Issues

Issues

Featured image for ““The Charter Boats”, “Changing Time” and “Peace””
Edward Ahern

“The Charter Boats”, “Changing Time” and “Peace”

The boats string along the seam
of green and blue waters,
white mites on a fish vein,
trailing thin proboscides
that must be bitten to succeed.

September 2018
Featured image for ““The Unliving Louis Jackson and Living Me”, “The Clouds Are Mountains” and “Shackles””
Mallory Rader

“The Unliving Louis Jackson and Living Me”, “The Clouds Are Mountains” and “Shackles”

He lived a long life—a normal span of / 9 to 5 and bright eviction notices on front doors. / He would tell his wife every night before bed, / “I will wake up tomorrow and do better.”

September 2018
Featured image for ““Potpourri”, “Capturing the Moment” and “City Bird Sounds””
Michael DeMaranville

“Potpourri”, “Capturing the Moment” and “City Bird Sounds”

Days like blossoms
Some, green buds
Reluctant to push away
The wooden bed frame
On which they rest

September 2018
Featured image for “Me and the Milkman”
Pam Munter

Me and the Milkman

Each morning at dawn, he would stealthily enter the house through the unlocked back door. In the early 1950s, no one in our neighborhood locked their doors. I was sometimes awakened by the tinkling noises of glass and the opening click of the refrigerator, but seldom by any human voice.

September 2018
Featured image for “Negotiating the Narrows”
Mike Tuohy and Susan Zimmerman

Negotiating the Narrows

Cold steel. I should have worn gloves. What I thought a shotgun blast turned out to be the massive metal hatch slammed shut by the wind. As I rose from the deck, another gust pushed me toward the edge like a hockey puck until I fell to my knees. When it passed, I forced myself to stand upright and join my friends. This was no place for a woman to look weak.

September 2018
Featured image for ““Vow”, “Three Variations” and “November””
Tasha Cotter

“Vow”, “Three Variations” and “November”

The doves find a spot
Of shade under a bench
And sit together, quietly
Speaking about the world
Of people and rain.

September 2018
Featured image for “The Weight of the Words”
Sayword Eller

The Weight of the Words

Three stories up from the rue Vielle-du-Temple is a tomb. It was never intended to be so still, so empty, but life has a way of changing in an instant and so, it seems, do apartments. There is no body interred here. Only memories. Only echoes of laughter and whispers from a life once lived.

September 2018
Featured image for “Angelus”
Paula M. Rodriguez

Angelus

Johnny gets up in the morning and goes straight to the bathroom that he shares with his mom, his two little sisters, an older brother that works at a bakery, and whoever else happens to be around on any given day. There is a stale smell to onions gone cold and greasy hamburger from Danny’s place that he ate last night. The leftovers are probably still somewhere in the room, but it is hard to tell with all the stuff lying around.

September 2018
Featured image for “The Arachne Gene”
Darryl White

The Arachne Gene

He had a pocketful of possibilities scribbled on napkin backs. The perfect recipe was like DNA, it held the answer to who he was and where he was supposed to be. He wasn’t found yet, he was on his way, and he’d get there, wherever there was, if the bus driver didn’t kill them first.

September 2018
Featured image for “Praying to the Porcelain God”
Steven Mayoff

Praying to the Porcelain God

Dani walks alongside M. Francoeur, who pushes his wheelchair, balancing on it as he would a walker. Today is her usual Saturday morning visit, and together they follow the oval footpath that surrounds the Mount Olive Senior’s Home, employing a pace similar to that of a wedding procession marching through molasses.

September 2018
Featured image for “Every Silver Lining’s Got a Touch of Grey”
Benjamin Mast

Every Silver Lining’s Got a Touch of Grey

Without knowing any of their music, I didn’t like Grateful Dead. Call it a mother’s instinct, call it blatant ignorance and close-mindedness, it must have played in my house for days, weeks, maybe months before I found the album cover under Second Daughter’s bed.

September 2018
Featured image for “The Monsters of Our Minds”
Natasha Mileusnic

The Monsters of Our Minds

Kate concentrated on the jingling of the wind chimes. If she could hear the soft bell tones, their accidental melody, that meant she existed and was present on the solid earth, walking the pavement past the imposing Victorians. Alive in her body, here and now.

September 2018
Featured image for “Simulation Theory”
Aaron Buchanan

Simulation Theory

“There is no permanent self,” he’d whispered louder than he’d intended. It was only in that moment he finally became aware of himself, what he was doing, and that he never meant to say anything out loud at all.

September 2018
Featured image for “5 Rules for the Problem Dog Owner”
Jennifer Jarman

5 Rules for the Problem Dog Owner

Small, dark, almond eyes blinking eagerly at me through the thin grid of fencing, a narrow head just reaching my knees, ears perked forward like twin radar dishes, his entire sleek, black body wobbling from side to side in an unthreatening display of welcome and happiness.

September 2018
Featured image for “Driftwood”
Keith Wilson

Driftwood

As a student at Northern Michigan University, I ran for hours on the wooded trails and the paved bike paths along the shores of Lake Superior in Marquette, Michigan, where driftwood accumulated on the sand. I wasn’t a collegiate athlete or even a competitive one. Running had nothing to do with school except for keeping me from studying.

September 2018
Featured image for “Lonely in the City”
Sabrina Qiao

Lonely in the City

The first week I moved to Manhattan, I was so excited I couldn’t eat. I lost two pounds and gained a Metrocard, an apartment sublet, and a new internship. I was supposed to be living at home, working the same internship I’ve had since I was a college freshman—not out of loyalty, but out of love for my father.

September 2018
Featured image for “Quilted Northern”
Taylor Riley

Quilted Northern

Lying on a pile of blankets in my grandmother’s upstairs bedroom on a breezy, October night, I was feeling both chilly—the window was open to my left— and mentally exhausted after an eight-hour drive from our home in central Kentucky to western Pennsylvania. I rested beneath my grandmother’s patchwork quilt where my boyfriend Heath and I were bedded down. I clung to the warmth of the quilt, its scent a mix of musk and mothballs.

September 2018
Featured image for “The Sandy Diary of Susu Aisin Gioro”
Susanne Lee

The Sandy Diary of Susu Aisin Gioro

In a flash, I went from living in a neighborhood of $15 grilled cheese sandwiches, $19 meatloafs and $400 skin creams to a developing country with cold water, no electricity and waiting in line at a public park for dry ice from the electric company and to charge my phone from a CNN truck. And I am one of the lucky ones. I have a roof and windows.

September 2018
Featured image for “Summer Haze of Weston Days and Her Eyes”
Julia Edinger

Summer Haze of Weston Days and Her Eyes

When I look back on that summer, I remember everything in a blue-tinted haze. Everything was blue. The sky was perpetually sapphire; I don’t think it rained at all for three months. Even the murky water from the neighbor’s pond was cerulean, or at least that’s how it appears in my memories. But the bluest of all was in her eyes.

September 2018
Featured image for ““the poem which is the story of us”, “to R, who asked me to jump into the pool” and “of the understanding of love and other such things””
Vandana Devi

“the poem which is the story of us”, “to R, who asked me to jump into the pool” and “of the understanding of love and other such things”

this poem is the story of us/
written
between two pieces of paper/
he talked about us as though
he is not one amongst us/
as far
as i’m telling the story, the talk is
about us, ie, you and me and him/

September 2018
Featured image for ““of mass shootings and love and chopsticks and bridges and warmth and cherry blossoms and expectations and acrostic poems and” and “Dear White Men: Bet You Think This Poem Is About You””
Albert Lee

“of mass shootings and love and chopsticks and bridges and warmth and cherry blossoms and expectations and acrostic poems and” and “Dear White Men: Bet You Think This Poem Is About You”

of mass shootings and love and chopsticks and bridges and warmth and cherry blossoms and expectations and acrostic poems and
m Maybe it’s naïve for me to expect the world to scream
a and shoot just because another human is shot.
s Silence is not the absence of a gunshot.
s Silence is the presence of a bulletstorm.

September 2018
Featured image for ““Augusta Ada Lovelace, A.A.L.”, “Made Up” and “Six Hours before Performance””
Leigh Holland

“Augusta Ada Lovelace, A.A.L.”, “Made Up” and “Six Hours before Performance”

She walks in, seventeen and agate-pale, to view the Difference Engine No. 1 with her maman—blue taffeta, white veil, herself a fearsome intellect and bastion of social justice. Great gold instrument, steam engine structure and pipe organ height, exquisitely bewitching. Ada, intent on further knowledge,

August 2018
Featured image for ““Looking Forward” and “Moving In””
Danielle Boccelli

“Looking Forward” and “Moving In”

My hair is wet and drips. Water collects
breeze-chilled
in the small of my back.
The time is half-past
bittersweet. The day ends simply
and begins. Exhausted, refreshed,

August 2018
Featured image for ““Horizons,” “After Reading Traveling Through Dark” and “534-1785””
Peter Shaheen

“Horizons,” “After Reading Traveling Through Dark” and “534-1785”

Mostly brown fields salted with white patches of snow— moist from winter’s thaw and the coming green of spring. It’s there in the going and coming of seasons, the earth swallows your fading white form as you walk away. I follow to the blue horizon wishing you would not depart.

August 2018