I recognized Heidi from the stamp-sized photograph in the obituary despite the years, and even though her last name was different. How could I not? I’d sketched that face so many times, not only while we were together but for many years after. My surprise was that she’d returned to Pittsburgh. Often, I’d seen her face in a mall or a restaurant, only to be mistaken. Now, I wondered if at least once it had been her. Seventy years young, died of cancer, survived by two children and an aquarium of fish.

It’s hard to be the Queen of Henna in Canada. The frigid climate is unforgiving for a tree meant to grow in temperate climates, yet here I am, in my dingy East Toronto apartment, proudly watering a henna tree I’ve raised from seed. She is the lone survivor of many. I look out the window at grey skies and sunless days (my henna’s death squad), and instead of feeling angry, I feel like a million dollars.

I had been avoiding him for weeks, the delivery boy. I caught word of the summons he was charged to convey to me, and I was not overjoyed at the prospect. I had only a few days before our next embarkation, and if I could evade the summons, I might escape its fate . . . at least for one more voyage. Yet, he pursued . . . no! He stalked me—everywhere!

Oh, Anna Marie,
the Ohio grass was green
the trees were
green has died
in your winter
lightning strikes fork on
your temple tremors these
Shawshank cornerstones fall to dirt
shakes and groans in thirsting throats

When I caught up with Jhonelle, she was steering the wheelchair, trailing the girl and the man through the 15th Century, Northern Europe. The man had an angry grip on the girl’s wrist, pulling her along. She kept up with him with neither resistance nor any apparent interest, mechanically advancing her legs, the rest of her limp and lifeless. On the seat of the wheelchair were the remains of the girl’s artist’s pad, the pages with her drawings ripped from the spine, some torn to pieces. When I saw this, her work destroyed, I uttered some kind of cry and began to charge them. Jhonelle grabbed the tail of my jacket to hold me back.

When people spoke about Eugene, Oregon, they most often referred to it as a college town, though Monica preferred not to think of her home this way. The phrase conjured up images of dive bars and sleazy frat houses, and these were not at all welcome in Monica’s world. The neighborhood where she lived, fifteen miles to the east of Eugene, was indistinguishable from the outskirts of any mid-sized city. It was suburbia with a touch of rustic, and overall a very agreeable place to live.

The year is 2047. Steven Herselman and Paul Artin were trailblazers. At least that’s how they’d like to be remembered. They both worked for Intelli Design, the company responsible for the ID-ME. The ID-ME is an international identification device that is still being made today. Once users have a registered ID-ME they are able to discard their old paper passports. Those attempting to travel on the old system encounter significant resistance when clearing border controls, to the extent that paper passport holders now account for only 4% of international travel.

“Madam?”
The voice belongs to the counter person in one of Kolkata’s trendy sweet shops. With its chic white subway-tiled walls, and its offerings handwritten on blackboards decorated with pastel swirls and paisleys, we could be in any pastry shop in any hipster neighborhood anywhere in the world. Only when a man sporting a basket of dried fish on his head scurries past the glass storefront does Kolkata – Calcutta – come back into view.

All her life, she had been looking for a mind to grasp her unspeakable thoughts and a soul to embrace her inexpressible feelings—rather than merely a heart to love her or an eye to covet her, let alone a body to use her own. She contemplated this old wish—always hiding in her head, refusing to lose hope, yet clinging to very little of it—while making coffee in the early morning.

The two-story white house that embodied the front of the Last Out Hotel was inching ever closer to ruin. Its wooden siding was worn and broken, and the house’s color, once a sleek white, was fading fast after decades of buffeting by the desert wind and dust. The dark roof had dulled under the strong sun and its shingles had peeled upward, tired.

It is a funny thing to turn thirty-four
It takes me no more than ten minutes
Of staring at yellowing maple leaves To restore the thought that even my maple trees will die
And then, it hits me:
I want a death with all of the proper documentation
It is true, even if it may not be the case in certain parts of
Pakistan and India

The cold horse river spills Indian eyes
Angel feathers burn in gold smoke
Soul civilizations were robbed of serene mirrors
Creek hearts fall over the dream cliff
Telepathic windows catch dead bird words
The good-bye tunnel links lost voices to the underworld

Hey, Mr. D. I see you. Do you see me?
You call my number twice a day.
Sometimes more. I cause you
no trouble. I do as you say.
Hey, Mr. D. Do you see me?
I know the sounds of your step.
Your black sneakers are my
favorite. Even though your
pants are too short.

My skull is thin as twice an ostrich egg,
a finite orb. But buried dark and thick
a universe of tiny stars sits cheek
by jowl beside grey matter, like blinking
fireflies in the branches of a pine tree
after dusk. This is no special magic.

a picture taken every day,
deposits
for my heart
through my eyes
one day you’d leave
and i’d have you
right there,
in my pocket,
in my hands,
always

Willa heard screaming.
You did what!? I thought we was just gonna take care o’ her!
She woke. Her eyes unopened, a pair of voices played angry music into Willa’s ears, somewhere off. A second voice replied, And we will take care of her — forever! Despite the first voice’s bellowing, the second one pressed, unbothered. In good humor, even. She opened her eyes.

My name is Grace. I’m fifty-one years old, standing here in the mobile home I’ve been living in for the past seven years. It’s a wreck. My stuff is strewn all over the place and most of the mess I created myself. The rest was done by an unknown bastard who broke into my place looking for—what? Cash? Jewelry? Priceless art? Who would expect to find anything of value to fence in a crummy old single-wide trailer with a rusty metal roof, a rotting front door, and a dingy yellow fiberglass tub with a huge crack that is evolving into a hole.

Tashkent, Uzbekistan
I pressed the back of my hand to the smudged glass of the meat case. Warm. “If you don’t refrigerate this lamb it goes bad.” I’ve been arguing this with butchers at this market every week for the past year and a half.
“What can I offer you, brother?” The meat cutter stepped forward wiping his palms across his apron, the new blood and grease mingling with the old. His Russian is broken but more certain than my shaky grasp of the Uzbek language, which I abuse daily in my work on the visa line at the American embassy.

I worked at a pet shop. My boss was forty-two. That’s what he told me. Besides owning the shop, he was also a cop or a DEA agent or maybe in the CIA. I couldn’t then be certain about his stories. He had a cellphone in a time when no one had a cellphone. He might have been married or in the middle of a divorce. He complained of a woman he called his daughter’s mother. He did have a daughter, seven years old, and I know this because he brought her in one day, I think to show off.

I found a wallet on a sidewalk in the Miracle Mile area of Los Angeles. I might have missed it if it wasn’t white, beautiful white leather reflecting the glow of a distant streetlight. I looked up and down the boulevard. Although lined with multi-story apartment buildings, it was completely empty and eerily quiet. It felt as if the entire city stopped what it was doing to watch my next move.

I see her as I drive into the grocery store’s parking lot.
Hungry. No food. Please help.
A woman balances atop the lot’s concrete curb, biceps taut, a handwritten sign held above her head.
A toddler rides the woman’s hip. His fingers curl into the sweaty T-shirt across her breasts.
I slow my car.

The driveways on Verona, the street next to ours, were all snowbound, and I walked up to a home whose drive looked in need of a good shoveling. I rang the front doorbell, and Boubi, recognizing me as the paper boy, gave me a thumbs up to clear out her drive. She was a widow, her children were grown, gone with these chores now on her frail shoulders.