Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “A Slow Fever: The Nearly True Story of Typhoid Mary”
Catherine Hammond

A Slow Fever: The Nearly True Story of Typhoid Mary

October 1906
Another family with kids. What I wouldn’t have given to work for an old maid with no children. Just me and her and a bright, clean kitchen. But I was happy. I was cooking.
Portia, who had recently turned six, darted into the kitchen and ran around the oak table. Tristan rushed in behind her.
“Give it back.” His voice was high and whiny.
“It’s the last one.” She held a crumpled scone over her head.
“Stop that,” I said.
They peered up at me. I was a big woman, and I could scare little kids. Portia’s hand fell to her side.

September 2022
Featured image for “I Am In Your Sway”
Kelsey Myers

I Am In Your Sway

“It’s a malady particular to artists,” Arachne said to her father one day, as he was watching her work.
That morning, he had made her a gift of sea-blue yarn that was said to have been touched by the gods themselves, or, at least, by a demigod, or, at least, by one of the Oceanids; the seller had been vague about the specifics, but assured Idmon that the material was, in some way, divine. It looked divine, different from the yarn that Arachne usually used, which was single-color and made of cotton. This yarn shimmered the way the sea shimmered when the sun shone on its surface: hues of algae green, river blue, and flashes of gold.

September 2022
Featured image for “The Red-Headed Dragon”
Henry Weese

The Red-Headed Dragon

“Stop complaining,” said Julie, looking over her shoulder at her husband as she stacked dishes and coffee cups on a folding utility table against the garage wall. “We’re lucky to get anything at all.”
“I’m not complaining,” said Tom, searching for a place on the concrete garage floor to set the box he was carrying. “It just seems unfair. Your mom and aunt get the house, your uncle gets the money in the bank, your sister gets the new car, and we get—”
“Put the box there,” said Julie, pointing.
Tom dropped the box. It clanged—more goddamn pots and pans.

September 2022
Featured image for “What Does It Take to Swim Around Manhattan?”
Julie Labuszewski

What Does It Take to Swim Around Manhattan?

August 19, 1989 in the East River
My breathing to the right. My breathing to the left. My breathing to the right. My breathing to the left. My escort boat on my right with the official race observer, the boat captain, Coach Foster, and my dad. My dad concerned about his twenty-seven-year-old daughter in a 28 ½-mile, non-stop race around Manhattan Island. My coach reassuring my dad.

August 2022
Featured image for “Lucky Number 57”
Kimberly Horg

Lucky Number 57

Nowadays, it might be hard to imagine food tasting so terrible that you must cover the taste to eat it. Sad but true. Many people lived with dirty water and tainted food in the 1800s. It was a leading cause of death. Much of society drank alcohol daily because they had no other choice; clean drinking water was not an option, and soda and sparkling water were yet to be invented.

August 2022
Featured image for ““orchid eye,” “requiem for smoke, for ashes,” and “leaning against the fog””
J. M. Platts-Fanning

“orchid eye,” “requiem for smoke, for ashes,” and “leaning against the fog”

look into my orchid eye
and I’ll tell you a story about psilocybin sex,
how to melt into another
with full chimera absorption.

honeycombed echo’s of deep earth
as red sandstone soil covered
buried treasure

August 2022
Featured image for ““Baby,” “Bourbon Street, New Orleans, the night before the Chicago Bears won the 1986 Super Bowl, 46-10,” and “Ghosts””
Patrick T. Reardon

“Baby,” “Bourbon Street, New Orleans, the night before the Chicago Bears won the 1986 Super Bowl, 46-10,” and “Ghosts”

My sister held the baby as he died.
Not hers.

She held the nose-tube baby
as his mother exercised at the Y,
exorcized, for moments, grief,
setting fragile, ebbing boy in soft arms.

August 2022
Featured image for ““Déjà vu,” “Among the Remains,” and “In an Instant””
Louise Moises

“Déjà vu,” “Among the Remains,” and “In an Instant”

Threat of late Spring rain,
against the chalk scrawled blackboard,
shower of bullets.

Teachers throw bodies
splashing over stunned students
last lectures of love.

August 2022
Featured image for ““Salt,” “Saturn Waning,” and “Impressions””
Alex Stanley

“Salt,” “Saturn Waning,” and “Impressions”

The moon is a sliver tonight,
or at least it looks it
through the buildings and the trees.

Planted, four, in a row
like towers on a grid,
I wonder if trees can love.

August 2022
Featured image for ““On the Way to Conception” and “Different Folks””
Julie Benesh

“On the Way to Conception” and “Different Folks”

My parents loved each other but it’s unlikely no one was harmed
on the long, broad path to my conception, and as for fidelity,
my mitochondrial DNA is British all the way to the damsel
du chambre of Queen Philippa, born in Tonbridge Castle,
mother unknown, fathered by Edward’s ambidextrous favorite.

August 2022
Featured image for ““New River, Pandemic,” “Lines from New York, On the Massachusetts,” and “De-Winter””
Ryan Harper

“New River, Pandemic,” “Lines from New York, On the Massachusetts,” and “De-Winter”

It will take your breath,
the endless wall,
but you will call again.
Lean out, plant the feet:
cinch of gravity at the waist,
below the wash, the rapid.

August 2022
Featured image for “The Carpenter and the Poet”
Stan Dryer

The Carpenter and the Poet

The carpenter was the one who found the “Lovers Poem.” He was a big man who was fifty-six years old, shaved every morning and wore overalls and a light-blue work shirt. His thoughts were generally of levels, plumb bobs and squares and how he could best restore someone’s old house to its original beauty and purpose.

August 2022
Featured image for “Be There Now”
Timothy Ryan

Be There Now

“Door’s open!” Russell yells.
“When’s it not?” Geoff and Sarah push on into his foyer, absorbing the faint sound of an intricate minor key wailing. They navigate past the huge brass Sri Lankan oil lamp standing front and center topped with a crowing rooster. After hanging her coat on a hook, Sarah turns and stares the rooster in the eye.
Cool, Sarah thinks. Ragnarok. Wrong culture, I know.

August 2022
Featured image for “The Wrong Kind of Love”
Jan Little

The Wrong Kind of Love

The latest Time magazine with a photo of her ex-boyfriend Howard on the cover as person of the year lay crumpled in the trashcan. The article gave him mixed reviews in the superman category. Reporters said he throws super tantrums when people don’t like the way he fixes their problems. As a result, fewer police departments now ask for his help in catching criminals.

August 2022
Featured image for “The Hour He Lost”
Melissa Flores Anderson

The Hour He Lost

Arturo pulled a clunky wooden wagon along the creek. Its wheels bounced on every rock and ridge. He went out early in the morning before the sun moved high overhead and the temperatures heated to the 90s. The wildflowers from spring had withered, replaced by yellowed grass that stood almost as tall Arturo, which is to say almost as tall as a man of small stature.

August 2022
Featured image for “On Love”
Glenn Verdi

On Love

Martin sat at a small patio table at the craft brewery. A pinkish sunburn on his bald spot and the slight build of an introvert were his most striking features. His friend Gabe sat across from him trying to attract the attention of the waitress. Gabe, with his large shock of white hair and broad shoulders twice the size of Martin’s, was not used to being ignored.

August 2022
Featured image for “Invisible (L)ink”
David Kirby Fields

Invisible (L)ink

The first time he did it, it was a joke, really. An attempt to amuse himself during his otherwise soul-crushing nine to five.
“Per our recent conversation.”
“Circling back regarding the matter discussed below.”
“I just want to make sure I’m clear on next steps.”
“See attached.” He wrote scores of emails every day. One hundred plus leading up to various milestones. Milestones. The term alone.

August 2022
Featured image for “What Do You Call an Elephant?”
Judith Ford

What Do You Call an Elephant?

June 7
“Ma’am? Could you tell me one more time how you discovered the box?” The young policeman leaning in the doorway of Ruth’s living room looked up from the small, brown notebook he’d been writing in.
Ruth clenched her hands together in her lap to stop their shaking. After she’d called 911, she’d vomited into the kitchen sink, her teenage daughter, Grace, pacing behind her, saying over and over again, “I don’t know how that got there, Mom! I promise. I don’t know.”
“My daughter says it isn’t hers. Why would anyone bury a baby in my garden?” Ruth shuddered.

August 2022
Featured image for “Seed People”
Carol Campbell

Seed People

I’ve always been able to see faces in things. Yes, of course in clouds, like the ones that trail into my view from the bay window, the purple and pink sea horses and scoop-necked swans swimming across a windy sky while I listlessly watch the UPS truck trying to get down the driveway. But I sometimes freak out my friends when I describe the green man in the woods or the child’s face in the dark, green holly leaves. Layla says I should go back to school to get my art degree, implying that cutting hair isn’t artistic enough.

August 2022
Featured image for ““Frank,” “Random Access Memory,” and “Self-Portrait as Paintbrush””
Erika Michael

“Frank,” “Random Access Memory,” and “Self-Portrait as Paintbrush”

There’s a portrait of me with
cousin Frank, he’s six I’m three,
taken at my first home in the USA,
a stone apartment building at Van
Cortland Park, bedrock segue to

the rest of our lives…

July 2022
Featured image for “Before the Call”
Sandra Schnakenburg

Before the Call

I stared at the phone, wondering what to say to a man I thought all my life— was dead. In 2008, two years before the call, everything I once knew had vanished. My angel Mom, who had given me hope, had passed away. I pondered what I would do next. After some inner work, my purpose crept up inside me like a wildfire needing to be tamed. I heard the call.

July 2022
Featured image for “Shiva’s Tears”
Clare Simons

Shiva’s Tears

A mongoose scurried along the mossy rock wall, darted under a pile of wood and dashed in front of my feet in search of tasty vermin. Its beady eyes glared up at me as if to say, “Entrance not for everybody.” The lumberyard stocked cremation woods heisted by timber smugglers from endangered forests, carried by porters, hauled by lorry drivers, and sold on the black market with bribes paid at every junction.

July 2022
Featured image for “To Grandmother’s House We Go”
Robert Eugene Rubino

To Grandmother’s House We Go

When you were thirteen, your paternal grandparents Nonnina and Nonno already seemed ancient, having been married fifty years. Now you’re older than they were then. But you remember … Three things hang on their walls: a gruesome crucifix, a framed wedding photograph, and a billy club.

July 2022
Featured image for “Comfort Hill”
Jeniah Johnson

Comfort Hill

Despite its cozy name, despite its gentle rise and dive through corn fields and cow pastures, Comfort Hill Road has its hazards. In the warmer months, when driving to and from town, I watch for entitled tractors, escapee cows, flocks of cyclists racing for the cure. But today, a January afternoon in Vermont, it’s just “Collie Lady” on the road.

July 2022