Issue 41, September 2020

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 41, September 2020

Featured image for “Peach Baskets”
Larry Sherman Rogers

Peach Baskets

One morning, when I was unhappy with my old man, a U.S. Army drill instructor, who often brought his instructional (bullying) tactics home, I followed a little path through morning dew to a tin-can town where a bale of terrapins idled in sunlight beside a brook that did not babble. I liked it there and decided to stay forever, but later that day I was found by a search party led by the drill sergeant himself. The local paper called it a rescue but the leader of that search party and I knew better.

September 2020
Featured image for ““Pa,” “Land mark” and “Dark night””
Patrick T. Reardon

“Pa,” “Land mark” and “Dark night”

Drive Chronicles Avenue straight out
of downtown for three miles to the
railroad bridge, empty as a Roman
ruin, turn right toward the spray-paint
chaos of the Grass Lake rocks, right
again onto Esther Road, to 135, and
there’s tight-wound Pa sitting on the
dusk porch while nervous fireflies,
trespassers, skitter, knowing nothing
else, around the maypole of his chair.

September 2020
Featured image for “Saving Up to Die”
Steve Bunk

Saving Up to Die

Jia arrives on the arm of Horst and I look away but they’ve noticed me, so I look back and lift my chin. It’s the usual assortment at the Foreign Correspondents’ Club, including a few Chinese like Jia and an overrepresentation of Australians like Bruce Colley next to me at the bar. Colley is in Hong Kong on business for his family, which owns a media empire based in Sydney. He’s higher up now than when I first met him a few years ago.

September 2020
Featured image for “Beggars in Space-Time”
Lauretta Salvini

Beggars in Space-Time

A refrain from a dance rock song soothes my ears as I regain consciousness. Headache pulses between my temples and all my joints are sore. My left knee hurts. I slide my hand down my leg and touch, through a rip in my jeans, the mushy softness of a wound. My breathing gets faster, as random flashes of myself cycling along an urban roadway blast in my mind like a display of fireworks. No room enough to stretch my limbs. The surface under my body has the roughness of wood.

September 2020
Featured image for “On the Thigh, Write the Enemy’s Given Name”
Kathryn Stam

On the Thigh, Write the Enemy’s Given Name

Caveat Lector (Let the Reader Beware).
There may be dangerous rocks in this lake. There may be swift currents. The water looks smooth, but the chasm is unfathomable and the path is precipitous (Sandberg, 1894).
I suppose you are curious about how to subdue your enemy. I mean, to really quash and quell them. Is that right? First, you’ll want to think about your enemy. What do they look like? Sound like? Smell like?

September 2020
Featured image for “Electric Cars”
Christine Marra

Electric Cars

September 1933
“Ollie, have you seen what their car spits out into the air?” Gertie asked, hands on her hips. “The smoke, Ollie! Every time that damn Model T cranks up it sends columns of smoke up just like Fourth of July fireworks. Every day, Ollie, every day. How can that possibly not be dangerous?”
Ollie sighed and took Gertie’s hands. “It’s not good for us, Gertie, I know it’s not. And you know it’s not. But nobody else sees it.”

September 2020
Featured image for “Carving Compassion”
Linda MacDonald

Carving Compassion

It was cantankerous Tony who got me thinking about suicide again—the middle-aged widower played by Ricky Gervais in the Netflix series, “After Life,” struggles to move forward after losing his wife to cancer. When he finally succumbs to peer pressure and goes on a blind date, he’s set up with a contented widow. Rather than commiserate with him, she challenges him on his desperation and desire to just put an end to it all. Suicide is easy, she claims.

September 2020
Featured image for “Reflections on 9/11 and Leaving New York”
Alison Relyea

Reflections on 9/11 and Leaving New York

New York City is a love story. It is beauty, pain, concrete and air with millions of little lives col-liding and crisscrossing into one giant ecosystem. It transcends explanation but we know its energy when we feel it and it is unmistakably New York. In our twenties, brunches led to exploring Chelsea galleries, record stores on St. Marks Place, bowling at Bowlmor and moules frites at Felix. Later we traded middle-of-the-night diners for middle-of-the-night feedings, with New York the backdrop to our changing, shifting, evolving lives.

September 2020
Featured image for “Some Girls Have Auras of Bright Colors”
Sandee Gertz

Some Girls Have Auras of Bright Colors

The first thing you need to know is that some girls have auras of bright colors, but mine were silver stars on walls, tears when I sat at mother’s bay window, and sometimes an odd feeling of time over a never-ending space, where I followed a dark hole, layer through layer, opening to a time before me, God, and a time before that, until the emptiness settled into stones in the pit of my stomach and I had to touch anything: a polished shoe, a porcelain cup, to be sure I was in this world before it shifted and fell.

September 2020
Featured image for “Triptych”
Alpheus Williams

Triptych

Earth’s songs have dimmed over the world, ousted by noises of our own making but she sings here. Now has finished the ‘Knock ‘em down time’ that comes after the monsoon season when the strong winds flatten tall spear grass of the savannah woodlands. Heavy rains have abated, floodwaters drain towards rivers, creeks and billabongs. The woodland savannah begins to dry.

September 2020
Featured image for “Star-Crossed”
Carolyn Flynn

Star-Crossed

That night after the opera in Barcelona, I think that was when. I suppose I’ll never really know. I was there with Rob, our last night before he went to Paris on the train. Walking out of the opera at the Liceu, my heart was bursting, too wild and too big for the crowded streets pouring into La Rambla. I still ached with Aida’s torn loyalty. The voice of the enslaved Nubian princess trembled near the back of my throat. I still wanted to understand why people fall in love and lose all reason.

September 2020
Featured image for “The Deceitful Doves”
Peter Prizel

The Deceitful Doves

The quintessential immigrant during the late 1800s and early 1900s usually tried to assimilate into American culture to a degree. If they did not, they were often destitute, which almost certainly led to their children’s assimilating. Harry Houdini was one of these children. Born in Budapest, then part of the Austro-Hungarian Empire, the son of a rabbi, Harry moved far away from his father’s rabbinical world of thought. Houdini was much happier hopping trains from metropolis to metropolis, performing his magic tricks rather than pursuing his studies and taking an interest in ancestral traditions

September 2020
Featured image for “Secrets of a Different Kind”
Linda Heller

Secrets of a Different Kind

Before he met and married my mother, my father used to go to Orchard Beach in the Bronx, so he could strip to his trunks without seeming like the exhibitionist he actually was. Other guys his age also flocked to the boardwalk with their muscles oiled and their stomachs drawn in. Summer flings were rampant. The air was heavy with two kinds of heat. But my father offered more than mere youthful swagger. He was the spitting image of Harry Houdini.

September 2020
Featured image for “The Price of Tea”
Nadine Gallo

The Price of Tea

On the way to Dublin Nora O’Neal stopped in Kilkenny to see Olga Kerensky. Olga’s house was on the main road. Nora remembered it well but not the big brass knocker on the front door. Maybe it was new. She reached up for it and slammed it down a few times. She sniffed the air around her and wondered where the beautiful roses were. She could smell them as if she was standing among them. There wasn’t a sign of them anywhere. Once she was in a bog and the rose smell made her think of a lot of butterflies in a garden.

September 2020
Featured image for “Samuel’s Way”
Paul Clark

Samuel’s Way

14th March, 1643.
An eccentric old woman. Creaky and bent. Snarling. Haggard. Annie Parsons hunched in her chair, dribbling and murmuring. Clumps of lank, grey hair shrouded part of her face. Grime made the whiteness of her shift barely visible. It clung to her body like a loose skin. Her bony wrists and ankles bore the sores of a long spell in irons.
Samuel Hawke loomed over her, arms folded, about to perform his service for the town and the county of Hampshire, and more importantly, for God.

September 2020
Featured image for ““we’re still learning, please bear with us,” “left behind on the fourth of July” and “Warm Bodies””
Jerome Berglund

“we’re still learning, please bear with us,” “left behind on the fourth of July” and “Warm Bodies”

after hearing some
rousing speeches from
several eloquent organizers
off the cuff, exclusively
including a young woman
who was George Floyd’s cousin
shared a heartfelt
and energizing tribute
the small solemn and intimate
gathering of perhaps a hundred
concerned citizens who’d responded
to an online call for marchers

September 2020
Featured image for ““Ode to Baboon,” “Elephant, Room” and “Reaching Out””
Rand Bishop

“Ode to Baboon,” “Elephant, Room” and “Reaching Out”

Were you and your healthy
liver nearby?
Were you an excess mouth to feed
in some municipal zoo?
Or were you carefully culled
from some robust family
roaming the Ruwenzoris
and in a frenzy flown
Bujumbura-Pittsburgh,
held incommunicado
until the propitious moment?

September 2020
Featured image for ““To Maryat, My Aunt,” “Cold Blue” and “River Stones””
Mary Dean Lee

“To Maryat, My Aunt,” “Cold Blue” and “River Stones”

Outrageous, abundant woman,
spirit of fire, spirit of thunder.
You sang fugues to me as a child,
rocked me to sleep with your stories,
made grand entrances and exits
in a black Russian coat,
befriended the egg lady, painted
a black Christ crucifixion for her country church.
Your presents at Christmas were books
or piano music, giftwrapped in old newspaper.

September 2020
Featured image for ““Etchings,” “True and False, East to West” and “The Blue Hour””
Kim Haines-Eitzen

“Etchings,” “True and False, East to West” and “The Blue Hour”

The one-seed juniper defiant
in a sand-drenched wash
grasps against wind and rain.
Earth engraved by crawling roots
broad sap-scented trunk tanned soft
like deer hide now enfolding
barbed wire. Resilience—

September 2020
Featured image for ““Complete Darkness,” “The Light in a Corner Tavern” and “The Deep””
Meara Levezow

“Complete Darkness,” “The Light in a Corner Tavern” and “The Deep”

In the summer of 1998 I was a lantern-
fish, no
I mean waitress,
but all the same
the water was freezing cold
and the pressure was pulverizing.
yet (animals) somehow survive in this most
extreme environment
which was the Mucky Duck Shanty (bar and grill)

September 2020
Featured image for “Faith in Life”
Michael Hetherton

Faith in Life

We stayed close to a lone biker, tailgaiting him on the drive into Sturgis. His Harley floated around the long curves of shining blacktop, and up and down the slopes. The rocky pine-covered Black Hills were clear of clouds, the sky breaking open blue after an earlier rain. We were the only SUV in the long, long, procession of rumbling motorcycles, and we did not talk, transfixed by the constant, fast moving parade.

September 2020