Issue 89, November 2024

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 89, November 2024

Featured image for “Arthur’s Secret Show”
Ashley Christopher Leach

Arthur’s Secret Show

Miss Beulah was not worried about a few dead feral cats, especially the ones that had lived for years in her woodpile before they met their sanguinary demise. She had discovered them gruesomely slaughtered with violent gashes to their necks just after a weak, late autumn hurricane had wreaked havoc on her yard and flooded her collard patch. Apart from believing that a bobcat had done the killing, her only real concern was removing the corpses from her yard. But a week later …

November 2024
Featured image for “Better Than Fine”
Christine Marra

Better Than Fine

June 1941
“Get up,” I whisper, crouching on the concrete, grasping the bars with fingers picked raw and bloody. I consider rapping the bars with the key — the precious key!— but I don’t dare. The guard might be a light sleeper.

November 2024
Featured image for ““Blumensprache (or Self Portrait as Purple Thistle),” “My Words,” and “Noir””
Julie Benesh

“Blumensprache (or Self Portrait as Purple Thistle),” “My Words,” and “Noir”

Because my head is full of one hundred flowers.
Because dandelions were taken; ditto orchids
(each a bookend on the hardy-to-fragile spectrum).
Because I don’t compete with or covet the rich
and shallow soil but trade in the depths of mingled roots.

November 2024
Featured image for ““If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground””
Jonathan Bessette

“If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground”

Lying amidst terra cotta
shards, in backyard rituals
we stared at a bleaching dot
of sun, hoped tanning might
remind us of no—bad—days. I told you

November 2024
Featured image for “The Violinist”
Randy Kraft

The Violinist

Bill returned home after a particularly strenuous workday to find Loretta in the living room nose to nose in conversation with a stranger. Rather than interrupt, or inquire what was going on, he observed from the doorway.

November 2024
Featured image for ““home was looking at you,” “My Apologetic Elegy,” and “My Father And The Souvenir””
Celeste Bloom

“home was looking at you,” “My Apologetic Elegy,” and “My Father And The Souvenir”

Home is a mold, that I cast upon you
in the shape of this poem, that fits only you.

Home was the way you described every color:
hunter green, sunset orange, and midnight blue.

November 2024
Featured image for ““Being,” “After,” and “Hunting””
RW Mayer

“Being,” “After,” and “Hunting”

When I was a child I went out to the long hedge
along the back of our property. I could crawl
in under the leaves and branches to the middle.

November 2024
Featured image for “DEADline”
Renee Roberson

DEADline

Cordelia Cates stepped out onto her deck overlooking the lake as she cradled her coffee cup, which had more than a splash of Bailey’s Irish Cream added in for good measure. She sighed as she wrapped her cardigan around her with the other hand and surveyed the red clouds overhead.

November 2024
Featured image for “The Real Story”
Douglas Nordfors

The Real Story

The situation was this: Bret’s ringing phone had woken him up just before daybreak. Jeff, his once fairly close, but now hardly close friend, sounding frantic, had asked him to meet him. Bret had said he would and asked where, and Jeff had calmed down enough to give him clear directions.

November 2024
Featured image for ““Basking” “My Valentine’s Day,” and “Indian Summer Twilight from my Balcony””
Joanne Jagoda

“Basking” “My Valentine’s Day,” and “Indian Summer Twilight from my Balcony”

basking in the words
of a poem set aside, long forgotten
the warm glow of verses once familiar
comfort like a soothing bath
taking you back
to another time and place

November 2024
Featured image for “A House of Cards”
Peter Newall

A House of Cards

When Nataliya had finished the last crumbs of her cake, I paid the bill and we left the café, the bell tinkling as the door closed behind us. At half past four, the grey winter afternoon had already turned to night. I offered Nataliya my arm, as the cobbled street was slippery with frozen snow.

November 2024
Featured image for “Mothers and Monsters: Adapting to Queer Immigrant Trauma in <em>On Earth We’re Briefly Gorgeous</em> (2019)”
Celeste Bloom

Mothers and Monsters: Adapting to Queer Immigrant Trauma in On Earth We’re Briefly Gorgeous (2019)

Due to historical persecution of queer individuals, trauma pervades queer lives, communities, and literary representation. Given the prevalence of trauma in queer narratives, can queer protagonists define themselves beyond the atrocities they face? In his epistolary novel, On Earth We’re Briefly Gorgeous (2019), Ocean Vuong demonstrates that while trauma fundamentally shapes the queer Vietnamese American protagonist, Little Dog, he is equally defined by his response.

November 2024
Featured image for “It’s about process.”
Trelaine Ito

It’s about process.

I find myself lying down on my bathroom floor again, staring at the underside of my sink, talking to my inner self. It’s only two years. Two years and then we’re done. (Why I refer to my inner self as a “we” requires a lengthy psychological profile not relevant to this particular story, but it’s often because I view my internal voice as a separate being…

November 2024
Featured image for “The Gilded Cage”
David Kennedy

The Gilded Cage

Colonel George Corkhill of the Chronicle was ushered into Justice Samuel Miller’s parlor, and anxiously removed his hat. His face was flushed, and his countenance bore the marks of bad news. “The position of Chief Justice will be offered to Senator Conkling, sir.” Corkhill spoke with hesitation, for he was thrusting a dagger into the heart of his father-in-law.

November 2024
Featured image for ““Streetlight,” “Sudden Branch Syndrome,” and “Clock””
Christine Andersen

“Streetlight,” “Sudden Branch Syndrome,” and “Clock”

I would wake and watch
from my bedroom window
as the snow fell in a waterfall of white
under the glow of the streetlight,
a suburban beacon shining
on my narrow side road.

November 2024
Featured image for “Dandelion”
Stan Werlin

Dandelion

It’s almost midnight when they leave the beach, tired, thirsty, still too high from the freely flowing weed. They’re jammed into Ed’s aging blue Volkswagen, Lisbeth up front, Jonathan and Denise crowbarred into the tiny back seat as they head onto the Mid-Cape Highway for the trip back to Manhattan from Truro.

November 2024
Featured image for “Rules”
Quin Yen

Rules

If this is not a meat bun from heaven, Dr. Wu doesn’t know what would it be. A meat bun from heaven (天上掉馅饼) is a Chinese saying, meaning pure luck.
Dr. Wu has worked as a Rehab physician in the hospital in Texas for a few years. A few weeks ago, her department chief, only in his fifties, suddenly left.

November 2024
Featured image for “Pandemic Dog”
Mark Hall

Pandemic Dog

When Tibby arrived on her first night with us, we let her out into the fenced backyard. On the steps, she paused for an instant, ears up, nose twitching, poised like an Olympic sprinter in the starting blocks. In the twilight, something caught her eye. Slowly, she stalked, like a panther, into the grass. Then she dashed, disappearing under the arborvitae. In a moment, Tibby emerged, triumphant, shaking a small rabbit between her jaws.

November 2024
Featured image for “Requiem”
Chad Gusler

Requiem

I nursed a lamb when I was eight or nine. Its mother had forsaken her, and Dad, sensing a good learning opportunity, tasked me with feeding her every morning. She had watery eyes with dark, horizontal irises; a wet, pink nose; and kinky, brown wool that felt fantastic against my cheek. We called her Rosie.

November 2024
Featured image for “The Air Beneath Her Feet”
L. Vocem

The Air Beneath Her Feet

They sat in an outdoor café having a latte and a ham cachito. Her boss talked about the weather, how the government wanted to subsidize payroll, which was their way to get inside the company and eventually take it over. He put a cigarette in his mouth and offered one to Alejandra. She declined. She didn’t smoke. And while she enjoyed watching the clouds above the Avila mountain, the spacious sidewalks covered in tables, and people playing an afternoon game of chess, she was still wondering why her boss asked her to lunch.

November 2024
Featured image for “The Last Hustle”
Steve Bernstein

The Last Hustle

August, and the PS.104 schoolyard was empty. A good thing. Gave me a chance to develop my pitching arm. And avoid trouble. As a white kid in the South Bronx in 1967, trouble had a way of finding me.

November 2024
Featured image for ““Journey Through the Realms of Night,” “Mind-full-ness,” and “North””
Bartłomiej Lekan

“Journey Through the Realms of Night,” “Mind-full-ness,” and “North”

Two days after the moon was full
I walked as in a dreaming.
Over the black seas I yearned to be,
Where the old stars were still bright and gleaming.

November 2024