Issues

Issues

Featured image for “The Monster Mash”
Daniel Bartkowiak

The Monster Mash

Rain drips from the awning, the constant patter, late December up north you get snow, late December down south you get rain. Strings of red and green bulbs hang zig-zagged over the dark and puddled road. Think fog and mist and shadows. Think gaseous orange sky and shrill nameless voices and the strange feeling, because it’s a feeling after all, not a thought nor a string of contemplation, but a feeling of imminence cast out by the damp air and prickling the skin’s hairs; a foreboding,…

November 2018
Featured image for “The Visitors”
J.D. Puett

The Visitors

Quietly and swiftly the canoe marked its early morning passing with an undulating seamless wake on the surface of the water. With no breeze the small lake was motionless except for the temporary trail left by the canoe. In the distance belted kingfishers and alder flycatchers darted above, and the cry of a bald eagle from a tree at lakeside occasionally pierced the morning stillness.

November 2018
Featured image for “Number 12 rue Sainte-Catherine”
Roberta Gates

Number 12 rue Sainte-Catherine

The weather is cold and sleety when André Deutsch picks up his briefcase full of cash and heads for the UGIF office. Mondays are always a trial for him. On those days (allotment days) he has to lug up to 30,000 francs through Old Lyon with its medieval streets and narrow soot-stained buildings. André has never been especially brave (he was a yeshiva boy, an easy target for the roughnecks in his town of Borsec), but walking alone through this part of the city has never been safe. There are simply too many traboules.

November 2018
Featured image for “Tidy Hair on a Boat”
Simon Lowe

Tidy Hair on a Boat

“I’m chock full of cancer,” said Mrs Winston, sat in Patty’s salon. “I’m sorry to hear that Mrs Winston.” “Agony it is.” “Some cancers aren’t so bad though, are they, these days?” “Who told you that?” Trey had a friend. People said she was going to die. Trey visited her friend after work and sat on a bean bag, consoling her with optimistic words and cups of tea. The cancer had a name similar to Trey’s maths teacher, Mr Hodgkins. The cancer came and went. Her friend recovered. Trey felt she had been misled.

November 2018
Featured image for “Something Bigger”
Brian Howlett

Something Bigger

My mother and her sisters have been waiting for their Aunt Del to pass on for at least ten years now. “It’s no way for someone to live,” Mom would tsk-tsk upon returning from a visit to “the home.” Funny we call it “a home” when it sounds like it’s anything but. I have never met Aunt Del, so when I offered to accompany Mom to the funeral service, she was surprised. She certainly didn’t need my support.

November 2018
Featured image for “Controlled Burn”
Julie Sellers

Controlled Burn

The ranchers in the Flint Hills called it a controlled burn, insinuating that with sufficient intention they could master the elements. But Rebecca knew better—an unexpected change of the wind, a jumped fireguard, the barest instant of carelessness, and the ravenous pasture fires set in the region each spring could reduce such smugness to nothing but ashes. Her earliest memory was of fire; her earliest loss was to fire; fire had forged her, for better or worse, into the person she was.

November 2018
Featured image for “carlos montoya”
John Paul Jaramillo

carlos montoya

Summary: The titular character is faced with a reversal of fortune in almost every way: he loses a steady job, faces illness and disability, fails in his new marriage, and is betrayed by his closest compadre. He must confront his years of terrible parenting decisions and broken family ties after he is compelled to leave the green valley of San Luis, living as an outcast in the “steel city” of Huerfano, Colorado.

November 2018
Featured image for “Audible”
John Bersin

Audible

At the end of an appropriate period of polite applause, Ryne Blades touched the knot of his tie, adjusted the microphone, and put on his reading glasses. He paused briefly to look out over the assembled freshmen in the campus theater. This was his biggest speech of the year.

November 2018
Featured image for “Numbered Days”
Diane Botnick

Numbered Days

1942. A baby girl is born inside a war. From one unfriendly womb to another she goes. It’s like living in a fishbowl: the view is panoramic but the glass won’t give. So it’s she who must. Learning this takes time. It happens in winter, this birth, this unlikely, uncelebrated event. A winter that so efficiently brands her with its cold, she is never not cold again. So cold that of all the things she might wish to do over, chief among them is to have been born in summer. It happens in Auschwitz, this birth.

November 2018
Featured image for “The 9th”
Roberta Levine

The 9th

An ice cream parlor with wrought iron chairs and tables had recently opened at Northland, an open-air mall located just across the border from Detroit. Sylvia, a widow in her sixties, had read about the place and told her younger sister Lottie about it. They’d decided to go there after Lottie’s first appointment with Dr. B. Since then, if only for the cheer of the red and white striped walls, the two had stopped in even if Lottie could only swallow a few sips of her float.

November 2018
Featured image for ““Breathing Life into My Daughter”, “Teaching my daughter how to swim” and “About the Woman Recovering from a Broken Heart””
Yavaria Ryan

“Breathing Life into My Daughter”, “Teaching my daughter how to swim” and “About the Woman Recovering from a Broken Heart”

I feel forty-six pieces of her
forming inside of me:
Her fingers dig into the underside of my belly
button, and her feet kick ferociously
for freedom.
In this moment, I want to yell for her
to stop searching for a way to escape this haven.

November 2018
Featured image for “The Crash”
Gregory Voss Jr.

The Crash

The jetliner, a bone-white Airbus A320 with a fat, blue-brand logo, hobbled over the neighborhood, wings waggling under the lemon sun. There was smoke, a lot of it, coming from the right-wing engine, and the dark contrail was an evil pencil mark crossing the cloudless mountain sky. Neighbors, alerted by a sudden cacophony, ran out onto their front porches and stared at death looming overhead. Children playing on front lawns dropped their balls and bikes and ran for the arms of their parents. But Nick just stared at the inbound jet. He didn’t move, even as the nose looked to bore directly into his eighty-pound frame.

November 2018
Featured image for ““Selkie”, “Dad,” and “The Lives of Others””
Ally Chua

“Selkie”, “Dad,” and “The Lives of Others”

They say that he hid my skin, but what they
do not know is that I threw it into the sea
at high tide, such that it will not drift back
even if I change my mind. I was always the
stubborn one, they said. I must learn to bend,

November 2018
Featured image for ““Strangers in the Same Land”, “Jyoti” and “Circular Haiku Circle””
Emily Parker

“Strangers in the Same Land”, “Jyoti” and “Circular Haiku Circle”

Hello?
You don’t know me; but,
I am so excited to speak with you.
Strangers—
at once the same…but different.
Divided by violence
Splintered and torn from one another
Families…
Friends…
Strangers…

October 2018
Featured image for ““The Fish” and “Anecdoche””
Brittany Leitner

“The Fish” and “Anecdoche”

The fish
flops
against
the
table
with its last breaths.

I forget it only “breathes” in water,
but just the same…

October 2018
Featured image for ““Silk-threads”, “Amma” and “My Brother’s Garden””
Babitha Marina Justin

“Silk-threads”, “Amma” and “My Brother’s Garden”

in my homeland little girls and
grandmothers are knotted with silk-threads
called stories
grandmothers walk nimble-footed
to the past, careful not to fall into
memory’s ditch
little girls traipse on it, tumbling
on fantasy and sport, daring
to dream

October 2018
Featured image for ““Apocalypse Now”, “Overlay” and “View from the Bridge Over Finch Creek””
Jeffery Greb

“Apocalypse Now”, “Overlay” and “View from the Bridge Over Finch Creek”

Some move through the deeper pool
without stopping while others
pause to gather strength
for the shallows ahead.
Those that make it over
the gauntlet of stones buried
by water that would not wet
a cuff thrashing their tails
mightily making waves

October 2018
Featured image for ““Decay”, “Falling Through the Ice” and “Coping Mechanism””
Tia Cowger

“Decay”, “Falling Through the Ice” and “Coping Mechanism”

Rose oil, sandalwood
and lavender—poured over
honeycomb piles deep in
rumbling woods. Bare feet
missing twigs, silence heard
but for birds, and low hums of
red earth.

October 2018
Featured image for ““Ah,Um””
Rainier Harris

“Ah,Um”

Cacophony of instruments rudely disrupt the silence in my ears & claim the space as their own to live and thrive. First, the saxophone with its tang & pang & variety & what is. Piano, forte, mezzopiano repeat. The tongue pitter patters on the mouthpiece, embouchure tightening its hold, showing no signs of regression yet soft and silky.

October 2018
Featured image for “Penned Inn”
Damon Piletz

Penned Inn

The house tucked back So you’d never See its entirety unless You were on the towpath Which was exactly where She was trying to drop Those last twenty-five she’d Been feverishly struggling to lose

October 2018
Featured image for “Autumn”
W. A. Schwartz

Autumn

There’s something wrong with my hands. Lately, I’ve taken to squeezing them into fists—grasping at something—at the most peculiar times. When I’m checking out at the grocery store. Facetiming my daughter who is away at college. Making love to my husband. My thumbs ache and I’ve noticed the knuckles on my right swell to the size of cumquats in the morning. When that happens, I hide my hand.

October 2018
Featured image for “Yearling”
Jaclyn Reed

Yearling

Wake up to the cock crowing in the front yard. It isn’t even light out yet. Through your bedroom window on the second story of the farm house you can see the summer sky just starting to turn pink and purple at the edge of the pasture. You see one of the yearlings bucking around the fence waiting for breakfast.

October 2018
Featured image for “On the Way to Work – Relevancy”
Piper Templeton

On the Way to Work – Relevancy

On the way to work, Shirley Lamothe stopped on her porch to pet the new cat. She had ceased naming the felines long ago. The strays tended to congregate around her modest, wood frame rental house because she put out dishes of food and water and allowed them entry into the house if they so desired. They kept her company, as Brian stayed mainly sequestered in his tiny boyhood bedroom,

October 2018
Featured image for “An Unwelcome Guest”
Kit McCoy

An Unwelcome Guest

Paul placed his finger on the pulse of his home in the dark of night to feel the soothing and generous spirit that surrounded him. His children had been dead tired, his wife irritable, and he was aching to be alone so that he could wonder about the melancholy that crept around the edges of his trip

October 2018