Novel Excerpts

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Novel Excerpts

Featured image for “The Air Beneath Her Feet”
L. Vocem

The Air Beneath Her Feet

They sat in an outdoor café having a latte and a ham cachito. Her boss talked about the weather, how the government wanted to subsidize payroll, which was their way to get inside the company and eventually take it over. He put a cigarette in his mouth and offered one to Alejandra. She declined. She didn’t smoke. And while she enjoyed watching the clouds above the Avila mountain, the spacious sidewalks covered in tables, and people playing an afternoon game of chess, she was still wondering why her boss asked her to lunch.

November 2024
Featured image for “Top of Happiness”
Ruth Langner

Top of Happiness

My head felt like an overripe summer squash.
It was starting out to be a grim day. Though you’d never know it from looking at me, I felt like I had been cloistered all night in an assisted living facility for psychopathic chairs—a command centre for the flotsam of miserable furniture, retired and warehoused, a hub with just enough of a pleasant environment to give the illusion of living in luxury. Night terrors. I struggled to make sense of my present reality. Being a chair had its complications.

October 2024
Featured image for “Requiem”
Chad Gusler

Requiem

Jake tried to kill me, Lizzie had said.
A lie, of course. But she spread it far and wide before she left California for Indiana: He tried to choke me, she’d repeat.
But—Christ!—it was just a hug, and it went down like this:
Hannah had burst into our room, turned on the light, and demanded to know which one of us was taking her to practice. Lizzie kicked me under the sheets—evidently it was my turn—but I kicked her back, club swim had been her stupid idea, just grant me a little rest.

October 2024
Featured image for “Root Cause Confessions: Uncle Sam Needs Your Help Again”
James Joaquin Brewer

Root Cause Confessions: Uncle Sam Needs Your Help Again

You knew your father had been having heart problems. Of course, you knew that. But you had not been paying enough attention—not the right kind of attention—to factually comprehend just how critical his condition might have become. In the year following your mother’s death, you were aware that he was paying ever-lessening attention to what she had hopefully called her “heartful, healthful” advice regarding his diet. And he had slacked off his previous daily walking routines and even stopped his weekly bowling league participation.

October 2024
Featured image for “Vivian Maier Framed”
Axel Forrester

Vivian Maier Framed

Words are my enemy. Spoken. Written. It doesn’t matter. They’re out to get you. Birth certificates, applications, references, diplomas, licenses, interviews, gossip, whispers, family stories, newspapers articles, books, magazines, all of it, all of it, is just waiting to do you in. Words are a trap, a snare. They will catch you, crush you, cripple you. They push you around from the moment you’re born.

September 2024
Featured image for “The Gilded Cage”
David Kennedy

The Gilded Cage

The Chief Justice would not consent to die. He had felt the tremors first in his fingers, when the train had departed Niagara Falls, but dismissed the barely perceptible tingling as the motion of the locomotive over the rails. But now, the right side of his mouth began to droop, and he sought to speak but could not. He tried to lift his arm, to motion to the other gentlemen in the first-class compartment, the rocking of the train having lulled them to sleep, but it was too late.

September 2024
Featured image for “Requiem”
Chad Gusler

Requiem

Hannah’s death was doubly final. Lizzie burned her, then took the whole urn with her when she left for Indiana—you don’t get any part of her, Lizzie told me.
And then Lizzie buried her.
Heaven and Earth are full of thy glory, the preacher said.
But I keep her toenails around my neck, in a locket strung on a silver chain.
Hosanna in the highest, the preacher said.
Holy shit.

September 2024
Featured image for “When We Were Wild”
Shelagh Powers Johnson

When We Were Wild

The memory is barely a memory. The night is a wound healed over, skin knit back together until it’s almost eerily smooth—a silky stretch of scar tissue betraying its otherness. It’s flashes of light cutting through trees, hot salt on my tongue, gurneys bumping over the curb and sliding into the backs of ambulances. It’s needles stabbing flesh, hands examining every inch of me, searching for answers.

September 2024
Featured image for “Teresa”
Margaret Taylor-Ulizio

Teresa

Chelsea Hartman stared out of her bedroom window, a dull ache deep within her chest. Her once vibrant world had become a monochromatic landscape, devoid of laughter and girlhood friends. Just like every morning for the past few weeks, she watched as the sun peeked through the clouds that hung over Southern California. The sudden closure of her school just as she was about to return after Spring Break marked the beginning of her isolated life.

September 2024
Featured image for “Seven Seven Seven”
Paul Perilli

Seven Seven Seven

“Richard, how goes it?”
“It’s another day in paradise.”
That was a repetition of Richard’s throughout my time at Beal. Intended to be ironic, he and I both knew Beal wasn’t paradise. He and I both knew it wasn’t hell either.

August 2024
Featured image for “Brenda’s Green Note”
Joel E. Turner

Brenda’s Green Note

May 1955
“You mean the green note?”
Miss Talone hit a key on the piano with a firm finger. “C-sharp—above middle C.”
Brenda Canavan played the D scale backwards and forwards. “Like that?”
Miss Talone nodded. “Good, just like G, but with C-sharp added.” She smiled. “Or, the green note, as you called it.”

August 2024
Featured image for “Requiem”
Chad Gusler

Requiem

I used to be an oak tree. Or maybe it was a maple. Regardless, there was a nest in my branches, a twiggy little thing woven with scraps of yarn, strands of dental floss, and kiss-curls of hair. I gave it to the sky, but it was always empty.

July 2024
Featured image for “The Murphys on Matilda Street”
Hannah Kennedy

The Murphys on Matilda Street

It’s the lunch rush at Pyszne, the restaurant where I work every weekday from seven in the morning to two in the afternoon. Pyszne, which is pronounced push-nah, has the distinction of being the only Polish restaurant in the neighborhood of Bloomfield, Pittsburgh’s Little Italy.

July 2024
Featured image for “Penned”
Sara Pauff

Penned

I shuffle to my room, shut the door, and curl into the reading chair under my loft bed, surrounded by my books. When I moved in with my aunt and uncle, I didn’t expect to get my own room. This used to be Uncle Nate’s home office. When Mom and I came to visit, my uncle would blow up the air mattress for Mom, while I always shared a room with Cara. I love my cousin, but there have been many times over the last year when I was glad for a private refuge.

June 2024
Featured image for “Requiem”
Chad Gusler

Requiem

She died in June, just shy of fifteen.
Dust to dust, the preacher told us.
Lizzie refused to look at me, but I knew what she was thinking: our daughter’s death was my fault.
Ashes to ashes, the preacher told us, Lord have mercy.
I wanted to sock the platitudes right out of his fat-lipped mouth—how can there be mercy death? No, Hannah’s death had no mercy.

June 2024
Featured image for “The Confession”
Anne Dougherty

The Confession

Crickets sing as I dart down the small, dimly lit road allotted for the restaurant’s deliveries. I stand on the sidewalk across the road with my back to the large building, unsure what to do at this point. Closing my eyes, I take another steadying breath.
Breathe.
In through the nose, out through the mouth.
And again.
Deep breaths. You can do this, Winnie. I try to convince myself. Everything is going to be fine –

June 2024
Featured image for “Divine Wanderers”
Katherine Orfinger

Divine Wanderers

Edith fell deeper into a nightmare while her younger sister, Wiktoria, busied herself in the kitchen. The apartment was small enough that the sounds of Wiktoria’s two small children eating their breakfasts carried into the spare room where Edith slept and transformed into the soundscape of her nightmare.

May 2024
Featured image for “Out in the New World”
Casey Charles

Out in the New World

He took the fat wooden hangers out, made room for his Bible, Bakunin’s manifesto on anarchy, thankfully thin, stuffed neatly between testaments. The guards at Castle Gardens would no doubt rifle through his dirty frontier shirts and gravy-stained zupan.

May 2024
Featured image for “Daughters of Mindanao”
Nikki Stinson

Daughters of Mindanao

The water level rose to the floor of their hut despite it being a few feet off the ground. Nimuel rushed around their home, gathering everything he could carry while Ligaya got herself and their newborn together. She moved slowly, still sore from giving birth only hours before.

May 2024
Featured image for “Insight”
Byron Armstrong

Insight

I have never deified my older brother, Eddy, in the way younger siblings often worship their older counterparts. I didn’t have a desire to follow him around like a lost puppy, demanding to tag along on adolescent excursions. For one thing, he was four years my senior.

April 2024
Featured image for “Blueprint”
Carol Jeffers

Blueprint

The house creaked, and with a mighty groan, heaved itself out of a funk, and stood up to meet the sun simmering directly overhead. Cicadas in the yard welcomed it back with a rousing chorus, the first of countless refrains to be heard throughout the sultry day.

April 2024
Featured image for “Jesse”
Tim Brown

Jesse

Arlo and Ruth Kershaw remained good neighbors. They hired Jesse to do yard work, even though they could have gotten along without the help. He was mowing their back yard on a pleasant, September afternoon when Ruth received a call from Jesse’s Uncle Ray.

April 2024
Featured image for “The Twelve-Year Chaqwa: A Time of Suffering and Chaos”
Sandro F. Piedrahita

The Twelve-Year Chaqwa: A Time of Suffering and Chaos

Like the original mother Mary, Mariá Elena Moyano – known affectionately as la negra by the masses – was considered a mother not just to her own two sons, whom she adored, but also to the thousands of children of Villa El Salvador, the largest shantytown in Lima. She had run hundreds of communal kitchens and the extensive Glass of Milk program since her days as president of the Women’s Federation of Villa El Salvador. By February of 1992, by which time she was vice-mayor of the town of three hundred thousand people, the program delivered a glass of milk each day to sixty thousand children and elderly who would otherwise succumb to malnutrition.

October 2023
Featured image for “The Twelve-Year Chaqwa: A Time of Suffering and Chaos”
Sandro F. Piedrahita

The Twelve-Year Chaqwa: A Time of Suffering and Chaos

In France, I met Irving Rivera, a Puerto Rican born in New York City, about twenty years older than me. He lived on the same floor as I did in the Maison Américaine at the Cité Universitaire in Paris. I saw him often, since there was a cafeteria in the basement of the dorm room, where both he and I often ate. We gravitated toward a group of Spanish-speaking friends, some Latin American but mostly Spaniards, who also lived at the huge American dormitory. I would also regularly see Irving on a table in the plaza behind the Maison Américaine, with a sign saying, “Independence for Puerto Rico Now!” He requested donations, ostensibly to help rid Puerto Rico of its American colonial masters.

October 2023