Issue 47, March 2021

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 47, March 2021

Featured image for “Six Sleep Stories”
Diane Forman

Six Sleep Stories

My former mother-in-law complained of insomnia. Incessantly. She had a small army of pill bottles lined up on the kitchen counter: Tylenol PM. Tramadol. Valium. Klonopin. Sleep aids. Little helpers.

March 2021
Featured image for ““Conspiracies,” “Return to Kansas” and “I See Now””
Martha Kane

“Conspiracies,” “Return to Kansas” and “I See Now”

The random caws of crows
I hear as I unload the dishwasher.
I look out to see three birds gathered
round the war memorial
and the flag.

March 2021
Featured image for “Canned”
Elizabeth Powers

Canned

When I wake up in the morning, the snow has stopped falling, but outside my window I see a big mound of the stuff in the driveway. I rub my eyes and sigh, realizing that the mound of snow is actually a car and that I’m going to have to dig it out fast if I don’t want to be late to work. I throw on my khakis and dark green shirt, Harold’s Grocery sewn on the left breast pocket in yellow, loopy script, and then stare back at the car just for an instant to contemplate the freezing temperature of creamed corn.

March 2021
Featured image for ““hate | thirst,” “Sahara’s siren” and “release | remain””
Erik Poitras

“hate | thirst,” “Sahara’s siren” and “release | remain”

for those that are tempted to drink from the fountain of hate
beware of that bittersweet nectar
even as it feels like honey running down your chin
you will realize its acidic burning nature
as it bores a trail into your soul

March 2021
Featured image for “Code Red”
Andrew MacQuarrie

Code Red

It sounded like a creaky door. Or a lazily deflating balloon. Or a territorial humpback moaning out its claim to the waters of the North Pacific.
What it didn’t sound like was lungs. At least not healthy, normal lungs.
Mai Fitzgerald closed her eyes and adjusted her grip on the stethoscope. It was all there—the prolonged expiratory phase, the diffuse high-pitched wheezing, the hoarse… junkiness classic for chronic bronchitis. She imagined the patient’s breath, hot and frantic, scrambling to make it through her tight, scarred airways.

March 2021
Featured image for “The Missing Years”
Suzanne E. Korges

The Missing Years

There are empty spaces in my photo album, gaps in time that float like apparitions in their possibility. Just out of reach, hazy and transparent, like smoke from a Cuban cigar that was there and then, suddenly, gone. I turn the pages, searching for the missing years, but find no trace.

March 2021
Featured image for “At the Edge of a Long Lone Land”
Ben Woestenburg

At the Edge of a Long Lone Land

I used to watch her walk the Coast Path every morning through my grandad’s old spyglass. Sometimes, she’d stand rooted to one place, looking out past Pordenack Point at one of the small fishing boats, or a merchant ship, and I could picture her in my imagination as a young Penelope searching for her Ulysses. It struck me at times that perhaps she was looking for a piece of herself out there—that maybe she’d given away a piece of her heart, or perhaps misplaced it.

March 2021
Featured image for “Hidden Hurt in the Dirt”
Suzanne Eaton

Hidden Hurt in the Dirt

Red-rock shelves that looked like they were sliced away and neatly tiered by an enormous X-Acto knife in an ambitious, yet unsteady hand stood before me. The wall of rusty-red stretched between me and a creek I thought I could hear rushing by on the other side.

March 2021
Featured image for “Where Boys Play Baseball”
Thomas Weedman

Where Boys Play Baseball

All the cars are gone except for two. Fearing he’s been left behind or got the day wrong, the leggy Catholic-school boy with blue eyes and string-cheese hair limps up to the dirt lot in tattered Chuck Taylors and a sweaty panic. It’s Wednesday, August 13, 1975, and a hundred degrees.

March 2021
Featured image for “The Serpent Papers: Nietzsche, Supermen & the Death of God”
Jeff Schnader

The Serpent Papers: Nietzsche, Supermen & the Death of God

The next day, Gilly and I were sitting in The Gold Rail Tavern when the front door swung open admitting the figure of a slender man blown in like a leaf by a bolt of cold air. He stepped into the dimness of the tavern limping in pain, clothes hanging on his bones like a coat rack.

March 2021
Featured image for “Unpacking Mother”
Margaret Sayers

Unpacking Mother

Brigitte could not remember a time before the suitcase flanked the front door on the right, opposite the coat closet to the left. Just like the faded floral wallpaper, the yellowed silhouettes of the stair-step Schmidt sisters, and the frosted glass sconces in the foyer, no one even seemed to notice the weathered hard-shell Samsonite anymore.

March 2021
Featured image for “Jude”
Lydia Landrum

Jude

I always hated driving. More than that, I always hated the backseat, and I always hated riding shotgun, even. I hated it back when I was a little girl in the backseat of my daddy’s Ford Super Deluxe. I don’t know why, really, maybe it’s because someone always lights up a cigarette and chokes up everyone in the car, or maybe it’s the way I get carsick if the windows ain’t up. I don’t know, I just don’t like it.

March 2021
Featured image for “Living Memories”
Jamila Minnicks

Living Memories

“Start that over, Tiny Bit,” says Grandmama as she waves an unsnapped green bean at my laptop. “And turn it up for me.”
My finger is still hovering over the touchpad when a wave of crisp, staccato horns crests and crashes from the speakers, receding into violins cascading
down,
down,
into a churning drumroll before that voice smooths the way and invites us to meander a piece down a lazy river.

March 2021
Featured image for “Under the Microscope”
Joanell Serra

Under the Microscope

Deep down, I will always be the pastor’s daughter. While Inspector Corrick has come to Keystone School as a private investigator, my roiling stomach imagines he is a messenger from God, a toad-like minion in the army of St. Peter. Is he here to decide whether there has been a crime committed, and if so, my part in it, or to ascertain whether there has been a moral failure?

March 2021
Featured image for “Good With Birds”
E. Farrell

Good With Birds

When we were young, my brother Jim once tried to mail a pigeon – a live pigeon, friends – to his girlfriend. There it is. A week or two before school resumed for what was to be his junior year, he had captured it under a laundry basket in an alley behind our house near where the garbage cans dwelt at the rear of the garage. Over much pecking and scratching, Jim had managed to band a love note around one of its legs

March 2021
Featured image for “The Book of Dragonflies and Nana-Wai’s Garden”
Alpheus Williams

The Book of Dragonflies and Nana-Wai’s Garden

The fat gibbous moon is hours away from dropping beneath the curved horizon. Under that fat moon Nana-Wai glides through her garden, ghostlike. She’s old and there’s not as much of her as there was when she was younger. Her cotton shift, thinned with age and wear, like gossamer wafts in the breeze. It’s as if she is floating. Stiff bones and muscles find grace.

March 2021
Featured image for “A Doctor in the House”
Jean Ende

A Doctor in the House

My mother tucked the phone receiver between her shoulder and her ear, lit a cigarette and simultaneously dialed Aunt Rachel’s number.
I left home several years ago, but I’ve overheard enough of these phone calls to be able to recount this conversation. While they lived only two blocks apart and neither of them worked outside the home, my mother and my Aunt Rachel found enough drama in their lives to need to speak to each other every day.

March 2021
Featured image for ““Derwent,” “Sunday” and “November””
Emily Marchment

“Derwent,” “Sunday” and “November”

The Derwent’s not in any rush. Green surf
Of trees, the rocky crests of peaks now still
Enough to watch their sister wind downhill
And salve exploited wounds of quarried earth.

March 2021
Featured image for ““There Are No Words,” “Que Será – Mother’s Stare” and “Peace””
Russell Willis

“There Are No Words,” “Que Será – Mother’s Stare” and “Peace”

“There are no words…” with tragedy
Or times absurd or ends unknown
Is tragic in its own accord
For words may be all that we own

March 2021
Featured image for ““Saturn,” “One” and “Cemetery Walled””
Justin-Paul Starlin

“Saturn,” “One” and “Cemetery Walled”

As another moonlight saunters
on inlets,
let’s agree Saturn can set:
the moons will use its rings as a table,
and as euphoric as their blurry mind
can be like
MDMA intoxication.

March 2021
Featured image for ““Promotion Review in the Afterlife,” “My Thieves Are Lonely” and “Odd Boy””
Bryn Gribben

“Promotion Review in the Afterlife,” “My Thieves Are Lonely” and “Odd Boy”

“We’ve been thinking,” the angels say
 (they work for Krishna now—God knows
he’s got too much to do, what with all
that attention the rich demand these days)
“and we’re going to send you back as a cat.”

March 2021
Featured image for ““Listening to ‘The Lark Ascending’,” “Last Hours” and “In Starlight”  ”
Christopher Johnson

“Listening to ‘The Lark Ascending’,” “Last Hours” and “In Starlight”  

I listen to
swells
and
falls of the lark
in Williams’ grand tribute to
Albion

March 2021
Featured image for ““I Push Back the Images and Climb into Bed” and “What Stays””
Allison Bliss

“I Push Back the Images and Climb into Bed” and “What Stays”

The blanket tucks my head away from the world.
My eyelids shut.
My knees fold into my stomach, and then
the plane you boarded to Orlando
crashes in Georgia before you can make your way to me.

March 2021