Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for “Comparisons”
Meena Ramakrishnan

Comparisons

The house we live in is built into the side of a hill where invasive French broom and oleander plants grow wild after it rains. The treetops above the ridge shield the state of the sky, so I look to the west to see what kind of day it will be. Usually visible is Mount Tamalpais, a point so tall it pokes above the thick, opaque fog that rolls in and out like the tide.

February 2026
Featured image for ““Real name,” “To understand,” and “Glory””
Patrick T. Reardon

“Real name,” “To understand,” and “Glory”

One-Cent wasn’t his real name,
just the name taped on him
by authorities who had their own purpose,
taped on the wood of his forehead
at a slight angle, trueness unimportant.

February 2026
Featured image for “A Mind of Vents”
Trae Stewart

A Mind of Vents

By the third time the thought arrives, I’ve learned its manners. It doesn’t kick the door in. It doesn’t announce itself with a villain’s laugh. It comes the way a smell comes when someone two apartments down starts frying onions at midnight. A faint, unmistakable curl in the air. A suggestion. A maybe.

February 2026
Featured image for “The Supermarket”
Ayshe Dengtash

The Supermarket

The vast interior of the store hummed around her as she stood where she always stood between the stacked baskets and the queue of people. The soles of her feet pulsed, concentrated at the heels, and it was only when her tummy gurgled, an elongated growl which petered out into a squeak, that she could take her mind off her soreness for a second and focus instead on the incessant murmurs of customers, some discussing whether to buy one brand of biscuit over another, others talking on the phone about things they did not really care about, employees greeting customers and waving them bye-bye, with a backdrop of the supermarket jingles she’d been listening to for the two and a half months.

February 2026
Featured image for “Green Eyes”
Marianne Dalton

Green Eyes

It’s a chilly Sunday afternoon in late October; I drive past a busy garage sale and pull over to check it out. I navigate the lawn’s clutter, heading straight for the garage. The first thing I notice upon entering is an unusual doll sitting on the edge of a shelf.

February 2026
Featured image for ““Synonyms for an IC3 Female,” “I posed for Egon Schiele on a Gynaecological Ward,” and “Go Back to the Root Word””
Bridgette James

“Synonyms for an IC3 Female,” “I posed for Egon Schiele on a Gynaecological Ward,” and “Go Back to the Root Word”

I am a catafalque
rising pretentiously
like the pie in Jason’s oven
out of a conflation of a changing self
& a pile of remnants of Nan’s DNA.

February 2026
Featured image for “All That is Left is the Air”
Jena Webb

All That is Left is the Air

Rose had always been a profoundly uncurious person. Which is not the same thing as being stupid. Conventional you would say. To be frank, she went into medicine for the money. Yet, the allure of convention also prompted her to become a doctor. Medicine is prescriptive, not only in terms of the prescriptions doled out to the patient, but also in the actions dictated by the medical canon for the physician.

February 2026
Featured image for ““Georges on My Mind” and “(She Left Him for) A Chevy Suburban””
Robert Eugene Rubino

“Georges on My Mind” and “(She Left Him for) A Chevy Suburban”

Quill-feathery high-minded rhetoric declaiming
on life liberty … well … try pursuing happiness
if you’re woman if you’re enslaved or poor
unpropertied or indigenous facing genocide.

February 2026
Featured image for “Mr Fallow”
Ian Griffiths

Mr Fallow

I think we all agreed that Mr Fallow was the best and most interesting teacher in the school. That much was clear after only a few months. It wasn’t until Cerys Davies expressed curiosity in his sexuality, however, that he really became a figure of fascination for us all and perhaps for me especially. He wasn’t from around here, you see.

February 2026
Featured image for “Good Girl Hood”
Karen Travis

Good Girl Hood

Good girls can’t lie, but they can’t always tell the truth, either. We must be well behaved but not prudish. Smart, but not boastful. Attuned to others’ without being needy. Strong, but silent. It’s a club I began subscribing to after my parents’ divorce. I joined without anyone telling me I had to, embracing the unwritten code without giving it a second thought.

February 2026
Featured image for “Catfish”
Alexandra Grant

Catfish

Here comes another one. Amelia was scrolling through her social media platforms looking for amusement when an instant message pops up on her screen. She clicked the message, saw that a famous actor was messaging her and asking her to friend him.
Amelia was by now well-versed in how this interaction would go.

February 2026
Featured image for ““Initiation to Flight,” “Perennity,” and “The Gauzed Interior””
Emily Bilman

“Initiation to Flight,” “Perennity,” and “The Gauzed Interior”

Standing amid the death-censors
“You cannot succumb to Thanatos
all for all”, I said to them to ward off
their collective suicide. Unheard.

February 2026
Featured image for “The Conquistador”
Ben Chavez

The Conquistador

Old Francisco Gutierrez lay in his bed, his stomach heavy and bloated. A white porcelain soup bowl crusted with the remnants of lunch cluttered his nightstand, joined by numerous orange plastic prescription vials, some tipped on their sides with a few crumbled pills inside, as if defeated by the weight of their responsibilities.

February 2026
Featured image for “Peak Divinity”
Rob Moore

Peak Divinity

Ang Tuin’s temple was large and airy and now painted white, which he hated. All through his second life, there had been wood panelling which had filled the space with a rich scent of beeswax and nutmeg, but the tall men had come to make another one of their changes.

February 2026
Featured image for ““The Moon Watches Us Come and Go,” “How My Dad Thinks the World Will End,” and “Recipe for Cake””
Trapper Markelz

“The Moon Watches Us Come and Go,” “How My Dad Thinks the World Will End,” and “Recipe for Cake”

I’m not one to admire change. I’ve been here
for billions of years and will be for billions more,
and in the time it has taken me to draw a single breath,
you meat puppets went from pissing on the savanna
to whipping past my feldspar plains a dozen times

February 2026
Featured image for ““Firmament,” “Pioneers,” and “Saw-whet””
Rebecca Palermo

“Firmament,” “Pioneers,” and “Saw-whet”

Contemplating the eye of a loved one,
you have noted the white of the sclera,
Its contrast with the pigment of the iris,
the cast pulling your focus. Encircling

February 2026
Featured image for “Emergency”
Gary Duehr

Emergency

I am an emergency. My name is Bernie Smith, my colleagues at HR Block used to call me St. Bernard, like the hospital on the South Side, because I was always trying to save someone a few bucks. I still live a couple blocks from the hospital, near where the Dan Ryan Expressway split the old neighborhood in half, in a post-war cottage. It’s nice, white brick, with a long narrow backyard like a bowling alley.

February 2026
Featured image for “A Eulogy”
Taylor Bianca

A Eulogy

The bright, green grass was covered in early morning dew drops. They slide down its blades and leave wet spots on my pumps. Rocking my weight on to the heel, and then back to my toes, I focus on how each shift digs the shoes further into the soft ground. I wish I could just take them off, stand even, and feel the earth with my toes.

February 2026
Featured image for “Masculine Enough”
Juan Scheuren

Masculine Enough

All it took was one presentation to boost the B to an A plus. If it wasn’t for the awkward pauses, Macson would be enjoying the rest of the day. Students walked along the sidewalk under the awning of the film building. Macson sat on the edge of the sidewalk, staring at the drenched parking lot with rain splashing onto the pavement. His eyes were sunk. He ignored the tight knot that beat inside his throat.

February 2026
Featured image for “Almodóvar’s Cinema in the Age of Trump”
Stephen Akey

Almodóvar’s Cinema in the Age of Trump

Since assuming a second term of office on January 20, 2025, Donald Trump, with the assistance of his zealous lieutenants, has, among other “accomplishments,” pardoned every one of the 1,500 rioters who were charged with participating in the attack on the Capitol in 2021; forced universities to capitulate to ideological demands at the risk of losing their federal funding; deployed the National Guard to traditionally liberal cities, where it is neither needed nor wanted…

January 2026
Featured image for ““102,” “Poem in which I Commit to Being an Indoor Son,” and “Preserves””
Andrew Christoforakis

“102,” “Poem in which I Commit to Being an Indoor Son,” and “Preserves”

everything beautiful hurts
to be touched
your mother’s
cold hand on your forehead

the number on the thermometer
higher than your burning mind
can count
and now you’re the king

January 2026
Featured image for “Appropriate”
Cary Torkelson

Appropriate

The living room was quiet except for the soft hum of the dishwasher and the occasional rustle of pages turning. Mara sat on the couch, half-listening as her youngest, Nora, read aloud from the school library book they’d brought home that week. Upstairs, her older daughter, Talia, was finishing a science project at the desk they’d squeezed into the corner of her room.

January 2026
Featured image for ““Goodbye-Bye Leo Tolstoy,” “The Language of Trees,” and “I Detect Lord Byron””
Christine Andersen

“Goodbye-Bye Leo Tolstoy,” “The Language of Trees,” and “I Detect Lord Byron”

I am finally admitting
that I am never going to read War and Peace.
I started a number of times,
printed out a cheat sheet with the cast of characters,
made many a tasty snack,
read to around page 100,
and each time abandoned the project.

January 2026
Featured image for “Sister Barbara”
Toni Palombi

Sister Barbara

Sister Barbara has always been drawn to the unknown. In 1965, a week before her eighteenth birthday, she travelled some 400km from Mount Gambier to Adelaide to join the Sisters of Mercy. Her entire family piled into the car and for five hours, Barbara and her siblings sat in the backseat watching lonely farmhouses tear past the window. Barbara had no idea that this would be the first of many long journeys…

January 2026