Poetry

Poetry

Featured image for ““the poem which is the story of us”, “to R, who asked me to jump into the pool” and “of the understanding of love and other such things””
Vandana Devi

“the poem which is the story of us”, “to R, who asked me to jump into the pool” and “of the understanding of love and other such things”

this poem is the story of us/
written
between two pieces of paper/
he talked about us as though
he is not one amongst us/
as far
as i’m telling the story, the talk is
about us, ie, you and me and him/

September 2018
Featured image for ““of mass shootings and love and chopsticks and bridges and warmth and cherry blossoms and expectations and acrostic poems and” and “Dear White Men: Bet You Think This Poem Is About You””
Albert Lee

“of mass shootings and love and chopsticks and bridges and warmth and cherry blossoms and expectations and acrostic poems and” and “Dear White Men: Bet You Think This Poem Is About You”

of mass shootings and love and chopsticks and bridges and warmth and cherry blossoms and expectations and acrostic poems and
m Maybe it’s naïve for me to expect the world to scream
a and shoot just because another human is shot.
s Silence is not the absence of a gunshot.
s Silence is the presence of a bulletstorm.

September 2018
Featured image for ““Augusta Ada Lovelace, A.A.L.”, “Made Up” and “Six Hours before Performance””
Leigh Holland

“Augusta Ada Lovelace, A.A.L.”, “Made Up” and “Six Hours before Performance”

She walks in, seventeen and agate-pale, to view the Difference Engine No. 1 with her maman—blue taffeta, white veil, herself a fearsome intellect and bastion of social justice. Great gold instrument, steam engine structure and pipe organ height, exquisitely bewitching. Ada, intent on further knowledge,

August 2018
Featured image for ““Looking Forward” and “Moving In””
Danielle Boccelli

“Looking Forward” and “Moving In”

My hair is wet and drips. Water collects
breeze-chilled
in the small of my back.
The time is half-past
bittersweet. The day ends simply
and begins. Exhausted, refreshed,

August 2018
Featured image for ““Horizons,” “After Reading Traveling Through Dark” and “534-1785””
Peter Shaheen

“Horizons,” “After Reading Traveling Through Dark” and “534-1785”

Mostly brown fields salted with white patches of snow— moist from winter’s thaw and the coming green of spring. It’s there in the going and coming of seasons, the earth swallows your fading white form as you walk away. I follow to the blue horizon wishing you would not depart.

August 2018
Featured image for ““Shaving”, “Chez Heaven” and “Night, My Role in It””
John Grey

“Shaving”, “Chez Heaven” and “Night, My Role in It”

I hate shaving. Thinking enlists in its war. The two dimensions of reflection summarize me. Foam licks my temporal chin, I confess to the razor how I’m leaving immortality behind for someone else to believe in like a dolt.

August 2018
Featured image for ““Sculpted Marble Midnight”, “Hidden in the Forest” and “The Lucky Men””
Natalie Gasper

“Sculpted Marble Midnight”, “Hidden in the Forest” and “The Lucky Men”

I walked through the walls of the Louvre and noticed the Hall of Sculptures was still asleep. I tiptoed in and took a deep breath. As I exhaled slowly, a springtime breeze, Winged Victory of Samothrace shook out her wings. Her marble gown,

June 2018
Featured image for ““American Migrant”, “Inside the Wall” and “Soccer Revolution””
Alf Abuhajleh

“American Migrant”, “Inside the Wall” and “Soccer Revolution”

“You came here and took the jobs our fathers built for us.” We exploit our talents in the fertile fields, in the shadows of portable toilets, in asparagus rows retching, wrapping ripped rags around numb fingers for a nightshift at the Blue Smoke Slaughterhouse.

June 2018
Featured image for ““The Reckoning”, “Three poems working against my smile” and “Home””
Danielle Williams

“The Reckoning”, “Three poems working against my smile” and “Home”

We want fires that burn. Poems that hurt. Words that are so painstakingly blunt they break barriers. People that are so honest it brings others to their knees. Eventually, they will beg and they will plead. “Please end your statement with a period and not a dagger.”

June 2018
Featured image for ““Cartographer of Crumpled Maps”, “At a Concert, Battery Park” and “Migration””
Jonathan Perez

“Cartographer of Crumpled Maps”, “At a Concert, Battery Park” and “Migration”

The painted buntings used to pair among the fractured feelings neither bunting nor feeling, came to assist their harvest what was settled among the field, a Hairy bear (one that laughed) slinked in from the wilderness

June 2018
Featured image for ““Jumpers’ Heaven”, “Exhumation” and “Who Your Brother Knew””
Paul Reyns

“Jumpers’ Heaven”, “Exhumation” and “Who Your Brother Knew”

Three boys, bare-backed, draped elbows over a life raft. It was a spring mid-day. A fourth propelled himself into the air drew up his knees to his chest and cracked the surface, causing his friends to shake their heads and dab at their eyes.

June 2018
Featured image for ““Slowly”, “Where the Light Is” and “Bystander””
Tejan Green

“Slowly”, “Where the Light Is” and “Bystander”

I wish you would take the time you need. Enter and enter again until clarity comes and you leave with all the answers. We talk of the weather to avoid talk of the things that matter,

June 2018
Featured image for ““A Girl Named”, “What the River Took” and “What’s New, What’s Left””
Konstantin Rega

“A Girl Named”, “What the River Took” and “What’s New, What’s Left”

What’s New, What’s Left I keep stray hairs, those golden lines pulled by comb and air before you question my disease, my battle and bait that I cannot shed.

May 2018
Featured image for ““If This is Love”, “I Go into Her Mouth” and “In Response to Cee-Lo Green’s Analogy of Rape & Robbed Houses””
Talicha Johnson

“If This is Love”, “I Go into Her Mouth” and “In Response to Cee-Lo Green’s Analogy of Rape & Robbed Houses”

If This is Love you love me like a getaway car/an extra foot of rope/the single phone call/a life jacket/what i mean
is/you love the way that i am/always ready to save you/that i will get my hands dirty               knees
bloodied         everything bruised/so you don’t have too/i don’t ask what you are willing to do for
me

May 2018
Featured image for ““3rd Floor Up”, “3 Sides” and “The Third Time””
Riley Welch

“3rd Floor Up”, “3 Sides” and “The Third Time”

3rd Floor Up The days started
getting slower and faster simultaneously.
And I lost interest.
But at the same time,
they raced and I couldn’t see them pass.

May 2018
Featured image for ““Landscape”, “The Book of Minutes” and “War””
Teresa Sutton

“Landscape”, “The Book of Minutes” and “War”

Landscape You can’t trust what you see
in the mottled blue and violet
around a black eye.
Real monsters are the ones
we don’t recognize at first.

May 2018
Featured image for ““Brotherly Love”, “Loving Your Absence” and “Nostalgia””
Jonathan Clark

“Brotherly Love”, “Loving Your Absence” and “Nostalgia”

Brotherly Love We start out soft as Egyptian sheets – boys,
then we manufacture into men. Notice how the word
men, sounds harder, stiffened by our insides churning
to stone as we grow.

May 2018
Featured image for ““Failed Her”, “Ashes to Dust” and “Broken””
Autumn Slaughter

“Failed Her”, “Ashes to Dust” and “Broken”

Failed her I failed
her. Was not
good enough because
no one can ever be
good enough to carry
the burdens of the
dying on their backs, to
be blessed with the
baggage of existential
emotion that makes life so
sweet as to make it unbearable

May 2018
Featured image for ““Yo-yo”, “Ephemera” and “Bowels of Nursery””
Gerard Sarnat

“Yo-yo”, “Ephemera” and “Bowels of Nursery”

Yo-Yo Epic refereed over-the-moon contests were sponsored by Duncan Toys Inc outside the best local movie theater where we saw twenty-five cartoons for a quarter. Plus the raffle winner with the luckiest ticket got to bring a box of chocolates home to mother.

March 2018
Featured image for ““The Luminous Mysteries”, “Retain this Copy for Your Records” and “It’s Later Than You Think””
Michelle Brooks

“The Luminous Mysteries”, “Retain this Copy for Your Records” and “It’s Later Than You Think”

The Luminous Mysteries For the better part of an hour, I sit in an examination room, my nose dripping onto the butcher paper, having feigned interest in the fake breast handed to me by a doctor at this urgent care.

March 2018
Featured image for ““A Broken-Hearted Orange”, “Between Raindrops” and “Delaware””
Elizabeth Rodriguez

“A Broken-Hearted Orange”, “Between Raindrops” and “Delaware”

A Broken Hearted Orange The orange on the counter is no longer an orange, It can no longer be used for its nutritious value, For all I see is a sunset peeling atop the skyscrapers in the city. It can no longer smell like fresh citrus, For the sound of sweet jazz music fills the room. The orange can no longer be just an orange, Because of you—

March 2018
Featured image for ““In the Fourteenth Year the Man with the Roses Came to Me and Said”, “Performer” and “Examination of a Morning Three Days After an Autumn Wedding””
Edwin Wentworth

“In the Fourteenth Year the Man with the Roses Came to Me and Said”, “Performer” and “Examination of a Morning Three Days After an Autumn Wedding”

Performer He stood adjusting on the small white pedestal Waiting for the lamb eyed crowd to bend their knees and soften Their breath. Looking out he weighed the gold that was still heavy in his heart, Felt its warmth in his palm as he prepared to cast it into the shining sea.

March 2018
Featured image for ““Sea Memories”, “Mesmerizing Munia’ and “Memories to a Saturday Customer””
Eric Peter

“Sea Memories”, “Mesmerizing Munia’ and “Memories to a Saturday Customer”

Sea Memories The red fish dangles Among a set of pictures Stuck to a wall with tape Which won’t stick for too long The photos depict sea nomads In a generation’s past When fish was abundant And boats were still scarce

March 2018
Featured image for ““Reflection Under Yellow Sky”, “Appeal to a Photo Album” and “Shrieking””
Steve Gerson

“Reflection Under Yellow Sky”, “Appeal to a Photo Album” and “Shrieking”

Reflection Under Yellow Sky Sitting at a counter in the stoplight diner, I stared out the window, you staring back at me. The traffic had travelled down FM 202, Leaving the road dusty, chaff-filled After the thresher had fed. Only you kept me company.

March 2018