Issue 90, December 2024

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 90, December 2024

Featured image for “Finding a Pathway”
Mark Rosalbo

Finding a Pathway

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

December 2024
Featured image for “Born to Leave”
Cristina Crucianu

Born to Leave

I woke up to my grandmother whispering to me: “It’s over. She’s passed.” Like a puppet on strings, I got up and forced myself to send the work assignment I had been working on before the frenzy of organizing a funeral began. A calm sky was lazily rising, as if nothing had happened. In the distance, the roosters were alerting the villagers that it was time to wake up. Their crowing, accompanied by the incessant barking of neighbors’ dogs, was the most precise alarm possible.
It wouldn’t take long until the first horse-drawn wagons passed by on their way to the fields. It was Sunday, but a few sinners would be seduced by the iridescent vineyards and the large corn or alfalfa fields.

December 2024
Featured image for ““A Short Talk on Pain,” “The Same Old Scenario,” and “lips stained with what they have tasted””
Joan Penn

“A Short Talk on Pain,” “The Same Old Scenario,” and “lips stained with what they have tasted”

A short talk on pain?
No, no. I don’t think so.
Let’s change the subject.
Let’s deflect our attention.
Besides, what is there to say?

December 2024
Featured image for “The Nicotine Solution”
Carsten ten Brink

The Nicotine Solution

We were already deep in the Amazonian rainforest, in the borderland between Peru and Brazil, based in a camp somewhere along an unnamed tributary of another tributary of the Rio Javari that marks the border, and that morning we rose early to travel by canoe yet deeper into the forest. Local hunter Alejandro had encountered a large adult anaconda and was willing to take us there.

December 2024
Featured image for “On Such A Winter’s Night”
Adam Smethurst

On Such A Winter’s Night

Jasper looked up at the clear, starlit, advent sky. A sharp north easterly had blown away the relentless gloom of the past fortnight and he gladly breathed in the nipping December air. He thought of the fingerless gloves he’d left behind at the church after rehearsal the previous evening. He would miss them this morning and considered for a moment passing the vicarage to see if they could be retrieved.

December 2024
Featured image for “Vengeful Pathology in America”
patricia heisser métoyer

Vengeful Pathology in America

January 6, 2021, marked a pivotal moment in American history, serving as a wake-up call and a profound division. The shocking scenes of rioters breaching the Capitol stirred a visceral reaction across the nation. While the vast majority of Americans were horrified by the chaos, the interpretations of that day have since diverged sharply.

December 2024
Featured image for “Deus Vult”
No Cañon

Deus Vult

There’s life on other planets, and we’re fighting again.

Not so much fighting each other, me and Hazel, but rather the hundred little obstacles we confront daily in the world: electric bills, uninsured vehicles, the price of groceries—it’s a love language in itself that we’re each willing to be the other’s proxy for all these petty aggravations.

When the need for this routine is exhausted, from my phone I will play serious, dramatic music like Vivaldi or some Dies Irae thundering, and we will each see how long we can continue arguing. It’s become a playlist of losing first-smirks.

December 2024
Featured image for “The Story of Edouard Rives”
Patrick Cole

The Story of Edouard Rives

They eye me as I walk towards them. But I must be so worn in appearance that all see I pose no threat, I am no bandit. And that appearance of mine must be very sorry indeed, for I have known bandits, and they are most ragged in face, tattered in clothing, and thin in frame. It helps that I come along an open road and alone. But degradation works in one’s favor at times.
One stands near the road, attempting to press an old rusty hoop onto a dilapidated and splaying barrel. Beside him a young girl, perhaps seven years of age, carrying her baby sister on her hip. When I greet them, a few others come around.

December 2024
Featured image for “Convents, cults and longing”
Toni Palombi

Convents, cults and longing

After 24 years of being a nun, Juliette (name changed) left the convent. It was 1986. Juliette’s spiritual longing – unsatiated by the convent – was as strong as ever. So three years later, when she met Brendan, a charming, charismatic, striking man who ran spiritual workshops drawing on the wisdom of the world’s greatest traditions, she took notice.

December 2024
Featured image for “My Sister Chose to End Her Life: Here’s What I Learned from the Experience”
Mark Chesnut

My Sister Chose to End Her Life: Here’s What I Learned from the Experience

My cellphone dinged — it was an Instagram reel from my sister, Glynn. I opened the link and glamorous 1950s movie star Cyd Charisse filled my screen, dancing ecstatically in a shimmering yellow dress, surrounded by perfectly synchronized dancers.

December 2024
Featured image for “The Swan and I”
Ella Karoline Hendricks

The Swan and I

I often imagine if people were to ask me what I was feeling the day Zeus came to me, I doubt they would anticipate my reply. I prayed, not to Zeus, not to Hades, not to Apollo, nor Poseidon or any other god. No, I prayed to Hera.

December 2024
Featured image for “The Gift”
Em Hanson

The Gift

Alice couldn’t remember her dream, but the thought that lingered after waking shook her. She had nothing to give him.

She had fallen asleep on the couch, not easily or accidentally, had forced herself to sleep, exhausted herself with praying and reciting the memorized routes that would take them to their new home. She pictured the highlighted maps from AAA with her eyes closed, stacked in the glove compartment in the order they would need them.

There were still pieces of the dream, but she disregarded them…. It was still so early that her young siblings had not yet jumped out of bed to come raid the stockings or shake the presents that they would open after breakfast.

December 2024
Featured image for ““My Mom Would Repeat to Herself Over and Over Again,” “I Think I’m Just Going to Go,” and “Life-Fighting Machines””
Trapper Markelz

“My Mom Would Repeat to Herself Over and Over Again,” “I Think I’m Just Going to Go,” and “Life-Fighting Machines”

this too shall end.
This too shall end.
This too shall end—
from a place in the basement corner bedroom
beneath boarded-up windows in the back of the house
where she hid from the noise of an Alaskan summer solstice
of driftwood bleaching, refused to watch the harbor pier

December 2024
Featured image for “Lunch in the Squad Car”
Seth Foster

Lunch in the Squad Car

Walking back to the squad car carrying two fresh wrapped pastrami sandwiches, my heart is pounding and hands sweating, the growl in my stomach doesn’t drown out the voice in my head that scolds me, “See. You should have listened to your old man, you idiot.”

December 2024
Featured image for “Pen Sketch”
Grace Halden

Pen Sketch

It took me three years to read your letter. Back in 2018, when I didn’t really understand the process, I thought ‘pen sketch’ meant an artist’s drawing of the sperm donor. I didn’t look at it as I didn’t want to see you. Not then. I didn’t want to choose a donor based on looks and I didn’t want to identify a stranger on the faces of my prospective children. Later, when I joined groups for donor assisted families, I discovered – by chance when reading a Facebook post – that the so called ‘pen sketch’ was not a picture, it was a letter.

December 2024
Featured image for “Othello and the Courageous Pierre”
Sandro F. Piedrahita

Othello and the Courageous Pierre

When Othello first arrived, my grandmother declared that he should be called Prince, but she soon changed her mind and named him after the Moor who killed his wife Desdemona because he was sure that she had betrayed him. When I asked her why she had changed the dog’s name to Othello, she responded that it was an appropriate name because his hair was black as vicuñas wool and because he was fiercely jealous.

December 2024
Featured image for ““rebirth,” “more herself,” and “Surrender””
Angie Wehking

“rebirth,” “more herself,” and “Surrender”

willed by the rain
washing over me.
slow at first,
it filled the bank.
drowning in emotions
I built a dam.

December 2024
Featured image for ““Thran,” “Janus Stood Aside,” and “Screaming Eagle Uncorked””
Ailish NicPhaidin

“Thran,” “Janus Stood Aside,” and “Screaming Eagle Uncorked”

Romania is a different culture
It has high mountains
Low valleys
And Roma wandering the roads
Byways and small lax villages.

December 2024
Featured image for “Lady of Sorrows”
Augustine Himmel

Lady of Sorrows

Blessed Margaret of Castello was a blind, hunchbacked dwarf whose aristocratic parents could barely stand the sight of her. Born in Metola, Italy, in 1287, she spent her childhood isolated from the world because her parents found her so repulsive that when she was six years old, they had a small cell built in the forest next to their chapel and locked Margaret away like a lunatic.

December 2024
Featured image for “One Hand in My Pocket”
David Stern

One Hand in My Pocket

What now?
Rose.
Rose was the only person I trusted, the only one who was kind to me that day. I went for a long walk and wound up at a quiet park where bushes exploded with red and yellow flowers reaching for the sky. Too late, I noticed three guys closing in behind. The last thing I remember was the smell of their sweat and the red mud caked on their boots.

December 2024
Featured image for ““Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day””
Robert Eugene Rubino

“Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day”

As sticky as syrup-soaked gruel
eyes closed with dreamy leftovers
eyes closed tightly as if seamstresses
sewed those viscous visions inward.

December 2024
Featured image for “The Matron”
Edward Ruiz

The Matron

Elonda stared out of her window, squeezing her face into the entire frame, and her breath began to fog up the dew-struck glass. She quickly used her sleeve to wipe away a near perfect circle. The winter was visible again.

December 2024
Featured image for ““Headstone,” “Berlin AM,” and “Venom””
Jeanne Cannizzo

“Headstone,” “Berlin AM,” and “Venom”

You are cold,
to my palm,
to my cheek,
cold to my tongue.

December 2024