Issue 58, February 2022

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 58, February 2022

Featured image for “Good Luck Finding August”
Erynn Wakefield

Good Luck Finding August

The air was crisp. I felt it on my lips as I took deep breaths, trying to prove my mom wrong. I didn’t need a coat; plus, it would’ve covered up my brand-new Avril Lavigne shirt. I wasn’t waiting for Halloween like the other kids, I never liked it much. I think I was too self-aware at a mere twelve years old.

February 2022
Featured image for “The Hunter Was Late for the Circus”
Orleans Saltos

The Hunter Was Late for the Circus

The Hunter avoided public venues, well-traveled roads, and any place where officers might be present. He didn’t want any more incarcerations, DNA tests, or looks of disgust from self-entitled bureaucrats. Running into anyone who would detain him, even if only temporarily, would delay his intended mission. His immediate goal was to track down the circus that had recently entertained the residents of a small Peacelands town near the border.

February 2022
Featured image for ““Nana’s Hutch” and “Untamed””
MD Bier

“Nana’s Hutch” and “Untamed”

I loved you since I was a small child. We all did. You went to my aunt first. Then me. Initially there was a little jealousy. My aunt lavishly gave out other heirlooms to compensate. My grandfather created a special built-in place ~ a cut out in the dining room wall. You fit there perfectly.

February 2022
Featured image for “Out Stealing Water”
Roxanne Doty

Out Stealing Water

A dozen empty paint buckets rattle in the truck bed as Emily and her two uncles, Dwight and Jay, head west on Van Buren to the ragged edges of downtown Phoenix. Dwight drives, and Jay dangles his arm out the passenger window, his palm spread wide to catch the wind, his feet tapping on the floorboard.

February 2022
Featured image for “Hourglass Hostel”
Alana Hollenbaugh

Hourglass Hostel

In the few seconds it took for my eyes to adjust to the darkness of the unfamiliar room, the cloud of spiced-chai scent around me had already faded. I slowly turned, taking in the lobby where I had landed. A bar filled half of the room, with worn, dark wood chairs stacked on clean tables, and the only movement was the dust spiraling through a bit of sunlight that slanted across the room.

February 2022
Featured image for “Blood Harmony”
MoAde M. J.

Blood Harmony

Under low light, Zilla’s fingerpads brushed the floor feeling for that telltale groove. When she found it, she took hold firmly and cracked the floorboard away. It had been done many times. It would look the same after.
Here, in a shallow dug hole underneath the cabin floorboards, the wooden box came delicately as if it were made of the dirt around it, as if it crumbled.

February 2022
Featured image for ““Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz””
Malcolm Glass

“Journey’s End,” “At the Breakfast Table” and “Ode to the Waltz”

The old canoe rests on the sand
at lake’s edge, its stern still
in the water. How many

strokes of the paddle wore away
the varnish on the gunwales?
Many. So many. And years

of sunlight and rain. Years
of snow and wind.

February 2022
Featured image for “Antidote to Truth”
Carol Ann Wilson

Antidote to Truth

Standing in Tiananmen Square that autumn day in 1998, I marveled at its vastness. The few people populating its more than fifty-three acres seemed like ants on an enormous sidewalk. The square could hold many, many more. Multitudes.

February 2022
Featured image for ““Why Our Marriage Works” and “The Widow Sifts Through the Rubble””
Linda Drach

“Why Our Marriage Works” and “The Widow Sifts Through the Rubble”

You sing songs to the pug in your fake Cantonese
and seem surprised when he doesn’t understand. You make coffee
a party: dark-roasted beans, gleaming French presses, and hand-thrown
mugs plucked from thrift-store shelves.

February 2022
Featured image for “Circling the Inferno”
Joan Drescher Cooper

Circling the Inferno

Limbo
Sometimes on the train in the morning, Melanie thought about failing to get off at her stop for work. She’d lean her head back on the tweedy headrest and close her eyes. If this was a real train instead of commuter light rail, she’d muse, perhaps she would stay on the train all the way to the next town.

February 2022
Featured image for “Watch What You Wish For”
Gerald Lynch

Watch What You Wish For

The snow, real staying snow, just won’t come this winter, and it’s already January. It has accumulated some at times, of course, if more like helpless Styrofoam pellets swept against tree trunks, where they grab at the base as if that’s the height of ambition, then climb even in a weak breeze, then give up and disappear to only God knows where.

February 2022
Featured image for “Dora’s Deathbed: First Movement”
Gary Levi

Dora’s Deathbed: First Movement

“I can’t feel a pulse,” Mae says, her rose-lacquered fingertips probing the carotid of her dying friend Dora. Mae’s a just-retired nurse, so what she says carries weight. Even though she’s here in her civilian capacity, like the rest of us, to watch Dora die.

February 2022
Featured image for “In the Pines”
Stephen Coates

In the Pines

“Some said she was surrounded by a glow like pale fire. Some said she was wearing a tattered wedding gown, hair wild and bedraggled. Some—teenage boys, mostly—said that she was naked. But none of that was true. She was just ordinary.” “You saw her?”

February 2022
Featured image for ““Three Breaths,” “They Come in Rotation” and “He Lies Dying””
Julia McDonald

“Three Breaths,” “They Come in Rotation” and “He Lies Dying”

1. Here I am
His creased dress-pants hang on bony anatomy:
pelvic brim, iliac crest. Long foreleg ankles without socks.
I don’t know why a Nuer, reputed to walk for days without rest,
measuring the horizon with metronomic femurs and tibia
reminds me of my adolescent father, but he does.

February 2022
Featured image for ““Gwembe Valley” and “Saliya’s Calabashes””
Palisa Muchimba

“Gwembe Valley” and “Saliya’s Calabashes”

Valley of the living
Valley of the dead
You call me back to my roots
Here, I can pause & look
I see
I see my people
I see me
Who am I?
I am a part of Gwembe

February 2022
Featured image for ““No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.””
Joanne Jagoda

“No Elegy for Jasper,” “A Day at the Wharf” and “The Giraffe Mural on Harrison St.”

There will be no words,
no tributes, sonnets or verses of consolation,
borrowed from the great poets or philosophers
for an angel called up too soon.
Only the cries of infinite mourning rambles will reach the heavens.

February 2022
Featured image for “A Father’s Arms”
Su Cummings

A Father’s Arms

The thermonuclear bomb and I practically share a birthday—that was the first hydrogen fusion device with the power of 800 Hiroshima bombs. They called it the superbomb, the “city killer.” Physicist Enrico Fermi said its “practical effect is almost one of genocide.” I always knew the fear-begotten arms race and I grew up together.

February 2022
Featured image for “Uphill”
Pernille AEgidius Dake

Uphill

You have to live somewhere. But the Woodhills Preservation Tract, a private homeowners association on the outskirt of Hopscotch Mills, N.Y., where every street ends in -wood: Beechwood, Pinewood, Ashwood, Alderwood, Oakwood, Wedgewood, Westwood, Sycamorewood, Hollywood, Gingkowood, and Cedarwood, is a far cry from where Eliza Volk used to live in Manhattan.

February 2022
Featured image for “Brighton Beach”
William Mager

Brighton Beach

Chrissie’s just leaving the office when she sees him standing at the 23rd St subway entrance, looking up at the sky. When his eyes drift down to meet hers, the jolt of sudden intimacy sends her walking in the opposite direction. She never took the New York City Subway.

February 2022
Featured image for “Indigo Lace”
Noelle Nori

Indigo Lace

The rest of March was not kind. The wind screamed off the harbor and whipped Nell’s hair from under its pinned hat as she walked to work each day. It seemed an endless series of gray days. She wrote to Mrs. Reilly, but with each day that passed without a reply, her hopes of a response grew dimmer.

February 2022