Novel Excerpts

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Novel Excerpts

Featured image for “The Price of Tea”
Nadine Gallo

The Price of Tea

On the way to Dublin Nora O’Neal stopped in Kilkenny to see Olga Kerensky. Olga’s house was on the main road. Nora remembered it well but not the big brass knocker on the front door. Maybe it was new. She reached up for it and slammed it down a few times. She sniffed the air around her and wondered where the beautiful roses were. She could smell them as if she was standing among them. There wasn’t a sign of them anywhere. Once she was in a bog and the rose smell made her think of a lot of butterflies in a garden.

September 2020
Featured image for “Samuel’s Way”
Paul Clark

Samuel’s Way

14th March, 1643.
An eccentric old woman. Creaky and bent. Snarling. Haggard. Annie Parsons hunched in her chair, dribbling and murmuring. Clumps of lank, grey hair shrouded part of her face. Grime made the whiteness of her shift barely visible. It clung to her body like a loose skin. Her bony wrists and ankles bore the sores of a long spell in irons.
Samuel Hawke loomed over her, arms folded, about to perform his service for the town and the county of Hampshire, and more importantly, for God.

September 2020
Featured image for “Her Own Devices: Chapter 3”
Geoffrey Dutton

Her Own Devices: Chapter 3

That unseasonably warm October day marked the first, but not the last, time Anna leaned on Andreas to mind the boy. She tried to minimize the inconvenience, rewarding him with bottles of wine, home-cooked meals, and Swiss cheek kisses. By the following autumn, she’d stashed a playpen and stroller from a thrift shop in his storage room for his convenience, she told herself. Andreas said he didn’t mind keeping the items and now and found the playpen a handy restraint, but drew the line at strolling.

July 2020
Featured image for “Shades of the Deep Blue Sea: Saya”
Jack Woodville London

Shades of the Deep Blue Sea: Saya

Saya had not decided whether to let Olafson see Ambon. She left him tied up in a water-filled pit that was lined with bamboo spears, not so much as a test but merely to keep him occupied for a few hours. He stared at her, wild-eyed with fear, and she disappeared into the rainforest.
She had not visited the spice plantation for more than two weeks, not since the day she had taken possession of Olafson. The home where she had grown up, what was left of it, was much higher upland than the cannibal hamlets and the hidden kamp where Saya now slept.

July 2020
Featured image for “Charlatan”
Yennie Jun

Charlatan

When the girl wanders into the living room in the morning, her mother is seated cross-legged on the piano bench, phone pressed to her ear.
The girl toes the rattling skeletons of the open boxes. How can it be, she wonders, that as the boxes are emptied, the house only feels emptier? Does the emptiness come from the boxes? Is that the secret of moving? That you move the emptiness from one place to another? That you stuff boxes full of books and clothes and photographs and toolboxes, but the true heaviness comes from the emptiness, an emptiness that leaks from the boxes and sinks into the pit of her stomach?

July 2020
Featured image for “About Dogs, Post-Polio and the Poetry of Loving and Dying”
Alpheus Williams

About Dogs, Post-Polio and the Poetry of Loving and Dying

Take the exit when you see the sign and leave the highway. A small narrow road will take you there. You’ll not be surprised how you missed it, nestled away from the day-to-day neurosis of shopping therapy, road rage and commuter traffic. A medley of native trees and shrubs line the road in places interspersed with glimpses of ocean blue in the distance. As the land flattens, the road lines with melaleucas, their raggedy white trunks a wall of papier mâché bones, and clears to low growing coastal heathland and saltmarsh. In spring it will come alive in a multitude of tints, tones and textures.

July 2020
Featured image for “Able Archer: Distant Early Warning (Part III)”
Lawrence Lichtenfeld

Able Archer: Distant Early Warning (Part III)

A red rotary beacon was mounted over the door to the communications room. In all his days at the Marne Kaserne, he had never seen it illuminated. It was never supposed to be. If that lamp was illuminated, it meant that the Telex machines had urgent messages. Even when they were running a com drill that was supposed to mimic an actual situation, they never used the lamp. When the reflector inside the red, plastic dome began rotating, no one paid much attention. Then the light came on.

May 2020
Featured image for “The Potrero Complex”
Amy Bernstein

The Potrero Complex

MISSING: A teenaged girl with lanky blonde hair and a sunburst tattoo on her cheek.
The holographic posters, brighter than day itself, lit up the air on every block of Main Street. They were the first thing Rags Goldner noticed as she and her partner Flint Sten turned onto the street.
The girl’s name was Effie, and she was sixteen.

May 2020
Featured image for “Dust Choked and Sore”
Erin Conway

Dust Choked and Sore

It’s a buzz and a bump. Etta laid her head back on a torn seat cushion.
And a flip and a thump.
No air conditioning in the truck cab meant duct tape stuck to her neck in the heat. Tang. She was almost… The phrase began but she couldn’t end it. Twang. Where was she?

May 2020
Featured image for “The Velodrome”
Brianne Turczynski

The Velodrome

Miriam Birchfield’s abdomen plagued her to tears. Her tears burned and irritated her cheeks, and they made her see the reflection of herself as a blotchy stranger in the mirror. She took the bottle of bitters from her vanity; it was the last bottle Dr. Morel gave her before he died. She didn’t know if she would ever get another, because in approximately thirteen minutes, she would welcome a new doctor into Whittingham Estate, the place she had worked as manager of the staff and had lived her whole life.

May 2020
Featured image for “Able Archer: Moscow, Moscow Oblast, USSR”
Lawrence Lichtenfeld

Able Archer: Moscow, Moscow Oblast, USSR

Yuri Andropov was resting comfortably in his hospital bed. An hour earlier, he had been hooked up to the dialysis system in the suite. He had had some vodka afterwards, and a couple of cigarettes while lying in bed. The television was tuned to the state channel ‘Fourth Programme’—known for its intellectual broadcasts. Tonight, Andropov was enjoying the broadcast of a Bolshoi production of “Cipollino.” His heavy-eyed viewing of the ballet was interrupted by the military hotline ringing on the telephone table next to his bed.

May 2020
Featured image for “Certain Savages: Hyperinflation”
Greg Johnson

Certain Savages: Hyperinflation

On low marshy islands in the middle of the River Seine, an encampment of Celtic fishermen, the Parisii, once founded a village. The fishermen worshipped the horned god Cernunnos whom they believed united the earth, sea and sky. To this stag-horned hunter they sacrificed goats and pigs to ensure the fertility of their women. They doused statues of him in holy water to ensure their nets returned filled with fish. They laid flowers at his feet and fought enemy invaders who attempted to desecrate the Lord of the Dance.

March 2020
Featured image for “Extreme Vetting”
Roxana Arama

Extreme Vetting

Livia Holban arrived at the Seattle Immigration Court that morning determined to fight like hell for Félix Dominguez’s children. Sixteen-year-old Cruz and thirteen-year-old Clara Dominguez sat beside her at the counsel’s table looking terrified at the prospect of being sent to Honduras, a country they didn’t even remember. At the government’s table, Immigration and Customs Enforcement trial attorney Josh Henderson appeared relaxed, as if he’d already secured the kids’ deportation.

March 2020
Featured image for “The Snitch: Kelly”
M.D. Semel

The Snitch: Kelly

Kelly couldn’t remember the last time she drove a car. She didn’t take the driving test until she was in law school and she had nearly failed it. Now, she was on the far eastside of Harlem at a cut-rate car rental place that looked more like a chop shop than a legitimate business. A friend had recommended it. She sat in the driver’s seat of a small, battered car and listened to the attendant explain its basic functions.

February 2020
Featured image for “Able Archer: Distant Early Warning”
Lawrence Lichtenfeld

Able Archer: Distant Early Warning

Major Powell had agreed to take photos of schematic diagrams of the SDI satellite systems. Dubrikov gave him a Minox B camera to shoot the plans. Powell had special plans created by the technical team at Langley that would photograph clearly on the tiny spy camera’s film. The images had to be clear enough for the Soviet technicians to be able to read, but not so clear that it looked like Powell had had time to set up a photo-shoot.

February 2020
Featured image for “Only the Moon Remains”
Lawrence F. Farrar

Only the Moon Remains

When he returned to Tokyo in mid-February, Peter entered a capital wrapped in foreboding. Over whiskey sodas at the Palace Hotel bar, Bigelow declared he expected a military uprising within days. Peter dismissed the idea. True, he had noticed soldiers in the streets, but units marching to and from reviews or to board trains had become common sights in recent years. And, so far as Peter could see, the citizens of AsiaÕs most modern metropolis were going about their lives in a perfectly ordinary manner.

February 2020
Featured image for “The Snitch: Mary”
M.D. Semel

The Snitch: Mary

It was dark when the alarm went off. Mary Patterson lifted herself from bed, splashed cold water on her face, brushed her teeth, then dressed in the clothes she had laid out on the chair the night before. She wore a dark blue dress, something that she had worn to church on many occasions, and flat shoes. She listened to the news on the radio as she got ready, and opted for stockings, despite the predicted heat, but she ultimately rejected the idea of a hat.

February 2020
Featured image for “Easy Does It”
Howard Sachs

Easy Does It

Easy Ed’s brain was under siege, assaulted by an unidentified buzzing. His nervousness layered mystery onto its origin. He was too high and too edgy to think clearly. Everything was a vibrating blur. What he contemplated doing would either ruin his life or save it. Easy’s corpulent body seemed to shrink as the droning gathered into a whining bolt of shrillness that pierced his ears. The buzzing morphed into the tip of a drill that bored into his brain.

January 2020
Featured image for “Neither Here Nor There”
Marianna Boncek

Neither Here Nor There

Angie pulled her cell phone out of her pocket to check the time. She was late. Actually, she was over an hour late. She had two missed calls both from Harold. He had warned her not to be late.
“You absolutely cannot be late,” was exactly how Harold had phrased it. “There will be press and photographers there. They do not want to wait around for you. Don’t screw this up.”

January 2020
Featured image for “River of Steel”
Ed Davis

River of Steel

The country east of Roseville is a gentle plain of grassland and houses, tilting steadily upwards toward the Sierra Nevada. It’s a gradual climb that an automobile wouldn’t notice, but the eastbound freight labored at it, all six power units throwing thick black smoke into the afternoon sky.
In their boxcar Lynden and The Duke stood like sailors on a rolling deck — hands clasped at their backs, feet wide apart, faces thrust forward into the wind.

October 2019
Featured image for “The Northland”
Christopher Ryan

The Northland

The northern lights have a sound, you know. Like static but grander. The electricity of eels, not machines. The first time I’d heard their song, I had just arrived at the upper reaches of Finland’s Bothnian Bay, and while standing there at the edge of the sea with the lights shimmying and quavering above me, for a moment, finally, I wasn’t staring at my feet, the pavement, or the cracks in the earth. I was actually watching, truly listening.

October 2019
Featured image for “Bamboo Grows Straight to the Sky”
Janet Wells

Bamboo Grows Straight to the Sky

Beyond the thatched eaves of the school building, the Moie River shimmered in the hazy midday sun, its green oxbows carving through steep lush mountains. From afar the refugee camp’s rows of bamboo huts, nestled among palm and banana trees, looked like a tropical paradise. Up close, the terraces were barren hard-pack dirt, the weathered shelters so close together neighbors could climb onto one another’s porches.

October 2019
Featured image for “Twisted Fate”
Linda Boroff

Twisted Fate

Like compliant worker bees, Brian and I reported for our blood tests even before they became mandatory. His employer had sent out a message offering two-for-one discounts at local restaurants for showing a test receipt. The message reminded us that getting tested was our patriotic duty and a big step toward bringing the epidemic to an end—the standard drivel.

September 2019
Featured image for “Randine: Letters to a Midwife”
Robin H. Lysne

Randine: Letters to a Midwife

Randine clutched her belly, seized by a spasm of pain unlike anything she had ever felt. She was terrified. She wasn’t sure what to do, what to expect. Would she die? Would her baby survive? She wanted her mother—Mama! She would know what to do. She remembered this dream as though she were still in it, felt the stab of their absence, tried to hold on to an image of her parents loving her. But when she looked again, only Hella and Holda were smiling.

September 2019