Novel Excerpts

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Novel Excerpts

Featured image for “Here Comes a Regular”
Dave Buckhout

Here Comes a Regular

HE SHIFTS IN HIS seat atop barstool, a lean-to-sinewy build weighed down by an epic hangover. He locks a gaze on his nemesis and stews. A nonchalant simmer boils up into something resembling a care, in the presence of one who has done him wrong.
“Damn you,” he mutters, upgrading his stare to a glare in glowering at a fifth of bourbon one splash above empty.

September 2019
Featured image for “All Sorrows Can Be Borne”
Loren Stephens

All Sorrows Can Be Borne

He told me that our son, Hisashi, would be better off living with his sister and her husband in America; I was too weak to argue with him. My mother said I had lost my mind to give up my child. Her judgment of me was cruel, but I knew she was right.
“You are like a monk for three days,” she said.
“What do you mean?”
“You give up too easily. You carried your baby for nine months; you took care of him for three years; and after all that you give him away. What was the point of that struggle? Do you not love him, Noriko?”

September 2019
Featured image for “The Law of Return”
Leeore Schnairsohn

The Law of Return

My father was playing guitar with Guns N’ Roses when he died in a nightclub fire. The club was an old airline hangar packed with polyurethane to hold in the A/C, which was running against an epic Florida summer. Someone, it was conjectured, lit a cigarette in defiance of the law. Meanwhile my dad was playing Izzy Stradlin’s old parts: rhythm lines, easy to miss. His fate was sealed in seconds. As was yours.

September 2019
Featured image for “A Bridge Outside Limerick”
Paul Benkendorfer

A Bridge Outside Limerick

A lingering chill filled the fresh morning air as the crown of the sun broke over the mountains and hills. Spring had come, but the final fragments of 1915’s winter had not yet dissipated. A plume of breath bleached with every breath he took. He sat, crouched behind a large boulder atop a small hill overlooking the road that meandered through the pass below.

August 2019
Featured image for “Lambs Cross”
Edward Harvey

Lambs Cross

In late September, Danny Munchak Jr. disappeared from the town of Lamb’s Cross, an old town in the western part of Massachusetts where redbrick mills stand like ancient landmarks, testaments to a glorified past of material production. Even at the time of the disappearance, which occurred on the edge of the millennium, the mills hadn’t produced much besides tetanus and unwanted pregnancies for over twenty years.

August 2019
Featured image for “NoNameGirl@27”
Lauren Avenius

NoNameGirl@27

He still dreamed of the desert. He never lived there, but he knew it like you know houses and faces you’ve only ever seen in dreams. It was part of him. And no matter how the dream started, it always ended the same way, with the desert sun bearing down on him, sweat running down his forehead, then him falling forward onto his hands and knees, the grit and rocks digging into his palms, the faint taste of salt and sand and blood in his mouth as he clawed his way forward.

August 2019
Featured image for “Deliver Me: A Pocho’s Accidental Guide to College, Love, and Pizza Delivery”
Tomas Baiza

Deliver Me: A Pocho’s Accidental Guide to College, Love, and Pizza Delivery

The shop is packed tonight, every table, booth, and bar stool taken and a line to the door for to-go slices. Zane’s hands are a blur at the register, Brenda’s out on some marathon convention run, Juan and Mario are heads-down pushing dough across the cornmeal-covered prep table, and I’m slinging slices and beers until my pizzas are ready.

August 2019
Featured image for “Alice Walking on Water”
Thomas Weedman

Alice Walking on Water

They work past midnight. They work past the time scarab June bugs and even Jesus should be asleep, walking behind a rusted, yellow tanker holding modified fire hoses. Instead of pressurized nozzles, they dip mud-flapped deflectors into banked furrows the shape and color of baked pie crusts, watering a thousand dry apple saplings. Their boots and denim bell-bottoms get soaked.

July 2019
Featured image for “A Worthy Life”
Sylvia True

A Worthy Life

Sabine stood in the vestibule and looked at the steel door that had a wire-mesh window. She knew that air was a mixture of nitrogen and oxygen and traces of other gases. She knew there was no molecule that made fear, yet fear was what she breathed on that cold, damp, November night.

July 2019
Featured image for “Hazel Come Home”
Ethan Steers

Hazel Come Home

The Merrick house was on a hill so that, from the porch, you could see down past each farm and, on clear nights, the lights from Moravia. Large cottonwoods blocked the property from Route 11, but from the fields down south you could see directly up to where the home loomed above the town like a castle. If a stranger were to see Hazel standing on her porch, they might simply think she was surveying her property…

July 2019
Featured image for “Annapurna”
Robert Detman

Annapurna

I awake as we glide in over the haze of a city the color of concrete, the sun a glowing orb in a pink sky. On the horizon, the buildings materialize from the mist. After an eight-hour flight from London, I arrive in Islamabad at Benazir Bhutto International Airport.
I brought the bandage gloves with the prosthetics, but in London I feel the first gust of freedom and decide to bare all for an indifferent world. two hands with their odd scarcity of fingers.

July 2019
Featured image for “Box of Rain”
Bobby Wilson

Box of Rain

All Tobias could do was thank HaShem over and over again that he had made it to the train station on time and that they were now on the train; the former because of what his wife would have said to him and the latter because now that they were on the train she wouldn’t be able to level criticisms of any kind at him in such close quarters.
He loved Hannah, she was a lovely woman, but the nagging sometimes, it was a bit much. And it didn’t seem to be waning in frequency or potency as the years went by

June 2019
Featured image for “The Woodcutter and the Angel”
Esther Ra

The Woodcutter and the Angel

Last fall, in my first semester of college, I wrote a collection of poetry. It was a series of poems revolving around an ancient Korean fairytale about a woodcutter and his wife. The original story goes like this. When a poor woodcutter saves a fleeing deer from a hunter, the deer tells him a secret in return: there is a magical spring where seonnyeo (the traditional Korean equivalent for angels) come down to bathe. If you steal one of their winged robes, she will be unable to return to the heavens and therefore become your wife.

June 2019
Featured image for “A Friend Until the End”
Sandra Schmidtke

A Friend Until the End

Arthur Millman wears the shadow of his mortality like a shroud, and I know that our time together will be brief but profitable. I give this commitment two months, tops.
Grey wisps of hair do nothing to conceal the marigold tinge of jaundice on Arthur’s scalp. Glee bubbles up in my heart. Pancreatic cancer is a hard-hearted mistress, and she has had her way with this thin, nervous man. While my latest client reviews the contract, I count backward.

June 2019
Featured image for “He Crossed the Line”
William Hubbartt

He Crossed the Line

I packed up the Tacoma, figuring on a five-day round trip down to Georgia. I researched planned stops, and figured that rural Georgia was more likely to have gravel back roads with higher hills and deeper valleys than the flat country blacktop roads that were fairly common in the northern Midwest, my stomping grounds.

June 2019
Featured image for “The Goode Sisters”
Charlene Finn

The Goode Sisters

Summer was Kate’s favorite season. The sun drew moisture from the air and sharpened her senses, so when a thunderstorm approached, she could smell rain before it fell. When the sun dropped below Rattlesnake Ridge across the lower Yakima Valley, their land on the opposite east slope held onto the heat and almost guaranteed that she and Hayden were able to grow bumper crops of fruit. They raised Bing cherries, Red Haven and Alberta peaches, and Tilden apricots and two kinds of apples all sold under Kate’s family name, Goode.

May 2019
Featured image for “The Boy with the Lysol-Sprayed Cowlick”
Thomas Weedman

The Boy with the Lysol-Sprayed Cowlick

The Examen – a preparation for Confession. To the boy with the pellucid blue eyes and the Lysol-sprayed cowlick, it almost sounds like an exam for men. He does not think he’ll pass. After final reflections, as though time is up and he must put down his yellow #2 pencil, he solemnly exits the pew.

April 2019
Featured image for “A Bright Spot”
Chelsea Cambeis

A Bright Spot

Somewhere along the way, I lost all sense of direction. Life’s become this mundane, necessary task, and I’m growing tired. My brain is fuzzy; I lack enthusiasm. Most would say I’m depressed, but it feels more like I’m running out of steam.

So here I stand, sneakers melting to the cracked sidewalk.

April 2019
Featured image for “In Flagrante Delicto”
Olivier FitzGerald

In Flagrante Delicto

Police finally pin Silas a year after the fact, catching him daydreaming about a hazy childhood morning when Papa flew them to Buenos Aires without permission. And yet before the men in blue descend, while spelunking the depths of a storage unit in the outskirts of Indianapolis, Silas stumbles upon two old journals. One is red embossed, the other green and unmarked, protective cover stripped of its dog-nosed plastic by force of detrition.

April 2019
Featured image for “A Map of the World (W.A.F.)”
Edward Weingold

A Map of the World (W.A.F.)

Eindhoven, Netherlands, 3 March 1944
Herman Dijkstra’s pencil point hovers above the entry on the onionskin sheet. Housekeeper—I don’t trust her. I’m afraid for Hetty.

Unwelcome warmth flushes his face. Emma Berghuis—hired after Marthe’s remains were shipped home. Marthe—gone to Rotterdam to help with a cousin’s birth, May 1940. Herman’s throat tightens; he imagines his wife, crushed, burnt in the blitzkrieg.

March 2019
Featured image for “Fortunes Told”
Diana McQuady

Fortunes Told

You turned up West 41st because Gwyneth wanted you to and because you were so horny you’d have done anything she suggested. Behind you Times Square felt relatively safe despite its seedy hotels and tawdry strip joints that held no romantic charm, regardless what musician had once stayed there. On that night it was all sleaze and filth without a hint of the Disneyfied street it would become a couple of decades later.

March 2019
Featured image for “Quimby House”
Ryan Scott Oliver

Quimby House

Willa heard screaming.
You did what!? I thought we was just gonna take care o’ her!
She woke. Her eyes unopened, a pair of voices played angry music into Willa’s ears, somewhere off. A second voice replied, And we will take care of her — forever! Despite the first voice’s bellowing, the second one pressed, unbothered. In good humor, even. She opened her eyes.

February 2019
Featured image for “Aging With Grace”
Susan Berg

Aging With Grace

My name is Grace. I’m fifty-one years old, standing here in the mobile home I’ve been living in for the past seven years. It’s a wreck. My stuff is strewn all over the place and most of the mess I created myself. The rest was done by an unknown bastard who broke into my place looking for—what? Cash? Jewelry? Priceless art? Who would expect to find anything of value to fence in a crummy old single-wide trailer with a rusty metal roof, a rotting front door, and a dingy yellow fiberglass tub with a huge crack that is evolving into a hole.

February 2019
Featured image for “Generation I”
John Etcheverry

Generation I

Tashkent, Uzbekistan
I pressed the back of my hand to the smudged glass of the meat case. Warm. “If you don’t refrigerate this lamb it goes bad.” I’ve been arguing this with butchers at this market every week for the past year and a half.
“What can I offer you, brother?” The meat cutter stepped forward wiping his palms across his apron, the new blood and grease mingling with the old. His Russian is broken but more certain than my shaky grasp of the Uzbek language, which I abuse daily in my work on the visa line at the American embassy.

February 2019