Lyzette Wanzer

Lyzette Wanzer is a San Francisco writer, editor, and creative writing workshop instructor. Her work reflects the peri-racial, social, and economic experiences of African-Americans and others in these times. A flash fiction connoisseur and essay aficionado, her work has appeared in Callaloo, Tampa Review, The MacGuffin, Ampersand Review, Journal of Advanced Development, Journal of Experimental Fiction, Pleiades, Flashquake, Glossalia Flash Fiction, Potomac Review, International Journal on Literature and Theory, Fringe Magazine, The Naked Truth, and many others. She is a contributor to The Chalk Circle: Intercultural Prizewinning Essays (Wyatt-MacKenzie), 642 Tiny Things to Write About (Chronicle Books), Essay Daily, The Naked Truth, and the San Francisco University High School Journal.

Lyzette has been awarded writing residencies at the Headlands Center for the Arts (CA), Blue Mountain Center (NY), Kimmel Harding Center for the Arts (NE), Playa Summer Lake (OR), Horned Dorset Colony (NY), Virginia Center for Creative Arts, Writers’ Colony at Dairy Hollow (AR), and The Banff Centre in Canada. She is the recipient of an Investing in Artists grant from the Center for Cultural Innovation, three Individual Artist Commission grants from San Francisco Arts Commission, and three Professional Development Grants from the Creative Capacity Fund.

Taking Liberties

They are such nice clothes.
But how can I wear them, in light of how they’ve come to me?
With an exuberant air, Dulcianne presented me with two large trash bags. She was my aunt, but for as long as I could recall, always only Dulcianne.
“Her family left all of these behind,” she said.
Then: “They took only the jewelry and the furniture.”
And then: “I think they might be ‘bout your size.”
I accepted the bags with splayed fingertips. They’d been sitting in one of the sixth-floor apartment rooms with, I understood, two polished bookshelves and a dead body.

Long Short Story

Lyzette Wanzer

Lyzette Wanzer is a San Francisco writer, editor, and creative writing workshop instructor. Her work reflects the peri-racial, social, and economic experiences of African-Americans and others in these times. A flash fiction connoisseur and essay aficionado, her work has appeared in Callaloo, Tampa Review, The MacGuffin, Ampersand Review, Journal of Advanced Development, Journal of Experimental Fiction, Pleiades, Flashquake, Glossalia Flash Fiction, Potomac Review, International Journal on Literature and Theory, Fringe Magazine, The Naked Truth, and many others. She is a contributor to The Chalk Circle: Intercultural Prizewinning Essays (Wyatt-MacKenzie), 642 Tiny Things to Write About (Chronicle Books), Essay Daily, The Naked Truth, and the San Francisco University High School Journal.

Lyzette has been awarded writing residencies at the Headlands Center for the Arts (CA), Blue Mountain Center (NY), Kimmel Harding Center for the Arts (NE), Playa Summer Lake (OR), Horned Dorset Colony (NY), Virginia Center for Creative Arts, Writers’ Colony at Dairy Hollow (AR), and The Banff Centre in Canada. She is the recipient of an Investing in Artists grant from the Center for Cultural Innovation, three Individual Artist Commission grants from San Francisco Arts Commission, and three Professional Development Grants from the Creative Capacity Fund.

Taking Liberties

They are such nice clothes.
But how can I wear them, in light of how they’ve come to me?
With an exuberant air, Dulcianne presented me with two large trash bags. She was my aunt, but for as long as I could recall, always only Dulcianne.
“Her family left all of these behind,” she said.
Then: “They took only the jewelry and the furniture.”
And then: “I think they might be ‘bout your size.”
I accepted the bags with splayed fingertips. They’d been sitting in one of the sixth-floor apartment rooms with, I understood, two polished bookshelves and a dead body.

Long Short Story

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