Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “The Marschallin”
Rachel Browning

The Marschallin

Even dressed as a man, Elena was radiant. Kate dabbed her eyes with her one remaining tissue. As the music from the final act of Strauss’s Der Rosenkavalier swelled to its rousing pinnacle, Elena’s voice soared through the opera house, merging and blending with those of the other singers. Together they joined the interweaving melodies and chromatic harmonies of the orchestra, the entire ensemble climbing to such unsustainable heights that, to Kate, their ultimate convergence personified longing. The crowd rose and erupted into cheers seconds after the orchestra released its last chord, but Kate remained seated, thunderstruck. Finally, she stood when Elena strolled to the front of the stage to take her last bow amid the roar of applause, while flowers and programs stripped to confetti rained over the cast.

March 2018
Featured image for “The Hidden Ones”
Nadia Afifi

The Hidden Ones

I first encountered the hidden world on a muggy summer night in Bahrain, near the still waters of the Arabian Gulf (or Persian Gulf, depending on who you wanted to avoid an argument with). Multiple witnesses denied what they saw after the fact, blaming alcohol, of which there was admittedly plenty, or tricks of light and shadow. The religiously-inclined claimed we saw one of the jinn, a being from the spirit world, which was more plausible than an excess of overpriced beer. No one ever hallucinated from Heineken.

March 2018
Featured image for “Parris Enflames”
Daniel Eastman

Parris Enflames

You are here. Darkness surrounds you now, both literal and figurative. You sit hunched over against the wall of the crowded bus, pantomiming meditation in a defecatory posture, eyes wide-open stealing glimpses of your crusted New Balance sneakers with the occasional passing of city lights. Maybe somehow there’ll be a reflection, a final glimpse of your thick brown hair. Instead, green edge of a road sign that passes too quickly. You know that you are somewhere in South Carolina. That’s where the plane landed.

March 2018
Featured image for “Land of the Free: Part Two”
Peter Hoppock

Land of the Free: Part Two

The sun was setting as they rode back up the entrance road to the farmhouse. Douglas breathed in the pungency of the newly turned soil as if it were a harbinger of what was to come. There was now a small sports car parked behind the Toyota; the crate, minus one of its sides, sat empty between the house and the corrugated shed. Emrys greeted them at the front door, holding it open. Squinting against the raw light, and before inviting them in, he gestured with one arm towards the sky behind Gwen and Douglas. The dogs barked, again and again, out of sight.

March 2018
Featured image for “How to Be a Wall”
Hannah Rials

How to Be a Wall

No. 1 – Already Be a Wall Become a wall before it is necessary. I can’t instruct you on this because I was naïve. I thought, Let pain come; it’s a part of life. I thought being a wall was cold-hearted, and that I am not. But please learn from my mistakes. Being a wall isn’t being heartless. It’s just the smart thing to do. No. 2 – Remember the Pain This is the worst step—I’m sorry. But I have a feeling that if you’re reading this, you’re like me; you absorb words.

March 2018
Featured image for ““All My Exes Hate Me”, “You Invited Me to a House Show But You Know I Cant Do This” and “He Died Listening to Lo-Fi Hip-Hop””
Miss Macross

“All My Exes Hate Me”, “You Invited Me to a House Show But You Know I Cant Do This” and “He Died Listening to Lo-Fi Hip-Hop”

All My Exes Hate Me it’s a big gross world and i don’t know what it wants from me close my eyes listen to lo-fi remixes of brazilian disco hits beats hit like waves and everything smells so salty i am so damn salty

March 2018
Featured image for ““Exhuming Luigi”, “Father” and “On the Beach Wall: St. Malo””
Stuart Gunter

“Exhuming Luigi”, “Father” and “On the Beach Wall: St. Malo”

Exhuming Luigi God, we were drunk the night we exhumed your ferret from the dirt in the grounds of your old school. We drank mudslides and white russians until the bartender dimmed the lights and put all the stools but ours on the bar, the chairs on the tables. Stumbling into the cold, on a chorus of “Life’s Been Good” and “Marian the Librarian,” thinking what a good idea it would be to dig some bones from the dirt.

March 2018
Featured image for ““I Am My Own Savior” and “Lady Saturn””
Wanda Deglane

“I Am My Own Savior” and “Lady Saturn”

I Am My Own Savior Somedays I take my pills gladly, with hope and juice to wash it down, and other days I glare at them until they get caught in my throat and I hate myself for feeling like they’ve failed me already. Somedays it’s 85 degrees in Phoenix but I’m caught under feet of suffocating snow with no one to pour salt on my flailing body, like drowning all over again, but so weighted and cold I’m dragged to the earth’s core.

March 2018
Featured image for ““Akashic Archives”, “Quest/Vision” and “Ode Et. Al.””
Jose Trejo Maya

“Akashic Archives”, “Quest/Vision” and “Ode Et. Al.”

Ode Et. Al. We still pray to the old gods changing of the guard: deity in that solemn face of the ancestors. Help me through [the moon light] We still pray in Quechua, Aymara, Lacandon, et. Al. Affinity –see the shoulder width of those keloids scars on the backs of African slaves [marks the above fight]

March 2018
Featured image for ““Golden Shiraz” and “You Killed My Mother””
Amy Pugsley

“Golden Shiraz” and “You Killed My Mother”

Golden Shiraz Everyone here lives in the past In a golden age of bliss Living in our own versions of the past Living in a version of what it all meant Ghosts of what once was Before the revolution Before the loss Before we packed our bags and left Before, before, before When we were all made of gold….

March 2018
Featured image for ““Man of the City””
Horia Pop

“Man of the City”

Man of the City Put red crosses all over my calendar jam my luggage til ‘tis too heavy to heave I wanna be sure I won’t leave Prepare hot meals anything warm for our factory-stomachs let us first lounge & rest in the shade of our jungle-lounge hidden away from the omnipotent eyes of our western lives.

March 2018
Featured image for ““Forest Nocturne”, “Lunar Light” and “Superposition: Love on a Quantum Level””
stephanie roberts

“Forest Nocturne”, “Lunar Light” and “Superposition: Love on a Quantum Level”

Forest Nocturne this drama hums birched, blue, and pine behind winter-closed doors where raccoons and rabbits still. i remember the evening’s autumn cathedral when amber light massed in prayer above. i played over the under of your body. don’t think Nietzsche would be angry because under i explored this penumbra’d path round a temporary pond jewelled with drake and hen lusty in spring swell—winter’s death finding level.

March 2018
Featured image for ““Beloved Mother”, “Decolonial Inventory: Impressionism to indocumentados” and “The Blueprint of the Land””
Édgar J. Ulloa Luján

“Beloved Mother”, “Decolonial Inventory: Impressionism to indocumentados” and “The Blueprint of the Land”

Beloved Mother What I want to write is that I am and I can not stop being I want to give back everything you have given me, mother. And thanks to you I am far away again in New York But I’ll be fine. Do not worry A poem for you, mother is the least I can do turning my love into words. Here’s a bit of me and you It rained in your day today for you mother. I am ashamed I can not give you more.

February 2018
Featured image for “The Message”
Richard Friedman

The Message

Thanksgiving Day, November 27, 2025 “Mr. Bookman, time for dinner!” Simon Bookman roused, groggily, and studied the nurse. He didn’t recognize the nurse that took care of him for the last two years. Josephine Lucas rolled Mr. Bookman in his wheelchair to the dining room for today’s feast consisting of a dry piece of turkey, stuffing, sweet potatoes, and a little cup of vanilla flavored ice cream. If Simon Bookman could remember the old days, he’d recall the smell of baked apples wafting up the staircase and hypnotizing his three boys, Winston, seventeen, Sebastian, fourteen, and Wellington, age ten, respectively, dropped in the lap of Simon and his wife Margaret after Simon’s brother and sister-in-law died in 2000, courtesy of a drunk driver. The older boys retreated into the safety net of their deceased father’s transportation company. Wellington chose the sciences and graduated from Stanford, and celebrated his thirty-fifth birthday, a shared celebration with his beloved uncle.

February 2018
Featured image for “Root That Mountain Down: Chapter One”
Evan Balkan

Root That Mountain Down: Chapter One

It’s an unspeakable smell. The smell of death. The ripping open of animal to let out the demons, loosing the jumble of organ and bone and tissue and exposing it to open air where microbe and maggot and mosquito can do their work. Black piles of waste swarming with insects fill clearings in the woods, just beyond the demarcated perimeter where decrepit buildings totter in the heat. Two scraggly roosters barely muster up the energy to chase each other in languid circles amidst food wrappers and beer cans. Muddy men wearing flip-flops cradle tattered playing cards and AK-47s. A voice booms from inside the long, flat building: “Hey! Hey! Hey!” over and over like a wicked hymn. A shirtless man emerges. Stretching from his right shoulder to his belly button is a long purple scar. The belly button protrudes like a tiny appendage. His arms are outstretched, and unlike the other men, he has a nice potbelly.

February 2018
Featured image for “Platform 5”
Leta Cunningham

Platform 5

Prague is cold. I stand on the train platform shivering in my wool coat, tighten my scarf around my neck, and close my eyes. I picture myself sitting on the front steps of my university library back in Texas, the feeling of the Texas sun in the summer, its angry heat. Despite living in Europe for four months, most of it spent in Northern England, I’m not used to the cold. I check the time on my phone, making sure I’m still on schedule for making my flight.

February 2018
Featured image for “An Anthropologist “Storms Heaven””
Nathaniel Wander

An Anthropologist “Storms Heaven”

As the urban traveller ticks off cross streets—Van Ness, Filmore, Divisedero, Presidio—in the Peruvian lowlands where travel is chiefly by water, it’s confluent rivers: Huallaga, Chambira, Tigre, Ucayali. And every arrival, if the locals are to be believed, is only tres vueltas mas, ‘three more bends.’

February 2018
Featured image for “Land of the Free”
Peter Hoppock

Land of the Free

For the first 20 years of Douglas Williams’ life, his grandmother Mary had been tightlipped about her past—what had brought her to America, what and who she had left behind. During the last week of his last semester of college, Douglas’ father Llewelyn Williams Jr., fearing a downturn in Mary’s health, insisted Douglas join the family at the nursing home that had housed her for the last five years. That evening, after a short visit from a priest during which she insisted she was healthy as ever, she asked about Douglas’ upcoming Army service and if he still expected to be stationed in Europe for a time. When Douglas answered yes, she made this request of him: Please look up my brother-in-law Joseph, who might or might not still be living in Wales. She gave Douglas a photograph of her long-dead husband Llewelyn Williams Sr., noting that she had none of Joseph, but that the two brothers, born a few years apart in age, shared enough features for the photo to be useful. Promise you will do this for me, she insisted. Douglas kissed her on the forehead and promised he would. Mary’s request took everyone by surprise, especially Douglas’ father, himself equally tightlipped about his origins—as if it were a family obligation to bury the past.

February 2018
Featured image for “Economy As Intimacy”
Eric Peter

Economy As Intimacy

During a previous artistic project of mine, I explored various one-person endeavours into positive change through dialogue against the backdrop of worldwide geopolitical issues. We would engage in a range of topics—from gender equality to environmental awareness—all with a focus on “the small-scale” and with forward-looking attitude. But afterwards, I was left thinking ideas/opinions on economics or finances were left unspoken.

February 2018
Featured image for “See Table 1”
Chris Espenshade

See Table 1

It is argued that it is time to classify the compulsive need to hoard military-grade weapons and ammunition as a mental health issue that would preclude the said hoarding (see Table 1).

February 2018
Featured image for “Freedom”
Jessica Manchester

Freedom

Dr. Levine, the psychiatrist, seems perfectly comfortable with long stretches of silence. Long stretches of silence are the story of my life. This is my third visit with the doctor. Mom is mad at him because he doesn’t prescribe anything for me. She wants me fixed. My mind needs mending in her opinion. He’s asked me why I’m here. I don’t answer. Looking out the window I watch a squirrel climbing up an oak tree. He loses his balance, landing on the lawn below where all the acorns are anyway but he ignores them and jumps right back onto the trunk and tries again. Stretching out to reach a limb he falls onto the grass once again. The acorns are right there. What is he really after, I wonder. I just want to hear the truth. That’s what I’m after. I think about the day I told my mom I know the truth.

February 2018
Featured image for “The Keeper of the Keys”
Jessica Simpkiss

The Keeper of the Keys

Torn clouds scuttled across the sky with the beginnings of the moon’s light dancing behind them as they chased their own broken shadows. The yellow glow and low hum of the city street lamps fluttered and shook, not quite sure if it was their time to shine in the waning daylight. The air had turned cool in the evenings, keeping the large crowds of lookie loos inside the bars or coffee shops up the street from the bridge, only giving them reason to venture out for necessity instead of pleasure walks. The faint sound of moving water purred underneath him, as he sat on a bench near the end of the bridge, waiting and watching out of the corner of his eye. Without fail, he always managed to find one.

February 2018
Featured image for “Closure”
Kabir Mansata

Closure

At the time, I lived on the 31st floor of a modern apartment complex for middle-income households. I loved the large grounds and being a fitness freak, the easy access to a pool and a gymnasium. I loved having a shopping mall and a multiplex cinema a stone’s throw away.
It was 4 am and I exited my Uber, teary-eyed, inebriated and nauseous. I had just ended things with Dee, the love of my life. It had been the most amazing relationship for eight years. We were two hippies who floated through life like synchronized swimmers too lazy to collect their gold medals at the Olympics.

February 2018
Featured image for “Tip”
Jamie Witherby

Tip

Captain Haines sheds his rain-pressed coat and hat in the entryway of the railcar diner. Laughter from 3 a.m. troublemakers, snores from booth-ridden sleepwalkers, snaps from slow-moving line cooks cut through the smoke-festooned air in the same whirling loops.
Dark-haired, gum-popping Dina points her pen at the large central booth with only two place settings. Haines nods as he retires his trench and cap on the sharp wall hook over a bouquet of tired umbrellas.

February 2018