Poetry

Poetry

Featured image for ““For Poseidon,” “A Marriage,” and “Sons””
Brittany Mishra

“For Poseidon,” “A Marriage,” and “Sons”

That night in the temple, when he hurt her, the asps found her ravaged, her hair tangled; they buried their tails into her scalp as tree roots sew into earth and soil. They kept her safe from his sea, enthralled her, and pointed with their tongues to her escape. They guided her through meadow and forest to a quiet cave high atop a cliff.

December 2018
Featured image for ““Crickets,” “The Man in the Coffee Shop,” and “Edgewise””
Alex King

“Crickets,” “The Man in the Coffee Shop,” and “Edgewise”

freed from for a moment my sonic mechanics and I started to hear a free fiddling buzz it was that wild clicking din of innumerable tiny tigers -eye bug-leg violins: crickets! cruising from the roofs of blades play vesper serenades for June boys, vim Julies, whose bodies’ limbs are pinwheeling vibrato by their sides in halls of tall wheat grasses…

December 2018
Featured image for ““Long Ago, Friday Night in Texas,” “A Train at Night,”  and “Joy””
Russell Willis

“Long Ago, Friday Night in Texas,” “A Train at Night,” and “Joy”

Light explodes from darkening skies. Not Sun, Yet, light unleashing elemental forces. The fragrance of recently mown grass As would be remembered by a thoroughbred Not so long ago a colt Building muscle and endurance Running like the wind through the grass just because You were meant to run like the wind when you are a colt.

December 2018
Featured image for ““Selkie”, “Dad,” and “The Lives of Others””
Ally Chua

“Selkie”, “Dad,” and “The Lives of Others”

They say that he hid my skin, but what they
do not know is that I threw it into the sea
at high tide, such that it will not drift back
even if I change my mind. I was always the
stubborn one, they said. I must learn to bend,

November 2018
Featured image for ““sounding 21”, “si-ghting 4” and “What””
Ray Malone

“sounding 21”, “si-ghting 4” and “What”

tired of waiting he writes
while there’s timeand the white space
to trace the light’s line
from place to place
from all the corners of his mindfind
the dust of all that’s gathered there

November 2018
Featured image for ““Sorry Epiphany”, “In the Paddy” and “Fear Souffle””
Mari Wood

“Sorry Epiphany”, “In the Paddy” and “Fear Souffle”

I’d like to say that the day I quit God
was like a knuckle-sandwich,
a lightening bolt, or a surprise
seizure that tore through my brain. I’d like
to say that the earth shook, shattered,
and birds screamed their shrill cries. I’d like
to say that hurricanes raised hell,
ice caps melted and died.

November 2018
Featured image for ““Full Moon and Plum Tree”, “Memory from the Week I Unremembered” and “Big Enough””
Kat Myers

“Full Moon and Plum Tree”, “Memory from the Week I Unremembered” and “Big Enough”

My father buys plums and asks me not to ruin them this time.
When he leaves the room, I press my thumbs
into them until the skin gives out, until the whole kitchen is muscle and juice,
dark-purple in desperation.
I can’t remember the word for touch in Spanish, can barely remember it
in my own tongue.

November 2018
Featured image for ““Killiney Beach”, “Boomerang ” and “On Your Birthday in a Fearful Year””
P.J. DeGenaro

“Killiney Beach”, “Boomerang ” and “On Your Birthday in a Fearful Year”

For three days I was a stranger in your city,
Pressing my palms to a train window
Watching for the blue glint of the bay.
I thought I might find you in the water’s thin skin,
In the creamy foam, speckled and bearded with wrack.

November 2018
Featured image for ““The Carving Tree”, “Evidence of a Struggle” and “Unbearably Gone””
Melissa Mulvihill

“The Carving Tree”, “Evidence of a Struggle” and “Unbearably Gone”

I was not born in these kinds of waters
but I came to believe and to canoe away
on the river of silty glass
bugs skating the surface
sunlight pouring into me
laughter echoing off the empty
voices raised, poles poised, fish fleeing upstream even.

November 2018
Featured image for ““The Man Who Will Watch My Car”, “The Rooms to Come” and “Vaporlands””
Michael Borth

“The Man Who Will Watch My Car”, “The Rooms to Come” and “Vaporlands”

I am going to pay a man
to stand by my car
and protect it
from the nomadic thieves
of the grid deserts,
the car I dreamed about
when I was a child
when I was unemployed
when I was weeping
in small painted rooms
with my hands in a ring.

November 2018
Featured image for ““Farewell”, “Dionysus” and “Duffy Ain’t Here””
Jack D. Harvey

“Farewell”, “Dionysus” and “Duffy Ain’t Here”

Kids, when I cut out of this life,
don’t turn on the tears and grieve;
kids, when I die I don’t want
any golden speeches saying kind things
about me or some windbag sniveling about
death’s sting, God’s grace and
the triumphant rise to heaven.

November 2018
Featured image for ““Breathing Life into My Daughter”, “Teaching my daughter how to swim” and “About the Woman Recovering from a Broken Heart””
Yavaria Ryan

“Breathing Life into My Daughter”, “Teaching my daughter how to swim” and “About the Woman Recovering from a Broken Heart”

I feel forty-six pieces of her
forming inside of me:
Her fingers dig into the underside of my belly
button, and her feet kick ferociously
for freedom.
In this moment, I want to yell for her
to stop searching for a way to escape this haven.

November 2018
Featured image for ““Strangers in the Same Land”, “Jyoti” and “Circular Haiku Circle””
Emily Parker

“Strangers in the Same Land”, “Jyoti” and “Circular Haiku Circle”

Hello?
You don’t know me; but,
I am so excited to speak with you.
Strangers—
at once the same…but different.
Divided by violence
Splintered and torn from one another
Families…
Friends…
Strangers…

October 2018
Featured image for ““The Fish” and “Anecdoche””
Brittany Leitner

“The Fish” and “Anecdoche”

The fish
flops
against
the
table
with its last breaths.

I forget it only “breathes” in water,
but just the same…

October 2018
Featured image for ““Silk-threads”, “Amma” and “My Brother’s Garden””
Babitha Marina Justin

“Silk-threads”, “Amma” and “My Brother’s Garden”

in my homeland little girls and
grandmothers are knotted with silk-threads
called stories
grandmothers walk nimble-footed
to the past, careful not to fall into
memory’s ditch
little girls traipse on it, tumbling
on fantasy and sport, daring
to dream

October 2018
Featured image for ““Apocalypse Now”, “Overlay” and “View from the Bridge Over Finch Creek””
Jeffery Greb

“Apocalypse Now”, “Overlay” and “View from the Bridge Over Finch Creek”

Some move through the deeper pool
without stopping while others
pause to gather strength
for the shallows ahead.
Those that make it over
the gauntlet of stones buried
by water that would not wet
a cuff thrashing their tails
mightily making waves

October 2018
Featured image for ““Decay”, “Falling Through the Ice” and “Coping Mechanism””
Tia Cowger

“Decay”, “Falling Through the Ice” and “Coping Mechanism”

Rose oil, sandalwood
and lavender—poured over
honeycomb piles deep in
rumbling woods. Bare feet
missing twigs, silence heard
but for birds, and low hums of
red earth.

October 2018
Featured image for ““Ah,Um””
Rainier Harris

“Ah,Um”

Cacophony of instruments rudely disrupt the silence in my ears & claim the space as their own to live and thrive. First, the saxophone with its tang & pang & variety & what is. Piano, forte, mezzopiano repeat. The tongue pitter patters on the mouthpiece, embouchure tightening its hold, showing no signs of regression yet soft and silky.

October 2018
Featured image for ““To Braintree”, “To Bowdoin” and “To Lechmere””
Julia Lattimer

“To Braintree”, “To Bowdoin” and “To Lechmere”

If this train car were mine, I’d hang plants from the / metal bars. I’d stain the windows—blue, yellow, / pink, blue again, green. When I ride above this / Dorchester, the orange sky will pour onto my white / curtain lace, my stacks of books, my blushing skin.

October 2018
Featured image for ““Dear Girl”, “Her Face” and “Yes I Am in High School””
Davis Mathis

“Dear Girl”, “Her Face” and “Yes I Am in High School”

Dear Girl,
You anxious broken queer girl.
You waterfall you crystal ball your future bright and clear, Girl.
Lips painted red, head high and proud, they’ll tremble as you near, Girl.

September 2018
Featured image for ““The Charter Boats”, “Changing Time” and “Peace””
Edward Ahern

“The Charter Boats”, “Changing Time” and “Peace”

The boats string along the seam
of green and blue waters,
white mites on a fish vein,
trailing thin proboscides
that must be bitten to succeed.

September 2018
Featured image for ““The Unliving Louis Jackson and Living Me”, “The Clouds Are Mountains” and “Shackles””
Mallory Rader

“The Unliving Louis Jackson and Living Me”, “The Clouds Are Mountains” and “Shackles”

He lived a long life—a normal span of / 9 to 5 and bright eviction notices on front doors. / He would tell his wife every night before bed, / “I will wake up tomorrow and do better.”

September 2018
Featured image for ““Potpourri”, “Capturing the Moment” and “City Bird Sounds””
Michael DeMaranville

“Potpourri”, “Capturing the Moment” and “City Bird Sounds”

Days like blossoms
Some, green buds
Reluctant to push away
The wooden bed frame
On which they rest

September 2018
Featured image for ““Vow”, “Three Variations” and “November””
Tasha Cotter

“Vow”, “Three Variations” and “November”

The doves find a spot
Of shade under a bench
And sit together, quietly
Speaking about the world
Of people and rain.

September 2018