Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for ““My Mom Would Repeat to Herself Over and Over Again,” “I Think I’m Just Going to Go,” and “Life-Fighting Machines””
Trapper Markelz

“My Mom Would Repeat to Herself Over and Over Again,” “I Think I’m Just Going to Go,” and “Life-Fighting Machines”

this too shall end.
This too shall end.
This too shall end—
from a place in the basement corner bedroom
beneath boarded-up windows in the back of the house
where she hid from the noise of an Alaskan summer solstice
of driftwood bleaching, refused to watch the harbor pier

December 2024
Featured image for “The Swan and I”
Ella Karoline Hendricks

The Swan and I

I often imagine if people were to ask me what I was feeling the day Zeus came to me, I doubt they would anticipate my reply. I prayed, not to Zeus, not to Hades, not to Apollo, nor Poseidon or any other god. No, I prayed to Hera.

December 2024
Featured image for “Lunch in the Squad Car”
Seth Foster

Lunch in the Squad Car

Walking back to the squad car carrying two fresh wrapped pastrami sandwiches, my heart is pounding and hands sweating, the growl in my stomach doesn’t drown out the voice in my head that scolds me, “See. You should have listened to your old man, you idiot.”

December 2024
Featured image for “Pen Sketch”
Grace Halden

Pen Sketch

It took me three years to read your letter. Back in 2018, when I didn’t really understand the process, I thought ‘pen sketch’ meant an artist’s drawing of the sperm donor. I didn’t look at it as I didn’t want to see you. Not then. I didn’t want to choose a donor based on looks and I didn’t want to identify a stranger on the faces of my prospective children. Later, when I joined groups for donor assisted families, I discovered – by chance when reading a Facebook post – that the so called ‘pen sketch’ was not a picture, it was a letter.

December 2024
Featured image for “Othello and the Courageous Pierre”
Sandro F. Piedrahita

Othello and the Courageous Pierre

When Othello first arrived, my grandmother declared that he should be called Prince, but she soon changed her mind and named him after the Moor who killed his wife Desdemona because he was sure that she had betrayed him. When I asked her why she had changed the dog’s name to Othello, she responded that it was an appropriate name because his hair was black as vicuñas wool and because he was fiercely jealous.

December 2024
Featured image for ““rebirth,” “more herself,” and “Surrender””
Angie Wehking

“rebirth,” “more herself,” and “Surrender”

willed by the rain
washing over me.
slow at first,
it filled the bank.
drowning in emotions
I built a dam.

December 2024
Featured image for ““Thran,” “Janus Stood Aside,” and “Screaming Eagle Uncorked””
Ailish NicPhaidin

“Thran,” “Janus Stood Aside,” and “Screaming Eagle Uncorked”

Romania is a different culture
It has high mountains
Low valleys
And Roma wandering the roads
Byways and small lax villages.

December 2024
Featured image for “Lady of Sorrows”
Augustine Himmel

Lady of Sorrows

Blessed Margaret of Castello was a blind, hunchbacked dwarf whose aristocratic parents could barely stand the sight of her. Born in Metola, Italy, in 1287, she spent her childhood isolated from the world because her parents found her so repulsive that when she was six years old, they had a small cell built in the forest next to their chapel and locked Margaret away like a lunatic.

December 2024
Featured image for ““Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day””
Robert Eugene Rubino

“Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day”

As sticky as syrup-soaked gruel
eyes closed with dreamy leftovers
eyes closed tightly as if seamstresses
sewed those viscous visions inward.

December 2024
Featured image for “One Hand in My Pocket”
David Stern

One Hand in My Pocket

What now?
Rose.
Rose was the only person I trusted, the only one who was kind to me that day. I went for a long walk and wound up at a quiet park where bushes exploded with red and yellow flowers reaching for the sky. Too late, I noticed three guys closing in behind. The last thing I remember was the smell of their sweat and the red mud caked on their boots.

December 2024
Featured image for “The Matron”
Edward Ruiz

The Matron

Elonda stared out of her window, squeezing her face into the entire frame, and her breath began to fog up the dew-struck glass. She quickly used her sleeve to wipe away a near perfect circle. The winter was visible again.

December 2024
Featured image for ““Headstone,” “Berlin AM,” and “Venom””
Jeanne Cannizzo

“Headstone,” “Berlin AM,” and “Venom”

You are cold,
to my palm,
to my cheek,
cold to my tongue.

December 2024
Featured image for “Arthur’s Secret Show”
Ashley Christopher Leach

Arthur’s Secret Show

Miss Beulah was not worried about a few dead feral cats, especially the ones that had lived for years in her woodpile before they met their sanguinary demise. She had discovered them gruesomely slaughtered with violent gashes to their necks just after a weak, late autumn hurricane had wreaked havoc on her yard and flooded her collard patch. Apart from believing that a bobcat had done the killing, her only real concern was removing the corpses from her yard. But a week later …

November 2024
Featured image for “Better Than Fine”
Christine Marra

Better Than Fine

June 1941
“Get up,” I whisper, crouching on the concrete, grasping the bars with fingers picked raw and bloody. I consider rapping the bars with the key — the precious key!— but I don’t dare. The guard might be a light sleeper.

November 2024
Featured image for ““Blumensprache (or Self Portrait as Purple Thistle),” “My Words,” and “Noir””
Julie Benesh

“Blumensprache (or Self Portrait as Purple Thistle),” “My Words,” and “Noir”

Because my head is full of one hundred flowers.
Because dandelions were taken; ditto orchids
(each a bookend on the hardy-to-fragile spectrum).
Because I don’t compete with or covet the rich
and shallow soil but trade in the depths of mingled roots.

November 2024
Featured image for ““If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground””
Jonathan Bessette

“If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground”

Lying amidst terra cotta
shards, in backyard rituals
we stared at a bleaching dot
of sun, hoped tanning might
remind us of no—bad—days. I told you

November 2024
Featured image for ““home was looking at you,” “My Apologetic Elegy,” and “My Father And The Souvenir””
Celeste Bloom

“home was looking at you,” “My Apologetic Elegy,” and “My Father And The Souvenir”

Home is a mold, that I cast upon you
in the shape of this poem, that fits only you.

Home was the way you described every color:
hunter green, sunset orange, and midnight blue.

November 2024
Featured image for “The Violinist”
Randy Kraft

The Violinist

Bill returned home after a particularly strenuous workday to find Loretta in the living room nose to nose in conversation with a stranger. Rather than interrupt, or inquire what was going on, he observed from the doorway.

November 2024
Featured image for ““Being,” “After,” and “Hunting””
RW Mayer

“Being,” “After,” and “Hunting”

When I was a child I went out to the long hedge
along the back of our property. I could crawl
in under the leaves and branches to the middle.

November 2024
Featured image for “DEADline”
Renee Roberson

DEADline

Cordelia Cates stepped out onto her deck overlooking the lake as she cradled her coffee cup, which had more than a splash of Bailey’s Irish Cream added in for good measure. She sighed as she wrapped her cardigan around her with the other hand and surveyed the red clouds overhead.

November 2024
Featured image for “The Real Story”
Douglas Nordfors

The Real Story

The situation was this: Bret’s ringing phone had woken him up just before daybreak. Jeff, his once fairly close, but now hardly close friend, sounding frantic, had asked him to meet him. Bret had said he would and asked where, and Jeff had calmed down enough to give him clear directions.

November 2024
Featured image for ““Basking” “My Valentine’s Day,” and “Indian Summer Twilight from my Balcony””
Joanne Jagoda

“Basking” “My Valentine’s Day,” and “Indian Summer Twilight from my Balcony”

basking in the words
of a poem set aside, long forgotten
the warm glow of verses once familiar
comfort like a soothing bath
taking you back
to another time and place

November 2024
Featured image for “Mothers and Monsters: Adapting to Queer Immigrant Trauma in <em>On Earth We’re Briefly Gorgeous</em> (2019)”
Celeste Bloom

Mothers and Monsters: Adapting to Queer Immigrant Trauma in On Earth We’re Briefly Gorgeous (2019)

Due to historical persecution of queer individuals, trauma pervades queer lives, communities, and literary representation. Given the prevalence of trauma in queer narratives, can queer protagonists define themselves beyond the atrocities they face? In his epistolary novel, On Earth We’re Briefly Gorgeous (2019), Ocean Vuong demonstrates that while trauma fundamentally shapes the queer Vietnamese American protagonist, Little Dog, he is equally defined by his response.

November 2024
Featured image for “A House of Cards”
Peter Newall

A House of Cards

When Nataliya had finished the last crumbs of her cake, I paid the bill and we left the café, the bell tinkling as the door closed behind us. At half past four, the grey winter afternoon had already turned to night. I offered Nataliya my arm, as the cobbled street was slippery with frozen snow.

November 2024