Short Story

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Short Story

Featured image for “Nyama”
Glenn Schiffman

Nyama

“Put lice on pillow,” Anan said. “Efa woman annoy you, put lice on pillow. Dat’s how you break da connection.”
Anan and I were sitting on a bench on the quay by the St. Laurence River.
“Is that an old country adage?”
“I don’t know dis word, adage. You want get rid of da old lady, put lice on pillow. Next you know, she kick you out.”

September 2019
Featured image for “The Prince’s Gargoyles”
Maria Thompson Corley

The Prince’s Gargoyles

They were circling again, their leathery wings flapping slowly, noiselessly. Through a small square window lodged high in a stone wall of my cottage, I could see a large gargoyle passing just in front of me, so close that I could have touched its gray, scaly hide or wrapped my fingers around its slender neck if not for the barrier between us.

September 2019
Featured image for “The Conspiracy”
Robert Klose

The Conspiracy

I was not alone. Every resident I knew had toyed with giving up. Even though I was several years older than the others it was still, sometimes, simply too much: the workload, the hostile or uncooperative patients, the long hours, the smug attending physician who, even at this juncture of our education, conveyed the impression that if we so much as considered quitting, maybe we should.

September 2019
Featured image for “Purity”
Robert Stone

Purity

Edward and Marcia had got into the habit of walking along the cliff-top at dusk. What, here on Auskerry, Edward was tempted to call the gloaming. The sultry day was much cooler now and, indeed, would soon be cold. At this latitude the summer sky was still pale, but the first stars could already be made out. Marcia had something she wanted to tell Edward and Edward did not want to hear it.

September 2019
Featured image for “Pecan Pie and Psychosis”
Lara Colrain

Pecan Pie and Psychosis

Please don’t be dead.
Yet June knows the words in her head are hollow. Insubstantial. He has either done it right this time, or he hasn’t, and she can’t do shit about it if it’s the former. She hates it in here. She and Johnny always joked that the hospital’s waiting room was like depression cramped into airless chemical space. It makes her want to retch. As if she is looking into a glass of curdled milk and knows she has no choice but to gulp the lumps down.

September 2019
Featured image for “The Black Phone”
Alexandra Loeb

The Black Phone

Carolyn drew a deep breath and tried to ready herself for her mother’s invasion. It was a damp spring Saturday morning and as she stood on the top of the brick steps of her front porch, drinking tea from her favorite handle-less mug, she looked at the wet cherry tree blossoms on the stairs and wished she had felt well enough to sweep them off yesterday.

August 2019
Featured image for “Someday”
Alexa Dodd

Someday

She is still in love with Brandt the night she bumps into Adam at a bar in uptown. She still likes the way Brandt styles his hair with pomade and a fine-toothed comb, like an old-fashioned gentleman, the boy-next-door from the 1950s.

August 2019
Featured image for “Fugue”
Alexander Fredman

Fugue

I had already moved away when disaster struck. I saw the images on the TV news. The water moved slow, and the buildings crumbled slow, and animals perched still on the ruins. The people were gone, mostly. It was the next afternoon, I think, that the Mayor announced that there had been no fatalities.

August 2019
Featured image for “Vodka and Ice”
Nika Cavat

Vodka and Ice

I am a Russian writer, a descendant of the great Tolstoy. I became well-known, both to the KGB and my devoted readership for subversive works, as the Soviet news wrote. My wife, Irena, would tell you I was best known in the bars and after-hours clubs, but she was a bitter woman, with faith in a marriage I saw more as a domestic necessity.

August 2019
Featured image for “Gargantuan Sky”
Andreas Hasselbom

Gargantuan Sky

The unofficial center of my town was the house of the Moson family, the only one to have any believable claim to blood nobility. Among the better caste of families, a close maze of interconnected family trees, theirs was the only one envied. The reasons were never clear to be anything beyond simple human petulance. Any open animosity was absent, but the roots never died.

August 2019
Featured image for “I’ll Let You Know When I’m Dead”
Phyliss Merion Shanken

I’ll Let You Know When I’m Dead

Henry caught a hint of heavy breathing somewhere in the bedroom, but these days he couldn’t quite trust any noise that entered his large, pear-shaped ears. On too many embarrassing occasions, the old man’s fuzzy hearing had betrayed him.

August 2019
Featured image for “Chemistry”
Andrea Chesman

Chemistry

The first time Chloe kicked Brian out, they weren’t even married. And she didn’t really kick him out. Chloe was the one who left, though the house was in her name, though he was the one who transgressed. She thundered out of the house before she could do something she’d regret—like throw the pot of boiling sauce at him.

July 2019
Featured image for “Bombs Gone”
Ian Evans

Bombs Gone

My best friend when we were growing up in Hamilton, New Zealand, was Stephen Walker. The only thing we had in common was that we were both born on D-Day, 1944, just a little ahead of the baby boom. I liked camping, fishing, swimming, cricket, and riding my bike. Stephen liked playing the piano, reading, and listening to Ray Conniff records. But we were mates and during school vacations I spent my time at his house.

July 2019
Featured image for “Before Her Time”
Jacqueline Schaalje

Before Her Time

“Let it go for a while,” said Fem when the alarm rang again from Mrs. Johanna (Hannie) Raven’s room.
I flicked my women’s magazine close that, a bit early in the season, displayed colorful spreads for Easter brunches that my parents would be quick to condemn, and got ready to get up.
Fem shot me a withering look. “She just wants to get turned over again onto her other leg, Steph.”
I began: “She’s in pain. She can’t sleep when she’s lying on her fractured leg.”

July 2019
Featured image for “Whale Scouts”
Mary Fifield

Whale Scouts

Three dollars in pennies. A handful of over-the-counter decongestant pills, expired. A piece of fabric printed with elephants from a pair of pajamas he had as a kid. A compact fluorescent light bulb. Folded liner notes from “A Love Supreme.” A rusted USB flash drive. Hair in a hair brush. A dried oleander flower. A flint of quartz.

July 2019
Featured image for “Mary’s Memory Box”
Damian Robb

Mary’s Memory Box

Mary kept a box inside herself in which she kept all her unwanted memories.
It started when she was nine, on Christmas day. After running into the lounge room to see what presents Santa had brought her, she had slipped and hit her head, and so her parents had rushed her to the hospital.

July 2019
Featured image for “This Account Has No Feelings”
Philip Jacobsen

This Account Has No Feelings

When Peter Petersen entered the Marriott and saw no line at the check-in outside the convention hall, he knew he was late. There was a woman sitting at the table, staring at her phone. He approached her and said his name. She scrolled threw the document on the laptop. “I’m not seeing you.” He pulled out his I.D. “I’m with the Bureau of American Innovation.”
She smiled. “We were wondering where you were.”

July 2019
Featured image for “The Green Bike”
Nick Gallup

The Green Bike

Benny had forgotten about signing up for a job to deliver newspapers. It’d been two years, but that was evidently how long a kid had to wait to get a paper route. It was one of the few jobs reserved for kids. The routes didn’t pay much more than $15 a week, which was too low for grown-ups but high enough that every kid on Point Cadet wanted one.

June 2019
Featured image for “To Love”
H. C. Phillips

To Love

Professor Victor Miles, head of the Department of Future Insight at a highly prestigious institution, was to dine with one of his favourite ex-pupils on one particular spring evening.
Carl Werner arrived on the stroke of seven, ever punctual.

June 2019
Featured image for “Mugwah, The Winged Tortoise of Love”
Steve Young

Mugwah, The Winged Tortoise of Love

The last time she saw Tommy Greene was in a laundromat in downtown Essex Junction, where he gave her $180 in cash in a plain white envelope. She drove her car in to meet him through a cold, drenching, late-winter downpour. The grayness and the raw, chill rain had infected the little college town that morning like a virus; the streets and sidewalks were waterlogged, the storm drains overflowing, the stores and cafes, with their pale-yellow beacons of light, lost and abandoned in the torrent.

June 2019
Featured image for “The Exorcism”
Willow Barnosky

The Exorcism

So there was a man named Ed, and I really liked him at first. I thought he had an interesting life story, although I didn’t know all the details. I knew all that I cared to know, all of the essentials, but when I tried to tell other people about Ed, they had the tiresome tendency to ask for more information: “Oh, but how’d he meet his wife?” or “Why doesn’t he have any children?” or, even more exasperatingly, “What kind of car does he drive?”

June 2019
Featured image for “Our Soldier of Fortune”
Kirk Combe

Our Soldier of Fortune

Cleve Clucus was high mountain people before he came to live with us. Not trappers or recluses or nothing odd like that, but high range people in the Sawtooth, over by the Salmon River. Kin. Part of our clan families around Arco. Clucuses, Combes, Barlows, Gordiols. All Swiss that hadn’t wanted to be in the Italians’ war.

June 2019
Featured image for ““Safe” Spaces”
Natasha O'Brien

“Safe” Spaces

‘But Mummy…’ Lukas tugged at my sleeve, protesting. ‘It’s not bedtime, look!’ He pointed out the window at the sunlit peaks topping over the valley. ‘The sun’s still up!’
‘That’s because the sun stays up later in the summer.’ I guided Lukas towards his small bed in the corner of our living room. He usually slept in his own bedroom, but I felt safer if we all stayed together.

June 2019
Featured image for “The Comeback Kid”
Phyliss Merion Shanken

The Comeback Kid

“Who?”
“A jerk from the past.”
“What? Who is this?”
“I woke up this morning. And out loud, I said your name. It just came out! From nowhere! I haven’t spoken your name for sixty-eight years, so —”
“I’m about to hang up the phone. Take me off your list!”

May 2019