Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for ““Demure,” “My Ode to Lovecraft and Dickinson” and “Tomorrow Isn’t All We’ve Ever Known””
Justin-Paul Starlin

“Demure,” “My Ode to Lovecraft and Dickinson” and “Tomorrow Isn’t All We’ve Ever Known”

The rumors ever forever true
our tombs and fate entwine
the looming absinthe pearl
we’re hardwired nigh plagued
the minds of the masses now jaded
plugging the hole as crevices swirl
one day we’ll displace
likened to lemmings to gorges

November 2020
Featured image for ““Weren’t We Known?,” “My Father’s Shirts” and “Reflections on Hwy 66””
Will Reger

“Weren’t We Known?,” “My Father’s Shirts” and “Reflections on Hwy 66”

Running out of ourselves urgent
anxious we were spirits of some kind
ghoulish forgotten ones

living in half-light we could barely peep in
and never found ourselves in photographs

we found nothing made by our own hands

November 2020
Featured image for ““In the Dentist’s Waiting Room” and “Near the Thunder Hole””
Galina Itskovich

“In the Dentist’s Waiting Room” and “Near the Thunder Hole”

“Talk to me!” it’s the woman in the dentist’s waiting room,
in a pre-silenced state.
“If you like couscous, how d’ you prepare it?
Are you following the Russian news?
Do you personally know anyone who had COVID?
What’s your stand on DNC, BLM?
Speak your mind!”

November 2020
Featured image for “Learning German in Central Pennsylvania”
Valerie Little

Learning German in Central Pennsylvania

“I thought of you last night,” Professor H says nonchalantly, studying me as I drape my houndstooth printed coat over his office loveseat. A Tetris of stacked papers, folders, and CDs make sitting on said loveseat impossible. Except for that one time when he cleared it off so I could sleep while he worked on his book about Schumann and Brahms. Even after the innumerable hours we’ve prized in this office, I still don’t always know how to read his particular kind of strange. Taking my usual seat across from H, I feel a flash self-consciousness, wanting to hide the shape of my body.

November 2020
Featured image for ““The Ritual,” “Setae” and “Elegy for Ernest””
Taylor Mallay

“The Ritual,” “Setae” and “Elegy for Ernest”

Classic rock crackles around a half-lit room,
scent of sweat exhaled by thick cotton

work shirts, denim salted with cigarette breath.
The bar’s low lights shiver on the skin

of his black leather coat. I linger
on the small god tapping at his chest.

November 2020
Featured image for “The Sum of Our Differences Equals Mom”
Andrew Sarewitz

The Sum of Our Differences Equals Mom

Just as a person may have unexpected contradictions to his temperament, two very different men can each mirror an individual they know well. My oldest sibling told me he sees himself as being a lot like our mother. It’s not that I didn’t believe him, I simply thought I was the one who wore the analogous traits. Since my brother and I practically live opposing lives, I hadn’t thought we both could carry on Mom’s personality. Mom died in 2014.

November 2020
Featured image for ““Salt,” “Like a Foolish Man” and “Skipping Stones””
Richard Stimac

“Salt,” “Like a Foolish Man” and “Skipping Stones”

All the salt in the world comes from the sea.
That’s why we tunnel under the Great Lakes,
To chip away a seabed that now flakes
Beneath hydraulic steel machinery.
That’s why our salty tears eternally
Burn our clenched eyes.

November 2020
Featured image for “One Silent Moment”
Ted Olson

One Silent Moment

I found Dad’s typewritten manuscript in his filing cabinet three days after his funeral. It lay flat and about an inch thick in a 9×12 envelope. The flap had been sealed, the metal clasp spread open. It was in a drawer that also contained insurance documents, the title to his car, and his honorable discharge certificate. The envelope had my name on it, written in copperplate pencil.

November 2020
Featured image for ““STILL (Upon Awakening),” “New York Times>Wedding Notices” and “Discovering Magenta””
Judith Faye

“STILL (Upon Awakening),” “New York Times>Wedding Notices” and “Discovering Magenta”

Magic will not save us.

Still
when you dream
you’re in Vegas
with your ex
doesn’t that mean
life’s a gamble?

Still

November 2020
Featured image for “The Serpent Papers:  Echoes of Sunshine”
Jeff Schnader

The Serpent Papers: Echoes of Sunshine

Christmas break arrived, and I elected to stay in the city. Without any school or family obligations, I could explore the landscapes of Gotham, a student on furlough, looking for random adventures flowing with women and rivers of beer. Nebraska was gone—God knows where—and I had the room to myself, sleeping at any hour, traipsing naked if I wanted. I could have women without any concern for Nebraska’s rights to his space.

November 2020
Featured image for “Dormant”
Joanne Saunders

Dormant

At the entrance of the yurt, Larry pulls a large group of keys from his pocket; one key for the door of the yurt, one to the gate above the entrance of the lava cave, one for the lightbox, one for Tom’s mansion, one for his car, and one for his bike lock. He’s always loved the perfect circle of the yurt. There are no hidden corners, no set-aside spaces, everything can be taken in, in one sweeping look…

October 2020
Featured image for “Exegesis”
Thomas Weedman

Exegesis

Jimmy is proud to have lettered in basketball. But he has come to think of his Saint Ambrose high-school varsity jacket as a private and public symbol of his life. It is a sort of Scarlet Letter of taint and shame for being sexually abused as a child and a bold blue A rating from the Health Department like at the zoo food stand where he works for appearing safe and clean.

October 2020
Featured image for “Juneteenth, 1963”
Rick Forbess

Juneteenth, 1963

Big Tiny and Polly owned a neighborhood grocery store with two Conoco pumps out front and rarely more than three customers at a time inside. No TV or radio played in the background, no beer or cigarettes sold, and they didn’t bother with a cash register. A narrow counter ran from the front window almost to the back door, two aisles opened perpendicular to the counter, and shelves lined the walls. Other than a well-stocked cold drink box and an old Hotpoint refrigerator filled with dairy products, that was it. I worked as the store’s only employee in the summer of 1963, when I was thirteen and secretly held Cassius Clay as my hero.

October 2020
Featured image for ““Hello Dear Visitor,” “Puddles Caressing My Skin” and “We’re Just Cordial Friends””
Elizabeth Novotny

“Hello Dear Visitor,” “Puddles Caressing My Skin” and “We’re Just Cordial Friends”

I deserted a place labeled as a home,
with outlets popping out from their cables,
an oven that I needed to light manually,
and a floral couch that creaked no matter the weight put onto it.
I still have that picture of you resting softly,
sinking into the cushions,
with a long tear at the top

October 2020
Featured image for ““Underwater,” “Locked” and “Don’t Tell the Women””
Stella Hayes

“Underwater,” “Locked” and “Don’t Tell the Women”

The naval admiral’s shallow body
Is smaller than I imagined
Underwater
In the nucleus of a nuclear submarine
Elusive to then Soviet fish spawning
On the sides of a metal ship

October 2020
Featured image for ““Familiar Cycles,” “Cloudless” and “Sand Walking””
Cynthia Megill

“Familiar Cycles,” “Cloudless” and “Sand Walking”

Late August bears canicular days.
Vertical rays beat down.
My head bends forward,
seeking the shade of my own shadow.
Once luminous eyes now fading,
Fight off the unequaled glare of the most radiant star.

October 2020
Featured image for ““Imagining 42 Tiny Scuba Divers,” “Drifting” and “Sandcastle””
Sophia Falco

“Imagining 42 Tiny Scuba Divers,” “Drifting” and “Sandcastle”

Bubble rings like misplaced
angel halos arise within
my teardrop from tiny
scuba divers the size
of pinpricks swimming
about aimlessly with salt
coating their masks,
and high on painkillers.

October 2020
Featured image for ““Aches and Pains,” “Timber Tantrums” and “Chicago Sunset””
Khalil Elayan

“Aches and Pains,” “Timber Tantrums” and “Chicago Sunset”

There is an indigo ripple in my eye,
sending me backwards through time
on cresting waves that roll into themselves
Tightened by their energy,
these droplets form ropes
that flay my memory

October 2020
Featured image for “The Runner”
Julie Labuszewski

The Runner

The track meet ended late in the afternoon that day. She and a handful of her teammates in victory blue track uniforms gathered around the front of the high school waiting for their rides. She was fourteen, a freshman. She didn’t know then that she would be the last one left.
A steady stream of cars, turning off the well-traveled frontage road, rushed up the hill and into the U-shaped driveway to pick up their athletes. One by one, they went home with their parents. Gradually, daylight faded and the adjacent parking lot for administrators, teachers, and seniors emptied.

October 2020
Featured image for ““My Chair” and “That Hat””
Lawrence Bridges

“My Chair” and “That Hat”

Where I sit is not my chair
but on my bones stacked up my back.
The me is from shoulders down for air,
chin up for sight and speech.
Though toes curl the chair legs
for balance, my feeling is, has always
been, that life is in my hands.

October 2020
Featured image for “The Beauty of Authenticity”
Lisa Novick

The Beauty of Authenticity

Early one summer evening, my mother and I are sitting side by side on a glider in my backyard, sipping glasses of wine and chatting, staring out at my native garden. At the edge of the patio, square-spotted blue butterflies are laying eggs among the buckwheat’s pompoms of cream-colored blossoms. A mockingbird is in the elderberry, inspecting clusters of ripening fruit. Above the flowering wands of white sage, hummingbirds are skirmishing, dipping and diving, scolding each other with intense chirps as they duel for nectar.

October 2020
Featured image for “What To Keep”
Peter Hoppock

What To Keep

One hot summer day twenty years ago, the day after my father died, my brother and I placed a few sheets of four-foot by eight-foot plywood in the center of the attic at my parent’s house, the same house I live in now with my wife Anne and our three boys, the house we are selling. Putting the boards in was hard work that required twisting and bending and lifting, and it strained our muscles. Dust motes and pink asbestos particles clung to our sweaty skin, and splinters pierced our fingers; I enjoyed the work, more from the pleasure of my brother’s company than the job’s inherent value or purpose.

October 2020
Featured image for “Panda Story”
Golnaz Moeini

Panda Story

I went to China to hug a panda.
When I first learned that the Sichuan province in China is the only place on the planet that allows physical contact with panda bears, I knew immediately that I had to go.
My decision to visit the birthland of the giant panda had nothing to do with a vacation from my busy schedule but everything to do with a connection to a world that was raw, genuine, and innocent.

October 2020
Featured image for “Orphans”
H.C. Gildfind

Orphans

Afternoon. A mist of not-quite-rain. Stacking wood by the side of the shack. River Gum, bought in to mix with the bush wood. Admire its deep desert-red, its dense solidity, its promise that winter has its comforts too: this is the only wood that knows how to burn hot and slow and all the way through to the morning.

October 2020