Issue 101, November 2025

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 101, November 2025

Featured image for “Body snatcher, soul catcher, doppelganger”
H.C. Gildfind

Body snatcher, soul catcher, doppelganger

You keep writing in the second person. Why do you keep doing this? I keep writing in the second person. Why do I keep doing this? Interesting, how a shifting pronoun can turn a question into an accusation—transform a benign enquiry into a bludgeon.

November 2025
Featured image for “Saṃsāra”
Vitul Agarwal

Saṃsāra

Levi woke up to the insistent sound of his alarm. It had the same rhyming beat as always, but for some reason, it sounded louder this morning, as though he had woken up for the first time in his life.

He sat up, stretching his back until he felt a satisfying pull in his shoulders. At thirty-five years old, his body ached in places that were vaguely familiar. By the time he’d made coffee, his thoughts drifted to his day ahead.

November 2025
Featured image for ““Just beyond the Road’s Edge,” “Listen to the Desert,”and “Echoes of Falling Water””
Susan Cummins Miller

“Just beyond the Road’s Edge,” “Listen to the Desert,”and “Echoes of Falling Water”

Just beyond the road’s edge
in the country of black-eyed Susans
and Russian thistle—

just beyond the crumbling line
where asphalt stops and washboard
gravel begins—just beyond the turnoff

November 2025
Featured image for “Father Tom”
Toni Palombi

Father Tom

Father Tom’s spiritual awakening struck in the desert. It was the 1960s and Tom was working in Woomera – an area of the South Australian outback harbouring military secrets. “It was a wild time, the 60s. I spent a lot of time partying, playing football, and pursuing women,” Tom tells me as we sit in his living room cluttered with books.

November 2025
Featured image for “Big Bertha”
Katherine Moore

Big Bertha

I divide my life into two parts: before Hiland Mountain and after. The time between I don’t dwell on much. Why should I? It was as bleak as Eagle River’s sky in November, a granite dome strung with nimbus clouds that blocked all light and yielded only biting rain and hail. Through the steel bars, the land around the facility was covered with a thin layer of frost and ice, where off in a distant and unattainable horizon a few dots hinted at Anchorage city life.

November 2025
Featured image for ““Revelation,” “Consequences be like…,” and “1838””
Steve Biersdorf

“Revelation,” “Consequences be like…,” and “1838”

Where fall hangs on into late December are

scattered bay leaves, almond-shaped to the
petiole, petiole as boat draft, wake, tiny

battleships and destroyers from the

admiral’s sky vantage, arranged in naval
maneuvers on the asphalt expanse of Hastings

November 2025
Featured image for “The Exorcism”
Riam Griswold

The Exorcism

A boy floated face down in the clear and silent lake. No wind stirred the surface, though scattered webs of ripples caught the slanting morning sun. The boy wore nothing but his briefs. Minnows darted curiously between his dangling fingers.

He laughed. The sound slipped from his mouth and nose in bubbles, which tickled his face as they sought the open air. Squirming, he flipped over to draw a breath and blink at the pale-blue sky through the drops of water clinging to his lashes. A crow coughed its rough call in the rustling quiet.

It was Wednesday morning, which meant chores and schoolwork were waiting. But they could wait a little longer. Ever since Mama had decided public school was a bad influence and her children ought to be homeschooled, his days had been largely his own.

November 2025
Featured image for “Confessions of an Irish Jew: My Faith Journey”
Michael McQuillan

Confessions of an Irish Jew: My Faith Journey

My father told anyone who would listen that he was an atheist, a foil to his mother’s church immersion. Chanting “Jesus, Mary and Joseph,” clutching her rosary as Dad rushed our rented Ford Mustang through a Miami Beach thunderstorm, she frightened me with her fear.

November 2025
Featured image for “Life Bends Differently”
Earl R. Smith II

Life Bends Differently

It was a bright afternoon. Sunlight fell across the benches and paths, making the leaves glow in green and gold. Angelique sat on a bench near the lake, one leg crossed over the other, hands folded on her lap. An older man was beside her, gray-haired and stooped, speaking slowly about hatred. He spoke as though he had carried it all his life and expected to carry it always.

November 2025
Featured image for ““12 Years Old,” “Can’t Google This,” and “To Hell With Black Friday””
Nika Cavat

“12 Years Old,” “Can’t Google This,” and “To Hell With Black Friday”

She had a baby
only two weeks ago –
2 pounds, 6 sticks of butter, a sack of flour
a bowl of apples, a bag of caramel sugar
2 pounds of a girl.

She weeps into the bowl of her hands,
her breasts full, her womb a spent sack
her baby, no bigger than a pup…

November 2025
Featured image for “Diane”
Quin Yen

Diane

It’s been raining outside for days now. It’s a dribbling kind of rain. No downpours. No thunder. Just dripping, dripping, nonstop. The air feels clammy, almost suffocating.

Inside her office, Dr. Wu reviews her patients’ medical records. The building has air-conditioning. She appreciates a windowless office much more on days like this.

Her office is on the first floor of the hospital and the rehab unit is one floor above. She likes her office because being an introvert, not seeing what’s going on outside of her space suits her well. She likes its peaceful feeling. In fact, she likes it so much that she dreams to write a story or a novel someday and call it “A Room Without A View.”

November 2025
Featured image for “Mother’s Daughter”
Molly Higgins

Mother’s Daughter

They laid my mother on the table, a sheet to cover her face from seeing the belly once kissed by men on warm, tropical nights. It looked so different now, sterile. The freckles dotting her pale round belly looked like an infection rather than the constellations. The doctors inserted a scalpel and held plastic buckets on either side, careful to not let the blood spill onto the floor.

November 2025
Featured image for “Puglia”
William Cass

Puglia

My siblings and I all committed to a biking tour together in Puglia, Italy, almost a year before its mid-May start date. The main reason was a joint celebration of significant milestones for each of us at the time. I was the oldest brother and was turning seventy, and our lone sister, Alice, sixty-five. Pete, two years my junior, had just successfully survived head/neck cancer plus a rash of aftermath complications. And Tom, the youngest, had formalized his upcoming early retirement at age sixty-one.

November 2025
Featured image for ““Loose Parts,” “Quis Ut Deus,” and “Time and Fire””
Jack D. Harvey

“Loose Parts,” “Quis Ut Deus,” and “Time and Fire”

Tweet, tweet, tweet,
tandaradei,
set the scene
back in the day;
inside and outside
the heat for master and slave
too hot to handle
even in the basement,
even in the shade

November 2025
Featured image for “The Prince and His Pert Little Palace”
Sonali Kolhatkar

The Prince and His Pert Little Palace

A flickering neon sign reading “A-R-T” on a dark Culver City street was the only indication that Arcturus Gallery was open. Steep concrete steps led to a basement-level space. He nearly slipped on a rain-slicked slab—it never rains in LA—before landing in a small puddle in front of a smudged glass door.

Cursing as damp seeped through thin socks, he pushed through the portal. Bells jangled announcing his entry into the art gallery, as though it was a convenience store.

November 2025
Featured image for ““Direct the intention seaward,” and “Asunder, sticking to the hurricane like glue.””
Nicholas Matzoros

“Direct the intention seaward,” and “Asunder, sticking to the hurricane like glue.”

Direct the intention seaward, where kelp forests sway like cathedral tapestries,
And the hush of the deep folds inward, a silence vast enough to hold the ache of longing.

Let your thoughts unfurl like sea anemones, soft and trembling,
Reaching for the light that dances down in scattered gold

November 2025
Featured image for “Missed”
Diana McQuady

Missed

The cell phone’s ring pierced through the Christmas music like a needle into a vein. I sputtered from my baking nirvana and glanced at the screen, already aware by the ringtone that the caller wasn’t my husband or our daughters’ school but still a number I’d stored. When I saw that it was the oldest granddaughter of Helen, my sweet neighbor, I set my frosting bag down and tapped a pinky fingertip to the green button.

“Nikki, thank God you’re home. It’s Rachel. We need your help.”

November 2025
Featured image for ““Aujargues in Mid-Summer,” “Summer Evening Walk After Rain,” and “Eros & Philia: A Botany of Love””
Claudia Kessel

“Aujargues in Mid-Summer,” “Summer Evening Walk After Rain,” and “Eros & Philia: A Botany of Love”

three-legged cat crouches in the alley
one-eyed horse at pasture
white sun breathes on white stone

green figs cling
to the youth of their branches
resist their gradual purpling

soles of shoes

November 2025
Featured image for “Drummer Boy”
George Cross

Drummer Boy

It was my third cruise in three summers, and I still could not get used to the cramped, windowless living situation that followed me onto every boat. I guess if I wanted to, I could have always splurged on a better room, but that always made things more than twice the price, and without the shitty room, it hardly even felt like a cruise.

I borrowed this attitude mostly from my wife, who did not enjoy cruises very much at all, and only came when I insisted.

November 2025
Featured image for ““Coleslaw Dignity,” “a young piece,” “For Sunday””
Sean Mahoney

“Coleslaw Dignity,” “a young piece,” “For Sunday”

When I left you alone at night after three it was I think
The storybook moment and perfect ending: three dead
Maji dropping from the sky bounce off clouds. Spiritless
We disappear within the screams, the laughter; Pro-

Publica gone DOA. I’m almost nauseous having thought
Of the way we cook with human flaw; coleslaw dignity.

November 2025
Featured image for ““Dinosaurs,” “Casino,” and “Disabled with Dog””
Litsa Dremousis

“Dinosaurs,” “Casino,” and “Disabled with Dog”

My childhood friend says:
I don’t believe in dinosaurs anymore.
I laugh
but he insists
he’s not kidding.
Stunned,
I search his eyes
for a glimmer
of the person
I’ve loved

November 2025
Featured image for ““Schooled by the Algorithm,” “”Hippocratic Oath,” and “The Shadow of the Dryad””
Vanessa Watters

“Schooled by the Algorithm,” “”Hippocratic Oath,” and “The Shadow of the Dryad”

It told me that I have a problem
I have to solve, that I’m the puzzle.
I could feel it study me, as I
researched myself. It taught me
if I go deep, it’ll all work out, a
mastermind of configuring the pieces
of my psyche, which it said in Greek
means “soul.”

November 2025
Featured image for ““Slow Living,” and “Blessed is the Moon””
David W. Berner

“Slow Living,” and “Blessed is the Moon”

Tonight, I choose to place my singular attention
on the moon, the orb of dust and rock
and its ghostly reflection of the burning star,
and breathe in the crickets and the owls.

And it is in the lightless chill that I wonder—
what does it mean to arrive, to find
comfort in a destination reached.

November 2025
Featured image for ““It’s Not Me,” “Always There,” and “Service””
Lucy Sage

“It’s Not Me,” “Always There,” and “Service”

It’s not me.
The polish lingers,
black onyx screams
on each finger.

It’s been five days.
My nails are lit.
I’m not sure why
I try it.

November 2025