Issue 19, November 2018

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 19, November 2018

Featured image for ““Strangers in the Same Land”, “Jyoti” and “Circular Haiku Circle””
Emily Parker

“Strangers in the Same Land”, “Jyoti” and “Circular Haiku Circle”

Hello?
You don’t know me; but,
I am so excited to speak with you.
Strangers—
at once the same…but different.
Divided by violence
Splintered and torn from one another
Families…
Friends…
Strangers…

October 2018
Featured image for ““The Fish” and “Anecdoche””
Brittany Leitner

“The Fish” and “Anecdoche”

The fish
flops
against
the
table
with its last breaths.

I forget it only “breathes” in water,
but just the same…

October 2018
Featured image for ““Silk-threads”, “Amma” and “My Brother’s Garden””
Babitha Marina Justin

“Silk-threads”, “Amma” and “My Brother’s Garden”

in my homeland little girls and
grandmothers are knotted with silk-threads
called stories
grandmothers walk nimble-footed
to the past, careful not to fall into
memory’s ditch
little girls traipse on it, tumbling
on fantasy and sport, daring
to dream

October 2018
Featured image for ““Apocalypse Now”, “Overlay” and “View from the Bridge Over Finch Creek””
Jeffery Greb

“Apocalypse Now”, “Overlay” and “View from the Bridge Over Finch Creek”

Some move through the deeper pool
without stopping while others
pause to gather strength
for the shallows ahead.
Those that make it over
the gauntlet of stones buried
by water that would not wet
a cuff thrashing their tails
mightily making waves

October 2018
Featured image for ““Decay”, “Falling Through the Ice” and “Coping Mechanism””
Tia Cowger

“Decay”, “Falling Through the Ice” and “Coping Mechanism”

Rose oil, sandalwood
and lavender—poured over
honeycomb piles deep in
rumbling woods. Bare feet
missing twigs, silence heard
but for birds, and low hums of
red earth.

October 2018
Featured image for ““Ah,Um””
Rainier Harris

“Ah,Um”

Cacophony of instruments rudely disrupt the silence in my ears & claim the space as their own to live and thrive. First, the saxophone with its tang & pang & variety & what is. Piano, forte, mezzopiano repeat. The tongue pitter patters on the mouthpiece, embouchure tightening its hold, showing no signs of regression yet soft and silky.

October 2018
Featured image for “Penned Inn”
Damon Piletz

Penned Inn

The house tucked back So you’d never See its entirety unless You were on the towpath Which was exactly where She was trying to drop Those last twenty-five she’d Been feverishly struggling to lose

October 2018
Featured image for “Autumn”
W. A. Schwartz

Autumn

There’s something wrong with my hands. Lately, I’ve taken to squeezing them into fists—grasping at something—at the most peculiar times. When I’m checking out at the grocery store. Facetiming my daughter who is away at college. Making love to my husband. My thumbs ache and I’ve noticed the knuckles on my right swell to the size of cumquats in the morning. When that happens, I hide my hand.

October 2018
Featured image for “Yearling”
Jaclyn Reed

Yearling

Wake up to the cock crowing in the front yard. It isn’t even light out yet. Through your bedroom window on the second story of the farm house you can see the summer sky just starting to turn pink and purple at the edge of the pasture. You see one of the yearlings bucking around the fence waiting for breakfast.

October 2018
Featured image for “On the Way to Work – Relevancy”
Piper Templeton

On the Way to Work – Relevancy

On the way to work, Shirley Lamothe stopped on her porch to pet the new cat. She had ceased naming the felines long ago. The strays tended to congregate around her modest, wood frame rental house because she put out dishes of food and water and allowed them entry into the house if they so desired. They kept her company, as Brian stayed mainly sequestered in his tiny boyhood bedroom,

October 2018
Featured image for “An Unwelcome Guest”
Kit McCoy

An Unwelcome Guest

Paul placed his finger on the pulse of his home in the dark of night to feel the soothing and generous spirit that surrounded him. His children had been dead tired, his wife irritable, and he was aching to be alone so that he could wonder about the melancholy that crept around the edges of his trip

October 2018
Featured image for “July 8, 1927”
Paul Luckhart

July 8, 1927

The wildfires burning in the city’s outlying regions were said to be the worst anyone could remember. A cloud carried through the streets, softening colours and dulling the edges. The features of structures and people were made indistinct, and all that was visible was what was near. I thought of glimpsing something I was not prepared for, like a monster jumping from outside the frame in a horror film,

October 2018
Featured image for “The Hunters”
Anna Kaye-Rogers

The Hunters

Her prey was close; she could feel it. Ochre Number 8 had been sold out in the greater Tri-State area her past two weekend shopping runs, but there had been a restock, she was sure of it. The lanyard-wearing woman behind the counter had told her there was a truck every two weeks. It was time.

October 2018
Featured image for “The Not-Wife”
K. A. Hough

The Not-Wife

I pull the key from the ignition, replace my hands on the steering wheel, sit and stare at the windscreen. Tucked in, safe, away from the damp that arrived with spring. Fog in the city. Fog in the hinterland. Fog in the head.

October 2018
Featured image for “The Woman from the Other Side of the Moon”
Olivia Lee Chen

The Woman from the Other Side of the Moon

She seemed a fairly ordinary woman, The Woman from the Other Side of the Moon. She came into the coffee shop every afternoon around three and ordered one of two things: iced tea with lemon or a small coffee with room.

October 2018
Featured image for “Quantum Solidarity: Making Hajj at Bear Lodge”
Kevin James

Quantum Solidarity: Making Hajj at Bear Lodge

The mind-numbing atrocities at home and abroad dare me to respond. It’s as if world events conspired to belittle me, taunting me to try to make sense of bloodbaths by religious extremists with death machines improvised or designed. Perhaps it’s this very feeling of alienation and impotence that fuels the rage behind the headlines.

October 2018
Featured image for “The March Against Death”
Jeff Richards

The March Against Death

I was standing on the steps of the Lee Mansion looking down on the crowds crossing Memorial Bridge and beyond that Lincoln Memorial. The crowd split and went to either side of the Memorial. It looked like a million people though I’m sure it was much less.

October 2018
Featured image for “The Bonsai Tree”
Sara Wetmore

The Bonsai Tree

A few months ago, I gave up on my office dracaena. I’ll admit, it had been having a rough time. Its leaves had all nearly fallen off, its stems soggy, its color faded. Truthfully, I had been thinking of letting it die for a while. Not just gradually either. I wanted it to suffer,

October 2018