Issues Archive

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “Aftermath”
Sandra Kolankiewicz

Aftermath

People have commented how stoic I was about my brother’s death, how graceful all the sons were about losing the third in line, but most of them don’t realize we were born with genes for fatalism that had been switched on for generations. On both sides of my family before the emigration here, our ancestors knew little but stress, war, and hard work.

March 2025
Featured image for ““Snake in Our Midst,” ” House of Mirrors,” and “Entwined””
Louise Moises

“Snake in Our Midst,” ” House of Mirrors,” and “Entwined”

on the sunbaked
patio, a little girl,
discovers a snake
sunning itself
on a boulder
she runs into
the house
jubilantly reports
the presence…

March 2025
Featured image for ““Origins All the Time,” “Two Faces,” and “Arguing Again””
Matthew Freeman

“Origins All the Time,” “Two Faces,” and “Arguing Again”

I’m so sorry you don’t have the vision
I have. Like when Lesbia
showed me the new Cure cassette in ‘92
I was able to pick out
what would be the most popular songs
in two seconds.

March 2025
Featured image for “The Coughing Was Me”
Linda S. Gunther

The Coughing Was Me

We made the London West End theatre reservation last year in 2023. As soon as we knew we’d be flying to NYC in Spring 2024 and taking a transatlantic cruise to Iceland and then onto Europe, we had booked the play in London’s West End, A Long Day’s Journey into Night.

March 2025
Featured image for “The Story of a Girl Who Lives in the City That Sparkles”
Mark Knego

The Story of a Girl Who Lives in the City That Sparkles

Waves of people swarm the sidewalks like the waves in the nearby ocean, and it is always hot. Shoppers, families, delivery boys, phone addicts, lost souls, tourists, girls of the night clearly in their early mornings and more. They all look the same…

March 2025
Featured image for “Rival of the Sun”
Sandro F. Piedrahita

Rival of the Sun

When Antonio was around nine years old, shortly after his father’s murder, the young boy discovered not only that he was a child of sin, but also that God would be a mighty rival for the attention of his mother. For the rest of his life, Antonio would remember the macabre scene of his father Arsenio’s rotting body…

March 2025
Featured image for “The Gilded Cage”
David Kennedy

The Gilded Cage

The sun blazed down upon Cave Hill Cemetery, bathing the graves of the fallen with tribute for their ultimate sacrifice. John Marshall Harlan stood among an impatient crowd. He knew some of the men interred here, who had departed their sweet Kentucky homes, their beloved creeks and valleys, for the sake of the indivisible Union, and from time to time he would visit their graves.

March 2025
Featured image for “Therefore I Am”
Ryan Nachnani

Therefore I Am

I compel myself to think, even if every stream of thought seems to pool only into misery.
I’ve had too much time on my hands since we arrived in Rexdale — settled down in a barren basement where I thought our dreams would take form.

March 2025
Featured image for “Final Acts,  A Novel”
Joseph Allen Boone

Final Acts, A Novel

David Abbott was the last person the citizenry of Centerville expected to commit suicide, much less in broad daylight and by such unsightly means, his broken and bloody corpse splayed on impact from its five-story fall onto the sidewalk in front of the Playhouse Cinema.

March 2025
Featured image for ““Shades of Red,” ” Indigo, Turmeric,” and “Out of Nowhere””
Holly Willis

“Shades of Red,” ” Indigo, Turmeric,” and “Out of Nowhere”

color
came to me suddenly
not blood, but red, reddish
and burning. Only

at first abrupt,
like a punch line, a
jawbone or
hallway carved

March 2025
Featured image for “Who Could Ask For Anything More?”
Peggi McCarthy

Who Could Ask For Anything More?

Howard’s wife was talking about the yard again, before his breakfast, that back forty he’d bought when the Fishers moved away. She didn’t want him to clear it, said she’d spotted some special flower. Weed, more likely. Fond of wasteland, Fay was – stumps and berries.

March 2025
Featured image for “You’re Not My Next Thought”
Kelly Nusz

You’re Not My Next Thought

Back in the spring, when the thawed warmth of early morning felt new through the concrete lattice of the parking garage, Eddie and Margaret would not have been so free in their intolerance of Marshall, or so close that handholding felt natural. In the spring they were just becoming accustomed to the others’ short stops, hard turns, and personal music preferences.

March 2025
Featured image for ““The Sky a Flawless Blue,” “When your Muse has Left the Building,” and “My Own Little Beast””
Joanne Jagoda

“The Sky a Flawless Blue,” “When your Muse has Left the Building,” and “My Own Little Beast”

The sky, a flawless blue,
the kind of California day,
that gets under your skin.
Scaffolds holding up the heavens
stretching against celestial infinity.
Is there a placeholder for me
in that expanse?

March 2025
Featured image for “How to Ride an Ostrich”
Michelle Lowes

How to Ride an Ostrich

Ada walked through their neat front garden, which looked as unremarkable as yesterday. The front door key still fit in the lock, and she let the keychain dangle a moment. She unbuttoned her brown coat then bent to dust off her trousers and retie a lace in her leather shoes. Her wristwatch said it had only been twenty-four hours.

March 2025
Featured image for ““I am the Tortoise,” “Greenland Isn’t Green,” and “Eating at Al Capone’s Soup Kitchen””
Robert Eugene Rubino

“I am the Tortoise,” “Greenland Isn’t Green,” and “Eating at Al Capone’s Soup Kitchen”

Flamingoes all pink and proud
at the Junior Museum & Zoo.
Kids & grandparents all aflutter
flocking to public feeding time
in a fluff-and-strut club of cute.

March 2025
Featured image for “The Amazing Merletti”
M.L. Lyons

The Amazing Merletti

Marco Merletti came from a long line of magicians. His mother Talma was a noted mentalist from the old country, capable of convincing the Tuscan villagers of her inscrutable powers of clairvoyance. The moment her searing brown eyes alighted on a young woman’s tearful face or an old man’s trembling white handkerchief, she knew who had been the mistress of whom, who was to give birth and why and countless other secrets the country people thought were their own.

February 2025
Featured image for “Down Among The Barley”
Mark Wagstaff

Down Among The Barley

This bathroom, shared with a dozen others. Now, three years on, she’d pause in this bathroom. To retrieve that spike of energy when, finally, after interviews and tests, she secured her right to live in this building. To know its ways. To share this bathroom.
L-shaped, the shower far back in the alcove. The slant to the drain steep enough to alert bare toes. The basin’s obese taps with Hot and Cold in foxed enamel. Their bolts and washers industrial and gleaming.

February 2025
Featured image for “Glowfish”
Sophie Hoss

Glowfish

Because it’s always dusk, we make everything neon: our clothes, our furniture, our streetlights. The City is far north enough that the sun never breaches the sky—it skates the horizon’s rim, dips up and under like a coin circling the drain. Neon is our bioluminescence, and it’s always cold in the city.
I don’t remember how I started researching liminal spaces. Couldn’t even say which ology my post-grad work is classified as.

February 2025
Featured image for ““Étude 128,” “Étude 143,” and “Interval 404””
Ray Malone

“Étude 128,” “Étude 143,” and “Interval 404”

no music, only the daylight, the green
of the trees growing, so fresh and bright,
imagine a leaf, a single one of them
held to your cheek, in its chill,
its refusal of heat, this early in the year,
the stars so far from here, the birds
in their lightness going about their business

February 2025
Featured image for “How to Love in Reverse”
Sarah Harley

How to Love in Reverse

If time could fly backwards instead of forwards, could I love you in reverse?
In the beginning, a farewell. Two lovers say goodbye. An embrace begins to loosen before letting go. Hands that clasped tightly together, slowly slip apart; a space opens between palms, fingers are no longer entwined.
The attraction that once drew us together turns into a force pushing us apart.

February 2025
Featured image for “Empty Black Circle”
Mohini Dasari

Empty Black Circle

I feel as hollow as the empty black circle staring at me from the screen. The nurse practitioner is quiet as she scans my uterus. A push to the left, a push to the right. Left, right, left, right. I gaze at the monitor, searching for what I’ve waited seven weeks to see: a white blob floating in a black ovoid sea, outlined by a bright white line.
Left, right, left, right. Back and forth, the cold probe pushes against my insides. The empty black circle keeps coming in and out of view. Nothing else.

February 2025
Featured image for “Sophia”
Andrew Plimpton

Sophia

Sophia built her first shrine when she was six years old. She took a fragment of a fallen bird’s nest, decorated it with dandelions and acorn shells, and surrounded it with a circle of stones on the surface of a tree stump in her backyard. The tree had come down very recently, and she’d been staring out the window at the place where it used to be. No one had taught her to build this shrine; she had no word for what she was doing.

February 2025
Featured image for “The Face in Between”
Elan Maier

The Face in Between

Arleen Dunson was there. She was there, outside Boise, among the other surrounding police, when three pit bulls came blitzing towards tactical from around the corner of the decrepit house, like sharks with legs, swinging ropes of drool, rodeo-eyed and thinking kill kill kill. Two of the dogs were hooked and pulled away, no problem. The last one, incensed and alone in the dust, bucked and sprung back and forth…

February 2025
Featured image for ““What Remains” and “A Hole In Her Head””
Penny Jackson

“What Remains” and “A Hole In Her Head”

Discarded on the train tracks,
a crushed bag of potato chips,
bright red label glaring.
Two bus drivers linger
by their idling vehicles—
one bends to his lighter,
the wreath of smoke
drifting briefly

February 2025