Issue 36, April 2020

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 36, April 2020

Featured image for ““For the Polar Bear at Joburg Zoo””
Donatella du Plessis

“For the Polar Bear at Joburg Zoo”

They’ve painted your tank blue so you forget
how your paws flung moonstone stars across the
Northern Lights, how your cubs, seal-small, clung to
falling spires of snow and scarred, songless ice,

March 2020
Featured image for ““Enchanted One” and “On Loneliness””
Emily Stout

“Enchanted One” and “On Loneliness”

How can two words capture the magic of such a creature?
How can a name hold the essence of anything? I wonder, cradling
huckleberries from the bush, how to express the way my hands
are left a misty purple,

March 2020
Featured image for ““Kismet,” “Walking as Loren Eiseley” and “An Ominous Greeting””
Sandra Fox Murphy

“Kismet,” “Walking as Loren Eiseley” and “An Ominous Greeting”

We’ve had enough! We’re taking it back!
The earth once belonged to the docile and us—
the wild—but no more will you, the puffed-up,
two-legged man, raze our forests and our swamps,
no more spew your chemicals into our homes
or fell our forests and set our lairs ablaze,

March 2020
Featured image for ““Death By Bleaching””
Lara Colrain

“Death By Bleaching”

They tell me that I’m not dying.
That my limbs aren’t burning.
That my face isn’t as ashen as I make it out to be.
But what do they know –
the false prophets with their loose lips, tailored suits, and painted-up lies?

March 2020
Featured image for “To Hunt and Be Hunted”
Alexander Koch

To Hunt and Be Hunted

It was a quiet October day, drizzling and cold as dusk edged its way over the hills. In southwestern Wisconsin, out in the hollows far from any civilization, a small cabin renovated into a viable home stood by an outcropping of trees. Smoke was billowing from the chimney while chickens scuttled around the wet grass. A glass storm door was the only thing preventing the cold breeze from seeping its way into the house. Through that glass door, a woodstove squatted low to the floor, casting heat to fight back the cold of the crisp autumn day. However, this wasn’t just any October day.

March 2020
Featured image for ““Prisoner Earth,” “Suffocation” and “Melting Wax””
Jennifer Schneider

“Prisoner Earth,” “Suffocation” and “Melting Wax”

I served 20 years 4 months 3 days
for a theft I didn’t commit.
Solitary. Abuse. Neglect.
Suffering. Shame.
Victim of mistaken identity.
Suggestive questioning. Self-interest.
Gross negligence. Prosecutorial misconduct.

March 2020
Featured image for “The Road to Bohemia”
Martha Branson

The Road to Bohemia

There should have been French-Creole farmhouses overlooking the Mississippi River, wide gallery porches under deep overhangs, rockers waiting for hot, humid summer evenings spent in society with neighbors. The yards should have been surrounded by weathered brick and iron fences and concrete statuary.

March 2020
Featured image for ““The Last Days of the Dinosaurs””
Kathleen Holliday

“The Last Days of the Dinosaurs”

In third grade, one afternoon,
we were ushered into the auditorium
for a 16mm animated film
about dinosaurs.
As comets and asteroids fell,
pocking the earth,
so did the huge creatures,

March 2020
Featured image for “Does Anybody Really Know What Time It Is?”
Vicky Oliver

Does Anybody Really Know What Time It Is?

I was in a meeting when the mysterious email arrived: “Need to talk to you today. What’s your phone number?” The message was so curt, that I didn’t think my friend John could have possibly written it. He was a native New Yorker with the soul and demeanor of a Southern gentleman.

March 2020
Featured image for ““The Serpent: Smog in the City” and “To Soy, My Soul””
Nam Nguyen

“The Serpent: Smog in the City” and “To Soy, My Soul”

Mascara swirling down her face,
the woman with sagging eyelids
stands on the chipped concrete
like the tall factory pipe
connected to the power plant machines.
She doesn’t think about her plight,
only the fact that she must make the ends meet
in order to feed her 2 children.

March 2020
Featured image for “Waiting for the Bikaner Express”
Christopher Johnson

Waiting for the Bikaner Express

On a journey to ‘discover’ myself, or at least try and escape the blur and whirl of dead-end jobs and lacklustre ambition, I decided to embark on a trip to India, jewel of the now defunct British Empire. I had hoped that such a voyage could liberate my restlessness, give some catharsis to the plague of self-obsession and stagnation that consumed me

March 2020
Featured image for “Elephant in the Room”
Lucas Klesch

Elephant in the Room

these days the smiles are scripted
to induce the flow of joy
in hopes
they amplify an initial step
to overcome the inertia
of years of climate induced apathy
i still remember the days
when i did not have to remind myself
to smile or breathe deep

March 2020
Featured image for “Certain Savages: Hyperinflation”
Greg Johnson

Certain Savages: Hyperinflation

On low marshy islands in the middle of the River Seine, an encampment of Celtic fishermen, the Parisii, once founded a village. The fishermen worshipped the horned god Cernunnos whom they believed united the earth, sea and sky. To this stag-horned hunter they sacrificed goats and pigs to ensure the fertility of their women. They doused statues of him in holy water to ensure their nets returned filled with fish. They laid flowers at his feet and fought enemy invaders who attempted to desecrate the Lord of the Dance.

March 2020
Featured image for ““Cold Salad,” “At Shore” and “Sightless””
Leon Fedolfi

“Cold Salad,” “At Shore” and “Sightless”

In a cold winter thought
I grabbed the earth by its head of trees
and ripped upward to free the firmament
beneath.
No earthworms or other secrets.
Human figures entwined
in angered roots.

March 2020
Featured image for “Extreme Vetting”
Roxana Arama

Extreme Vetting

Livia Holban arrived at the Seattle Immigration Court that morning determined to fight like hell for Félix Dominguez’s children. Sixteen-year-old Cruz and thirteen-year-old Clara Dominguez sat beside her at the counsel’s table looking terrified at the prospect of being sent to Honduras, a country they didn’t even remember. At the government’s table, Immigration and Customs Enforcement trial attorney Josh Henderson appeared relaxed, as if he’d already secured the kids’ deportation.

March 2020
Featured image for “Heat Wave”
Aaron William

Heat Wave

Gooooooooooood morning Woodfield! This is Kap Freeman with your drive time weather update. It’s gonna be HOT again today! [cue: sizzling bacon sfx] Mostly sunny with a High of 92, heat indexes creeping into the triple digits. Continuing into this evening with tonight’s low only getting down to 81. [cue: loud barfing sfx] Then HOT again tomorrow!

March 2020
Featured image for “Breeze”
Alpheus Williams

Breeze

The headland rises before the horizon like a giant lion’s paw, sun bleached and golden. Morning mist lifts above it in a soft mantilla of grey gossamer. You can just hear the breakers over the heavy equipment, the banging of gears and the blades of the bulldozers scarring the earth.

March 2020
Featured image for “Keep Going”
Forrest Brown

Keep Going

It’s October in British Columbia and unseasonably warm. This means it’s also hot in the cabin of the twin-prop Cessna carrying me northwest, so I twist out of my sweatshirt and squirm in my seat to find a comfortable way to sit. No success.
I’m on assignment for Outdoors, going to interview Diana Li at her vacation cabin up north.

March 2020
Featured image for “Onslaught”
Julie Beals

Onslaught

You are moving forward! You are moving forward. You’re cruising down the road in your jeep, on the way to work. The leather seat is cool beneath you; the world that’s passing by is overcast, but the yards and flora surrounding the nearby houses are almost a fluorescent green. There was a thunderstorm the night before.

March 2020
Featured image for “How We Got Here”
Cory Essey

How We Got Here

We danced on my porch on the night I buried my dad. My feet were bare against the weathered wood, smooth under my skin. My dress, black and wrinkled, shifted in the cool night air and I remembered my father holding me up to the sky above his head. My arms outstretched, face toward the sun and flying, flying.

March 2020
Featured image for “Twisting Time  ”
Gary Bolick

Twisting Time  

JENGA, yes, JENGA and rain. Both are safe for all ages, right? At the beach, sheets of rain rather than rays of sunshine coating the beach. JENGA! Throw in a slumber party game, a few choice words, a little alcohol, nothing too severe: Pinot Grigio, and wait. Now add a little, no, a lot more rain, bingo! Problem solved, right?

March 2020
Featured image for ““A Walk on the Edge””
Jill Bronfman

“A Walk on the Edge”

Let’s go to the beach today
It’s closed, I know, the Great Highway, the great expanse
But I know a way in-
I’m a scientist.
I’ll show them my credentials, say you’re my assistant
We’re here to study the shoreline, what’s left of it

March 2020
Featured image for ““Up & Down 
Or  Cutting 
Across Chess 
Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?””
Gerard Sarnat

“Up & Down Or Cutting Across Chess Boards Which Aren’t Best Metaphors, Hear Songs Of Our Earth While You Can” and “End As Beginning As…?”

Just as Technology
has shifted from
being a vertical —
organizationally
in a stack above or
below other usual
equal silos

March 2020
Featured image for ““Amazon Burning,” “Slow Creep” and “So Long””
Brad Garber

“Amazon Burning,” “Slow Creep” and “So Long”

I will never see your secret spaces
listen to the bold songs of birds
or the screeches of primate tribes
in trees along slow muddy waters.
Nor will I spy the silhouette
of the silent jaguar’s shadow

March 2020