Issue 33, January 2020

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 33, January 2020

Featured image for ““Late Seventies,” “Ants” and “And Again””
William Ray

“Late Seventies,” “Ants” and “And Again”

It’s strange how often
All these years later
I hear this guy
Sprawled big in that way certain
Italian men can be
Cater-corned across from
My solo table in the Boylston St eatery

January 2020
Featured image for “Hashish and Mother Goose”
Jeanne Wilkinson

Hashish and Mother Goose

Val has received a Christmas gift from the old lady of one of his clients: some hash brownies. Hashish is from the cannabis plant but purified and intensified, with a pungent, soil-like flavor that doesn’t do much for the brownies but chocolate and sugar make the hash itself somewhat palatable. I’ve smoked it before – since it’s not from a test tube, it’s on my okay list. Val gets it in a compressed form and sometimes sprinkles it in a joint. I’m not too excited about eating it, but I’ll do it. I’m on the magic bus; might as well go with the traffic. Within reason, of course. Within my code.

January 2020
Featured image for ““Territory of Ladders,” “Elephant Burial” and “Lost Neighbors””
Cassandra Rockwood Ghanem

“Territory of Ladders,” “Elephant Burial” and “Lost Neighbors”

Who were you before ships
became your shoes? Now you sway

on mesozoic legs wondering why
there’s no stability inside. I heard you pierced

ears with knives and severed free thinking
on every continent before.

January 2020
Featured image for “Going to the CD”
Stan Werlin

Going to the CD

It’s April 1963, the snow is mostly melted, the ice is gone from the sidewalks, and we’re streaking, we’re flying, we’re absolutely airborne on our bikes as we race to the center of town. Flash has a sleek new racer, one of those Schwinns, accented bright blue on the frame and handlebar. He’s hunched over in an aerodynamic crouch, so low you can’t see his eyes. The rest of us – Ziti, Rando, myself – we’re green with envy, so jealous we can’t see straight, but it doesn’t matter, not really; we know sooner or later our parents will give in and we’ll all get one.

January 2020
Featured image for ““Hold Perhaps or Maybe to Land” and “Stage Direction””
Elana Mass

“Hold Perhaps or Maybe to Land” and “Stage Direction”

At the gallery is The Kiss
– you know the one –
Those two marble lovers, oblivious, entwined,
Stealing a moment never meant to be seen.
Did they know what would come, I wonder.
Do you know they had names?

January 2020
Featured image for “Taking Liberties”
Lyzette Wanzer

Taking Liberties

They are such nice clothes.
But how can I wear them, in light of how they’ve come to me?
With an exuberant air, Dulcianne presented me with two large trash bags. She was my aunt, but for as long as I could recall, always only Dulcianne.
“Her family left all of these behind,” she said.
Then: “They took only the jewelry and the furniture.”
And then: “I think they might be ‘bout your size.”
I accepted the bags with splayed fingertips. They’d been sitting in one of the sixth-floor apartment rooms with, I understood, two polished bookshelves and a dead body.

January 2020
Featured image for ““Traveling Through Lightning,” “Night Creatures” and “Wind Chimes””
Caroline Sidney

“Traveling Through Lightning,” “Night Creatures” and “Wind Chimes”

traveling through lightning is
disorienting
I am here
I am not
all this living is more electrifying
when the sky trembles
with light

January 2020
Featured image for “Francisco’s Tower”
Paul Crehan

Francisco’s Tower

Sometime in the pre-dawn hours, outside of a Mexican village called the Three Sisters, a teenage boy had climbed to the top of a 500-foot-high transmission tower.
To us in the new day, our faces skyward, he looked like a tiny hovering angel, his gaze directed over the mountains of the Three Sisters, from which the village drew its name. He was oblivious to the shouts of his people so far below, in whose midst I stood.
Then suddenly as we watched, he dropped from the sky, and nearing earth, he took on flesh, while losing it, too, as the sheer-sided struts sliced through the falling body.

January 2020
Featured image for ““December 4, 2012; Eleven Days Until Christmas,” “February 14, 2018; A Sunny Day” and “We’ve Seen Too Much””
Yazmin Flores

“December 4, 2012; Eleven Days Until Christmas,” “February 14, 2018; A Sunny Day” and “We’ve Seen Too Much”

A picturesque day
in Newtown: scattering
clouds danced joyfully,
making playful shapes,
monkeys and rhinos
followed the children
from car to classroom.
Sun rays shone warmly
above, soon to reveal
the twenty-six halos of
innocent souls.

January 2020
Featured image for ““Checking In,” “Second Nature” and “All you need know””
Steven Deutsch

“Checking In,” “Second Nature” and “All you need know”

There you are Dad
on our cobbled deck
splayed out in my favorite chair,
our nearly feral cat
content to be on your lap.
You hold up the perfect tomato
so round and red-ripe—
I can almost smell it.

January 2020
Featured image for “The President’s Garden”
Jordan Smith

The President’s Garden

“It is with some delicacy,” began the note that May had found that morning in the wastebasket in Theo’s study when she went in search of a scrap of paper, that I phrase this apol…” And there the script sputtered and ended. May knew exactly what had happened.

January 2020
Featured image for “Bald is a Feel, Not a Look”
Jarrett Neal

Bald is a Feel, Not a Look

Byron shook the rain off his driving cap and wool blazer before he hung them on the rack by the entrance. He handed the chubby lady behind the front desk a twenty-dollar bill. She was honey-colored with glossy yellow fingernails and plump black and gold braids coiled atop her head like a nest of vipers. When she passed him his change and gave him a receipt she said, “That’s for them,” gesturing to the phalanx of barber students several feet away.

January 2020
Featured image for “The Tale of Alimona”
Margaret Sullivan

The Tale of Alimona

There lived a woman Alimona who was called so because her evil husbands had forced her to pay them alimony before they would agree to free her from their miserable reigns. Many, many evil husbands, too many to identify, lest you find her thoughtless or promiscuous, tortured Alimona’s good faith, good heart and good intentions.

January 2020
Featured image for “Saving Grace”
Reyna Marder Gentin

Saving Grace

One day, Grace Stevenson stopped coloring her hair. All those hours and all that money spent trying to keep aging at bay, and John had gone off with a younger woman anyway. What was the point? At seventy, she thought the gray made her look refined, worldly. That’s how she wanted to feel. Like she’d arrived at a certain stage in her life where her choices should be respected.
She knew she wasn’t fooling anyone.

January 2020
Featured image for “The Cave”
Ellis Shuman

The Cave

They say the cave offers a passage to the underworld. In ancient Greek mythology, a musician, poet, and prophet named Orpheus, son of the god Apollo, descended through the cave into the subterranean kingdom of Hades in search of his beloved, Eurydice. There are many versions of this legend and none of them have happy endings.

January 2020
Featured image for “Temilola”
Doley Henderson

Temilola

I see her still. Her beaded plaits, flashing smile, bubbling laugh. Temilola. She has five other names but this is the one she prefers. Lola for short.
Toronto, Canada 2019 Floating downstairs after a therapy session, I hold the invisible balloon around me, a hot golden bubble of healing light from my osteo-physio. Pain free for now, I exhale, re-enter the city.

January 2020
Featured image for “Easy Does It”
Howard Sachs

Easy Does It

Easy Ed’s brain was under siege, assaulted by an unidentified buzzing. His nervousness layered mystery onto its origin. He was too high and too edgy to think clearly. Everything was a vibrating blur. What he contemplated doing would either ruin his life or save it. Easy’s corpulent body seemed to shrink as the droning gathered into a whining bolt of shrillness that pierced his ears. The buzzing morphed into the tip of a drill that bored into his brain.

January 2020
Featured image for “Neither Here Nor There”
Marianna Boncek

Neither Here Nor There

Angie pulled her cell phone out of her pocket to check the time. She was late. Actually, she was over an hour late. She had two missed calls both from Harold. He had warned her not to be late.
“You absolutely cannot be late,” was exactly how Harold had phrased it. “There will be press and photographers there. They do not want to wait around for you. Don’t screw this up.”

January 2020
Featured image for “Loma Prieta”
Helen Beer

Loma Prieta

October 17, 1989. 5:04 P.M. I’d just left the Moscone Convention Center with my colleague, Jacqueline. We were exhibiting at a conference on water pollution and had just settled into our seats on one of the buses shuttling exhibitors and attendees to their hotels for the evening. And then it struck. For fifteen seconds it felt like a carnival whirlybird ride.
The windows in the buildings around us seemed to breathe in and out, until, released from their frames, these great panes exploded, showering fragments of glass, glittering in the traffic’s lights.

January 2020
Featured image for “I Am a Stalwart: Part Two”
David Kennedy

I Am a Stalwart: Part Two

There was shouting along the banks of the East River, but Arthur could not quite make it out.
He stood upon the deck of the Saint John, the steamboat that he and Conkling had caught very early that morning, and peered across the morning fog that now was lifting from the waters of that tributary that shot north from New York Harbor, cleft the island of Manhattan from the cities of Brooklyn and Queens, swept heedlessly through the sharp breaks at Spuyten Duyvil, then rushed into the great Hudson River and ran up to Albany. But the return of Conkling and Platt to Albany had proven less triumphant than anticipated.

January 2020