Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for “30 Days”
Adam Abuelheiga

30 Days

It was day one in uncharted territory. The rules of the experiment were simple. He was to spend 30 days alone in a cabin in the woods without access to the outside world. If the man were to step outside of the cabin before the end of the 30th day, then the experiment would be deemed a failure, and he would go home with, at best, only a fraction of the money he was promised, depending on how long he could make it.

August 2025
Featured image for “On Romance”
Maisha Hossain

On Romance

When I asked you why we did not happen, you told me that I was too romantic for you, that my chaos did not fit into the orderly compartments in your life.

Even now, when we talk sometimes – as friends – friends who laugh about what could have been, when you listen to me with more patience and interest than ever, I am surprised by how often I filter my stories of joy.

August 2025
Featured image for ““Called to Rise,” “Cartoon of the Japanese,” and “Cast+””
Margot Block

“Called to Rise,” “Cartoon of the Japanese,” and “Cast+”

we are called to rise when our souls awaken
collapsing over the edge of an orange sun
moving through its own heat
we awake from the deep
blue hair mussed
we are called to rise beyond the blood of the blind

August 2025
Featured image for “Run”
Michelle Lowes

Run

James was running on the treadmill in time to the quick tempo music blasting in his ears. He was interrupted by an incoming text that lit up his phone sitting in the machine cradle.
Hi, I’m coming to NYC this weekend. Dinner?
Maddy.

August 2025
Featured image for “Mirrors”
Andrew Sarewitz

Mirrors

Youth often finds itself a casualty of unawareness. In some instances, where there might be gratitude for preadult ignorance, being poor isn’t fun, at any age. I grew up privileged. Some may find it more difficult to embrace having nothing, after having grown up without financial worries. Finding yourself without savings as a senior citizen, however, really blows.

August 2025
Featured image for ““Frida’s Tequila,” “The Pivot, or Streptococcus Pneumoniae and Me,” and “In the Evening, Sonnets””
Brian Mosher

“Frida’s Tequila,” “The Pivot, or Streptococcus Pneumoniae and Me,” and “In the Evening, Sonnets”

Courageous Frida, icon to millions
who know no more of you than your eyebrows
on the t-shirts your face adorns,
what is your name worth now?

August 2025
Featured image for “Director of Operations”
Vaidhy Mahalingam

Director of Operations

Nitin Gharpure eases his Mercedes along the curb in the alley behind the warehouse. At the end of the alley, a semi is going beep-beep-beep, backing into a loading ramp, aligning a forty-foot container to the dock. And behind that, delicate tendrils of pink are forming over the distant Oakland hills.

August 2025
Featured image for ““Two Weeks Notice,” “A Recollection of Simpler Times,” and “Night Lights””
Vincent Casaregola

“Two Weeks Notice,” “A Recollection of Simpler Times,” and “Night Lights”

In two weeks’ time, I will depart,
and you will see me fading out the doorway,
disappearing from your time and space.

Nothing, no one ever leaves completely,
and so you will not see or hear but sense
the presence, the silence, the smile/frown

August 2025
Featured image for “Customs Patrol”
EL Edwards

Customs Patrol

It was Tuesday afternoon, on what should have been just another day of service for the Customs Patrol.
Sergeant Baxter of Southern District Airport’s Customs and Vetting Division was nearly ready to wrap up his shift. It had been quiet, this one. He’d normally hit his quota by the first few hours, after which he could busy himself with paperwork or checking out for anyone else he could justify not letting in.

August 2025
Featured image for ““Dandelions” and “Elvis””
Nicholas Bonarski

“Dandelions” and “Elvis”

For years the school bus took the same path
past your grandmother’s house—just uphill from yours

each day the fields flickering past,
sometimes filled with corn,
autumn filled with hay bales

August 2025
Featured image for “A Legacy of Words”
Russell Willis

A Legacy of Words

Bill Moyers left us on June 26 at the age of 91.[1] His declining health over the past few years, and now his death, have left us longing for more of what he gave so generously in life: insatiable curiosity, clarifying insight, empathy grounded in respect, courage tempered by humility, and optimism anchored in realism.
Because of his life’s work—and because his career spanned a remarkable era in mass communication, from the birth of television to the rise of the internet—we are fortunate to have an extraordinary archive of his spoken and written words. These will continue to inform, inspire, and challenge future generations.

July 2025
Featured image for “Severed”
Brian Mosher

Severed

My friend Alex was twelve years old when it happened. Years later, he told me it was like time had stopped the instant his father parked the car on top of the railroad tracks on Spring Street, pulled the keys from the ignition and tossed them out the window. I’ve always imagined Alex, his mother, and his younger sister looking at each other in stunned silence as the father closed his eyes and calmly surrendered to the universe, which he believed had defeated him at every turn.

July 2025
Featured image for “They Shall Be Drowned”
Sterling M.Z.

They Shall Be Drowned

The wind blows fierce on the Isle of Rankor. It pushes in the waves, fast and rhythmic, until they wash upon the sands. Together, the forces carry ships into the harbor, which spans the coastline as intricate as a maze. At any given time, a hundred ships unload their imports and load exports with ease. This is the Isle’s tradition: wind and waves and trade, the tradition Caroline and Marina have grown up with all their lives.

July 2025
Featured image for ““A Robin’s Agenda,” “Never mistake what is for what it looks like,” and “Narcissus pseudonarcissus””
Simon Maddrell

“A Robin’s Agenda,” “Never mistake what is for what it looks like,” and “Narcissus pseudonarcissus”

You can’t handle the truth of X
and Y complexities in your own
species, so it’s obvious you think
you can tell our gender by the
colour of our breasts or know
that we are born all-brown.

July 2025
Featured image for “The Language of My Hands”
Etya Krichmar

The Language of My Hands

Before I understood the weight of memory and the grace of healing, I had hands that reached, held, and learned. Now, when I look at my hands, I don’t recognize them. Not because they’ve changed, but because they’ve held so many lives—mine, my children’s, my grandchildren’s, my ailing Papa’s and Mama’s before they died, my brother’s, dear friend June’s, and adapted Daddy’s Sam’s before they too succumbed to illness. Through it all, my hands never once asked for rest.

July 2025
Featured image for “Pulling Taffy”
Linda Briskin

Pulling Taffy

As I age and tire of life, my child-self is insistently present. She has not faded with the passing of time; instead, I have a growing sense of quiet urgency—to know her more deeply and to comfort her.
That long-ago child was the middle of three daughters: her older sister, the favored child, too old to be a companion, and the younger too young. She was ignored by her parents. In a matter-of-fact way, she expected indifference and accommodated neglect. Paradoxically she also faced the brunt of their rage, prompted, they said, by her audacity and impertinence. She dreamed about leaving home.

July 2025
Featured image for “Against Protagonism: Why We Need More Ensemble Films”
Nancy Graham

Against Protagonism: Why We Need More Ensemble Films

As the fourth-born kid of five, like anyone from a big family, I grew up in an ensemble. We were spread enough in years that school kept us segregated by age, so we had two main gathering sites. The first was the dinner table, where the social task was to make a worthy offering to the highly opinionated conversation. Maybe there was no offering within reach, other family members being older and more experienced. Maybe you stood to underscore a point or fetched a dictionary to prove that “flaccid” is pronounced with a “k” in the middle or happened on a witty remark and sparked a few laughs or tried to vanish into the wallpaper to avoid negative attention.

July 2025
Featured image for “A Life Well Spent”
Jan Jolly

A Life Well Spent

The riot gate clangs behind me as I stride down the wide concrete hallway, nodding to passing officers and inmates. At a little over six feet tall and still carrying my fighting weight of 230 pounds, I know the inmates and even some of the newer officers find my size and demeanor intimidating. I try to soften my serious demeanor—bolstered by my icy-blue eyes and square jaw—by wearing my Yogi Bear tie with my usual black slacks and white dress shirt. My “uniform,” as my wife, Trula, calls it.

July 2025
Featured image for “When We Were Wild”
Shelagh Powers Johnson

When We Were Wild

It was not the sort of story that could stay hidden in a small town. People in Florence paid attention to everyone else’s details: a car missing from a driveway in the early morning hours, a skipped shift at work, one less body tucked into the pew on Sunday morning. This was how the people of Florence governed themselves: with the understanding that there was no such thing as a secret.

July 2025
Featured image for ““gentrification,” “toward home,” and “the finery of flowers””
Olga Dugan

“gentrification,” “toward home,” and “the finery of flowers”

the better-off displace old families
leaving just a remnant behind
neighborhood changes fast
innovative foliage, bolstered lawns
porch, deck, people repaired and not
show it all happening at once

July 2025
Featured image for “Season of Healing”
Maria Angeline Pennacchi

Season of Healing

In the quiet darkness of her backyard, Annemarie sat in wonder, gazing at the brilliance of a full moon. A “super moon” technically, though she couldn’t remember at the moment what its special name was tonight… Harvest moon? Hunters moon? It didn’t matter. The beauty was positively hypnotizing as the moon dazzled like a jewel, with twinkling stars sprinkled all around it in the perfect, clear night sky. Its glow illuminated the woods with gentle moonbeams filtering down between the trees.

July 2025
Featured image for “An Adirondack Story”
Marianne Dalton

An Adirondack Story

The police separated us into two cop cars. One car contains Stephen and Hugh; my boyfriend Matthew and I ride in a separate car. They didn’t handcuff us, but they certainly looked me up and down with disdain. I’m feeling overwhelmed and lightheaded because just before the police came, Hugh shoved his marijuana on me. He told me to hide it in my underwear because “they won’t search a girl.” I complied but questioned my judgement. And now I’m on my way to the police station feeling like a captured bird.

July 2025
Featured image for “Musings From A Misprint”
Vish Watkins

Musings From A Misprint

In 2022, I wrote an essay for Soundboard: The Journal of the Guitar Foundation of America, but my name was misprinted in the print edition as Vish S. Watson. No great tragedy, these things happen.
In 1907, Israel Baline, a singing waiter in the Bowery, penned “Marie, From Sunny Italy,” but when the handbills accidentally attributed it to I. Berlin, Baline liked the name, thought it had a classy ring, and promptly adopted it, upgrading the “I” to Irving.
I myself have no aspirations for fame or fortune and no thoughts of upgrading my name.

July 2025
Featured image for “Mountain People”
Yehezkiel Faoma

Mountain People

With every passing Christmas, my sons and their families spend less and less time in the house before hurrying back to their own homes. I will not see them again until the next Christmas, when they will reluctantly come again to honor the childhood promise that they made on their mother’s deathbed: to always keep in touch. Only then will the house see some life, this big empty house that they’ve given me so they don’t have to live with me.

July 2025