Short Story

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Short Story

Featured image for “Salvador”
G.L. Lomax

Salvador

A message was waiting for me at the front desk in Salvador da Bahia. Flávio would meet me later in the Largo do Pelourinho, a short taxi ride away. I unpacked. It was still afternoon, with time for a nap. I wanted to look fresh after so many hours in the air from Los Angeles. I caught myself wanting to look fresh for Flávio.

July 2022
Featured image for “Betul”
Quin Yen

Betul

“Mom,” Betul says in a tired, yet apologizing tone.
“Betul? Where are you?”
“Mom, don’t worry. I’m fine.”
“But, where are you?” Her voice trembles.
“Mom, I’m sorry. I should have told you earlier. I’m in America.”
“In America?”

July 2022
Featured image for “Chronic Good Weather”
Madeleine Belden

Chronic Good Weather

The feel of the rope wakes me. Coiled above my breasts, underneath, and pinning my hips against the kitchen chair. Arms pulled behind my back; wrists tied together. The rope smells like motor oil. I have no right to be surprised by my husband. I’ve watched enough Law and Order episodes to know that behavior escalates. I feel as though I’ve been drugged.

July 2022
Featured image for “The Comforting Words Package”
Diane McTigue

The Comforting Words Package

Evelyn skims the morning’s featured obituaries. Pure white-bread fare. Only one phrase grabs her attention: “in his kind and gentle way.” It’s simple but disarming, and it stirs a pang of empathy in her gut. She jots it down. Evelyn shakes her head at the grainy photos. When she reaches an advanced age, she’ll have a professional headshot taken just for this purpose.

July 2022
Featured image for “Ascendance”
Stan Werlin

Ascendance

Thayer drove. Joroff would not take the wheel. He said the sun bothered him on bright days, and his vision at night made him unsteady and fearful. Thayer would do all the driving. He didn’t mind. He liked the feeling of control. It was outside Vermillion on highway 50 when they spotted the first sign, a few feet away from a “Vote Ford/Dole 1976” poster that somehow hadn’t been removed after the election months earlier.

June 2022
Featured image for “The Sea of Onosano”
Lisa Voorhees

The Sea of Onosano

Kira Atsusuke, heir to the royal throne of Onosano, prostrated herself before the raised platform where her mother, Empress Sakura, sat. To Kira’s left, her younger sister the Princess Yuuki, also bowed in supplication. Their faces were pressed against the bamboo covering on the throne room floor, neither of them daring to move until her Imperial Eminence, the Divine Ruler of the five kingdoms of the Sunset Empire, commanded otherwise.

June 2022
Featured image for “Unforgettable”
Richard McPherson

Unforgettable

Today, near Washington, D.C.
Beth’s mind was almost gone but her beauty refused to abandon her. Kindness was unmistakable in her deep brown eyes, and a generous heart illuminated her smile. Her seventy-four years, over half of them married to him, were confused shadows, judging by her rambling. But Michael could easily remember Beth’s fearless intelligence, and he often sat by her bedside and closed his eyes to bask in the velvet voice which still soothed him.

June 2022
Featured image for “Onto the Bus”
Louise Sidley

Onto the Bus

Every Sunday without fail, Matthew Volpatti left his apartment and rode the bus to the lake east of the city. It was a forested natural lake despite being surrounded by the metropolis. Between the parking lot and the lakeshore, stone picnic tables sat on concrete pads in an evenly spaced row along the strip of mowed lawn.

June 2022
Featured image for “Giving up the Ghost”
Ernest Sadashige

Giving up the Ghost

Dani Braker stared, eyes transfixed, pupils focused on the vintage road map atop her bed. The map’s edges, once crisp as the past, were soft and smudged, reflecting the fragility of time preserved on paper; the folds ripping where arthritic cello tape had lost its grip. Dani’s fingers probed the map in the same way she picked loose threads off her school blazer.

June 2022
Featured image for “Listening”
Malcolm Glass

Listening

The car swayed gently through easy curves as the car slid south down the two-lane highway. The engine whispered, even at seventy-five miles an hour. David glanced at the map on the passenger seat, but he knew by heart where he was going. He pressed Play on the CD player sitting on the seat, and the Brahms Third Violin Sonata swam through the still air.

June 2022
Featured image for “The Reader”
Ricardo José González-Rothi

The Reader

It was a balmy 97 degrees when he stepped out of his truck into the parking lot outside Sunny Acres Nursing and Rehab Center. He looked forward to the sliding doors welcoming him into the air-conditioned lobby. It was Monday, and just like every Monday at 3 p.m. with a book tucked under one arm and a bag of peppermints clipped between the thumb and index finger of the ipsilateral hand…

May 2022
Featured image for “Bus Stop”
Rebecca Godwin

Bus Stop

At 6:10 on a March afternoon in Montgomery, Alabama, Ginnie Lackland sat on the steps of Miss Lily’s acrobatics studio, watching her classmates get picked up by their mothers. Ginnie was a big girl, almost seven, who could do front splits and a perfect backbend and was learning to flip herself completely around without touching the floor—what flying must feel like, she imagined. Miss Lily told her to think of a perfect circle.

May 2022
Featured image for “Life Is But a Dream”
Diana Raab

Life Is But a Dream

Early Christmas morning last year, which happened to be my father’s sixtieth birthday, I was studying for my medical boards in Montreal when my mother called. I found the phone hidden under my placemat on the kitchen table. “Hi, Mom,” I said when I heard her voice. “Joelene, your father died yesterday,” my mother said.

May 2022
Featured image for “A Place to Call Home”
Cory Essey

A Place to Call Home

She hates waiting. She sits on the third step in this old house and links her fingers together, sure there is nothing she detests more. This lack of control was torture, her stomach twisting, her palms clammy as she pressed them together. It felt as though she were vibrating with the nerves of it all, and yet, here she sat. Waiting.

May 2022
Featured image for “The Colossal Risk”
Susan Taylor

The Colossal Risk

She walks briskly through the vast hallways of the Colossal Risk. Windows upon windows line the exterior of the ship—an enormous ship that cradles hundreds of delicate souls—but she pays no attention to the scenery. On the interior walls, unmarked doorways to unknown rooms—the greenish lights that remind her of sickness—line the seemingly endless miles of corridors.

May 2022
Featured image for “Ixmoja”
Mark Williams

Ixmoja

In high school, my friends played trumpets, French horns, trombones, and Risk—conquering make-believe continents while desiring real girls. We spoke on speech teams, competed on chess teams, sang in glee clubs and choirs. Popular boys played football and shot hoops. My friends and I studied Latin. One day I made the mistake of telling fellow trumpeter, Nolan Niemeyer, why I couldn’t practice with him on Saturday morning.

May 2022
Featured image for “Love Among the Fever Bags”
Michael Fontana

Love Among the Fever Bags

Mom lay on a cloud, wings spread, eating a piece of coconut cream pie with her bare hands. She was clad in a thin white robe, head adorned not with a halo but a tall, platinum blonde wig, her spectral body puny as a twig.
“How’s the weather up there, Ma?”
“Sweet as this pie,” she said, smiling, a dollop of whipped topping on her chin.
“I miss you,” I said.

April 2022
Featured image for “Traps”
Randy Mackin

Traps

Coyotes dangled like Christmas ornaments from the tree. Coup D. Gracen closed the gate and stopped beside his pickup to admire his work. He didn’t take credit for inventing this trap—someone else somewhere must have tried it too—but he had perfected it: 150-pound test fishing line and 14 ought treble hooks triple-knotted and baited with pig liver. The limb would break before Coup’s tackle gave way.

April 2022
Featured image for “The Cold Place”
Connor Fineran

The Cold Place

When my parents disappeared, I didn’t understand at first. I always expected difficult things in my life to come later when I was prepared. But nothing could prepare me for what happened the day I found the hole under the couch.
It was September. I’d just started seventh grade. My parents were out running errands, so I did what anyone would do: I wandered around the house, bouncing a ball up and around everywhere that it could be bounced.

April 2022
Featured image for “Canción de Fermín”
Marcia Calhoun Forecki

Canción de Fermín

Fermín Calderón accepted that his actions caused his brother-in-law Tavito to die. Accepting responsibility was the first step toward being forgiven. As a child in a village outside of Acapulco, Fermín heard the priest explain repentance and forgiveness. “First you must admit what you have done. Confess your sins. Only then may you ask to be forgiven.” He buried the words in his heart.

April 2022
Featured image for “The Fairy Statue”
Lisa Voorhees

The Fairy Statue

The face of the fairy statue that sits in the middle of my overgrown garden is covered with moss. Her exquisite features appear altered. The fairy used to be joyful, her stone eyes etched full of delight, tilted up at the corners. They reflected the smile of her pretty, carved mouth. Now her eyes are downcast, that mouth pulled into a frown. She’s been laid to waste by the ravages of time, incessant dampness, and years of neglect.

April 2022
Featured image for “The Narrow Path to Heaven”
Amy Monaghan

The Narrow Path to Heaven

In the church-like silence of the Pennsylvania night, a clothesline of white nightdresses billowed like captured ghosts above the grass. Dark fields drenched in dew stretched out in all directions, the careful rows of tobacco plants and corn waiting for their time to come. At the edge of the farmland, on a small hill above the house, stood an imposing oak tree. It looked down at the property like a sentinel.

April 2022
Featured image for “Leopard Road”
Ethan Steers

Leopard Road

There is a road that follows three miles along the banks of the Ganges, leading through the village of Chatwapipal and on to Tibet. From 1918 to 1920, a man-eater dubbed the Man-Eater of Garhwal devoured thirty-seven people on that road, plucked from their carts and pilgrimages like coconuts from a tree. The leopard ruled with an iron fist until being killed by the Anglo-Indian hunter Rao Whittaker with the help of his friend Sayyad.

March 2022
Featured image for “The Kid”
Michelle Spencer

The Kid

The kid’s face is good and smashed up, his nose most certainly broken. Eddy has transferred enough prisoners to know these things. On the grand scale, these injuries don’t look too bad and the easy banter between the paramedics speaks to the lack of urgency.
“Nearly there, warden,” the medic closest to Eddy says. “We should get through quick. Mondays are usually quiet. You’ll be back in no time.”

March 2022