Issues

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues

Featured image for “Birdsong”
Jennifer Fox

Birdsong

I had never heard anything quite like it before, yet there was something familiar about it. It was almost songlike, this noise, punctuated with agony and mournfulness.

December 2020
Featured image for “Dreams”
Tina Klimas

Dreams

Everything about this day has felt different from the beginning. It all started when her mother made bacon and eggs for breakfast. They usually only have bacon on Sundays.

December 2020
Featured image for “A Journey Together”
Hasan Abdulla

A Journey Together

Roland Harris felt as though the wind was piercing through his grey woollen overcoat, one April day, when the sky was overcast with clouds that seemed to threaten to pour down rain onto Kings Cross Station and its surroundings.

December 2020
Featured image for “The Path to Enlightenment and the Crazy Yogi”
Kabir Mansata

The Path to Enlightenment and the Crazy Yogi

The city of Calcutta lights up in the month of December, especially for the bourgeois families. There is a social event every evening and bars and country clubs are filled with patrons eating and drinking copiously, dancing till dawn, and overall having a gala time.

December 2020
Featured image for “When He Was One”
Kathleen Siddell

When He Was One

Shortly after the funeral, (whether it was days or weeks, she couldn’t say), Helen found a small jar containing six dead yellow jackets at the foot of Harry’s unmade bed. When she asked, Harry told her, “Bees can see faces…”

December 2020
Featured image for “Marrying Up”
Nicole Jeffords

Marrying Up

Frances first saw Jack in the winter of 1947 at a debutante party. He was with a blond-haired girl whom Frances later found out was his cousin, and who left him alone for most of the evening.

December 2020
Featured image for “Follow Me”
Brian Schulz

Follow Me

At first Lindsay thought the beat-up F150 and overloaded U-Haul trailer parked in front of her brother’s building belonged to Northeastern students moving out, but then she recognized the old oak drop-leaf table wedged precariously on the back.

December 2020
Featured image for “In Simple Terms”
Mark Mrozinski

In Simple Terms

Viola.
She sits still in the café, thinking about his words. How can he do this to her, to them? She watches Jeff’s eyes looking for a tear—something, but there is nothing, not a clue his heart is suffering. She thought he loved her.

December 2020
Featured image for ““Break Time,” “When Dying Deer Appear” and “Crawlspace””
Robert Eugene Rubino

“Break Time,” “When Dying Deer Appear” and “Crawlspace”

Maybe you’ve lost
your patience
with your country
with a loved one
with yourself.

December 2020
Featured image for ““Fur Coats,” “Gargoyles” and “Chamomile & Jokes about Good Band Names””
A. Smith

“Fur Coats,” “Gargoyles” and “Chamomile & Jokes about Good Band Names”

Commutes are the distances between
events. Some days I’m stuck with these
Black Mountain hipsters, pissing off
their North End balconies even on
a Tuesday.

December 2020
Featured image for ““November Cloak,” “Between Being and Doing” and “Toilet Talk””
Karen Carter

“November Cloak,” “Between Being and Doing” and “Toilet Talk”

Auntie Jane’s blanket,
attic stored, air cloved,
with her knitted cable yarn
she hums a morning tune.

December 2020
Featured image for ““A poem should be read all at once,” “The truth” and “A taste of ourselves””
Khaled K.E.M.

“A poem should be read all at once,” “The truth” and “A taste of ourselves”

To enjoy his selected poems
he only reads the first stanza
before going to bed
and keeps the second one

December 2020
Featured image for ““Moonless,” “Ars Poetica” and “My Mother’s Stories””
Ana Pugatch

“Moonless,” “Ars Poetica” and “My Mother’s Stories”

From the window of the faded ranch
I watched a bird floating in the kiddie pool:
a loon, with its reticulated band of stars.
I knew which bird it was from the tilt

December 2020
Featured image for “The Serpent Papers: Jump”
Jeff Schnader

The Serpent Papers: Jump

A small truck stood curbside in front of a narrow store; a florist was taking delivery as I approached. The shop’s metal cellar doors, normally flat and flush with the sidewalk, were opened and upright revealing the steps to the storage area below the shop.

December 2020
Featured image for ““Lifeboat in the Apocalypse,” “The News of Your Death” and “The Gift of a Green Scarf””
Kathleen Holliday

“Lifeboat in the Apocalypse,” “The News of Your Death” and “The Gift of a Green Scarf”

I haven’t always wanted to be
in the same boat with them
but when the time comes, I hope
there’ll be room for me in that lifeboat

December 2020
Featured image for “Mr. Williams”
Ron Schafrick

Mr. Williams

When I was sixteen, I took organ lessons from a dour, quick-tempered, talented British man named Mr. Williams. No one else I’ve known, either before or since, was as self-sacrificing for his instrument. Nor as old-fashioned. In the nine or so months I was his student, I never saw him dressed in anything other than a three-piece suit that had long gone out of style, a tie with what appeared to be a school crest on it, and horn-rimmed glasses dating back to the Kennedy administration. A gold cross was invariably pinned to his lapel. He was the only man I knew who still used Brylcreem in his hair, so much so that it looked like a solid, shiny mass. Not that he was an especially old man. Rather, he seemed ageless somehow, as if caught outside of time, belonging neither to the present nor to some earlier era.

November 2020
Featured image for “Snakebit”
Francois Bereaud

Snakebit

As Zach flew over the handlebars of his mountain bike, his body a rigid missile parallel to the ground, he figured it’d be bad. He’d been going pretty fast. On the good luck side, nothing too serious broke save a couple of ribs – those hurt like a mother, though. On the bad luck side, he landed next to a rattler who promptly bit him in the shin. He hollered to holy hell, rousting a couple of homeless guys who had been squatting peacefully not ten yards from the trail. A small but vigorous debate ensued.

November 2020
Featured image for “The Writer”
Kacie Faith Kress

The Writer

Once upon a time, I met a girl.
Now, you’re probably thinking two things. One: Jacob, for God’s sake, you’re a writer. You’re really going to begin the story with ‘once upon a time’? What is this, a Grimm fairytale? And two: a long, extended groan followed by, another story about a boy and a girl?
But it’s not like you think.
She’s not like you think.
I want to start from the beginning, but right now she’s next to me, and I’m reminded of why I haven’t been able to write a single thing for the last six months.

November 2020
Featured image for “The Revisit”
Salvatore Sodano

The Revisit

Thomas leans his head against the fuselage and looks down through the Lexan window. The homes remind him of a town model his father had once made in their attic when he was a young boy. The streets, like small veins, separate the cluster of suburban Floridian homes. Their peaked roofs are all two-toned from the sunset. He imagines his house, empty and distant, buried beneath the cover of an elevated train in South Queens, and how the sun will peak from behind the steel columns for that brief moment outside his kitchen window, and how he won’t be there to see it.

November 2020
Featured image for “The Rules of Improv”
Julie Benesh

The Rules of Improv

Lainie emerged from her shock, lying on her side in the driveway surrounded by a black wreath of cleft-chinned superheroes in boots and helmets. She noted the gravel in her hair before wincing at the tenderness of two small broken bones in her left hand, various bruised ribs, and shrapnel-inflicted gash above her ankle.
It was a mistake any mortal could make, exploding her gas grill by forgetting to open the lid before turning on the gas.

November 2020
Featured image for “Passing”
Lucina Stone

Passing

Here it was, the opportunity of a lifetime to finally have everything that I wanted. No more of the desperate longing to look like the images I saw on Instagram. My self-doubt would be gone, replaced by an inner confidence that only I would know about. I had done everything possible on my own to pass and fit into what society deemed presentable but had always come up short. This long- awaited advantage would even things out for me and save me years of wasted time and money. So when it was my turn to order, I didn’t berate myself.

November 2020
Featured image for “The Final Chapter”
Henriette Rostrup

The Final Chapter

Towards the end of spring, when the air is still cold and bites at your cheeks, and a thick blanket of mist covers the ground, a large black truck approaches a small Danish town. When it reaches the town limit, it stops and a man jumps out. He’s in his forties, wearing a creased, high-end suit that looks as though he has slept in it. His hair, dark and sprinkled with gray, stands up from the back of his head like on a baby heavy with sleep. He runs his hands through it as he squints at the bright morning sun, which is beginning to penetrate the clouds. Then he waves at the truck driver, shuts the door, and turns to face the town.

November 2020
Featured image for “The Leather Satchel”
Jaime Balboa

The Leather Satchel

Muriel decided to catalog the desiccated remains herself. Her heart raced. Her fingers tingled. Electric lanterns placed every few feet illuminated the cave. Layers of dust and the neglect of time conspired to make it all but unrecognizable. Was it female or male? From when? She studied it, looking for signs. So much anticipation. So much hanging in the balance. Her doctoral students and undergraduates gathered, hushed and eager. The small team of researchers, on the twenty-ninth day of a thirty-five-day dig, had made little progress until Guillermo, a first-timer, found what looked to be a canvas jacket from the First Common Era baked into the wall of the dry Nevada desert cave.

November 2020
Featured image for “For Whom the Hands Clap”
Fiona Murphy McCormack

For Whom the Hands Clap

The ventilator whirred mechanically, patients’ chests rising as the oxygen pumped through their lungs. Donna stood by the man she had seen intubated hours beforehand. His breath at times steadying momentarily was a forced gasping rattle. She wondered who he was.
A middle-aged man with greying hairs amongst patchy brown. Quite possibly handsome, aside from the current predicament. His youthful face now drained from the sensation of drowning. He was in the throes of acute respiratory distress syndrome, as a result of the virus. Watching him, Donna’s own breath belaboured beneath her mask.

November 2020