as he fell with his legs spread out, away from green earth and blue oceans toward the blackened sky. The thick strokes of paint gave the images an added dimension Ð as if the paint was also falling away from the wooden frame. Even then, at the tender age of nine, I was most concerned about the dog.