Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “Point of Departure, Point of Return”
Kathryn O'Day

Point of Departure, Point of Return

If you ever happen to be in St. Louis, and you take Highway 40 to the western edge of the city, you will spy, looming above the Clayton Road exit, the world’s largest Amoco sign. Forty feet tall, sixty feet wide, the sign is so big and so bright that, according to local legend, pilots once used it to guide their flights in and out of Lambert Field.

June 2025
Featured image for “Season of Healing”
Maria Angeline Pennacchi

Season of Healing

One would think seeing red flags in a relationship would make a logical, intelligent person walk away. But in the mirage, sweet temporary moments and beautiful, empty promises keep a sensitive, people-pleasing, empathetic soul hanging on. One begins to romanticize the situation, seeing the red flags as something to be fixed with patience and extra love. Feeling the “right” thing to do is prove unwavering love, loyalty and strength to ultimately win the prize of earning reciprocation.

June 2025
Featured image for ““Cat. Night. Hunting,” “Lazarus,” and ” Vertigo””
Leslie Young

“Cat. Night. Hunting,” “Lazarus,” and ” Vertigo”

The third eye opens. Treasure:
How dry linen pops into flame
With spark and magic instant.
In the sweet live dark the trees drip life.

June 2025
Featured image for “Take Me Disappearing”
Stan Werlin

Take Me Disappearing

Today is not one of Harold’s better days. He’s fed up with Susan again. “You just stand there in the corner all day!” he shouts when she appears, which is pretty much a result of whatever’s going on in Harold’s mind at any given time. “Talk to me!” he commands. “Why won’t you talk to me?” It relaxes him to see her and he yearns to fall into the comfortable cadences they had for the ten years they were married before she died. When it doesn’t happen, he becomes frustrated and angry the way he is today.

June 2025
Featured image for “Letter to Tom McDowell from Michigan”
Barry Kitterman

Letter to Tom McDowell from Michigan

Dear Tom,
When we met all those years ago in Belize, we were doing the Lord’s work, though few of us in that outfit were people of faith. We were working in the Lord’s vineyards and also drinking in the vineyards and having love affairs in the vineyards and generally thinking too highly of ourselves in the vineyards and away from the vineyards.

June 2025
Featured image for “Peaches and Pits”
J.C. Ambrose

Peaches and Pits

The Hare Krishnas would be coming out in good time to sing and dance for everyone and everything. I was eight in the summer of 1985, vacationing with my silent generation relatives in Ocean City, MD, in an apartment on First St. at The Haven Hotel. Poppy knew how much I loved to sing and dance. He got some bells.

June 2025
Featured image for “The Peace, Love, and Coffee Café”
Margaret Sayers

The Peace, Love, and Coffee Café

In her thirty-two years, Claudette had managed to date one man who might just have been the one. Charlie was a boyishly handsome, fun-loving, fully employed, and emotionally stable paralegal in a big firm working his way through law school at night at Oklahoma City University. The couple dated for about a year and were talking about moving in together when Charlie unexpectedly stopped by the apartment Claudette shared with her mother.

June 2025
Featured image for ““Self Portrait as Quilt,” “Books: Rare/Medium/Well Done,” and “Summer of Yoga””
Julie Benesh

“Self Portrait as Quilt,” “Books: Rare/Medium/Well Done,” and “Summer of Yoga”

You can call me a comforter
emitting essential oils
like quiet sighs, silk-washed
in tears silent as the ear of a baby.

June 2025
Featured image for “The Hot Sauce Man”
Quin Yen

The Hot Sauce Man

Andrea met him nine years ago. She doesn’t remember his name. Was it Mr. Barnes, or Baker, or Bennett? Something that begins with a B. She calls him The Hot Sauce Man.
June 4th Monday (2016)
Andrea drives her yellow Toyota Corolla, a second-hand sedan to the hospital. She parks it. Half of the parking lot is still empty. She walks fast with light steps as if she were floating. Her ponytail in the back flaps.
In three weeks, Andrea will start a new job, a real doctor’s six-figure paying job. At the age of thirty, she feels she has spent all her life in schools and residency training. It’s about time to make a living. The thought of this makes her heartbeat quicken.

June 2025
Featured image for “All A Lot of Oysters”
Ryan Michelle Day

All A Lot of Oysters

I turned twenty-five sometime around five p.m. on August 15th in a five-star restaurant overlooking the marina about seven hours into my thirteen-hour double-shift, and the sun was already setting behind the boats in the harbor casting a golden glow in the main dining room that I knew would turn lavender and then cobalt blue before the windows would become mirrors lit up only by the glow within, and in their reflection I would see five years wasted in this place seating expensively dressed guests at tables I no longer had a seat at…

June 2025
Featured image for ““Falling Dreams,” “Brushstrokes,” and “Mozart’s Starling””
Gerry Sloan

“Falling Dreams,” “Brushstrokes,” and “Mozart’s Starling”

are the worst, often perched
on a ledge at the edge
of a mountainside,
the danger palpable…

June 2025
Featured image for “Love in the Time of Rising Rent”
Kelvin Kim

Love in the Time of Rising Rent

At eight thirty on a Tuesday morning, without warning, my love for Esme was evicted by her landlord.
I first met Esme at an outdoor wine bar in Bed-Stuy. A surprising chill had settled that summer night. From the far end of the backyard, my eyes glanced over my untouched glass of white wine, tracing the path of two intersecting string lights, until I saw her

June 2025
Featured image for “Ghost Notes”
David Sheridan

Ghost Notes

You don’t know me, but if you’re of a certain age, it is very likely that there is a connection between us — a way in which I am a part of you. I want to tell the story of how that came to be, how some amateurs messing around in the backroom of a low-rent novelty store ended up producing a brief national sensation. This is the story of a band from the Detroit suburbs called 24 Radiant Green Umbrellas. This is the story of their accidental hit song — “Strike Anywhere” — which crept onto the Billboard Hot 100 in the summer of 1989. And most of all, this is the story of a drum fill that occurs at precisely two minutes and thirty-five seconds into the song.

June 2025
Featured image for “My Mother’s Armor”
Andrew Sarewitz

My Mother’s Armor

When I was very young, I went with my mother to a boutique in Short Hills, New Jersey, where she purchased two or three dresses. As I think back, there is one I thought of as special. I can still picture her wearing it. If I remember accurately, it was multicolored in soft blue and silver two-inch metallic squares, stitched together.

June 2025
Featured image for ““A Quiet Place” and “Purple Unicorn””
William Wang

“A Quiet Place” and “Purple Unicorn”

Can I take you somewhere special?
It’s quiet, but not literally
It exists in fragments of peace
Between strong-minded but gentle-souled
Tears from the sky

June 2025
Featured image for ““Before the Blueprint,” “The Day the Sky Gasped,” and “Machines in Mascara””
Meg Taylor

“Before the Blueprint,” “The Day the Sky Gasped,” and “Machines in Mascara”

What if we stopped naming stars
before they’re born—
stopped dreaming up doctorates
in ultrasound rooms,
or calling chubby fists
“just like Dad’s baseball grip”?

June 2025
Featured image for ““Gentle Sky is Large”, “Trembling Incomplete,” and “Wind Passes By””
Frederick Schardt

“Gentle Sky is Large”, “Trembling Incomplete,” and “Wind Passes By”

To listen to a gentle rippling
blues and folk melody
and realize its one
of yr own and you’re
sitting under the same
immeasurable sky of feeling

June 2025
Featured image for ““Autumn Day,” “Connected,” and ” Wedding Anniversary””
Patricia Hemminger

“Autumn Day,” “Connected,” and ” Wedding Anniversary”

Blue skies, seventy degrees
but it’s almost November,
the chrysanthemums hanging on.
Prickly burs fall
from the Chinese chestnut tree,
some stems loosen, others still cling.

June 2025
Featured image for ““Spring Leaning,” “Potato Soup,” “Any Old Two-Lane Won’t Do””
Yvonne Morris

“Spring Leaning,” “Potato Soup,” “Any Old Two-Lane Won’t Do”

Thick ice in the driveway’s pothole thaws.
Three birds discover the puddle. I watch
from my warm, mouse-colored sofa as
they flop and shriek, bouncy in the frigid…

June 2025
Featured image for ““The Time of Our Lives,” “The Geography of Absence,” and “Conundrum””
John Peter Beck

“The Time of Our Lives,” “The Geography of Absence,” and “Conundrum”

We live
in the future,

but only
for a moment.

June 2025
Featured image for “Dragonfly Out in the Sun”
Tracey Dean Widelitz

Dragonfly Out in the Sun

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

May 2025
Featured image for “Practice Made Perfect”
Mary Ann McGuigan

Practice Made Perfect

The black sequin jacket was heavy, which I wasn’t expecting, maybe because I’d only seen sequins on television, on long dresses that sparkled under spotlights, like on the Judy Garland Show. Our jackets had broad satin lapels and tails that reached past the backs of our knees

May 2025
Featured image for ““Standing in the Woods, “Daughter and Mother Tree,” and “Greetings Dear Bird””
Laura Hodes

“Standing in the Woods, “Daughter and Mother Tree,” and “Greetings Dear Bird”

Look, mom! The little yellow bird is back!
my littlest one cries, she, who is not yet too old for wonder.
The bird yellow like a shadowed daisy,
bigger than a hummingbird but so tiny, delicate…

May 2025
Featured image for “Kai Lee”
Sharon Dean

Kai Lee

Kai Lee is sixteen. On Tuesdays and Thursdays, she arrives at nine o’clock for her job at the Read-On Paper Bookstore. The morning mall walkers pass her, usually on their last loop or two. Sometimes they’ve finished and are heading into the food court. Wherever they are, they say, “Good morning, Kai,” in cheerful unison.

May 2025