Poetry

Pondering Eden

Pondering Eden

Marianne Dalton

Light, shadow, and sometimes color are used to layer dozens of carefully edited images together, which echoes an altered reality of both truth and illusion. Each newly created configuration becomes much like a shadow box of my most cherished treasures, symbolizing my desire to protect the natural world I so revere.

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““Keeping the Faith,” “Vespers,” and “Ganymede””
Elias Appleby

“Keeping the Faith,” “Vespers,” and “Ganymede”

You belay each old conception
Clean into the next room.
Meanwhile, I turn my heart over
To some crooked star. It burns

April 2026
Featured image for ““The Visitation,” “The Whys of Flight,” and “At the 24/7 Yoga Studio””
Julie Benesh

“The Visitation,” “The Whys of Flight,” and “At the 24/7 Yoga Studio”

This morning the divine is wearing my Land’s End robe
and demanding chai. It seems unwise to deny her appetite,

given I don’t often wake up with her, but usually spring
from my bed like some ludicrous toy that hones

April 2026
Featured image for ““Ripe Grape,” “an Idyll for,” and “Flora&Fauna (3026)””
Chris Kim

“Ripe Grape,” “an Idyll for,” and “Flora&Fauna (3026)”

when sweetness was simple
fruit split easily
their light filled my mouth.

the world was
clear juice, spring air
round and right as a grape.

April 2026
Featured image for ““I Gave Him Water,” “Your Photo,” and “The Saddle””
Andrea Vlahovich

“I Gave Him Water,” “Your Photo,” and “The Saddle”

I was sweating
through the dress
I had picked for someone else.

The club was closing.

April 2026
Featured image for ““Winter solstice,” “A Cry,” and “Should I Drop my Phone in this Pond””
Marie Chen

“Winter solstice,” “A Cry,” and “Should I Drop my Phone in this Pond”

Particularly at this time
I like to look out of the window

Tree branches cutting the picture into pieces
Hanging wires crisscrossing from the poles
The garage roof with its wall block the sight below

April 2026
Featured image for ““The Gala,” “Bleak,” and “Abject Fear””
Alexandra Grant

“The Gala,” “Bleak,” and “Abject Fear”

Wake Up!
Wake up, Celi!

No, not yet, Cinth
I am far too cold
I need a long shower
I feel like mold

April 2026
Featured image for ““Language of DNA,” “Pierced Ears,” and “Breathwork with an Evergreen””
K. Abbott-Saez

“Language of DNA,” “Pierced Ears,” and “Breathwork with an Evergreen”

DNA remembers…the passage
ancestors transferred, morsels of
inheritance
safely kept in tiny packets
memories within cells
red headed, blonde, brunette
ebony haired mothers

March 2026
Featured image for ““witho*t *,” “w*thout *,” and “my ten cents””
승민 오

“witho*t *,” “w*thout *,” and “my ten cents”

in small acts i
carry what came from before me
that fire where:
earth met heat, kept shape, kept
catechisms
on my lips.

March 2026
Featured image for ““what the humble remember,” “fears rise and pass,” and “a truth””
Olga Dugan

“what the humble remember,” “fears rise and pass,” and “a truth”

nursing teaches a heart attitude
not learned from studies alone
we become genuine strangers closer than friends
compassionate for physical, spiritual worth
with cores that cannot turn from service
from the courage to feel

March 2026
Featured image for ““Sentience,” “iOS 26.2,” and “”Doxology””
Steve Biersdorf

“Sentience,” “iOS 26.2,” and “”Doxology”

My car, a rust-infested attendant of me,
reliably pressing on, content with its
purpose to the bitter end, an endearing
thought that overtakes me suddenly and
intensely, that there will soon come an end

March 2026
Featured image for ““Wireless,” “narratives in movement,” and “the color of air””
Nathaniel Im

“Wireless,” “narratives in movement,” and “the color of air”

anyway, i keep thinking about the old laptop we passed around after school,
blue light pooling over our faces like a second puberty—hot,
cords under your desk, knotted around our feet.

March 2026
Featured image for ““The Pianist,” “(My) Pain,” and “From Tehran to New York””
Vaheed Ramazani

“The Pianist,” “(My) Pain,” and “From Tehran to New York”

She never forgets to water the piano
So that under her fingers white rivulets
Punctuated by black peninsulas
Maintain the tonal integrity
Of each percussive encounter.

March 2026
Featured image for ““Real name,” “To understand,” and “Glory””
Patrick T. Reardon

“Real name,” “To understand,” and “Glory”

One-Cent wasn’t his real name,
just the name taped on him
by authorities who had their own purpose,
taped on the wood of his forehead
at a slight angle, trueness unimportant.

February 2026
Featured image for ““Synonyms for an IC3 Female,” “I posed for Egon Schiele on a Gynaecological Ward,” and “Go Back to the Root Word””
Bridgette James

“Synonyms for an IC3 Female,” “I posed for Egon Schiele on a Gynaecological Ward,” and “Go Back to the Root Word”

I am a catafalque
rising pretentiously
like the pie in Jason’s oven
out of a conflation of a changing self
& a pile of remnants of Nan’s DNA.

February 2026
Featured image for ““Georges on My Mind” and “(She Left Him for) A Chevy Suburban””
Robert Eugene Rubino

“Georges on My Mind” and “(She Left Him for) A Chevy Suburban”

Quill-feathery high-minded rhetoric declaiming
on life liberty … well … try pursuing happiness
if you’re woman if you’re enslaved or poor
unpropertied or indigenous facing genocide.

February 2026
Featured image for ““Initiation to Flight,” “Perennity,” and “The Gauzed Interior””
Emily Bilman

“Initiation to Flight,” “Perennity,” and “The Gauzed Interior”

Standing amid the death-censors
“You cannot succumb to Thanatos
all for all”, I said to them to ward off
their collective suicide. Unheard.

February 2026
Featured image for ““The Moon Watches Us Come and Go,” “How My Dad Thinks the World Will End,” and “Recipe for Cake””
Trapper Markelz

“The Moon Watches Us Come and Go,” “How My Dad Thinks the World Will End,” and “Recipe for Cake”

I’m not one to admire change. I’ve been here
for billions of years and will be for billions more,
and in the time it has taken me to draw a single breath,
you meat puppets went from pissing on the savanna
to whipping past my feldspar plains a dozen times

February 2026
Featured image for ““Firmament,” “Pioneers,” and “Saw-whet””
Rebecca Palermo

“Firmament,” “Pioneers,” and “Saw-whet”

Contemplating the eye of a loved one,
you have noted the white of the sclera,
Its contrast with the pigment of the iris,
the cast pulling your focus. Encircling

February 2026
Featured image for ““102,” “Poem in which I Commit to Being an Indoor Son,” and “Preserves””
Andrew Christoforakis

“102,” “Poem in which I Commit to Being an Indoor Son,” and “Preserves”

everything beautiful hurts
to be touched
your mother’s
cold hand on your forehead

the number on the thermometer
higher than your burning mind
can count
and now you’re the king

January 2026
Featured image for ““Goodbye-Bye Leo Tolstoy,” “The Language of Trees,” and “I Detect Lord Byron””
Christine Andersen

“Goodbye-Bye Leo Tolstoy,” “The Language of Trees,” and “I Detect Lord Byron”

I am finally admitting
that I am never going to read War and Peace.
I started a number of times,
printed out a cheat sheet with the cast of characters,
made many a tasty snack,
read to around page 100,
and each time abandoned the project.

January 2026
Featured image for ““Her Oceans Seven,” Moral Injury,” and “Considering the Survival of a Marine Iguana Called Harry””
Holly Marihugh

“Her Oceans Seven,” Moral Injury,” and “Considering the Survival of a Marine Iguana Called Harry”

The challenge is called Oceans Seven,
and by the time Marcia Cleveland
finished the ginormous feat of swimming
all those channels and straits,
one, two, three, four, five, six, seven,
she indeed earned ownership.
As in, Her Oceans Seven.

January 2026
Featured image for ““Night at the Crest,” “grace sprinkled like dew,” and “You Weep””
Russell Willis

“Night at the Crest,” “grace sprinkled like dew,” and “You Weep”

Starscape obscured by
countless swarming pixels with 14-inch wingspans;
but no tangible color or form.
No sound, at least none perceived.
But there was something…
a presence felt. No, not felt. Not exactly;…
a presence known by reputation not senses, as mammal, not bird.

January 2026
Featured image for ““Flames,” “You, I, Us,” and “Third Eye””
Laura McDermott Matheric

“Flames,” “You, I, Us,” and “Third Eye”

A hot September
morning flames fire to heaven,
Golden Lucifer.

Anticipation
to culmination: a bloom,
its cacophony.

January 2026
Featured image for ““The Martian Chronicles,” “Cesura,” and “One Hundred Horses by Giuseppe Castiglione””
Yana Kane

“The Martian Chronicles,” “Cesura,” and “One Hundred Horses by Giuseppe Castiglione”

Is there a planet where words silence
a cannon’s demented mouth?

Here, on Earth, furious iron roars
past all reason, past all pleading.
No warding it off
with incantations, prayers,
poetry.

January 2026