Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “On Meeting Tony Malhorn”
Rachele Krivichi

On Meeting Tony Malhorn

I wasn’t like anyone else in school, but I did this to myself. I liked to win things and get more praise from superiors than other people, was competitive and over-achieving, and was only kind enough to keep just a few friends by my side, which was the way I preferred it.

May 2019
Featured image for “Starry Night in Albany”
Joanne Kennedy

Starry Night in Albany

We had never planned it that way. My ex-husband and I living together under the same roof for two years after our divorce. Well, at least, children aren’t involved, my family and friends lectured me, as if that would have lightened up the inevitable burden of living together.

May 2019
Featured image for ““Really Ready to Rumble?””
Gerard Sarnat

“Really Ready to Rumble?”

Made my bones playing ledgeball on the block, but during college
no taxi’d drive back into the Southside snatch-‘n-grab boarded up
storefronts below Chicago’s elevated trains. Hertz’d have none of it;

May 2019
Featured image for ““A Grimoire Ajar” and “Moving Day””
Jose Oseguera

“A Grimoire Ajar” and “Moving Day”

A candle is lit,
Pink flesh melting smooth at first,
But as its silk ribbons
Cascade from its frozen bluffs,
It withers as its wick slowly
Bores deep into its heart.

May 2019
Featured image for ““At the Mercy of My Own Forgetting,” “The Rent I Pay” and “By the Dead Purple Lady””
Melissa Mulvihill

“At the Mercy of My Own Forgetting,” “The Rent I Pay” and “By the Dead Purple Lady”

declares the forgetting man
under the florescent lights
his face shadowless
in a shadowed world
that he knows where it is
once and for all

May 2019
Featured image for ““BEYOND” and “Beyond””
Elaine Nadal

“BEYOND” and “Beyond”

I found the answers
when the sky was
layered in pink, lavender,
and celestial blue.
I am a medicine woman
though my breasts have
never produced milk, and
my womb is barren.
I’m not bad seed.

May 2019
Featured image for ““Sipsula solidissima,” “Notice Pending” and “Saturday with Pa””
Joseph Pagano

“Sipsula solidissima,” “Notice Pending” and “Saturday with Pa”

Let me tell you something about the human
heart. It’s there
in the black paper cameo cutout shadow of a girl spinning a barrel hoop against
an almond wall by de Chirico. A nurse turns her back on
an amputated leg
waiting in motley for the orderly
to bring order.

May 2019
Featured image for ““When Looking Out the Back Window,” “After the Quarrel” and “In the Pause””
Jeanne Allison

“When Looking Out the Back Window,” “After the Quarrel” and “In the Pause”

at night I can’t see the owl I hear
but a faint outline
of the sandbox on the porch
a playground for unwanted crickets
who nestle to the bottom
waiting to surprise me one summer day

May 2019
Featured image for “Petrakis”
John Etcheverry

Petrakis

Our brightest days are a rich subset of a broader story and the fortunate among us ration a few for the end, savoring them as that final nightfall advances. Petrakis appears to have plenty of life left in him, but his stock of unclouded days is depleted. Nora, his bride of sixty-two years, passed this summer and the combination of his memory outages and the solitude that her absence compels is more than the old man can manage.

April 2019
Featured image for “New Mind”
Hunter Blackwell

New Mind

The room’s mostly dark. A bit of light filters in from the the window next to her head. The fan blows cool air over her. White noise makes her eyelids heavy. Clink. Clink. Clink, the sound of metal—hanging medals for things that don’t matter now— hitting the wall. Two to three seconds of silence between each tap. The ceiling swirls. She blinks, an attempt to reorient herself, but it continues around in her eyes.

April 2019
Featured image for ““Canada Geese,” “Boat Hull, Moving Party in a Small Town” and “Crows””
Steve Brammell

“Canada Geese,” “Boat Hull, Moving Party in a Small Town” and “Crows”

Feet splayed, leather between toes,
black claws meant for pedestrian tasks,
you meet me with your mate in the office parking lot.

Though there’s something regal in your head held high,
I’ve seen you eating grass on suburban lawns,
your hungry bill opening and closing as I approach,
greeting me like you were my pet.

April 2019
Featured image for ““Iris the Goddess of Iridium and Rainbows,” “Rust-swollen Seeds” and “End of the Line””
Lisa Alletson

“Iris the Goddess of Iridium and Rainbows,” “Rust-swollen Seeds” and “End of the Line”

your slow tongue peels my name
letter by letter by letter
Iris
my goddess

my platinum resistance melts
its afterthoughts drifting to earth
I must go

April 2019
Featured image for ““Speed Limits? We Don’t Obey No Stinking Limits,” “Gym Rats” and “Poking Insidious Eye With Sharp Stick — It’s About Time””
Robert Eugene Rubino

“Speed Limits? We Don’t Obey No Stinking Limits,” “Gym Rats” and “Poking Insidious Eye With Sharp Stick — It’s About Time”

We’re revved up on Peet’s coffee
driven by Silicon Valley vanity
we’re unanimous
we’re equanimous
in our 24/7 disregard
for our city’s 25 mph limits
speeding up & down Middlefield Road
at 40 … 45 … do I hear 55?

April 2019
Featured image for ““Song of Aylan” and “Crouching Caveman Hidden Cellar””
Sabyasachi Nag

“Song of Aylan” and “Crouching Caveman Hidden Cellar”

Three columns of scratches on the Ishango bone start the song of Aylan.
Forty nights of incessant rain, one lost sheep and remaining ninety-nine,
Thirteen heads on the hill, four bellies in the cow make the song of Aylan.

April 2019
Featured image for ““Ticketed,” “Speckled” and “Hello, Instructor””
Jennifer Schneider

“Ticketed,” “Speckled” and “Hello, Instructor”

Late for work, I left my wallet, its gray
color a perfect match for the counter.
Guilty of excessive speed, with no way
to clear my name, I began to flounder.

With no cash and no options to make bail,
Who knew of the horrors that would be mine.

April 2019
Featured image for ““Trading Cards,” “After Party” and “Ewing Sarcoma, Extremely Rare””
Matthew Feinstein

“Trading Cards,” “After Party” and “Ewing Sarcoma, Extremely Rare”

Papa and his child
play cards in a gaudy
McDonald’s lobby.

I see twilight and
somebody in tattered rags
examine through scraped windowpanes.

April 2019
Featured image for “The Boy with the Lysol-Sprayed Cowlick”
Thomas Weedman

The Boy with the Lysol-Sprayed Cowlick

The Examen – a preparation for Confession. To the boy with the pellucid blue eyes and the Lysol-sprayed cowlick, it almost sounds like an exam for men. He does not think he’ll pass. After final reflections, as though time is up and he must put down his yellow #2 pencil, he solemnly exits the pew.

April 2019
Featured image for ““We Learned We Are Gods,” “Freshman Year, UAF: Fairbanks Fall of ’92” and “Downpour in the Height of Summer””
Sara Dallmayr

“We Learned We Are Gods,” “Freshman Year, UAF: Fairbanks Fall of ’92” and “Downpour in the Height of Summer”

At eight years of age, we became creators of the universe
We made models of the galaxy with Styrofoam balls
A gritty marble-sized mercury
A sun with rays on the bus floor
Jupiter a fist of moons
The slumped crown of Saturn

April 2019
Featured image for “A Bright Spot”
Chelsea Cambeis

A Bright Spot

Somewhere along the way, I lost all sense of direction. Life’s become this mundane, necessary task, and I’m growing tired. My brain is fuzzy; I lack enthusiasm. Most would say I’m depressed, but it feels more like I’m running out of steam.

So here I stand, sneakers melting to the cracked sidewalk.

April 2019
Featured image for ““Pleasure,” “The Toys on the Floor” and “Within the Walls””
Erich von Hungen

“Pleasure,” “The Toys on the Floor” and “Within the Walls”

The block finds pleasure,
all that it needs,
as it is slipped into
the place conceived for it,
that spot where it truly fits:
snug, smooth, clean
without jiggle or sway.

April 2019
Featured image for “Beautiful Lies, Wonderful Lies”
Peter Hoppock

Beautiful Lies, Wonderful Lies

Something about the smell of Dr. Schein’s office reminded Larry Dugin of visits to the school nurse when he was a child—white walls, white cabinets, and grey rug; next to where Larry was seated, the syringe disposal box with its tilted lid; the magazines on the table that previous patients had forgotten to return to the waiting room. He lost himself in the history of his own health every time he entered this office. Dr. Schein, standing grim-faced and stiff in front of the lightbox on the opposite wall, was Larry’s oncologist.

April 2019
Featured image for ““Morbid Fascination,” “Food Pantry in Winter: A Visit” and “The Drone””
Andrew Posner

“Morbid Fascination,” “Food Pantry in Winter: A Visit” and “The Drone”

Yesterday morning I read with morbid fascination
That “more than 40% of insect species are declining”
And nature’s ecosystems are at risk
Of a “catastrophic collapse.” [1]

In my $70,000 electric car on the way to work
(charged by solar panels
On my 3,500-square-foot suburban home),
I listened with morbid fascination to the news

April 2019
Featured image for “Afterboom”
Carolyn Silverstein

Afterboom

In my head, there is a Knife. The Knife is silver and serrated and wood-handled. It is the Knife Grandma tells Eden to cut the Challah with on Rosh Hashanah, the Knife she’s used since Livi D.’s would-be Bat Mitzvah. It is well loved, like Eden would say, or worn out, like Grandma would, and knows how to handle itself. It is molded to fit my grip perfectly.

April 2019
Featured image for “Par Avion”
Mary Vensel White

Par Avion

His mother’s condo still smelled like paint. She’d been moved in a little over two months, having finally sold the house in Bellflower where he and his sister had grown up. Pearl, his sister, had picked up a brochure about the place: “Emerald Villas, an affordable independent-living senior community.” For almost a year, their mother had been on the waiting list for a two-bedroom unit; finally, in April, a Villas rep had called with hearty congratulations—as if it were some final destination lottery—and she’d been settled by June.

April 2019