Creative Nonfiction

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Creative Nonfiction

Featured image for “Memorial in Sand”
Mark Carter

Memorial in Sand

Three statues stand together at the edge of the tree line. Alert, deliberately calm, they look in the same direction, though not precisely at the same place. Boonie-rats. Grunts. They are looking, always will be looking at The Wall: a great gash of black stone slabs in a green civilian lawn. A carefully shaped pile of black sand.

February 2020
Featured image for “Black, Yellow, Blue”
Rebecca Larivee

Black, Yellow, Blue

Black. Yellow. Blue. The painting in the hall showed a man, a woman, and a big yellow dog Ð falling from the Earth into the atmosphere. The dog looked so helpless as he fell with his legs spread out, away from green earth and blue oceans toward the blackened sky. The thick strokes of paint gave the images an added dimension Ð as if the paint was also falling away from the wooden frame. Even then, at the tender age of nine, I was most concerned about the dog.

February 2020
Featured image for “Clean”
Micah L. Thorp

Clean

I stood in the hallway of the African Hotel in Tunis wearing a bathrobe and sandals unsure which way to turn. Flanked on both sides by large ornate doors encrusted with mosaics of translucent tiles artfully lettering something in Arabic, I had no idea where to go. At front desk, using my mostly forgotten college French, IÕd inquired about the spa (la source mineral) initially uncertain whether I would be directed to a steam room or rock quarry.

February 2020
Featured image for “Loma Prieta”
Helen Beer

Loma Prieta

October 17, 1989. 5:04 P.M. I’d just left the Moscone Convention Center with my colleague, Jacqueline. We were exhibiting at a conference on water pollution and had just settled into our seats on one of the buses shuttling exhibitors and attendees to their hotels for the evening. And then it struck. For fifteen seconds it felt like a carnival whirlybird ride.
The windows in the buildings around us seemed to breathe in and out, until, released from their frames, these great panes exploded, showering fragments of glass, glittering in the traffic’s lights.

January 2020
Featured image for “I Am a Stalwart: Part Two”
David Kennedy

I Am a Stalwart: Part Two

There was shouting along the banks of the East River, but Arthur could not quite make it out.
He stood upon the deck of the Saint John, the steamboat that he and Conkling had caught very early that morning, and peered across the morning fog that now was lifting from the waters of that tributary that shot north from New York Harbor, cleft the island of Manhattan from the cities of Brooklyn and Queens, swept heedlessly through the sharp breaks at Spuyten Duyvil, then rushed into the great Hudson River and ran up to Albany. But the return of Conkling and Platt to Albany had proven less triumphant than anticipated.

January 2020
Featured image for “Hashish and Mother Goose”
Jeanne Wilkinson

Hashish and Mother Goose

Val has received a Christmas gift from the old lady of one of his clients: some hash brownies. Hashish is from the cannabis plant but purified and intensified, with a pungent, soil-like flavor that doesn’t do much for the brownies but chocolate and sugar make the hash itself somewhat palatable. I’ve smoked it before – since it’s not from a test tube, it’s on my okay list. Val gets it in a compressed form and sometimes sprinkles it in a joint. I’m not too excited about eating it, but I’ll do it. I’m on the magic bus; might as well go with the traffic. Within reason, of course. Within my code.

January 2020
Featured image for “To Walk a Path in Anzio”
Alison Relyea

To Walk a Path in Anzio

Every Memorial Day, the lines of this poem interrupt my thoughts, popping in at odd moments as I watch my children jump in a pool or take a bite of a burger. In eighth grade, I had to memorize a poem from a photocopied packet of famous poems as part of an English assignment. In my fuzzy memory, I am sitting at our kitchen table while my mom makes dinner.

October 2019
Featured image for “I Am a Stalwart: Part One”
David Kennedy

I Am a Stalwart: Part One

The first gathering of the Stalwarts was, of necessity, an intimate one. It had been far too long since the social business of politics had occurred under the supervision of Kate Chase. Mary Todd Lincoln being of a sour disposition, and unattractive besides, the great Washington salon of the war years had not been the White House, but the Chase residence.

October 2019
Featured image for “Finding Water”
Fred First

Finding Water

Water. All my life it came out of a tap every time I turned the knobs on the kitchen sink or wanted a hot shower. It always worked that way, always would. I was an otherwise science-and-planet-aware, touchy-feely tree-hugger type, but took water for granted for thirty years. I confess this. I swam in pools full of the stuff whose existence in this world began the second it left the nozzle of the garden hose or kitchen faucet. This was true until I found water 1981.

September 2019
Featured image for “It’s Spectacular”
Rachel Walton

It’s Spectacular

Sitting upright in bed, wearing his blue checked, button-down shirt, his long, spindly, legs outstretched, covered by his crisp cotton pajamas, my husband’s eyes were closed. His arms were slightly bent at his sides and reaching forward just a bit. His palms were turned upward toward the sky. The room was silent. Some may have seen it as a moment of confusion. I saw a moment of profound communion. Or a gesture of gratitude. It was a holy moment.

September 2019
Featured image for “La Vieja, Santa Ana”
Christy Shick

La Vieja, Santa Ana

I hadn’t planned on stopping again until after we’d crossed the border. We’d filled the tank and used toilets at a Pemex in Hermosillo. From there it was only a few hours to Nogales, hot dusty hours stretching into desert when a burst of pain, like a metal hammer bit into my driving heel and shot like lightening up my hip.

September 2019
Featured image for “A Celebration of Life”
Dan Popoff

A Celebration of Life

The only thing my mind can focus on standing out here at this cemetery in the middle of July in Charlotte, North Carolina, is that it is flipping hot. It has to be a hundred degrees. A myth I always hear—funeral directors get used to the heat—false.

August 2019
Featured image for “A Left Turn”
J. Jacqueline McLean

A Left Turn

Eleven years later, it is still haunting. The nagging headache is how it started. I stopped kidding myself a year ago. My brain will never return to the zoom, zoom fourteen-year-old who delighted at, “Mom, the paper boy, no, girl, is here.”

August 2019
Featured image for “Immersed in the Gorge”
Penny Garnsworthy

Immersed in the Gorge

I often visit a special place not far from my home. Here I am revived, here I can observe, and here my soul feeds on nature in all its forms. I feel privileged to be able to call this place my own: Cataract Gorge in Launceston, Tasmania.

August 2019
Featured image for “When Lucinda Holloway Met J.W. Booth, April 1865”
Sara Kay Rupnik

When Lucinda Holloway Met J.W. Booth, April 1865

The Holloway sisters observed the man calling himself James Boyd as they might a work of art. He lay under the apple tree with his black hat angled over his pale face. His dark moustache rose above his straight white teeth.
“A handsome man,” offered Cecelia, the married sister and mother of three sons.
Lucinda, the spinster schoolmarm, was less generous. “One might say so.”

August 2019
Featured image for “The Trickster of Mentor, Part II”
David Kennedy

The Trickster of Mentor, Part II

The mood was sour that night in Conkling’s suite at the Grand Pacific Hotel. Conkling had spent the day rallying his men for Grant, loping the aisles of the Glass Palace with furious strides to keep the delegates in line. He had observed with some satisfaction that Platt had placed his arm about the shoulders of Benjamin Harrison of the Indiana delegation, and noted with some irritation Arthur was smoking a cigar with the dregs of the New York delegation, who were already entirely committed to Grant. How wise he had been to take the reins from Arthur!

July 2019
Featured image for “Inpatient”
Christine C. Heuner

Inpatient

February. The snow is supposed to start around one P.M., so the school districts have an early dismissal. Your oldest daughter, Meghan, comes home with her shoulders slouched. Her backpack is heavy so this takes some effort. She goes into her room as she always does. Her father, your husband, has bought her everything to make it a haven: a lava lamp, a lighted device that intermittently expels a puff of eucalyptus air, tiny white lights snaking the bed’s metal headboard. A sheet with moons and stars hangs from the ceiling like a hammock. “No wonder she doesn’t want to come out,” you said.

July 2019
Featured image for “Endless M”
Dustin Hendrick

Endless M

This is my first “solid” memory, by which I mean that I know it happened. I can grasp it firmly with my mind and replay it like an old filmstrip – bad quality, perhaps, but largely intact. It was not a dream. It was not something I saw on television and absorbed. It was not otherwise altered by the unstable physics of childhood recollection.

July 2019
Featured image for “A Story of a Murder I Didn’t Commit”
Lazarus Trubman

A Story of a Murder I Didn’t Commit

I was the only diner in this tiny restaurant on the eastside of town, and the only thing that irritated me was the mirror behind bottles. Every time I looked up, I saw myself looking like a portrait of one of my own ancestors: Lazarus Trubman, deep in thought, in a gilt frame. I had circles under my eyes and a few scars on my face; apart from that I looked all right for a man who was liberated from the labor camp in Northern Russia five months ago.

July 2019
Featured image for “What I Learned Teaching Literature Inside”
Jennifer Sapio

What I Learned Teaching Literature Inside

It is the opposite of ironic to teach Fyodor Dostoevsky’s Crime and Punishment inside the Travis County Correctional Complex. It is apropos, apt, appropriate. Perhaps too on the nose. TCCC houses pre-trial and county inmates in a 130-acre facility just east of the Austin-Bergstrom Airport. Pay attention during take off and landing next time you fly into town for SXSW or ACL, and you’ll be able to see the barbed wire.

June 2019
Featured image for “Fear of Flying After Erica Jong”
Loren Stephens

Fear of Flying After Erica Jong

I was thirty-one, a mother with a one-year-old son, and a marriage on the rocks. It would take two more years before we filed for divorce, but in the meantime, I was the sole breadwinner, my husband having taken a flyer on producing Broadway theater when the company he worked for downsized and I was six months pregnant. At some point, I told him he should get a job as a taxicab driver to contribute to the household, but he didn’t take too kindly to that suggestion. No surprise, but I was sufficiently exhausted and angry that I had no filter.

June 2019
Featured image for “The Binding of Isaac”
Iulia Calota

The Binding of Isaac

I remember the bottles. And the flacons. And the blister packs. All neatly lined up on the kitchen counter. I remember her taking a handful of her strongest tablets just before bed and, within minutes, her eyes droopy, mouth like rubber, voice distorted, like a slowed-down turnstile. It was during those few moments of seeing my mother changing from a normal person to a toy that had run out of batteries that I recognised something I wished I could forget.

June 2019
Featured image for “The Trickster of Mentor, Part I”
David Kennedy

The Trickster of Mentor, Part I

It was in a mood of intense irritation that Senator Roscoe Conkling arrived in Chicago. Chet Arthur had been sent out in advance, his bulk trundled into a railway carriage like an overstuffed suitcase along with Thomas Platt, but Conkling had little expectation that Arthur would perform any more competently than he had in ’seventy-six…

June 2019
Featured image for “Sweet Retribution”
Rebecca Jung

Sweet Retribution

They say that good cooks don’t measure anything, that they have an innate ability to know how much of each ingredient to use. They say that good cooks have signature dishes for which they’re renowned. As a seven-year old, my criteria for culinary perfection was the ability to make macaroni and cheese and graham-cracker-white-icing sandwiches with so much icing it squeezed out the edges of the cracker when you bit into it. My mom made good macaroni and cheese and graham-cracker sandwiches. And fudge.

May 2019